In 1970, renowned writer-composer-lyricist Leslie Bricusse adapted the classic Charles Dickens tale, A Christmas Carol, into the hit screen musical "Scrooge!". Now available as a charming stage musical, Scrooge! has enjoyed a hugely successful tour of England and a season at London's Dominion Theatre starring the late Anthony Newly. Included are six new songs not performed in the film. Now this sure-fire audience pleaser is available in two versions: as a full-length musical and in a 55-minute adaptation that is ideal for small theatre groups and schools, where it can be performed as a short play or as part of a seasonal concert.Large flexible cast

Without resorting to the jargon often employed by contemporary critics, this book covers all major aspects and questions raised by the play. The text contains a thorough examination of the contrast between Athens and its dramatic opposite, Thebes, a contrast best represented by the comparison between each city's primary representative, Theseus or Creon. Wilson offers a radical rereading of the Oedipus riddle and concludes with a substantial discussion of the play's (and playwright's) role in providing a political and moral education for the troubled Athenian polis in the last decade of the tumultuous fifth century.
Joseph P. Wilson is Associate Professor in the Department of Foreign Languages and Literatures at the University of Scranton.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Based on historical fact, "George Washington's Boy," written by Ted Lange, portrays the fight for freedom, the Declaration of Independence, and the first presidency of the United States from the viewpoint of one of George Washington's closest confident, ironically, his slave, Billy Lee. Billy Lee served his master throughout these monumental times and was privy to the innermost thoughts and actions of Washington.

'One of the best plays ever written about the First World War' GUARDIAN 'To say that it leaves you emotionally shattered feels like an insult to those bygone souls and the horrors the faced, but quietly shattering it is, all the same' DAILY TELEGRAPH A battalion of 1,000 young men raised in 1914 from volunteers in the Accrington area of East Lancashire go to war. They are destined to see their first real action on 1st July 1916 on the first day of the Battle of the Somme, still regarded as the greatest British military disaster with huge loss of life. Not many return to Accrington alive or intact. Whelan's play traces these men's history through individual stories, but his special interest lies in the lives of the women left behind, battling with their own problems, deprived of their relationships with husbands and lovers, undertaking traditionally male roles, and kept in doubt by the misinformation of wartime propaganda. Their moving stories interweave in scenes that are often comic, but which reach a devastating climax as the news of the disastrous battle finally reaches them. Commentary and notes by John Davey.

Rosario has not had an easy life. Orphaned at fifteen when his diplomat parents are assassinated in Algeria, Rosario is forced into manhood and eventually becomes a doctor. Not wishing to follow a traditional career path, he applies to most elite division of the legion-the airborne corps-not realizing that his decision is about to lead him down a dangerous path. He must now kill to save himself from being killed.

Now Rosario has traveled from France to Jackson, Mississippi, ready to embark on a new adventure. In search of a good woman to marry, Rosario intends to hike the Natchez Trace to Louisiana, where he hopes to settle down and start a family. Instead, as he walks along the side of the road on his second morning in Mississippi, he is approached by two policemen who insist he is guilty of a triple murder. Unable to provide an alibi, Rosario is thrown in jail for a crime he never committed.

In this riveting thriller set in the sweltering South, a man wrongly accused of murder must exact a plan to find a serial killer before he strikes again.

By 1714 the inability to measure longitude accurately at sea had led to the tragic loss of hundreds of trading ships, and thousands of lives. Pressure from merchants and seamen finally drove the government to form the Board of Longitude, and a prize of 20,000 was offered for a successful solution. Although scientists such as Sir Isaac Newton knew that a clock would solve the problem of identifying longitude, it was generally considered impossible to build one that would withstand the motion of a ship or the extremes of temperature in foreign climes. Only Harrison, an uneducated carpenter from Lincolnshire, dared to pit his genius against the establishment belief that the answer lay in the stars, pursuing the realisation of his invention against years of scepticism."

The Importance of Being Earnest marks a central moment in late-Victorian literature, not only for its wit but also for its role in the shift from a Victorian to a Modern consciousness. The play began its career as a biting satire directed at the very audience who received it so delightedly, but ended its initial run as a harbinger of Wilde's personal downfall when his lover's father, who would later bring about Wilde's arrest and imprisonment, attempted to disrupt the production. In addition to its focus on the textual history of the play, this Broadview Edition of Earnest provides a wide array of appendices. The edition locates Wilde's work among the artistic and cultural contexts of the late nineteenth century and will provide scholars, students, and general readers with an important sourcebook for the play and the social, creative, and critical contexts of mid-1890s English life.

Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Nellie learns that the mother of his children was an island native and, unable to turn her back on the prejudices with which she was raised, refuses Emile's proposal of marriage. Meanwhile, the strapping Lt. Joe Cable denies himself the fulfillment of a future with an innocent Tonkinese girl with whom he's fallen in love out of the same fears that haunt Nellie. When Emile is recruited to accompany Joe on a dangerous mission that claims Joe's life, Nellie realizes that life is too short not to seize her own chance for happiness, thus confronting and conquering her prejudices. Based on Tales of the South Pacific, James Michener's collection of short stories, South Pacific opened on Broadway at the the Majestic Theatre on April 7, 1949, starring Mary Martin, Ezio Pinza and Juanita Hall. South Pacific received the 1950 Pulitzer Prize for Drama, and for the first time the committee included a composer in the drama prize. The show received ten Tony Awards (including Best Musical), a Grammy Award and countless other accolades. For years the second-longest running show in Broadway history (right behind Oklahoma!), South Pacific returned to Broadway in a celebrated 2008 revival starring Kelli O'Hara and Paolo Szot. The show has proven itself a classic in countless productions around the world and was adapted onscreen in the 1958 film starring Rossano Brazzi and Mitzi Gaynor and in a 2001 made-for-television film starring Glenn Close and Harry Connick, Jr.

Rodgers and Hammerstein's first collaboration remains, in many ways, their most innovative, setting the standards and rules of modern musical theatre. In a Western territory just after the turn of the 20th century, a high-spirited rivalry between local farmers and cowboys provides a colorful background for Curly, a charming cowboy, and Laurey, a feisty farm girl, to play out their love story. Their romantic journey, as bumpy as a surrey ride down a country road, contrasts with the comic exploits of brazen Ado Annie and hapless Will Parker in a musical adventure embracing hope, determination and the promise of a new land. Oklahoma! opened at the St. James Theatre on Broadway on March 31, 1943. At that time, the longest-running show in Broadway history had run for three years. Oklahoma! surpassed that record by two more years, running for a marathon 2,212 performances. The US national tour played for an unprecedented ten and a half years, visiting every single state and playing before a combined audience of more than 10 million people. In 1947, Oklahoma! opened at the Theatre Royal, Drury Lane, London, where it ran for 1,548 performances, the longest run of any show up to that time in the 267-year history of the theatre. In 1953, the Oklahoma State Legislature named "Oklahoma" the official state song. In 1955, the motion picture version of Oklahoma!, starring Gordon MacRae and Shirley Jones and produced by Rodgers and Hammerstein, was released to great success.

Skip Jordan and his friends have faced the powers of darkness before; they have confronted the deceptions of witchcraft, and done battle with demonic entities. They have seen The Veil of Deception, and prevailed against seemingly impossible odds, but what they are called to face now is more ominous than anything they have known before. Skip Jordan is dreaming again. Their former friend Roger Wilson, missing for almost a year, appears in the dream. He also sees Ntambo, the African preacher who had saved Skip from death when he was only four years old. Against the backdrop of Victoria Falls in Africa, or, as the locals know it, The Smoke That Thunders, he sees his black friend hounded over the edge into the gorge below. Skip has no doubt the dream is a call for he and his friends to launch a rescue mission to save Roger, and others, from the clutches of witchcraft. Only two months short of his fifteenth birthday, they leave for Africa on an adventure that could very well be their last. They face attacks from demons, lying wonders, and end up in a secret place known as The Lions Den. In this evil place no escape is possible; only death awaits them. Will their faith be sufficient to carry them through? Will their youth and inexperience cause them to fail? Or is there help on the way, both human and divine, that will lead them to final victory? This second volume in the SKIP JORDAN series, told with a blend of fantasy, drama and adventure, cannot fail to excite, challenge, and bless all who read it