Watch the Bible come to life... with these delightfully funny sketches and monologues taken from familiar biblical narratives. Written with great humor and charm, these 16 scripts are always in good taste and contain pointed truths recognizable to everyone. Each piece will be appropriate for audiences inside the church and out. Martha Bolton's commitment is evident in each sketch's message.

"I'm walking down the street and there's a door in the fence open and inside there are three women I've seen before." Three old friends and a neighbour. A summer of afternoons in the back yard. Tea and catastrophe. Escaped Alone premiered at the Royal Court Theatre, London, in 2016, in a production directed by James Macdonald.

A small cast, short version of an intimate psychological thriller taken from Philomel Cottage. Enid rejects her fiance for newcomer Gerald and moves to a remote country cottage with him - where a dark and terrible climax takes place.

The love between a mother and daughter turns to jealousy and bitterness in this intense and personal drama. Ann Prentice falls in love with Richard Caulfield and hopes for a new life and happiness. Only her daughter, Sarah, takes an instant, jealous dislike to him. Resentment slowly corrodes their relationship as each seeks comfort in the formidable and knowing Dame Laura Whitstable who remarks, "The trouble with sacrifice is that once it's made it's not over and done with." "Christie is beady-eyed and brutally honest on the psychology of the motherdaughter relationship." THE GUARDIAN "The play is a revelation and its emotional intensity is at variance with most of her crime plays. This is Christie writing with her heart rather than her head. She is not concerned with clues and suspects and alibis but with human dilemmas and life choices." THE GUARDIAN

Aeschylus' Oresteia opens with Agamemnon sacrificing his daughter to the gods; an act which sets in motion a bloody cycle of revenge and counter-revenge. When he in turn is killed at the hands of his wife Clytemnestra, their son Orestes takes up the mantle of avenging his father, continuing the bloodshed until peace is ultimately found in the rule of law. Zinnie Harris reimagines this ancient drama, using a contemporary sensibility to rework the stories, placing the women in the centre. Orestes' leading role is replaced by his sister Electra, who as a young child witnesses her father's murder and is compelled to take justice into her own hands until she too must flee the Furies.

Sir Luke Enderby, eminent prosecution barrister and seasoned womaniser, bites off more than he can chew, when the case of a serial killer comes back to haunt him. A tense one act thriller that's contains one of Christie's most gruesome murders.

James Brent receives a chilling telephone call seemingly from beyond the grave. His dead wife, Fay, is waiting for him at the very place she met her grisly end. At his new wife's insistence, they go to meet her as requested and in the process discover a terrifying and disturbing truth.

An enlightened pharaoh falls foul of his conservative court when he attempts to unite the polytheist Egyptians under one God - a course of action that forces factions of both the army and priesthood to turn against him. Undeterred, Akhnaton's vision of a kingdom where people dwell in peace, truth, love and beauty will ultimately destroy him and all those he holds dear. Regarded as one of her most extraordinary plays, this epic historical drama is unlike anything you have read of Christie's before.

In The Wasp's Nest, Hercule Poirot's come between a bitter triangle of lovers to prevent a sinister murder before it takes place. In Yellow Iris, a distressed phone call from a mystery woman brings Hercule Poirot to the hotel Jardin des Cygnes, where a man commemorates the four-year anniversary of his wife's sudden death - a death under very suspicious circumstances that Poirot himself witnessed. Gathered is everyone present on that fateful night and now Poirot must and a killer in the midst, before they strike again.