This title contains four plays by the distinguished Scottish-based writer Stanley Eveling, long associated with Edinburgh's Traverse Theatre. In "The Strange Case of Martin Richter", a group of men with a terrible past act out a fantasy in a German country house. In "Onefourseven", concentration camp inmates, on the edge of despair, discuss the nature of jokes and the mysticism of numbers, lucky and otherwise.

A Liverpool-set "West Side Story," " Blood Brothers "is the tale of twin brothers separated at birth because their mother cannot afford to keep them both. One of them is given away to wealthy Mrs Lyons and grows up to be a successful government official. The other winds up unemployed and in prison. They grow up as friends in ignorance of their fraternity until they both fall in love with the same woman and the inevitable quarrel unleashes a bloodbath. "Blood Brothers" was first performed in London in 1983 and opened on Broadway in 1993.

February Mission is a collected volume of poetry and plays by a man who's spent a lifetime paying attention to his muse. As a young boy in rural Alabama, Jim Harrell was introduced to the pleasures of writing, and though he made his career as a businessman, he continued to educate himself about prosody and poetic and dramatic form. From the big and autobiographical, such as the book's fine title poem about his experiences in WWII, to the intimate and slyly amusing, Harrell's work celebrates life in reclaiming his memories about it. Wade far enough into the book, and you will experience its tidal pull, which is the author's love of words and ideas and his hope that we too should know the pleasures which define this collection and which bespeak life on the literary coast. Maybe--you can almost hear him whisper--you have a poem or a play in you.

Each edition includes:

• Freshly edited text based on the best early printed version of the play

• Full explanatory notes conveniently placed on pages facing the text of the play

• Scene-by-scene plot summaries

• A key to famous lines and phrases

• An introduction to reading Shakespeare's language

• An essay by an outstanding scholar providing a modern perspective on the play

• Illustrations from the Folger Shakespeare Library's vast holdings of rare books

Essay by Catherine Belsey

The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

The Importance of Being Earnest is one of the most enduringly popular of British comic dramas, and a mainstay of English literature and drama courses at college and university level. This is an ideal edition for students with on-page notes to help clarify meaning, and a completely new introduction. In the new introduction, Francesca Coppa explores recent critical approaches to the play, including queer and postcolonial readings, as well as giving the context in which the play was written and how it relates to Wilde's personal life and public persona. The introduction also discusses the play's stage history, providing students with an ideal overview of the play and its resonances for contemporary audiences.

The extraordinary story of the women's orchestra in Auschwitz, originally filmed for television with Vanessa Redgrave, and adapted for the stage by Miller himself. Fania Fenelon, a Parisian singer, is arrested by the Nazis and sent to Auschwitz. There, she finds herself swept into the orchestra, composed entirely of female prisoners and founded as entertainment for the camp commandants. As long as the orchestra continues to find favour, its members will be spared the gas chambers. But Fania is struggling with the corruption of what she holds most sacred in the world - her music - and the morals of the orchestra members are being ground down every day. They are, quite literally, playing for time. Arthur Miller's stageplay Playing for Time is adapted from the 1980 CBS television film, written by Miller himself, and based on acclaimed musician Fania Fenelon's autobiography The Musicians of Auschwitz. The television film starred Vanessa Redgrave as Fenelon. The stageplay was first staged at 1-Act Theatre, San Francisco, in 1985.

Originally published in 1987, An Old-Spelling Critical Edition of James Shirley's The Example, offers a critical examination of James Shirley's 1634 play, The Example, based on collating ten of the twenty-one copies of the play noted in Sir Walter Greg's Bibliography.

Originally published in 1999, this book is a critical analysis of Renaissance theatre, including chapters on speaking theatres, performing theatre and redesigning Shakespeare.

We all want something to believe in. It's 1987 and Frankie Vah gorges on love, radical politics, and skuzzy indie stardom. But can he keep it all down? Following the multi award-winning What I Learned From Johnny Bevan, Luke Wright's second verse play deals with love, loss and belief, against a backdrop of grubby indie venues and 80s politics. Expect frenetic guitars, visceral verse, and a Morrissey-sized measure of heartache. Written and performed in deft verse by Fringe First and Stage Award for Acting Excellence winner Luke Wright. 'Pulsating, poetic story-telling' **** (Lyn Gardner, Guardian).

In these three plays, García Lorca's acknowledged masterpieces, he searched for a contemporary mode of tragedy and reminded his audience that dramatic poetry—or poetic drama—depends less on formal convention that on an elemental, radical outlook on human life. His images are beautiful and exact, but until now no translator had ever been able to make his characters speak unaffectedly on the American stage. Michael Dewell of the National Repertory Theatre and Carmen Zapata of the Bilingual Foundation of the Arts have created these versions expressly for the stage. The result, both performable and readable, has been thoroughly revised for this edition, which is introduced by Christopher Maurer, general editor of the Complete Poetical Works of García Lorca.

A group of teenagers do something bad, really bad, then panic and cover the whole thing up. But when they find that the cover-up unites them and brings harmony to their otherwise fractious lives, where's the incentive to put things right? DNA is a poignant and, sometimes, hilarious tale with a very dark heart. A contemporary play for younger people,DNA opened at the National Theatre in February 2008

First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism - self-determining, free origin of language, choice and action - is highlighted as the product of a specific period in which man was the subject to which woman was related.

From the Pulitzer Prize winning playwright of "Fences" and "The Piano Lesson"
"The glow accompanying August Wilson's place in contemporary American theater is fixed." - Toni Morrison
When Harold Loomis arrives at a black Pittsburgh boardinghouse after seven years' impressed labor on Joe Turner's chain gang, he is a free man--in body. But the scars of his enslavement and a sense of inescapable alienation oppress his spirit still, and the seemingly hospitable rooming house seethes with tension and distrust in the presence of this tormented stranger. Loomis is looking for the wife he left behind, believing that she can help him reclaim his old identity. But through his encounters with the other residents he begins to realize that what he really seeks is his rightful place in a new world--and it will take more than the skill of the local "People Finder" to discover it.
This jazz-influenced drama is a moving narrative of African-American experience in the 20th century.

Between light and shadow, science and superstition, fear and knowledge is a dimension of imagination. An area we call the Twilight Zone. Adapted by Anne Washburn (Mr Burns) and directed by Olivier Award-winner Richard Jones, this world premiere production of the acclaimed CBS Television Series The Twilight Zone lands on stage for the first time in its history. Or its present. Or its future. Stage magic and fantasy unite as the ordinary becomes extraordinary.

When it was first published in 1962, Anger and After was the first comprehensive study of the dramatic movement which began in 1956 with the staging of John Osborne's Look Back in Anger and has since brought forward such dramatists as Brendan Behan, Harold Pinter, N. F. Simpson, John Arden and Arnold Wesker. Thoroughly revised in 1969, this book remains important reading for theatre students in need of a comprehensive and authoritative guide to post-Osborne drama in Britain.

"Tim Price's play about two hackers is tumultuous, energetic and ultimately touching in its vision of a global network of young people dedicated to challenging the status quo." Guardian A sixteen-year-old London schoolboy and an eighteen-year-old recluse in Shetland meet online, pick a fight with the FBI and change the world forever. This brave and challenging play gets behind the code with the original Anonymous members, offering an anarchic retelling of the birth of hacktivism. Teh Internet is Serious Business is a fictional account of the true story of Anonymous and LulzSec, the collective swarm who took on the most powerful capitalist forces from their bedrooms. The play received its world premiere at the Royal Court, London, in September 2014. This new Modern Classics edition features an introduction by Hamish Pirie.

Dr. Faustus is one of the jewels of early modern English drama, and is still widely performed today. Interestingly, the play has come down to the contemporary audience in two distinct versions that have become known as the 'A' and the 'B' texts. David Bevington and Eric Rasmussen, who edited the original Revels edition over twenty years ago (and are two of the most eminent editors currently working), have hit upon the fascinating idea of presenting both texts on facing pages. This allows readers to compare the two 'versions', the 'A' text which is the one closest to Marlowe, and the longer 'B' text with additions by Samuel Rowley; in this unique edition, the reader is made aware of the changing tastes of audiences, the stage history of the play, and of just how intricate 'editing' a play can be. With a concise and illuminating introduction, and relevant notes and images, this Revels Student Edition of the 'A' and 'B' texts of Dr. Faustus will prove to be an enthralling document, and an excellent edition for student and theatre-goer alike. -- .

This is a selection of the best plays of Chikamatsu, one of the greatest Japanese dramatists. Master of the marionette and popular dramas, he had, until the publication of this book, remained unknown to western readers owing to the difficulty of translating the work into English. The introduction provides a comprehensive survey of the history of Japanese drama which will assist the reader in better understanding the plays.

In 1953 a man wrote a play about waiting. In 1988 he sued five women for trying to perform it. It's 2022 and we're still waiting. Since Samuel Beckett's ground-breaking Waiting for Godot first hit the stage in 1953, countless men across the world have donned the boots of Didi and Gogo and trodden the boards - but those boots can only be filled by men, and the bar against casting anyone else is upheld to this day, almost seventy years on. Hot on the heels of Ariana Grande's insistence that 'God is a Woman', Silent Faces Theatre have decided they're done waiting. Penned with their trademark playful, political style, Godot is a Woman is a tour de force that explores permission, the patriarchy and pop music.

An assorted group of travelers are staying at a Jerusalem hotel: Lady Westholme and her companion, a young English doctor and her French colleague, a debonair American and a pugnacious Lancashire man. Another guest, Mrs. Boynton, is a domineering American invalid with four stepchildren whose facade of devotion masks enough hatred to murder her as could the doctor whose affection for Raymond Boynton is being obstructed by the old lady. When Mrs. Boynton is found dead, all are suspects even though she was ill enough to die a natural death. Just when the tension becomes unbearable, the doctor discovers essential evidence about Mrs. Boynton's devilish plan to possess and torment the children in death as in life.

Skrapnel is 'n boeiende drama oor twee jong Suid-Afrikaners in Londen: 'n meisie wat bejaardes oppas en 'n man wat as sekuriteitswag by 'n winkelsentrum werk. Hulle ontmoet in 'n jeugherberg en knoop 'n verhouding aan. Die man sterf op 7 Julie 2005 in 'n selfmoordbomaanval in die Londense metro. Die stuk open oomblikke na die ontploffing en die verhaal word as flitsende tonele in die jong man se sterwensoomblikke vertel. Dwarsdeur die stuk word 'n jong Moslem-selfmoordbomdraer se fundamentele geloofsoortuiging weergegee. Dit kontrasteer skerp met die twee Suid-Afrikaners se losgeslaanheid en hulle onsekerheid omtrent identiteit, geloof en kultuur.