In south side Chicago, Walter Lee, a black chauffeur, dreams of a better life, and hopes to use his father's life insurance money to open a liquor store. His mother, who rejects the liquor business, uses some of the money to secure a proper house for the family. Mr Lindner, a representative of the all-white neighbourhood, tries to buy them out. Walter sinks the rest of the money into his business scheme, only to have it stolen by one of his partners. In despair Walter contacts Lindner, and almost begs to buy them out, but with the help of his wife, Walter finally finds a way to assert his dignity. Deeply committed to the black struggle for equality and human rights, Lorraine Hansberry's brilliant career as a writer was cut short by her death when she was only 35. A Raisin in the Sun was the first play written by a black woman to be produced on Broadway and won the New York Drama Critics Circle Award. Hansberry was the youngest and the first black writer to receive this award.

The Penguin Classics debut that inspired a classic film and a current Broadway revival
Reginald Rose's landmark American drama was a critically acclaimed teleplay, and went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. A blistering character study and an examination of the American melting pot and the judicial system that keeps it in check, "Twelve Angry Men" holds at its core a deeply patriotic belief in the U.S. legal system. The story's focal point, known only as Juror Eight, is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal biases. Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture of America, at its best and worst, to form.

Contemporary Queer Plays by Russian Playwrights is the first anthology of LGBTQ-themed plays written by Russian queer authors and straight allies in the 21st century. The book features plays by established and emergent playwrights of the Russian drama scene, including Roman Kozyrchikov, Andrey Rodionov and Ekaterina Troepolskaya, Valery Pecheykin, Natalya Milanteva, Olzhas Zhanaydarov, Vladimir Zaytsev, and Elizaveta Letter. Writing for children, teenagers, and adults, these authors explore gay, lesbian, trans, and other queer lives in prose and in verse. From a confession-style solo play to poetic satire on contemporary Russia; from a play for children to love dramas that have been staged for adult-only audiences in Moscow and other cities, this important anthology features work that was written around or after 2013-the year when the law on the prohibition of "propaganda of non-traditional sexual relations among minors" was passed by the Russian government. These plays are universal stories of humanity that spread a message of tolerance, acceptance, and love and make clear that a queer scenario does not necessarily have to end in a tragedy just because it was imagined and set in Russia. They show that breathing, growing old, falling in love, falling out of love, and falling in love again can be just as challenging and rewarding in Moscow and elsewhere in Russia as it can be in New York, Tokyo, Johannesburg, or Buenos Aires.