Comedy, full of laughter, tension, comradeship, and 7 highly singable songs (2 acts, 15 women).

"Nothing But the Truth" tells the story of two brothers, of sibling rivalry, of exile, of memory and reconciliation, of the perplexities of freedom.
"The past will always be a powerful presence in the present. We must never forget, but this does not mean that we must cling to the past, and wrap it around us, and live for it. We only look back in the past in order to have a better understanding of our present. This is one of the greatest lessons of "Nothing But the Truth.""--Zakes Mda
John Kani joined the Serpent Players in Port Elizabeth in 1965, and helped create many plays that went unpublished but were performed to a resounding reception. These were followed by the more famous "Sizwe Bansi is Dead" and "The Island," co-written with Athol Fugard and Winston Ntshona, in the early 1970s. "Nothing But the Truth" marks his debut as sole playwright.

First published in 1990, the aim of this book is to reveal the William Shakespeare whose life has been obscured by centuries of literary mythology. It unravels a series of strands in order to understand the man and the major influences which shaped his life and writing. The first part advances the thesis that his relationship with his father directly influenced the character of Falstaff - helping to not only explain key events in his father's life but also critical events in his own biography. This thesis not only illuminates the Falstaff plays but also a number of other works such as Hamlet. The second part focuses on Shakespeare's own life, and includes much original research particularly on the tradition that he was a poacher of deer, discussing the influence this incident had on his later life and writings. In addition, a sociological approach has been used which illuminates a number of key areas, including questioning the view his background was narrow and provincial - which has often been used to dispute his authorship of plays of such cosmopolitan appeal.

"Sleuth" has all the ingredients of a top-class thriller, which it undoubtedly is - a plot whose twists and turns are breathtakingly audacious and fiendishly cunning; suspense and excitement galore; and a brilliant parody of the Agatha Christie country-house thriller, mercilessly satirizing the genre at the same as using its technical devices to the full. It is a dramatic study of sexual conflict and jealousy between an older and a younger man; as well as a subtle psychological portrait of an inadequate and sexually-obsessed middle-aged man.
"Sleuth" was filmed by Joseph Mankiewicz, with Laurence Olivier and Michael Caine in the leading roles, and this edition is fully illustrated with stills from the film, for which Anthony Shaffer wrote the screenplay.
Anthony Shaffer has written several television and stage plays, including the West End success "Murderer" (also available from arion Boyars Publishers). He has also written many screenplays, including "Play with a Gypsy," Hitchcock's "Frenzy, The Wicker Man," and the Agatha Christie films "Death on the Nile" and "Evil Under the Sun."

Cixous' work as a playwright - working mainly with Theatre du Soleil and their director Ariane Mnouchkine - establishes her as a participant in some of the most adventurous European theatre making of the last 40 years.
This collection brings together for the first time, four translations into English of Helene Cixous' plays. It is a unique and extraordinary resource for scholars, students and theatre-makers.
The collection includes: *The Perjured City, translated by Bernadette Fort
*Black Sail, White Sail, translated by Donald Watson
*Portrait of Dora, translated by Ann Liddle
*Drums on the Dam, translated by Judith G. Miller and Brian J. Mallet
This exciting new anthology will disseminate her work to a wide and receptive English-speaking audience.

A brand-new collection of original audition pieces written by and for actors of colour, commissioned by Tamasha Theatre Company and edited by Titilola Dawudu, with a foreword by Noma Dumezweni. Hear Me Now is a unique collection of over eighty original audition monologues, expressly created by a range of award-winning writers brought together by producer Titilola Dawudu and Tamasha Theatre Company. They're ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity. The book provides varied, nuanced stories that expand beyond the range of existing material available - from a cross-dressing Imam, to the first Black Prime Minister, the British Indian girl with dreams of becoming a country music star, or the young Black boy who loves baking as much as football - Hear Me Now is an essential tool for actors of colour to showcase their range, and seeks to inspire, empower, and create a legacy for generations to come.

I can tell the difference between who I am and a side effect. The Effect is a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off-course, much to the frustration of the clinicians involved. This funny, moving and perhaps surprisingly human play explores questions of sanity, neurology and the limits of medicine, alongside ideas of fate, loyalty and the inevitability of physical attraction. Following on from the critical and commercial success of Enron, The Effect offers a vibrant theatrical exploration into the human brain via the heart. It received its world premiere at the National Theatre's Cottesloe Theatre in November 2012, starring Billie Piper and Jonjo O'Neill. It is published here in the Modern Classics series alongside an introduction by Miriam Gillinson.

The cold, misty Kent marshes--Pip, an orphan, is terrified when an escaped convict appears out of the gloom and threatens him, and then the strange and sinister Miss Havisham sends for him. What will Pip do when he discovers he has come into riches--and will he ever find out who his benefactor is?

Aleksandr Blok's Trilogy of Lyric Dramas gathers together for the first time in English translation the first three plays by Aleksandr Blok, the pre-eminent poet of Russian Symbolism and one of the greatest poets of the twentieth century. The three plays that constitute the trilogy - A Puppet Show, The King on the Square and The Unknown Woman - are pivotal documents in the development of modernist drama. In his productions of A Puppet Show; and The Unknown Woman, Meyerhold first began to work the basic tenets of his approach to grotesque and constructivist theatre. Moreover, A Puppet Show provided the inspiration and much of the foundation for Meyerhold's theoretical writings. As a result, these plays are indispensable to any student of Meyerhold or modernist theatre. The plays are presented in the context of the poetry from which they issued in order to suggest how Blok developed the themes and motifs of the plays in other genres.

eBook available with sample pages: 0203216814

Ten non-Shakespearean Renaissance plays and a masque have been brought together for the first time in what is a major text for students of English drama of the late sixteenth and early seventeenth centuries.
The Renaissance saw a dramatic explosion of such force that, four hundred years later, its plays are amongst the most frequently performed and studied we have. This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and brilliantly annotated texts of the following plays:
* The Spanish Tragedy (Thomas Kyd)
* Arden of Faversham (Anon.)
* Edward II (Christopher Marlowe)
* A Woman Killed with Kindness (Thomas Heywood)
* The Tragedy of Mariam (Elizabeth Cary)
* The Masque of Blackness (Ben Jonson)
* The Knight of the Burning Pestle (Francis Beaumont)
* Epicoene, or the Silent Woman (Ben Jonson)
* The Roaring Girl (Thomas Middleton & Thomas Dekker)
* The Changeling (Thomas Middleton & William Rowley)
* 'Tis Pity She's a Whore (John Ford)
Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically.
An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346

Related link: www.routledge.com/textbooks/0415187346

Ten non-Shakespearean Renaissance plays and a masque have been brought together for the first time in what is a major text for students of English drama of the late sixteenth and early seventeenth centuries.
The Renaissance saw a dramatic explosion of such force that, four hundred years later, its plays are amongst the most frequently performed and studied we have. This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and brilliantly annotated texts of the following plays:
* The Spanish Tragedy (Thomas Kyd)
* Arden of Faversham (Anon.)
* Edward II (Christopher Marlowe)
* A Woman Killed with Kindness (Thomas Heywood)
* The Tragedy of Mariam (Elizabeth Cary)
* The Masque of Blackness (Ben Jonson)
* The Knight of the Burning Pestle (Francis Beaumont)
* Epicoene, or the Silent Woman (Ben Jonson)
* The Roaring Girl (Thomas Middleton & Thomas Dekker)
* The Changeling (Thomas Middleton & William Rowley)
* 'Tis Pity She's a Whore (John Ford)
Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically.
An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346

Related link: www.routledge.com/textbooks/0415187346

Drama Classics: The World's Great Plays at a Great Little Price A classic Italian comedy that remains blisteringly hilarious and relevant, over two hundred and fifty years after it was written. Disguising herself as her dead brother, Beatrice travels to Venice to find Florindo, the man responsible for his death. However, her servant, Truffaldino, enters into the pay of Florindo, and struggles to keep his two lives and masters separate. Carlo Goldoni's play The Servant of Two Masters (Il servitore di due padroni) was written in the 1740s, though later revised by its author. It draws on the tradition of Italian commedia dell'arte. This English version in the Nick Hern Books Drama Classics series is translated by Stephen Mulrine.

An electrifying, bittersweet love story with echoes of Romeo and Juliet, set in a society divided by racial bigotry and a world rocked by terrorism. Adapted from Malorie Blackman's best-selling novels. Sephy (a Cross) is the daughter of the Deputy Prime Minister. Callum is the son of a Nought agitator. United by a shared sense of injustice as children, and separated by intolerance as they grow up, their desire to be together begins to eclipse all family loyalty - sparking a political crisis of unimaginable proportions. 'I wanted to turn society as we know it on its head, with new names for the major divisions, i.e. Noughts (the underclass) and Crosses (the majority, ruling society)' - Malorie Blackman Dominic Cooke's adaptation of Noughts & Crosses was first performed by the Royal Shakespeare Company in Stratford-upon-Avon in 2007.

Two outstanding examples of socialist-themed plays are combined in this remarkable volume.
The Conspiracy of Feelings by Yurii Olesha (1899-1960) is based on his highly respected short novel Envy about the struggle between the old and new in Soviet society. The play, called The Conspiracy of Feelings, is not a simple adaptation, but an original work that reconceived the novel. The play explores the precarious position of the intelligentsia in the new collective state.
The Little Theatre of The Green Goose was written by Konstanty Ildefons Galczynski (1905-53) who was one of Poland's most beloved poets. After World War II, he began work as a playwright, inventing a colorful theatre troupe of performers (animal and human) and contributing a new instalment of The Little Theatre of the Green Goose each week to Przekroj, the Cracow literary magazine. Intended for reading only, The Green Goose went unperformed in Galczynski's life and was finally staged in 1955 and gained a permanent place in the theatre and became a force for the creation of the new Polish drama that flourished in the 1960s.

Contents:
General Editor's Note ^Kimball King. Introduction Lois Gordon. Introduction to Second Edition Lois Gordon. Chronology. 1. Creative Process and Meaning-Some Remark of Pinter's 'Letter to Peter Wood Martin Esslin 2. The Economy of Betrayl Ruby Cohn 3. Time for Change in No Man's Land Austin E. Quigley 4. Last to Go: A Structuralist Reading David Lodge 5. Monologue: The Play of Words Linda Ben-Zvi 6. The Dumb Waiter, The Collection, The Lover, and The Homecoming: A Revisionist Approach George Wellwarth 7. Displacement in Time and Space:Harold Pinter's Other Places Ewald Mengel 8. Film and Drama: The Opening Sequence of the Filmed Version of Harold Pinter's The Caretaker (The Guest) Steven H. Gale 9. Pinter and Politics Susan Hollis Merritt 10. 'Yes! In the Sea of Life Enisled': Harold Pinter's Other Places Ewald Mengel 11. 'To Lay it Bare': Pinter, Shakespeare, and The Dwarfs Francis Gillen 12. Mind-less Men: Pinter's Dumb Waiters Robin Gordon 13. Harold Pinter in New York Lois Gordon 14. Photos, from Pauline Flanagan 15. Harold Pinter's Achievement and Modern Drama Kimball King & Marti Greene 16. Acting Pinter Mel Gussow 17. 'You're speaking to someone and you suddenly become another person: Storytelling in Pinter's Moonlight and Ashes to Ashes Ann C. Hall 18. Celebrating Pinter Michael Billington Selected Bibliography. Author Biographies. Index

THE WORLD'S GREATEST SWORDSMEN...* A major new family comedy set in the world of the Three Musketeers... sort of. When the famous Musketeers are lost in a shipwreck on a routine mission across the channel, their hapless servants are left with no masters and an important mission to complete. Will they fool the king? Will they save the day? Will they even work out which end of the sword to use?! The New Musketeers features brilliant music, terrible sword fighting and a hilarious cast of characters. This edition was published to coincide with the world premiere at Trinity Theatre, Tunbridge Wells, in December 2022. *Are not in this play

In the two decades since the first edition of Contemporary Plays by Women of Color was published, its significance to the theatrical landscape in the United States has grown exponentially. Work by female writers and writers of color is more widely produced, published, and studied than ever before. Drawing from an exciting range of theaters, large and small, from across the country, Roberta Uno brings together an up-to-date selection of plays from renowned and emerging playwrights tackling a variety of topics. From the playful to the painful, this revised and updated edition presents a rich array of voices, aesthetics, and stories for a transforming America.

Coming after Charles Krance's edition of Company and of Ill Seen Ill Said (Beckett 1996), this is the third volume of Samuel Beckett's Complete Bilingual Works. Like those volumes, this one presents twin English and French texts and a complete record of the genesis of each one. This volume will serve primarily as a research tool in two areas: comparative study of Beckett's English and French texts, along with the study of the genesis of those texts.

Two young people and their daemons, with everything at stake, find themselves at the centre of a terrifying manhunt. In their care is a tiny child called Lyra Belacqua, and in that child lies the fate of the future. As the waters rise around them, powerful adversaries conspire for mastery of Dust: salvation to some, the source of infinite corruption to others. Philip Pullman's The Book of Dust - La Belle Sauvage is set twelve years before the epic His Dark Materials trilogy. Bryony Lavery's stage adaptation was first performed at the Bridge Theatre, London, in December 2021, directed by Nicholas Hytner, whose groundbreaking production of His Dark Materials was a critical and commercial success at the National Theatre. 'Once in a lifetime a children's author emerges who is so extraordinary that the imagination of generations is altered' New Statesman on Philip Pullman 'High-octane adventure accompanies ingenious plotting during Lyra's extended journey in a canoe down a dangerously flooded Thames' The Times on Philip Pullman's novel 'An imaginative adaptation which keeps alive the wit and excitement of the book' Guardian on Bryony Lavery's version of Treasure Island

Audition Speeches for 6-16 Year Olds offers a generous helping of carefully selected speeches that children can prepare for auditions. Each speech is introduced with commentary to set the scene and help the young actor.

I can imagine myself in the future looking back on this all. And looking back I can feel when the fire was lit. Fifteen-year-old Roxy is burning. Lost somewhere between the bonfire of girlhood and the sharp edge of womanhood, she gathers her friends and begins meddling in witchcraft to search for answers. Shadows are lurking, ready to swallow those she loves most in the world. As friendships fray, fire crackles and blood bubbles, the group unravel the bonds that unite and the secrets that surround them. Moonset is a blazing, coming-of-age tale filled with love, rage and self-discovery, as four young women search for the power they were promised. Moonset is published in Methuen Drama's Plays For Young People series which offers suitable plays for young performers at schools, youth groups and youth theatres. This edition was published to coincide with the run at Tron Theatre, Glasgow, and Traverse Theatre, Edinburgh, in February 2023.

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