A short play about death by Caryl Churchill. A funeral party for a man with an adventurous past and a ginger cat that needs a home. Where is he now? Is his heart lighter than a feather? How did he die? And what happens to his friends? Caryl Churchill's play Here We Go was premiered at the National Theatre, London, in November 2015.

What is home? The answer seems obvious. But Telling Our Stories of Home, an international collection of 11 plays by and about women from Lebanon, Haiti, Venezuela, Uganda, Palestine, Brazil, India, UK, and the US, complicates the answer. The "answer" includes stories as far-ranging as: enslaved women trying to create a home, one by any means necessary, and one in the ocean; siblings wrestling with their differing devotion to home after their mother's death; a family wrestling with the government's refusal to allow the burial of their soldier-son in their hometown; a young scholar attempting to feel at home after studying abroad; a young man fleeing home due to feel safety in his sexual orientation only to discover the difficulty of creating home elsewhere, and Siddis (Indians of African descent) continuing to struggle for acceptance despite having lived in India for over 600 years. These are voices seldom represented to a larger audience. The plays and performance pieces range from 20 to 90 minute pieces and include a mix of monologue, duologue and ensemble plays. Short yet powerful, they allow fantastic performance opportunities particularly in an age of social-distancing with flexible casts that together invite the theme of home to be performed and studied on the page. The plays include: The House by Arze Khodr (Lebanon), Happy by Kia Corthron (US), The Blue of the Island by Evelyne Trouillot (Haiti), Nine Lives by Zodwa Nyoni (UK), Leaving, but Can't Let Go by Lupe Gehrenbeck (Venezuela), Questions of Home by Doreen Baingana (Uganda), On the Last Day of Spring by Fidaa Zidan (Palestine) Letting Go and Moving On by Louella Dizon San Juan (US), Antimemories of an Interrupted Trip by Aldri Anunciacao (Brazil), So Goes We by Jacqueline E. Lawton (US), and Those Who Live Here, Those Who Live There by Geeta P. Siddi and Girija P. Siddi (India)

Published in 1991 The Tragedye of Solyman and Perseda is a late Elizabethan romantic tragedy by Thomas Kyd, author of The Spanish Tragedy. It dramatises the triangular relationship of the Turkish emperor Soliman, his captive Perseda and her beloved Erastus against the fictionalised backdrop of the Turkish invasion of Rhodes in the early sixteenth century. This volume contains the original text along with textual and critical notes.

25 February 1964: 22-year-old Cassius Clay, soon to be Muhammad Ali, has just won the world heavyweight boxing title. Instead of hitting the town, he chooses to celebrate in a Miami hotel room with three close friends - activist Malcolm X, singer Sam Cooke and American football star Jim Brown. This fictional account of a real night imagines what might have happened in that tiny hotel room. As the Civil Rights movement stirs outside, and the melody of 'A Change is Gonna Come' hangs in the air, four men will emerge from that one night ready to define a new world. Kemp Powers' award-winning debut play One Night in Miami... deftly combines the personal and the political at a pivotal moment in history; it received the Ted Schmitt Award 2013 for its world premiere, and went on to be adapted into a critically acclaimed film directed by Regina King in 2020. It is published here in Methuen Drama's Modern Classics series with a brand new introduction by Matthew Xia.

Originally published in 1982, this book contains the Thomas Middleton and Williiam Rowley's full play, The Old Law, alongisde textual and critical notes.

Published in 1987: This thesis presents an edition of the author's play, Monsieur Thomas, with a substantial introduction in several sections and a sizeable apparatus.

First published in 1987, this 23rd volume in the Renaissance Imagination series had the objective of establishing the text of William Davenant's The Platonick Lovers that most closely represents the author's final vision for his work. Wendell W. Broom Jr documents the history of the publication of The Platonick Lovers and the manner in which the present text was produced. Copies of all relevant editions have been collated and curated to bring together the definitive authorial version of the text.

This is the first collection from critically acclaimed playwright Duncan Macmillan, containing the plays Monster, Lungs, 2071, Every Brilliant Thing and People, Places and Things.

'Welcome. Welcome to Bristol in 1963. Welcome to Waterloo Bridge in 2016. Welcome to a house in May 2017. Welcome to three couples and what might be, what once was and what could have been in 2017. Welcome to a West Indian household in 2018. Welcome to London in 2018. Welcome to the past, present and - crucially - the future.' This anthology brings together six plays, all written or performed since 2017, by six brilliant Black British writers - Travis Alabanza, Firdos Ali, Natasha Gordon, Arinze Kene, Chinonyerem Odimba and debbie tucker green. The plays demonstrate a rich range of settings, forms, styles, locations, scales, contents and concerns - and explore themes including politics and protest, grief and colonisation, relationships and gender. They have been seen on stages including the National Theatre, the Royal Court, the Bush and Bristol Old Vic, at the Edinburgh Festival Fringe, in the West End, and on tour of the UK. Selected and introduced by leading theatre director Natalie Ibu, Contemporary Plays by Black British Writers celebrates a multiplicity of stories authored by Black playwrights in the UK over the last decade.

Multiple award-winning Mark O'Halloran is one of Ireland's most celebrated writers. Two play spanning 12 years of work come together in one published edition to coincide with the New York premiere. CONVERSATIONS AFTER SEX You remind me of someone though. I mean you're not like him. Not physically like him. Nowhere near. But there's something there. Your voice or how you hold yourself. Your hands. In a series of unexpected and unguarded conversations after anonymous sexual encounters, a woman discovered men with the same deep need to communicate and connect in the lonely, atomised city. 'A portrayal of grief that is unforgettable in its rawness' - The Guardian TRADE "This is just this. It isn't real. It's money." In a guesthouse in Dublin's north inner city, a vulnerable and confused young rent-boy sits with a middle-aged client. It's not the first time they've met but today the older man has blood on his shirt. A lot has happened since they last met. 'It closes around your heart like a fist' - The Irish Times

Two outstanding examples of socialist-themed plays are combined in this remarkable volume. The Conspiracy of Feelings by Yurii Olesha (1899-1960) is based on his highly respected short novel Envy about the struggle between the old and new in Soviet society. The play, called The Conspiracy of Feelings, is not a simple adaptation, but an original work that reconceived the novel. The play explores the precarious position of the intelligentsia in the new collective state. The Little Theatre of The Green Goose was written by Konstanty Ildefons Galczynski (1905-53) who was one of Poland's most beloved poets. After World War II, he began work as a playwright, inventing a colorful theatre troupe of performers (animal and human) and contributing a new instalment of The Little Theatre of the Green Goose each week to Przekroj, the Cracow literary magazine. Intended for reading only, The Green Goose went unperformed in Galczynski's life and was finally staged in 1955 and gained a permanent place in the theatre and became a force for the creation of the new Polish drama that flourished in the 1960s.

Published alongside The Japan Foundation, this collection features five creative and bold plays by some of Japan's most prolific writers of contemporary theatre. Translated into English for the first time, these texts explore a wide range of themes from dystopian ideas of the future to touching domestic tragedies. Brought together in one volume, introduced by the authors and The Japan Foundation, this collection offers English language readers an unprecedented look at some of Japan's finest works of contemporary drama by writers from across the country. The plays include: The Bacchae-Holstein Milk Cows by Satoko Ichihara (Translated by Aya Ogawa) This play takes themes of the ancient Greek tragedy Bacchae by Euripides to examine various aspects of contemporary society, from love and sex, man and woman, intermixture of different species, discrimination and abuse, to artificial insemination, criticism of anthropocentricism and more. It was the winner of the 64th Kishida Drama Award. One Night by Yuko Kuwabara (Translated by Mari Boyd) The setting is a small taxi company run out of the home of its owner in a country town. One night the mother, Koharu Inamura, decides to leave the home in order to protect her children from her husband's domestic violence, promising them that she will come back in 15 years. The play depicts the family's reunion after having to live with the burden of that one night's (hitoyo) incident and how they restarted their lives after it. Isn't Anyone Alive? by Shiro Maeda (Translated by Miwa Monden) This laid back, absurdist work examines death through a goofy lens. In the play, strange urban legends abound in a university hospital where young people die one after another, all with mobile phones in their hands. The Sun by Tomohiro Maekawa (Translated by Nozomi Abe) Depicts young people torn apart in a near future setting where humanity has split into two forms: Nox humans who can only go out at night, and Curios, the original type of humans that can live under the sun. Carcass by Takuya Yokoyama (Translated by Mari Boyd) This play takes its name from the Japanese word for dressed carcasses of beef and pork that have been halved along the backbone for meat . It deals with the dignity of being alive as seen through the lives of workers in the meat industry based on interviews and research. It won the Japan Playwrights Association's 15th New Playwright Award in 2009.

You're between two fires... They're very warm sometimes. Noah Adamson is the first Leader of the Labour Party; frequently torn between his socialism and principled support for votes for women on the one hand and the more reactionary views of too many of his colleagues on the other. A middle-aged married man; he is also in love with the young socialist suffragette Freda McLaird. Things look bleak for the cause and the man. Still Noah - inspired by his soulmate - has time for hope and beauty. He looks forward to a time when the movement will be stronger. Sylvia Pankhurst wrote this previously unpublished play when imprisoned for sedition in the infamous HMP Holloway in 1920/21. Deprived of writing materials in solitary confinement, the legendary activist composed this dramatisation of earlier times with her beloved Keir Hardie - Labour's founding leader - with a contraband pencil on prison issue toilet paper. It would be nearly a hundred years before Pankhurst's biographer Rachel Holmes would discover the play via painstaking analysis of the delicate fragments jumbled into brown envelopes in the archives of the British Library. Holmes' arrangement of the incomplete text brings the poignant story to life in this startlingly topical drama that speaks directly to our own times.

"Stephens writes dramas set in uncaring, uncompromising worlds, whose characters speak in a language at once naturalistic and yet artificially pared-down and whose uncertain attempts to assert their own identities sometimes lead to gratuitous and brutal acts of violence." - Financial Times A fifth collection of plays by one of Britain's most prolific contemporary playwrights, Simon Stephens, charting his work from 2011-2016, ranging from London's Royal Court Theatre, Manchester's Royal Exchange and Broadway. Wastwater (2011) "Metaphoric, allusive, and thoroughly disturbing in its evocation of suspicion and uncertainty, Wastwater is a thought-provoking play whose quiet intensity stays with you for days - its effect is like that of a ugly stone dropped into a pool, which results in constant ripples of dirty water lapping at your subconscious" (Aleks Sierz) Birdland (2014) "Mega-fame and limitless cash can turn a man into a monster, and Simon Stephens's new play excellently evokes its hero's spiritually shrunken world" (Michael Billington, Guardian) Blindsided (2014) "the dialogue has a rare quality of moment-by-moment intensity" (Telegraph) Song From Far Away (2015) "a meditative monologue - a searching study of impotently self-aware emotional insufficiency" (Independent) Heisenberg (2016) "Mr. Stephens ... is an uncannily subtle dramatist who never wears his depths on the surface ... he probes cliches until they fall apart, before reassembling them into solid but transformed shapes, reminding us why such cliches have become enduring elements of our collective mythology." (Ben Brantley, New York Times)

Can a family find hope for the future? Chris O'Connell's compelling new play explores the possibility that love might return, and redemption be found, for a couple whose lives have been battered by the experience of parenting a violent son. "Lenny Pope's bad. Everyone knows what he did, 'Hang Lenny Pope.'...I saw it written on a wall." Both touching and funny, "Hang Lenny Pope" is an urban love story with a truly macabre twist. An inspiring, hard-edged and enthralling production by Theatre Absolute, "Hang Lenny Pope" is on a national tour from March to May 2007.

Hilary Mantel and Ben Miles' exhilarating stage adaptation of The Mirror and the Light, one of 2021's must-see theatrical events, and the long awaited conclusion to the Oliver Award-winning Wolf Hall Trilogy. England, May 1536. Anne Boleyn's fate has been sealed by a hired French executioner. it now befalls Jane Seymour to deliver King Henry VIII the healthy heir he craves. Thomas Cromwell, the blacksmith's son from the gutters of Putney, has knocked down everyone in his path: established at the right hand of the king, he is now the second most powerful man in England. But what will you do, an astute witness asks, when the king turns on you, as sooner or later he turns on everyone close to him? Hilary Mantel's twice Booker Prize-winning trilogy is the outstanding literary achievement of recent times. Following Oliver and Tony Award-winning productions of Wolf Hall and Bring Up the Bodies, hailed as a landmark and must-see theatrical event on both sides of the Atlantic, Mantel and Ben Miles have adapted the trilogy's exhilarating conclusion, The Mirror and the Light, for the stage. It opened in London's West End in September 2021, directed by Jeremy Herring, co-produced by Playful Productions and the Royal Shakespeare Company, and with Miles returning to the role of Cromwell. This volume contains the text of the play and an introduction by Hilary Mantel on each of the principal characters - and their fates, offering a unique insight into her trilogy and an invaluable resource to any theatre companies wishing to stage the play.

A fierce and excoriating portrait of British racism, Roy William's Sing Yer Heart Out for the Lads premiered in 2002 at the National Theatre. Set in a south-west London pub during the 2000 England vs. Germany match, tempers are running high. As England lose again, their supporters in The King George lose it too - at full time, patriotism has become unapologetic racism. This Methuen Drama Student Edition of the play includes commentary and notes by Gemma Edwards, University of Manchester, UK, which explore the production history of the play as well as the historical, social and cultural contexts that surround it, such as the rise of Nationalism and far-right groups in the UK. Also featuring an interview with Roy Williams about the play and its relevance 20 years on, this edition is a must-have resource for any student exploring Sing Yer Heart Out for the Lads.

The scorched desert of Rajasthan is the setting for this musical adaptation of Emily Bronte's timeless tale of passion, jealousy and revenge. Shakuntala is the fiery and headstrong daughter of spice merchant Singh. Krishan is the wily street urchin from Bombay that Singh brings home after a trip to market. Thrown together as unlikely siblings, a tumultuous romance soon develops. But can their love withstand Indian society's taboos and hierarchies, not to mention Shakuntala's yearning for a life of luxury that only neighbouring landowner Vijay can provide? Wuthering Heights, one of the world's great love stories, is given a vibrant new life in this new adaptation produced by Tamasha and inspired by classic Indian cinema.

A programme text edition published to coincide with the world premiere at the Royal Court Theatre, London, on 5 February 2009. 'This is our house underneath all this mildew and junk. I know every stone.' As a house passes from owner to owner, and from generation to generation, the secrets buried in the garden and seeping from the walls reveal themselves. Marius von Mayenburg's new play examines the reverberations created by sixty years of German history. Praise for Marius von Mayenburg's The Ugly One: 'Brilliantly clever and funny ...exhilarating.' Independent

Kureishi's first play since the 1980s reflects the sensibilities and morality of the late-20th century.

Five stand-up theatre plays from "the female counterpart to Quentin Crisp" (Evening Standard) Who does Claire Dowie think she is? In Adult Child/Dead Child she invented an imaginary friend to be all the things she wasn't allowed to be...In Why is John Lennon Wearing A Skirt? She hated being a girl but what's the alternative? In Death and Dancing she was determined to be anything she wanted to be...In Drag Act Mother would have been proud. In Leaking From Every Orifice she was a lesbian, had a sexual relationship with a gay man and ended up pregnant..."She make you laugh as she kicks you in the teeth" (Guardian)

When it was first published in 1962, Anger and After was the first comprehensive study of the dramatic movement which began in 1956 with the staging of John Osborne's Look Back in Anger and has since brought forward such dramatists as Brendan Behan, Harold Pinter, N. F. Simpson, John Arden and Arnold Wesker. Thoroughly revised in 1969, this book remains important reading for theatre students in need of a comprehensive and authoritative guide to post-Osborne drama in Britain.

An ominous play set in a cruel world of dark realism, an acknowledged masterpiece from one of the twentieth century's most significant writers. Harry Hope's Saloon is a waterfront bar full of life's failures. They exist barely, living on the knowledge that love is a chimera and despair is perpetual; that the desires they cultivate of an impossible future are only ever pipe dreams, because the only thing to look forward to is death. And then one day Hickey walks in with his own personal brand of hope, and his urge to make them face the truth. Written in 1939, Eugene O'Neill's play The Iceman Cometh was first staged at the Martin Beck Theater, New York, in October 1946. It had its UK premiere at the Arts Theatre, London, in January 1958. 'A dramatised neurosis, with no holds barred, written in a vein of unsparing implacable honesty' Kenneth Tynan 'O'Neill, the great patriach of Broadway and the playwright who laid out the map on which all contemporary American drama is still written - Iceman is the first truly great epic of the modern American theatre, and its legacy is the intimate stripping of the soul which we now take for granted in drama worldwide' Sheridan Morley This edition of The Iceman Cometh includes a full introduction, biographical sketch and chronology.