James Brent receives a chilling telephone call seemingly from beyond the grave. His dead wife, Fay, is waiting for him at the very place she met her grisly end. At his new wife's insistence, they go to meet her as requested and in the process discover a terrifying and disturbing truth.

Hierdie drama handel oor tien tieners in ’n bos by ’n oorlewingskamp waar spoke, hormone, groepsdruk en goggas die senuwees behoorlik laat knyp. KAMP KOERSHOU is nie vir sissies nie. Want grootword is nie “lekker” nie. Grootword is pyn. En “verwonding".

Die tien jeugdiges vertrek op 'n oorlewingskamp, in 'n bos, onder toesig van 'n paramilitaire instrukteur. Dit is hulle rite of passage sodat hulle weerbaar ‒ paraat! ‒ die grens na volwassenheid kan oorsteek. Maar hoe hou jy koers as jy nie weet waarheen jy wil gaan nie?

Die toneelstuk is in 2012 by die KKNK opgevoer met regie deur Marthinus Basson en Stian Bam in die hoofrol.

Edward Albee as Theatrical and Dramatic Innovator offers eight essays and a major interview by important scholars in the field that explore this three-time Pulitzer prize-winning playwright's innovations as a dramatist and theatrical artist. They consider not only Albee's award-winning plays and his contributions to the evolution of modern American drama, but also his important influence to the American theatre as a whole, his connections to art and music, and his international influence in Spanish and Russian theatre. Contributors: Jackson R. Bryer, Milbre Burch, David A. Crespy, Ramon Espejo-Romero, Nathan Hedman, Lincoln Konkle, Julia Listengarten, David Marcia, Ashley Raven, Parisa Shams, Valentine Vasak

Watch the Bible come to life... with these delightfully funny sketches and monologues taken from familiar biblical narratives. Written with great humor and charm, these 16 scripts are always in good taste and contain pointed truths recognizable to everyone. Each piece will be appropriate for audiences inside the church and out. Martha Bolton's commitment is evident in each sketch's message.

More than one million people from all walks of life have been uplifted and entertained by Heaven Bound, the folk drama that follows, through song and verse, the struggles between Satan and a band of pilgrims on their way down the path of glory that leads to the golden gates. Staged annually and without interruption for more than seventy years at Big Bethel African Methodist Episcopal Church in Atlanta, Heaven Bound is perhaps the longest running black theater production. Here, a lifelong member of Big Bethel with many close ties to Heaven Bound recounts its lively history and conveys the enduring power and appeal of an Atlanta tradition that is as much a part of the city as Coca-Cola or Gone with the Wind.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - A country house on a terrace. In front of it a garden. In an avenue of trees, under an old poplar, stands a table set for tea, with a samovar, etc. Some benches and chairs stand near the table. On one of them is lying a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking.