Contemporary Irish Documentary Theatre is the first anthology of Irish documentary drama. It features five challenging plays by Irish writers, and one by an international author, interrogating and commenting on crucial events of Irish history and of the diaspora, with introductory essays by established academics. Together these plays represent the most innovative development in contemporary Irish theatre and illuminate the social and political realities of contemporary Ireland. The first two plays, of 2010 and 2013, deal with scandals of clerical and institutional abuse, and use as source material the Ryan Report of 2009, and the documents from the 2008 Irish Bank Guarantee. The next two, of 2014 and 2013, concern interpretations of the most iconic moment of Irish history: the Easter Rising. The first of these is based on published statements of participants in the event and the second on the lived experiences of those in the contemporary Republic whose founding ideals have not been realized . The last two plays, of 2015 and 2016, widen the view to the history of the Irish in the diaspora: one retelling the history of emigration to England based on published research material; and the other tracing Roger Casement's experiences in the Amazon and his subsequent participation in the Easter Rising using extracts from his diaries and other writings. The plays included and discussed are: No Escape by Mary Raftery Guaranteed by Colin Murphy Of This Brave Time by Jimmy Murphy History by Grace Dyas My English Tongue, My Irish Heart by Martin Lynch The Two Deaths of Roger Casement by Domingos Nunez

Islam in Performance brings together six contemporary plays from Bangladesh, India, and Pakistan that highlight the political performance of Islam in South Asia, especially since the 1947 partition of the subcontinent. The plays invite comparison with one another, engaging with the issue from perspectives of the three countries concerned: Hindutva politics in India othering the Muslim population for electoral gains, radical Islamization of Pakistan paralyzing political governance and encouraging jihadi violence, and the ever-increasing Islamist threat to Bangladesh's founding secular ethos. Finally, this anthology focuses on the suffering such exclusionary politics of religious nationalism has piled upon minorities across the region. Widely performed but largely unpublished, the plays with their geographic and stylistic range provide a good spectrum of some of the best writing in contemporary South Asian drama. The editor's scholarly introduction offers a framework for studying the plays as both texts and performance pieces.

Staging History unites essays by nine specialists in the field of late medieval and early Renaissance drama. Their focus is on English, Dutch and Humanist German drama, as well as on a modern Swiss adaptation of Shakespeare's Henry V. Featuring prominently in this book are plays by, among others, John Bale, Jacob Schoepper, Johannes Agricola and Jacob Duym. Special attention is also paid to the Croxton Play of the Sacrament and the Dutch abele spelen. So far this topic has not received wide attention within the world of medieval and early Renaissance studies. This exploration aims at arousing more interest in this field by scholars working on European drama from the late Middle Ages and the early Renaissance.

With an Introduction and Notes by Anne Varty, Royal Holloway, University of London. Oscar Wilde took London by storm with his first comedy, Lady Windermere's Fan. The combination of dazzling wit, subtle social criticism, sumptuous settings and the theme of a guilty secret proved a winner, both here and in his next three plays, A Woman of No Importance, An Ideal Husband, and his undisputed masterpiece, The Importance of Being Earnest. This volume includes all Wilde's plays from his early tragedy Vera to the controversial Salome and the little known fragments, La Sainte Courtisane and A Florentine Tragedy. The edition affords a rare chance to see Wilde's best known work in the context of his entire dramatic output, and to appreciate plays which have hitherto received scant critical attention. Wilde's plays have never failed to delight audiences and are a lasting testimony to their author's supreme wit and theatrical genius.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

At one time or another, as creatures of creation, we will all face a storm. The storm may be rocky, or it may be smooth. It is up to us as beings of existence to recognize when a storm is approaching. We all deal with our storms in our own personal manners of difference.

The Strong's, is a story of a family who faced many storms. No matter how great, their faith remarkably carried them through each and every storm. Walking into a storm blindsided, indubitably causes destruction, pain, and even death. As with any other challenge, preparation is the key in overcoming unbearable situations.

We must ask ourselves, if a mighty and great storm came into our lives today, would we be able to weather it?

"The Anger of Unfulfillment: Three Plays Out of Nigeria" presents a collection of three plays intended to capture a great deal of what Nigeria has come to represent today. Each play in this compilation has its own distinctive flavour, seasoned by the circumstantial socio-political variables holding sway in the country at the time it was written.

""The Anger of Unfulfillment"" examines the complex and multi-faceted phenomenon of human trafficking, especially in women and girls. The play's principal characters take us through a serious but often irreverent roller-coaster discourse on the Nigerian state.

The thematic preoccupation of ""Hell's Invitation"" is the social death in Nigeria that is associated with HIV. This stigma, driven by ignorance, scares Nigerians away from learning their HIV status and consequently strips them of the opportunity to seek early treatment. Through the musings and antics ofcharacters such as Aliyu, Emeka, Stella, and Bimbo, you can experience the social stigma through the eyes and souls of the average Nigerian.

""This Time Tomorrow"" presents a comicportrait of Nigerians and their approach to politics and nation-building. Through the voices of the principal characters, it serves as a call to the Nigerian people to take control of their destiny through active engagement and participation.

The Importance of Being Earnest, by Wilde, Oscar - Akasha Classics, AkashaPublishing.Com - Among Oskar Wilde's plays, The Importance of Being Earnest is certainly the most celebrated. It still delights readers more than a century after its 1895 publication and premiere performance. Both Wells, H. G. and Shaw, George Bernard thought it one of the funniest plays ever written. Set in England during the late Victorian era, the play's humor derives in part from characters maintaining fictitious identities to allow them to escape unwelcome social obligations. The characters' plans are constantly sent topsy-turvy by unexpected turns of events. Along the way, Wilde's wit-sharpened dialogue skewers nearly everyone, throwing into high relief the strains of class pretension, social ambition, and romantic gamesmanship.