The five plays collected here offer a unique insight into the role of theatre in a situation of oppression. They were produced in close collaboration with their original black amateur casts, drawing on their lives and everyday experiences in the townships. They range from the early apprentice work of the brash but vital Sophiatown plays, No-Good Friday and Nongogo, to the freer, more urgent, and profound New Brighton plays, including the most famous Sizwe Bansi is Dead and The Island, and the previously unavailable The Coat.

Acclaimed one-woman play with music that weaves the life and writing of Virginia Woolf with songs by British women composers who were Woolf's contemporaries. Revealing Virginia's troubled childhood, her views on literature, the Bloomsbury group and the challenges women artists face.

Sir Richard Jebb's seven-volume edition of the works of Sophocles, published between 1883 and 1896, remains a landmark in Greek scholarship. Jebb (1841 1905) was the most distinguished classicist of his generation, a Fellow of Trinity College, Cambridge, and University Orator, subsequently Professor of Greek at Glasgow University and finally Regius Professor of Greek at Cambridge, and a Member of Parliament for the University. Each volume of the edition contains an introductory essay, a metrical analysis, an indication of the sources used to establish the text, and the ancient summaries ('arguments') of the play. The text itself is given with a parallel English translation, textual collation and explanatory notes, and an appendix consisting of expanded notes on some of the textual issues. The quality of Jebb's work means that his editions are still widely consulted today. This volume contains Oedipus Tyrannus.

Sir Richard Jebb's seven-volume edition of the works of Sophocles, published between 1883 and 1896, remains a landmark in Greek scholarship. Jebb (1841-1905) was the most distinguished classicist of his generation, a Fellow of Trinity College, Cambridge, and University Orator, subsequently Professor of Greek at Glasgow University and finally Regius Professor of Greek at Cambridge, and a Member of Parliament for the University. Each volume of the edition contains an introductory essay, a metrical analysis, an indication of the sources used to establish the text, and the ancient summaries ('arguments') of the play. The text itself is given with a parallel English translation, textual collation and explanatory notes, and an appendix consisting of expanded notes on some of the textual issues. The quality of Jebb's work means that his editions are still widely consulted today. This volume contains Antigone.

Sir Richard Jebb's seven-volume edition of the works of Sophocles, published between 1883 and 1896, remains a landmark in Greek scholarship. Jebb (1841-1905) was the most distinguished classicist of his generation, a Fellow of Trinity College, Cambridge, and University Orator, subsequently Professor of Greek at Glasgow University and finally Regius Professor of Greek at Cambridge, and a Member of Parliament for the University. Each volume of the edition contains an introductory essay, a metrical analysis, an indication of the sources used to establish the text, and the ancient summaries ('arguments') of the play. The text itself is given with a parallel English translation, textual collation and explanatory notes, and an appendix consisting of expanded notes on some of the textual issues. The quality of Jebb's work means that his editions are still widely consulted today. This volume contains Trachiniae.

Sir Richard Jebb's seven-volume edition of the works of Sophocles, published between 1883 and 1896, remains a landmark in Greek scholarship. Jebb (1841-1905) was the most distinguished classicist of his generation, a Fellow of Trinity College, Cambridge, and University Orator, subsequently Professor of Greek at Glasgow University and finally Regius Professor of Greek at Cambridge, and a Member of Parliament for the University. Each volume of the edition contains an introductory essay, a metrical analysis, an indication of the sources used to establish the text, and the ancient summaries ('arguments') of the play. The text itself is given with a parallel English translation, textual collation and explanatory notes, and an appendix consisting of expanded notes on some of the textual issues. The quality of Jebb's work means that his editions are still widely consulted today. This volume contains Electra.

Sir Richard Jebb's seven-volume edition of the works of Sophocles, published between 1883 and 1896, remains a landmark in Greek scholarship. Jebb (1841-1905) was the most distinguished classicist of his generation, a Fellow of Trinity College, Cambridge, and University Orator, subsequently Professor of Greek at Glasgow University and finally Regius Professor of Greek at Cambridge, and a Member of Parliament for the University. Each volume of the edition contains an introductory essay, a metrical analysis, an indication of the sources used to establish the text, and the ancient summaries ('arguments') of the play. The text itself is given with a parallel English translation, textual collation and explanatory notes, and an appendix consisting of expanded notes on some of the textual issues. The quality of Jebb's work means that his editions are still widely consulted today. This volume contains Ajax.

Actors of colour need the best speeches to demonstrate their skills and hone their craft. Roberta Uno has carefully selected monologues that represent African-American, Native American, Latino, and Asian-American identities. Each monologue comes with an introduction and notes on the characters and stage directions to set the scene for the actor. This new edition now includes more of the most exciting and accomplished playwrights to have emerged over the 15 years since the Monologues for Actors of Color books were first published, from new, cutting edge talent to Pulitzer winners.

Too frightened of scandal to become involved with a brilliant writer, Hedda Gabler opts instead for a conventional but loveless marriage. But, when her first love returns with a masterpiece that might threaten her husband's career, Hedda decides to take drastic and fatal action. Universally condemned in 1890 when it was written, Hedda Gabler has subsequently become one of Ibsen's most performed and studied plays. Blending comedy and tragedy, Ibsen probes the thwarted aspirations and hidden anxieties of his characters against a backdrop of contemporary social Habits and hypocrisies. This Methuen Drama Student Edition is published with Michael Meyer's classic translation, and with commentary and notes by Dr. Sophie Duncan. These offer a contemporary lens on the play's gender politics, and consider some key twentieth and twenty-first century productions of Hedda Gabler, which include actresses like Maggie Smith, Harriet Walker, and Ruth Wilson taking on the iconic titular role.

I was there you know. when we shut your places down. gender studies. social studies. the strongholds of your politically correct bullshit worldview. we shut them down. and I was there. and the news cameras were there. and the whole world was watching. What happens when a male lecturer calls a female student a slut? A provocative, dynamic and original play by award-winning writer Kieran Hurley. Set entirely on Facebook and written in both text and emjois, it explores the disconnect between online persona and true personality, the fractured nature of online debate and how events can snowball in expected ways. Bubble was originally commissioned and developed as a stage play as part of The Royal Conservatoire of Scotland's MA Classical and Contemporary Text Programme with support from the Playwrights' Studio, Scotland. It was later developed as a digital theatre production by Theatre Uncut and streamed by 195,000 people online and watched in 32 countries.

Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days, a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn't go away. Deborah Bruce's play Dixon and Daughters is a powerful story of family and forgiveness, premiered at the National Theatre, London, in April 2023 in a co-production with Clean Break.

Anyone can learn maps and battles. Geezer, I feel it! I live it! I'm giving everything to this beautiful, wild, absolutely pure British thing. Like, do you know what it took to get here, man? Stevie is a disillusioned academic who once wrote an unfashionable book on youth movements in Britain, now struggling to cope after a painful break-up. His misery is interrupted by Jimmy who lands unexpectedly on his doorstep beaming with excitement. Jimmy is 100% Mod: oversized military parka, fitted Italian suit, dessy boots, pork pie hat. The full package. Jimmy is seeking asylum in the UK. With just a few days before the substantive interview that's going to decide his fate, the stakes are high. So he came up with a brilliant plan. A plan that's going to work against all odds. It has to work. He can't go back. And Stevie has an important part to play.

Ahl's translations of three Senecan tragedies will gratify and challenge readers and performers. With stage performance specifically in mind, Ah1 renders Seneca's dramatic force in a modern idiom and style that move easily between formality and colloquialism as the text demands, and he strives to reproduce the richness of the original Latin, to retain the poetic form, images, wordplays, enigmas, paradoxes, and dark humor of Seneca's tragedies.

Here is a moving and accomplished translation of this complex play dealing the the violent passions stirred by innocence and beauty and the terrible power of ideology, hatred, and misunderstanding.

This second volume of Felix Mitterer's plays in English trans-lation offers further evidence of this dramatist's powerful artistry. A mythological Wild Woman changes the lives of five wood-cutters, exposing their loneliness and desperation. Home reiterates the dictum that "you can't go home again", especially where prej-udice, brutality, and hatred reside. An historical drama based on actual court records, Children of the Devil depicts institutional superstition and cruelty as perpetuated upon the most vulnerable members of society, its children. One Everyman is a modern ver-sion of the traditional medieval morality play, complete with a Devil from Wall Street, while the Biblical analogy, Abraham, concerns the scourge of AIDS -- but even more, the love between a father and his son. The Austrian playwright Felix Mitterer, born in 1948 in the Tyrol, is one of today's leading European dramatists. His two four-part television series, "Piefke-Saga" and "Verkaufte Heimat" were seen by millions of viewers in the German-speaking coun-tries.

This volume presents a contrastive study of the overlapping careers of Shakespeare and Caravaggio through the comparison of their strikingly similar conventional belief in symbol and the centrality of the subject, only to gradually open it up in an exaltation of multiplicity and the "indistinct regard" (Othello). Utilizing a methodological premise on the notions of early modern indistinction and multiplicity, Shakespeare, Caravaggio, and the Indistinct Regard analyses the survival of English art after iconoclasm and the circulation of Italian art and motifs, methodologically reassessing the conventional comparison between painting and literature. The book examines Caravaggio's and Shakespeare's works in the perspective of the gradual waning of symbolism, the emergence of chiaroscuro and mirror imagery underneath their radically new concepts of representation, and the triumph of multiplicity and indistinction. Furthermore, this work assesses the validity of the twin concepts of multiplicity and indistinction as an interpretive tool in a dialectical interplay with much recent work on indeterminacy in literary criticism and the sciences.

Sometimes a person needs to create an act that destroys the world because the world is broken. The virus has ravaged Thebes. Millions are dead and the economy has tanked. Vaccinations have been administered and the Festival of Liberty is imminent. Things are finally about to change. The countdown is on but leader Creon and his quarantined niece, the self-identifying X'ntigone, have unfinished business before the celebrations can commence. What happens when old-world order meets a radical new world vision? In this thrilling meditation on Sophocles' timeless Greek tragedy, political expediency meets the voice of a generation who want to tear down the power structures that have ill-served a crumbling state. Darren Murphy's X'ntigone is a fresh and vital discourse for our times, when even truth has been sacrificed at the altar of political gain and avarice.

THISISPOPBABY & The Abbey Theatre present If These Wigs Could Talk by Panti Bliss If These Wigs Could Talk meets Panti, a drag queen at fifty-three, after a lifetime of showbiz, shenanigans and making a show of herself, taking this moment to question what her purpose and place in the world is now. Via salacious stories, impassioned polemics, some seriously funny soul searching and a few unvarnished truths, Panti takes us from rural Mayo to London's glittering West End ,to the Ambassador's residence in Vienna where, along the way, the answer to the question presents itself when she least expects it. Panti warmly invites you to learn from her mistakes, laugh at her failures and revel in her triumphs. Haunted by Tara Flynn What happens when you hit the floor and lose all of your marbles? Ask Tara Flynn: a fame-adjacent actor turned advocate for the campaign to Repeal Ireland's Eighth Amendment. The country voted Yes and the whirlwind of publicity and abuse came to an end, and crashing to the floor is where Tara found herself. Down there, she realised the whirlwind had conveniently kept her from dealing with the death of her dad. This is one woman's journey back from the floor. A funny, moving tale of grief, campaigning for civil rights, the offline impact of online abuse, crashing to the ground and fighting to tell your own story.

"All is yours, everywhere is open to you - except the lock that the single key fits. You must promise, if you love me, to leave it well alone." When a 17 year old virgin marries a mature and charismatic Marquis it seems like a fairy tale. But when the Marquis is called away on their wedding night, leaving her only her only his keys and a single instruction, her curiosity leads her to uncover a dark secret. Bryony Lavery's new stage adaptation of Angela Carter's story opened as a Northern Stage production in September 2008.

A third collection of plays by South African writer, Gail Louw. Includes the plays The Ice Cream Boys, Being Brahms, A Life Twice Given, and Killing Faith.

This is the fifth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

Matthew, I don't give a f*** who's Irish and who's not. I'm just thinking about what's best for your career. And that's how themmuns in London'll see you. Calling yourself British just embarrasses them. The morning after his father's funeral, an unsure and still grief-stricken Matthew prepares to fly to London to audition for the prestigious drama school, RADA. When his painter-decorator Uncle Ray interrupts his private rendition of Richard III's opening monologue to offer some unwanted direction and dubious career advice, Matthew starts to doubt whether he should really be leaving Belfast in the first place. First presented by A Play, A Pie and A Pint at Oran Mor in May 2022. Not Now received its English premiere at the Finborough Theatre, London, in November 2022. Playwright David Ireland is the multi award-winning author of Cyprus Avenue.

I suppose I'm a believer in Original Sin. People are profoundly bad but irresistibly funny' Joe Orton. This volume contains everything that Orton wrote for the theatre, radio and television from his first play in 1964, The Ruffian on the Stair, up to his violent death in 1967 at the age of 34. It includes his major successes: Entertaining Mr Sloane, which 'made more blood boil that any other British play in the last ten years' (The Times); Loot, 'a Freudian nightmare', which sports with superstitions about death - as well as life; his farce masterpiece, What the Butler Saw; The Erpingham Camp, his version of The Bacchae, set in a Butlin's holiday resort; together with his television plays, Funeral Games and The Good and Faithful Servant. The volume includes a revealing introduction by John Lahr, Orton's official biographer."He is the Oscar Wilde of Welfare State gentility" (Observer)

'It's been a year since I died, and still nobody has found me.' Summer, 1827. In a red barn in Suffolk, Maria Marten awaits her lover. A year later, hidden in a grain sack under the floor of the barn, Maria's body is found, barely identifiable - and the manhunt begins. The Red Barn Murder had all the hallmarks of a classic crime drama: a missing body, a country location, a disreputable squire and a village stuck in its age-old traditions. But whilst sending shockwaves throughout the country, Maria's own story was lost. The Ballad of Maria Marten rediscovers her story, bringing it back to vivid, urgent life. Beth Flintoff's thrilling play was first performed by an all-female cast in a production by Eastern Angles in July 2018. Subsequent national tours were produced with Eastern Angles by Matthew Linley Creative Projects in association with the Stephen Joseph Theatre.

'Our wars may come in many forms. On the battlefields. Within ourselves.' Mahatma Gandhi: lawyer, champion of non-violence, beloved leader. Nathuram Godse: journalist, nationalist - and the man who murdered him. Anupama Chandrasekhar's play The Father and the Assassin traces Godse's life over thirty years during India's fight for independence: from a devout follower of Gandhi, through to his radicalisation and their tragic final encounter in Delhi in 1948. An essential exploration of oppression and extremism, this gripping play opened at the National Theatre, London, in May 2022, directed by Indhu Rubasingham.