What money?! This ends when you end. This experiment is about the survival of the fittest. Nothing more - nothing less. Imprisoned in an abandoned warehouse, a desperate group of failing actors are trapped in a dark experiment. After months of endlessly rehearsing George Bernard Shaw's Pygmalion with no director to guide them, some of the ensemble have disappeared leaving the others paranoid and subservient. Sleep-deprived and half-starved, their fragile social bonds shatter and implode as a stranger breaks in and incites them to rebel. This new dystopian thriller about a group of aspiring actors trapped in a dark social experiment is a collaboration from writers Martin Travers and Chloe Wyper. This edition was published to coincide with the run presented by the Citizens Theatre's WAC Ensemble in April 2022.

A white South African boy becomes aware of the meaning of racialism. Set in a tearoom in Port Elizabeth in the 1950s.

Larry Kramer's passionate, polemical drama, set during the early days of the AIDS epidemic in the 1980s. The Normal Heart traces the story of one man who, while his friends are dying around him, strives to break through a conspiracy of silence, indifference and hostility from public officials and the gay community, and gain recognition for a virus that threatens to change everything. The play received its British premiere at the Royal Court Theatre, London, in 1986. Thirty-five years after that premiere, the play's prescience and its searing emotional power are beyond doubt. It was revived on Broadway in 2011 (winning the Tony Award for Best Revival) and adapted for television in 2014 (receiving the Emmy Award for Outstanding Television Movie). This new edition of the play is published alongside a major revival at the National Theatre, London, in 2021, directed by Dominic Cooke. It features the definitive text of the play, extensive supplementary material including a new introduction by critic and broadcaster David Benedict, and tributes to Larry Kramer by Russell T Davies, Tony Kushner and Matthew Lopez, all of whom have also contributed to the canon of dramatic work about HIV/AIDS - with, respectively, It's A Sin, Angels in America and The Inheritance.

'Love or knowledge: which would you choose?' A moving, comical and eye-opening story of four young women fighting for education and self-determination against the larger backdrop of women's suffrage. 1896. Girton College, Cambridge, the first college in Britain to admit women. The Girton girls study ferociously and match their male peers grade for grade. Yet, when the men graduate, the women leave with nothing but the stigma of being a 'blue stocking' - an unnatural, educated woman. They are denied degrees and go home unqualified and unmarriageable. In Jessica Swale's debut play, Blue Stockings, Tess Moffat and her fellow first years are determined to win the right to graduate. But little do they anticipate the hurdles in their way: the distractions of love, the cruelty of the class divide or the strength of the opposition, who will do anything to stop them. The play follows them over one tumultuous academic year, in their fight to change the future of education. Blue Stockings received its professional premiere at Shakespeare's Globe, London, in August 2013, directed by John Dove.

Three incarnations of women: a mother, a daughter and an old crone. A haunting of past, present and future selves. Drawing loosely on the Greek myth of Demeter and Persephone, this poetic text explores the process of individuation, the inevitability of a young girl’s journey into the shadow and into the unknown, of the bonds that connect mothers and children to each other, of loss and the dense beautiful soaring life that we are all traveling through.

Three generations of the Blake family have assembled for Thanksgiving in Brigid and Richard's ramshackle pre-war apartment in Lower Manhattan. Whilst the event may have a slightly improvised air, the family is determined to make the best of its time together. As they attempt to focus on the traditional festivities, fears of the past and pressures of the future seep into the reunion and the precariousness of their position becomes increasingly evident. Stephen Karam's blisteringly funny and bruisingly sad drama, The Humans, is a stunning portrayal of the human condition; a family at its best and worst navigating the challenges of everyday life. The Humans premiered in Chicago in 2014, before transferring to the Roundabout Theatre Company, New York, in 2015; Broadway in 2016; and Hampstead Theatre, London, in 2018. The production won numerous awards, including the Tony Award and the New York Drama Critics' Circle Award for Best Play. A film adaptation, written and directed by Stephen Karam, was premiered in 2021.

Book of Sides II: Original, Two-Page Scenes for Actors and Directors is the second book in the Book of Sides series by Dave Kost, featuring original, two-page, two-character scenes for use in acting, directing, and auditioning classes. While shorter than the traditional three-to-six-page scenes commonly used in classes, Book of Sides II features longer scenes than the first Book of Sides with greater character development, more reversals, and stronger climaxes. Balanced, structured scenes designed specifically for educational use challenge both actors and directors equally with objectives, obstacles, tactics, and subtext; Two-page length is ideal for high-intensity exercises and faster-paced workshops; Printed in easy-to-read film-script format with plenty of room for notes; Scenes are completely original and unencumbered by copyright, so students may film and post legally on the internet; Universally castable, so all roles can be played by actors of any gender, appearance, skill level, or ethnicity; Accessibly-written for modern students, helping them to focus on the fundamentals of performance and directing; Simple and conducive to performing in a classroom without sets, costumes, or special props. This book was written by an educator for educators and designed for use in the classroom. Never search for scenes again!

I don't know how to feel. I know I should feel special. Changed. Like a woman. Maybe a little bit sore. A sore woman. But happy. And I don't. Growing up in Kilburn, siblings Madani, Maryam and school mate Alex hit it off from the moment they meet. 10 years later, playground chats about ninja turtles, annoying aunties and secret swearing have been kicked out by teen opinions powered by podcasts, porn and politics. Still, best friends can talk about anything. So why are there suddenly so many things left unsaid between the three? A comedy drama play about coming of age in a world of information overload and weaponised language.

Hate your job? Come work for us. This is a show about work. But the worker isn't here, so it's down to you. You'll clock in at the beginning. You'll get short breaks at regular intervals. You'll work in a team, and under your own initiative. You will be your own boss. You will be free. work.txt is a show performed entirely by the audience about the gig economy, financial instability and bullshit jobs. This edition was published to coincide with the run at the Soho Theatre in London in February 2022.

She used to be everywhere, all at the same time, do you know what I mean? And now she's nowhere. She was always there, that's what I'm trying to say. A fractured trio of sisters are pulled back together with news that turns their worlds upside down. Tensions from the past and worries about the future leave them feeling paralysed. When it feels like your world has come to a stop, how do you find a way to keep moving forward? Soaring music by Atlantic Records artists The Staves, combines with dynamic movement and bold new writing in this compelling, intimate reflection on grief and the invisible bonds within families. Blood Harmony is a play with songs that'll make you want to pull your family a little closer and hold them a little tighter.

'It's a matter of perception. The hands of time turn at the same speed for everyone. Yet a child waits what seems to be an eternity for summer, whilst an old man watches a year pass in the blinking of an eye.' It's 1984, and as France play Yugoslavia in the Euros, a man meets a woman in a Parisian cafe. He's returning a bag that she lost on the Metro, but he doesn't tell her he stole it... Instead, he tells her the story of Jean-Eugene Robert-Houdin, watchmaker, inventor, and master magician of the nineteenth century. Together they set out to find a vanished theatre beneath a bank vault in the Boulevard des Italiens, to break into a museum in the Trocadero, to uncover the mystery of the Mechanical Turk, to witness the birth of the Kinetograph... and to delve ever deeper into the Art of Illusion. Le Cercle des illusionnistes by Alexis Michalik premiered in Paris in 2014 and won several Moliere Awards. The Art of Illusion, Waleed Akhtar's English translation, opened at Hampstead Theatre, London, in December 2022, directed by Tom Jackson Greaves.

'That is the story of our beginning. And this is the story of...the end' Lovesong is the story of one couple, told from two different points in their lives - as young lovers in their 20s and as worldly companions looking back on their relationship. Their past and present selves collide in this haunting and beautiful tale of togetherness. All relationships have their ups and downs; the optimism of youth becomes the wisdom of experience. Love is a leap of faith.

‘A spicy work of biographical conjecture ... It's also a rousing reminder of the countless creative women who have been written out of history or have had to fight relentlessly to make themselves heard.’ EVENING STANDARD ‘The great virtue of Lloyd Malcolm’s speculative history lies in its passion and anger: it ends with a blazing address to the audience that is virtually a call to arms. It is throughout, however, a highly theatrical piece ... In rescuing Emilia from the shades, [the play] gives her dramatic life and polemical potency.’ GUARDIAN The little we know of Emilia Bassano Lanier (1569 - 1645) is that she may have been the Dark Lady of Shakespeare's Sonnets, mistress of Lord Chamberlain, one of the first English female poets to be published, a mother, teacher who founded a school for women, and radical feminist with North African ancestry. Living at a time when women had such limited opportunities, Emilia Lanier is therefore a fascinating subject for this speculative history. In telling her story, Morgan Lloyd Malcolm represents the stories of women everywhere whose narratives have been written out of history. Originally commissioned for Shakespeare's Globe with an all-female cast, Emilia is published here as a Methuen Drama Student Edition with commentary and notes by Elizabeth Schafer, Professor of Drama at Royal Holloway, University of London, UK.

The Rover, or, The Banished Cavaliers is the most popular play by the Restoration playwright (and spy) Aphra Behn, first performed in 1677. Although Behn's work as a spy for Charles II came to a sudden end with a spell in debtor's prison, she was a stout Royalist, and the title refers to Charles' supporters, who were living in exile on the Continent. In the tradition of Restoration comedy, the play follows the wild exploits of a group of English gentlemen in Naples at Carnival time, although many of the tropes of the genre are subverted to an extent which sent shockwaves through the theatre world. Behn's infamous libertine Willmore was an instant hit, and The Rover catapulted her to overnight fame, and brought her an income from the box office, making her one of the first women to earn a living by their pen.

First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

John Alcock reviews the controversy that has surrounded evolutionary studies of human social behavior following the 1975 publication of E.O. Wilson's classic, Sociobiology, the New Synthesis. Denounced vehemently as an ideology that has justified social evils and inequalities, sociobiology has survived the assault. Twenty-five years after the field was named by Wilson, the approach he championed has successfully demonstrated its value in the study of animal behavior, including the behavior of our own species. Yet, misconceptions remain. In this objective approach to the sociobiology debate, animal behaviorist John Alcock illuminates how sociobiologists study behavior in all species. He confronts the chief scientific and ideological objections head on, with an analysis of case histories that involve such topics as sexual jealousy, beauty, gender difference, parent-offspring relations, and rape.

In Stagecraft in Euripides, first published in 1985, Professor Michael Halleran examines certain aspects of the dramaturgy of the most extensively preserved Attic tragedian. Although the ancient dramatic texts do not contain performance directions, they do imply stage actions. This work explores the ways Euripides utilises the latter to make a point: to underline some issue, to suggest a contrast, or to shift the focus of the drama. Specifically, Halleran investigates the rearrangement of characters on stage at the major structural junctures of the play: entrances and their announcements; preparation for and surprise in entrances; and dramatic connections between exits and entrances. Three plays from the same era - Herakles, Trojan Women and Ion - are discussed in greater detail to reveal the potential of this approach for illuminating Euripides' 'grammar of dramatic technique'. Stagecraft in Euripides will thus appeal to students of theatre and drama as well as classicists.

2020 Edition Set text for Eduqas GCSE 9-1 Drama exam Based on Maureen Dunbar's award-winning book and film Catherine: The Story of a Young Girl Who Died of Anorexia Nervosa. Catherine Dunbar died in 1984, after a seven-year battle against anorexia nervosa. She was just twenty-two. Mark Wheeller's potent documentary play uses the words from Catherine's diaries and also of those most closely involved and affected. This 2020 edition includes a foreword by the late Maureen Dunbar, unseen extra scenes and a reflection by Mark, on the astonishing journey of this widely studied play since its first performances, including one by OYT on the Olivier Stage of the Royal National Theatre. Suitable for: Key Stage 3/4, BTEC, GCSE Duration: 75 minutes approximately Cast: 6 female, 3 male, 22 female/male, or 3 female and 2 male with doubling. "This play reaches moments of almost unbearable intensity... naturalistic scenes flow seamlessly into sequences of highly stylised theatre... such potent theatre!" Vera Lustig, The Independent "Elegantly structured, highly informative, and imaginatively theatrical. There wasn't a dry eye in the house." Anne McFerran, Stage and Television Today

The fabulously wealthy Victorian gentleman Phileas Fogg wagers his life's fortune that he can circumnavigate the globe in just eighty days. Along with his hapless valet Passepartout, he sets out on a dazzling escapade that takes him from the misty alleys of London to the exotic subcontinent and on to the Wild West as they race against the clock on a dizzying succession of trains, steamers, a wind-propelled sledge and an elephant. Laura Eason's celebrated adaptation of Jules Verne's classic novel was seen at the New Vic Theatre, Stoke, and Manchester's Royal Exchange before receiving its London premiere at the St. James Theatre in 2015. Packing in more than fifty unforgettable characters, this imaginative version of Around the World in 80 Days was written for an ensemble cast of eight, but can be performed by a much larger cast - making it perfect for any theatre company or drama group looking for a high-spirited adventure.