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Books > Language & Literature > Literature: texts > Drama texts, plays > General
"Oh if we can just quiet the world for a moment. And listen within.
There's a voice guiding you. I promise it's there. And until you
can hear it, I'll be it for you." The men are all fighting, again.
An endless war. From nowhere, an unexpected leader emerges. Young,
poor and about to spark a revolution. Rebelling against the world's
expectations, questioning the gender binary, Joan finds their power
within, and their belief spreads like fire. I, Joan is a powerful
and joyous new play which tells Joan of Arc's story anew. It's
alive and queer and full of hope.
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The Crucible
(Paperback)
Arthur Miller; Volume editing by Soyica Diggs Colbert; Series edited by Susan Abbotson
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R296
Discovery Miles 2 960
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Ships in 10 - 15 working days
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Because it is my name! Because I cannot have another in my life!
Because I lie and sign myself to lies! Because I am not worth the
dust on the feet of them that hang! How may I live without my name?
I have given you my soul; leave me my name! In a small tight-knit
community, gossip and rumour spread like wildfire, inflaming
personal grievances until no-one is safe from accusation and
vengeance. The Crucible is Arthur Miller's classic dramatisation of
the witch-hunt and trials that besieged the Puritan community of
Salem in 1692. Seen as a chilling parallel to the McCarthyism and
repressive culture of fear that gripped America in the 1950s, the
play's timeless relevance and appeal remains as strong as when the
play opened on Broadway in 1953. This new edition includes an
introduction by Soyica Diggs Colbert, that explores the play's
production history as well as the dramatic, thematic, and academic
debates that surround it; a must-have resource for any student
exploring The Crucible.
Weary of academic study, an eminent scholar turns to magic and
makes a deal with the Devil. Mephistopheles will serve him and give
him whatever he wants, but after twenty-four years Faustus must
keep his side of the bargain. This edition contains a detailed
introductory section that puts the play in its historical context,
in-depth textual notes, extracts from key critical works and
exam-style questions.
This collection brings together three international and
contemporary plays that each denounce violence against women,
alongside interviews with the creators and practitioners who
brought them to life. With interviews with writers, directors and
producers, who discuss the conception and staging of their plays,
their hope is to de-glamourize the staging of violence, to give
voice to the survivors of gendered violence, and to create
awareness and empathy within the audiences. Little Stitches
(London, 2014): four short pieces by Isley Lynn, Raul Quiros Molina
, Bahar Brunton and Karis E. Halsall on the issue of Female Genital
Mutilation as seen from the point of view of by-standers, health
professionals, women who support the practice and, finally,
survivors. 'Kubra' (Sydney, 2016) by Dacia Maraini, features a
young female protagonist who was subjected to FGM/C as a child, and
now brings her case to court. Rape Trial (Rome, 2018), adapted for
theatre by Renato Chiocca from the international award-winning
documentary of the same title made for Italian state television in
1979, shows how attitudes toward sexual violence, and judicial
procedures, tend to turn rape survivors from accusers into accused,
in court and in everyday discourse.
Vir die eerste keer ooit word al die dramas, hoorspele en die libretto van N.P. Van Wyk Louw in ’n versamelbundel uitgegee, met ’n voorwoord deur prof. Chris van der Merwe.
Van der Merwe sê: “Met die herlees van die dramas, hoorspele, koorspel en libretto van N. P. van Wyk Louw het dit my opgeval hoe dikwels hulle ʼn gesprek met mekaar voer. Soortgelyke temas word herhaaldelik uitgebeeld; die tekste sluit by mekaar aan, komplementeer mekaar, spreek mekaar soms teen. Dikwels kom die temas wat Louw in sy essays bespreek het of in sy poësie tot uiting gebring het, ook in die karakterisering en die intriges van die dramas na vore. Dit is opmerklik dat die denke van Louw nooit stagneer nie; steeds is daar tekens van ʼn voortgaande worsteling en vernuwing. Die indiwiduele dramas, in die groter konteks van sy oeuvre gelees, laat ʼn fassinerende skrywerspersoonlikheid na vore kom."
Remembering the lessons of Jan Karski, who risked his life to share
the truth with the world Richly illustrated with stills from the
black-and-white film adaptation of the acclaimed stage play,
Remember This: The Lesson of Jan Karski tells the story of World
War II hero, Holocaust witness, and Georgetown University professor
Jan Karski. A messenger of truth, Karski risked his life to carry
his harrowing reports of the Holocaust from war-torn Poland to the
Allied nations and, ultimately, the Oval Office, only to be ignored
and disbelieved. Despite the West's unwillingness to act, Karski
continued to tell others about the atrocities he saw, and, after a
period of silence, would do so for the remainder of his life. This
play carries forward his legacy of bearing witness so that future
generations might be inspired to follow his example and "shake the
conscience of the world." Accompanying the text of the stage play
in this volume are essays and conversations from leading diplomats,
thinkers, artists, and writers who reckon with Karski's legacy,
including Secretary of State Madeleine Albright, Ambassador Stuart
Eizenstat, award-winning author Aminatta Forna, best-selling author
Azar Nafisi, President Emeritus of Georgetown Leo J. O'Donovan, SJ,
Ambassador Samantha Power, Ambassador Cynthia P. Schneider,
historian Timothy Snyder, Academy Award (TM) nominated actor David
Strathairn, and best-selling author Deborah Tannen.
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