One relationship. Infinite possibilities. 'Let's go for a drink. I don't know what I'm doing here anyway. One drink. And if you never want to see me again you never have to see me again.' Nick Payne's Constellations is a play about free will and friendship; it's about quantum multiverse theory, love and honey. Constellations premiered at the Theatre Upstairs at the Royal Court Theatre, London, in January 2012. It transferred to the Duke Of York's Theatre, London, in November, and was awarded the Evening Standard award for Best New Play 2012.

Winner of Best Play for Young Audiences in the Writers' Guild Awards 2016 The tide was turning - though local governments disagreed, it would soon be illegal to segregate black Americans from white Americans on public buses, in waiting rooms or in restaurants. And yet - in the early 1960s, many states across the south of America kept discriminating against African-Americans... In modern day Britain, four actor-storytellers tell the stories of the Freedom Riders - principled citizens riding buses across Alabama and Mississippi, drawing attention to this illegal discrimination, and facing up to terrifying violence with peaceful resistance. The story of the Freedom Riders is one of ordinary people becoming a civil rights movement, taking on the establishment and changing the world. In a time of Michael Brown, and Trayvon Martin, and Mark Duggan, what does it mean for people to come together and rise up?

High summer in Glasgow's Southside and a heatwave bears down on the residents of Govanhill, driving them off the streets. Tensions are running high and fantasy and reality are becoming blurred. Fighting to reclaim their neighbourhood, the lives of a sleep-deprived new parent and his civic-minded wife begin to unravel. Meanwhile an ambitious Hutchie boy, a pair of young missionaries, a performance artist and her alter ego and an unscrupulous property manager, are forced to confront their monsters. Fever Dream: Southside is a surreal comic thriller and major new production by Glasgow-based writer Douglas Maxwell.

Hierdie drama handel oor tien tieners in ’n bos by ’n oorlewingskamp waar spoke, hormone, groepsdruk en goggas die senuwees behoorlik laat knyp. KAMP KOERSHOU is nie vir sissies nie. Want grootword is nie “lekker” nie. Grootword is pyn. En “verwonding".

Die tien jeugdiges vertrek op 'n oorlewingskamp, in 'n bos, onder toesig van 'n paramilitaire instrukteur. Dit is hulle rite of passage sodat hulle weerbaar ‒ paraat! ‒ die grens na volwassenheid kan oorsteek. Maar hoe hou jy koers as jy nie weet waarheen jy wil gaan nie?

Die toneelstuk is in 2012 by die KKNK opgevoer met regie deur Marthinus Basson en Stian Bam in die hoofrol.

Edward Albee as Theatrical and Dramatic Innovator offers eight essays and a major interview by important scholars in the field that explore this three-time Pulitzer prize-winning playwright's innovations as a dramatist and theatrical artist. They consider not only Albee's award-winning plays and his contributions to the evolution of modern American drama, but also his important influence to the American theatre as a whole, his connections to art and music, and his international influence in Spanish and Russian theatre. Contributors: Jackson R. Bryer, Milbre Burch, David A. Crespy, Ramon Espejo-Romero, Nathan Hedman, Lincoln Konkle, Julia Listengarten, David Marcia, Ashley Raven, Parisa Shams, Valentine Vasak

Watch the Bible come to life... with these delightfully funny sketches and monologues taken from familiar biblical narratives. Written with great humor and charm, these 16 scripts are always in good taste and contain pointed truths recognizable to everyone. Each piece will be appropriate for audiences inside the church and out. Martha Bolton's commitment is evident in each sketch's message.

More than one million people from all walks of life have been uplifted and entertained by Heaven Bound, the folk drama that follows, through song and verse, the struggles between Satan and a band of pilgrims on their way down the path of glory that leads to the golden gates. Staged annually and without interruption for more than seventy years at Big Bethel African Methodist Episcopal Church in Atlanta, Heaven Bound is perhaps the longest running black theater production. Here, a lifelong member of Big Bethel with many close ties to Heaven Bound recounts its lively history and conveys the enduring power and appeal of an Atlanta tradition that is as much a part of the city as Coca-Cola or Gone with the Wind.