This saga begins where Harbingers of Spring left off. Jack Newsum starts a crime watch chapter and mentoring program for young people at risk from his home in Potomac, Maryland. As the Newsums vacation at their country estate in North Carolina, Jack is shot after a round of golf for interfering in a bank robbery when he overhears a conversation between his caddy Isaac Quincy, known as Slim, and his friend, Walker. Slim takes an extraordinary turn when he protects Jack from further harm. Everything is spun into lethal orbit when Slim fails to go along with Walker's plan to execute a second attempt. A love interest ensues between Slim and Jack's niece, Wendy Newsum, when she visits Jack in the hospital. Jack takes that opportunity to help Slim move in the right direction. But Jack's wife, Christi, unleashes her growing trepidation, which leads her to suspect Slim of being part of a scheme with his criminal father to kill his grandmother for insurance money, which would coincide with his father's prison release. Walker blames Jack for the bank robbery disruption and continues his quest for revenge. Fulfilling his vengeful escapades leads to his accidental death. Geraldine Claire has addressed a nearly universal question when she reveals the forces harmfully confined when 'unhealthy influences' stifle growing individuals.

In the early Elizabethan period, nine of the ten tragedies attributed to the ancient Roman statesman, philosopher, and playwright Seneca (c. 1 BCE-65 CE) were translated for the first time into English, and these translations shaped Seneca's dramatic legacy as it would be known to later authors and playwrights. This edition enables readers to appreciate the distinct style and aims of three milestone translations: Jasper Heywood's 'Troas' (1559) and 'Thyestes' (1560), and John Studley's 'Agamemnon' (1566). The plays are presented in modern spelling and accompanied by critical notes clarifying the translators' approaches to rendering Seneca in English. The introduction provides important context, including a survey of the transmission and reception of Seneca from the first through to the sixteenth century and an analysis and comparison of the style of the three translations. James Ker is Associate Professor of Classical Studies at the University of Pennsylvania. He is the author of The Deaths of Seneca (2009), A Seneca Reader (2011), and articles on Greek and Roman literature. Jessica Winston is Professor of English at Idaho State University. She is the author of numerous articles on early Elizabethan literature and the Elizabethan reception of Seneca.

Winner! TMA/Barclays Equity Award for Best Show for Children and Young People 2002. Tuesday 17 September 1940: two fifteen-year-old child evacuees, Bess Walder and Beth Cummings, are fast asleep on board a steam passage ship, The City of Benares, sailing away from World War Two torn Britain and relentless German bombing. Just before midnight they are violently awoken when the ship is hit by a German torpedo and starts to sink. Bess and Beth join the stampede to the lifeboats. Then begins their desperate battle to survive, clinging on to an upturned lifeboat for a night and a day, in the icy waters of the North Atlantic. Out of ninety children on board The City of Benares, Bess and Beth were among only a few who survived. Based on an extraordinary true story, Lifeboat is a tale of courage in the face of overwhelming danger, lifelong friendship and the will to survive.

Much like The Evolution of Nora, Darlene takes a young girl through her trials in life. She is seduced by a teacher as a teenager and that haunts her until she seeks psychiatric help. The help she receives is a good story. Darlene becomes a lawyer in New York City and has many interesting stories of her law cases. She has some interesting friends who help develop the story.The story deals with social problems and alternative life styles. It also has a few love stories which are intertwined with Darlene's life in New York.

Mike met Mary for the first time at Ole Miss in 1979. It was love at first sight for both of them. As their romance progressed, Mike knew that he had met his soulmate, the most beautiful girl in the world! When they graduated, they moved in together and began their new life. But their happy ending was not to be and each of them met and married someone else. As their lives changed, they never lost the feeling that they were each others' true love. Mike and Mary: A True Love Story chronicles the triumph of love over tragedy as the former lovers find each other thirty years later because of a dream that inspired a search and an unexpected Facebook invitation. Come along on their exciting, heartwarming adventure of true love lost and then found again!

Massimo Bontempelli (1878-1960), poet, novelist, playwright and composer would become one of the literary giants of the twentieth century. The father of magic realism in Italy, he was associated with the futurist avant-garde and then launched his own influential literary movement, Novecento. Editor and creator of various journals, he collaborated with some of the greatest writers of his day, from James Joyce to Luigi Pirandello. Bontempelli was a prominent fascist intellectual and largely for this reason is today a controversial, little studied and seldom translated writer. Patricia Gaborik strikes out at this problem by presenting here an extensive introduction on the thought and legacy of this figure and complete translations of three of his major plays: "Watching the Moon" (1916), "Stormcloud" (1935) and "Cinderella" (1942). Bontempelli's sense of theatricality was unparalleled, his characters are bewitching, and Gaborik's translations privilege both readability and playability, offering these plays the chance for a robust, English-language life not only on page but also on stage. In 1953, Bontempelli was awarded the Strega Prize, Italy's most prestigious literary award. "Watching the Moon" is a densely layered response to the era's avant-gardism, with traces of symbolism, expressionism and futurism. It presents the story of a woman who travels to the literal ends of the earth in an attempt to rescue her (dead) daughter, whom she believes has been kidnapped by the moon. "Stormcloud," where a nimbus is responsible for misery and destruction, points fingers at individual behaviors and especially at personal egotism in the face of love and death. It is a strange and compelling exemplar of magic realism for the stage. "Cinderella," fearless, radical and subversive, adds to Bontempelli's slate of strong and complex female characters, still sometimes a rare commodity on the stage. First English translation. Introduction, notes, select bibliography, illustrated. 198 pages.

Launching Global News Channel in 2005 was Mitch and Amanda McGill's first return to normalcy since Matthew's death in 2002. Its avant-garde venue provided the media podium they envisioned for a cable network.Persevering Anne McGill's unrelenting comments was easy compared to Amanda not understanding the change in her husband. Mitch had become unpredictable, irrational and not the man she married. She was astounded when he informed her he did not want to remain at GNC's helm five years after its inception, choosing again to travel to the world's hot spots "to get the story." Singled out by print media to challenge President Barack Obama in 2012, Mitch chose to make his own decision. Meanwhile, Amanda's Micah Foundation flourished. Its efforts in New Orleans, Haiti, Tuscaloosa and Joplin as well as over a thousand programs receiving grants, changed countless people's lives. Her efforts would also have a profound impact on childhood nutrition.However, no one could have anticipated the confluence of events directly impacting them by a homegrown terrorist seeking revenge. And then terror reared it heinous head again just four months later.Chippewa Falls, Wisconsin was Amanda's remedy for healing their family. To her it was and had always been "God's Country." Was she being fair to Mitch with her decision to take their children there? That remained to be seen when all was said and done.

Eva Lange's life had become a hellish nightmare. The violent death of her parents catapults the pretty 13-year-old into the arms of evil incarnate. Eva is brutalized and forced into child prostitution by her custodians, but fleeing her sexual exploitation only places her squarely in the path of still greater peril sex slavery at the hands of a powerful drug lord and his ruthless wife. It's a dangerous double life. By day, Eva is nanny to her captors' three children; at night she is subject to the cruel whims of her tormentors. Ensnared in a seedy underworld of sex trafficking, torture and humiliation, and illicit drugs and hopelessly trapped in this hell by political corruption Eva could easily become beat down by forces greater than herself. But Eva Lange staunchly resists the compulsion to surrender to a seemingly inescapable destiny. Refusing to believe her fate is sealed, she is determined to use her beauty, wiles and will to break free for good. Eva plots a bold escape and sets her sights on an even loftier goal: revenge. Can Eva surmount the oppressive powers that have defeated so many others and turn the tables on her tormentors?

Richard Bean's English version of The Servant of Two Masters is set in Brighton in the 1960s. Centred on the bumbling Francis Henshall, a minder to both Roscoe Crabbe - a local gangster - and Stanley Stubbers - an upper-class criminal. But Roscoe is dead, killed by Stanley Stubbers and being impersonated by his sister Rachel, who is also Stanley's girlfriend, and in Brighton to collect GBP6,000 from Roscoe's fiancee's dad. Chaos unfolds as Francis tries to stop the two 'guvnors' from meeting and everyone else tries to hide their real identities. Richard Bean's award-winning play is a glorious celebration of British comedy: laugh-out-loud satire, songs, slapstick and glittering one-liners. One Man, Two Guvnors opened at the National Theatre in May 2011, before transferring to the West End and embarking on a successful UK tour. It won Best Play in the Evening Standard Theatre Awards 2011.