TC's life is a busy one, filled with the physical demands of her job as a mail carrier and her dreams to play basketball, not to mention the demands of her convoluted love life. Her girlfriend, Samantha, is one beautiful and powerful woman--and a cop. Jealousy seems to be the unavoidable side effect of their open relationship, and though they each have a lover on the side, each fears loss and heartbreak. Are any of them meant to be together? Is Samantha "the one" for TC--or is her true love still out there somewhere?Jay, TC's best friend, supports her, but he has his own issues. A jock and a player, Jay considers himself a real ladies' man, but on the day he meets Carly, everything he thinks he knows about himself is called into question. Carly has only recently started living her life as a woman, and she's got to balance her natural attraction to Jay with her fear that he will reject her when he learns the truth. As Jay does his best to give TC advice on her own love life, he's got some big decisions to make himself. Is Carly his destiny? Is he hers?Things may not always go as planned, but that's the beauty of life and relationships--and this is especially true in The Million Dollar Story.

One relationship. Infinite possibilities. 'Let's go for a drink. I don't know what I'm doing here anyway. One drink. And if you never want to see me again you never have to see me again.' Nick Payne's Constellations is a play about free will and friendship; it's about quantum multiverse theory, love and honey. Constellations premiered at the Theatre Upstairs at the Royal Court Theatre, London, in January 2012. It transferred to the Duke Of York's Theatre, London, in November, and was awarded the Evening Standard award for Best New Play 2012.

This monograph examines three aesthetic emotions in AElfric's Lives of Saints. Drawing on recent research on emotional communities, this research combines methods from Cognitive Sciences and other studies on early Medieval English language and literature in order to explore AElfric's usage of the terms in the lexical domain of amazement. The main aim of this study is to identify preferred modes of expression that would reveal a series of emotional rules in the context of AElfric's emotional community. Looking into AElfric's usage of this lexical domain and how he depicts emotion dynamics in these texts, this monograph shows how the emotion family of amazement is central to the hagiographical genre, and it highlights important emotion-regulation scripts that operate in these texts.

A famous artist invites her old friends to her luxurious new home. For one night only, the group is back together. But celebrations come to an abrupt end when the host suffers an horrific accident. As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? Pool (No Water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.

Hierdie drama handel oor tien tieners in ’n bos by ’n oorlewingskamp waar spoke, hormone, groepsdruk en goggas die senuwees behoorlik laat knyp. KAMP KOERSHOU is nie vir sissies nie. Want grootword is nie “lekker” nie. Grootword is pyn. En “verwonding".

Die tien jeugdiges vertrek op 'n oorlewingskamp, in 'n bos, onder toesig van 'n paramilitaire instrukteur. Dit is hulle rite of passage sodat hulle weerbaar ‒ paraat! ‒ die grens na volwassenheid kan oorsteek. Maar hoe hou jy koers as jy nie weet waarheen jy wil gaan nie?

Die toneelstuk is in 2012 by die KKNK opgevoer met regie deur Marthinus Basson en Stian Bam in die hoofrol.

Winner of Best Play for Young Audiences in the Writers' Guild Awards 2016 The tide was turning - though local governments disagreed, it would soon be illegal to segregate black Americans from white Americans on public buses, in waiting rooms or in restaurants. And yet - in the early 1960s, many states across the south of America kept discriminating against African-Americans... In modern day Britain, four actor-storytellers tell the stories of the Freedom Riders - principled citizens riding buses across Alabama and Mississippi, drawing attention to this illegal discrimination, and facing up to terrifying violence with peaceful resistance. The story of the Freedom Riders is one of ordinary people becoming a civil rights movement, taking on the establishment and changing the world. In a time of Michael Brown, and Trayvon Martin, and Mark Duggan, what does it mean for people to come together and rise up?

A tried-and-tested stage adaptation of Barry Hines' novel A Kestrel for a Knave, about a troubled young boy who finds and trains a kestrel. Billy, a disaffected young boy, has problems at school and at home: he's neglected by his mother, beaten by his brother and bullied on all sides. He adopts a fledgling kestrel and treats it with all the tenderness he has never known. Slowly, he begins to see for the first time what he could achieve - if only he tried. Lawrence Till's adaptation of Barry Hines' 1968 novel retains its gritty charm and popular staying power. Kes was first performed at West Yorkshire Playhouse in 1999.

High summer in Glasgow's Southside and a heatwave bears down on the residents of Govanhill, driving them off the streets. Tensions are running high and fantasy and reality are becoming blurred. Fighting to reclaim their neighbourhood, the lives of a sleep-deprived new parent and his civic-minded wife begin to unravel. Meanwhile an ambitious Hutchie boy, a pair of young missionaries, a performance artist and her alter ego and an unscrupulous property manager, are forced to confront their monsters. Fever Dream: Southside is a surreal comic thriller and major new production by Glasgow-based writer Douglas Maxwell.