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Hierdie bundel bevat vyf van Pieter-Dirk Uys se Afrikaanse dramas wat by verskyning aandag getrek het oor Uys se se satiriese uitbeelding van en kritiek op die apartheid-stelsel, nl. Selle ou storie, Karnaval, Die Van Aardes van Grootoor, Panorama en die Die vleiroos. Die selle ou storie en Karnaval is destyds deur die Publikasieraad verbied.
Presents the original text of Shakespeare's play side by side with a modern version, discusses the author and the theater of his time, and provides quizzes and other study activities.
""This is a highly unusual theatrical gem . . . both beautiful and
beguilingly idiosyncratic."--"Time Out ""
Drawing on the themes of cruelty, imperialism, and betrayal, Hideki Noda and Colin Teevan's new play "The Diver" ingeniously links the ancient Japanese Tale of Genji with a Noh theater play and a contemporary murder.
We are prisoners of a corrupt country of our own making American banker Nick Bright knows that his freedom comes at a price. Confined to a cell within the depths of rural Pakistan, every second counts. Who will decide his fate? His captors, or the whims of the market? Pulitzer Prize-winning playwright Ayad Akhtar has written an intense, fast-moving political thriller, which lays bare the raw, unfettered power of global finance. The Invisible Hand received its world premiere at the New York Theatre Workshop on 8 December 2014 and its UK premiere at the Tricycle Theatre, London, on 12 May 2016.
There are seven surviving tragedies by Sophocles. Three of them form the Theban Plays, which recount the story of Thebes during and after the reign of Oedipus. Here, David Slavitt translates the remaining tragedies-the "other four plays:" Ajax, Women of Trachis, Electra, and Philoctetes. Punchy and entertaining, Slavitt reads Athena's opening line in Ajax as: "I've got my eye on you, Odysseus. Always." By simplifying the Greek and making obscure designations more accessible-specifying the character Athena in place of "aegis-wearing goddess," for example-his translations are highly performable. The Other Four Plays of Sophocles will help students discover underlying thematic connections across plays as well. Praise for David R. Slavitt "Slavitt's translation is... lively and sometimes witty."-Times Literary Supplement, reviewing Slavitt's translation of Seneca "The best version of Ovid's Metamorphoses available in English today... It is readable, alive, at times slangy, and actually catches Ovid's tone."-Philadelphia Inquirer, reviewing Slavitt's translation of The Metamorphoses of Ovid "Slavitt's ability is clearly in evidence... These translations are rendered in lucid, contemporary English, bringing before us the atrocities, horrors, and grotesqueries of Imperial Rome."-Classical Outlook, reviewing Slavitt's translation of Seneca "Excellent translations that suit the ear and strengthen the feeble spirit of the time... One will do well to read these hymns, these poems, and find nourishment in them in Slavitt's translations."-Anglican Theological Review, reviewing Slavitt's translation of Hymns of Prudentius
A page of music is included for this hymn praising the saints who have gone before us and those we meet in our daily lives. Also includes brief biographies of six saints.
In 2011, Lynn Nottage began spending time with the people of Reading, Pennsylvania: officially one of the poorest cities in the USA. During the following two years, she dug deep into the forgotten heart of middle America, finding a city divided by racial tension and the collapse of industry. Sweat is the Pulitzer Prize-winning play that Lynn Nottage wrote following her experience. Her tale of friends pitted against each other by big business, and the decline of the American Dream receives its UK premiere at the Donmar Warehouse, London in December 2018.
"JARMAN (all this maddening beauty") and Other Plays is a collection of three radically poetic works for live performance by OBIE Award-winning playwright Caridad Svich. The playtexts includes a lyrical meditation on the legacy of iconic queer artist Derek Jarman, a meditation on displacement and human suffering (Carthage/Cartagena), and an intimately operatic reflection on Penelope and Odysseus (The Orphan Sea). Accompanied by scholarly essays placing the plays in context, this book showcases the beautiful strangeness and profound resistance in Svich's work. "Svich is one of the finest poet/playwrights of this generation. . . . She is a playwright whose plays perform like dramatic poems that are wondrous to the ear and moving to the heart."--Seth Gordon, Repertory Theatre of St. Louis
This book presents the complete texts of four ideologically complex and theatrically effective Irish melodramas produced at the Queen's Theatre in Dublin during the late 19th and 20th centuries. This edition, complete with period illustrations of playbills, pictorial ads, and protraits, includes a detailed critical introduction that weaves the separate narratives of the plays into a sustained story of Irish sociopolitical life in the revolutionary 1790s. All four plays focus on the '98 Rising. J.W.Whitbread's "Lord Edward, Or '98" (1894) and "Wolfe Tone" (1898) dramatize the consequences of heroism from the aristocratic and United Irish point of view, while P.J.Bourke's "When Wexford Rose" (1910) and "For the Land She Loved" (1915) engage resistance from working class and feminist-nationalist perspectives. These plays, shown constantly in Irish cities and small towns, as well as overseas were to become part of the social dialogue that produced another rising in 1916 and beyond.
Escape the Scaffold is a dark and dangerous psychological thriller set against the background of a rapidly changing world. Three best friends hunker down in their student house, forced to make decisions that will mark them for the rest of their lives. Get a job. Get married. Put down the tequila and take the money. Save yourself. Love triangle turns to murderous betrayal. Youthful idealism is tested, paranoia takes hold, and real life melts into a nightmare world. The basement is filling with water and there is a monster in the house.
Walkern, 1712. England has been free from witch-hunts for decades until Jane Wenham is blamed for a tragic death and charged with witchcraft. A terrifying ordeal begins, as the village is torn between those who want to save Jane's life and those who claim they want to save her soul. Inspired by events in a Hertfordshire village, the play explores sex and society's hunger to find and create witches. Rebecca Lenkiewicz's Jane Wenham: The Witch of Walkern premiered at Watford Palace Theatre before going on UK tour in September 2015, in an Out of Joint, Watford Palace Theatre and Arcola Theatre co-production, in association with Eastern Angles.
Oxford Student Texts offer an accessible route into the study of texts for A Level including line-by-line notes, and detailed sections covering key themes, issues and contexts. This edition focuses on The Way of the World by William Congreve.
I do not accept there is anything wrong with me. Days before her wedding Megan discovers she has a 50-50 chance of developing early onset Alzheimer's. Years later she's offered a genetic test. But if she's got the gene does she really want to know? Megan, 21. Megan, 47. Megan, 32. Megan, 27. One woman lurches through time while her young family deal with the consequences. I can't think. But I still feel. And most of the time I feel scared. Scared because it's too soon. I haven't finished yet. Plaques and Tangles by Nicola Wilson premiered at the Royal Court Theatre, London, in October 2015.
The fabulously wealthy Victorian gentleman Phileas Fogg wagers his life's fortune that he can circumnavigate the globe in just eighty days. Along with his hapless valet Passepartout, he sets out on a dazzling escapade that takes him from the misty alleys of London to the exotic subcontinent and on to the Wild West as they race against the clock on a dizzying succession of trains, steamers, a wind-propelled sledge and an elephant. Laura Eason's celebrated adaptation of Jules Verne's classic novel was seen at the New Vic Theatre, Stoke, and Manchester's Royal Exchange before receiving its London premiere at the St. James Theatre in 2015. Packing in more than fifty unforgettable characters, this imaginative version was written for an ensemble cast of eight, but can be performed by a much larger cast - making it perfect for any theatre company or drama group looking for a high-spirited adventure.
"I used to be scared of them. They seemed so different. They don't scare me anymore. They're just children, aren't they? Just children." January 1941. A terrible crime is taking place in a clinic for disabled children. The perpetrators argue that it will help struggling parents and lift the financial burden on the mighty German state. One brave voice is raised in objection. But will the doctor listen?
Wilde's scintillating drawing-room comedy revolves around a blackmail scheme that forces a married couple to reexamine their moral standards. A supporting cast of young lovers, society matrons, and a formidable femme fatale exchange sparkling repartee, keeping the action of the play at a lively pace.
Vir die eerste keer is vier van Deon Meyer se Afrikaanse filmdraaiboeke nou saam gebundel.
Die laaste tango:
Die ballade van Robbie de Wee:
Dr. Faustus is one of the jewels of early modern English drama, and is still widely performed today. Interestingly, the play has come down to the contemporary audience in two distinct versions that have become known as the 'A' and the 'B' texts. David Bevington and Eric Rasmussen, who edited the original Revels edition over twenty years ago (and are two of the most eminent editors currently working), have hit upon the fascinating idea of presenting both texts on facing pages. This allows readers to compare the two 'versions', the 'A' text which is the one closest to Marlowe, and the longer 'B' text with additions by Samuel Rowley; in this unique edition, the reader is made aware of the changing tastes of audiences, the stage history of the play, and of just how intricate 'editing' a play can be. With a concise and illuminating introduction, and relevant notes and images, this Revels Student Edition of the 'A' and 'B' texts of Dr. Faustus will prove to be an enthralling document, and an excellent edition for student and theatre-goer alike. -- .
"I just lit up. I did not burn" In a remote Tibetan village, Deshar, a young runaway has disowned her father Tsering and become a Buddhist nun. In Lhasa, Chinese Commander Deng is working for the future of the country, unable to meet the needs of his wife and daughter. When Deshar carries out an act of defiance it reverberates across the whole country and a new freedom struggle is born with life changing consequences for Deshar, Deng and their families. "Tell that girl, she has changed Tibet forever." Pah-la, based on real stories during the 2008 Lhasa riots, is an examination of the future of non-violence.
A major revision of this classic revenge tragedy. The comprehensive introduction covers recent developments in criticism and key theatre productions, as well as relating the play to other early modern tragedies. The edition gives students and teachers a reliable, annotated text and a stimulating overview of the play's context, critical perspectives and an exploration of its stage history. An invaluable resource for study and performance.
"With his louche air and a developed taste for smoking, gambling, port and women, it's hard to believe Cis Farringdon is only fourteen. And that's because he isn't. Agatha, his mother, lopped five years from her true age and his when she married the amiable Posket. Well, when I heard the new dad was a police magistrate, I was scared. Said I to myself, 'If I don't mind my Ps and Qs, the Guv'nor - from force of habit - will fi ne me all my pocket-money.' The imminent arrival of Cis' godfather sends Agatha incognito to the Hotel des Princes to warn him of her deception. But it's also where her son has cajoled his otherwise staid stepfather into joining him for a binge. High-spirited carousing leads to a police raid and a night of outrageous mishap as the trapped guests make desperate attempts to conceal themselves from the law and from each other. Indignities escalate at court the next day where Posket, the police magistrate, must preside."
The grasping social climber, the tiresome neighbour, the spirited heroine, the most unsuitable of suitors, and, of course, the perfect love match, are all some of Jane Austen's timeless literary inventions. Mistress of a sharp wit, Austen's observations on society and the roles and rights of women are familiar today not only through her novels but from countless screen and stage adaptations. However, the original dramatisation of Austen was first published in 1895, by Victorian feminist and actor Rosina Filippi, who skilfully adapted iconic scenes from Austen's novels into one-act plays for performance. Playing Jane evokes the romance of Victorian drawing-room entertainment at its best, and with accompanying stage directions and advice on the correct silks and muslins to wear, you too can learn how to play Jane.
Athol Fugard het met die koms van sy tagtigste verjaarsdag besluit om ín toneelstuk in sy ma se moedertaal te skryf, soos sy hom jare gelede gevra het. Met behulp van Riana Steyn se kennis en navorsing oor die karretjiemense het hierdie toneelstuk tot stand gekom. Dit is die verhaal van die Geduld-gesin, wat, na die dood van hul ouma Mieta, haar in die Karoo-veld onder klippe begrawe, soos die gebruik onder die karretjiemense is. Haar kleinkinders se enigste vooruitsig blyk die plakkerskamp naby Colesberg te wees. Hul pa, Koot, was op sy dag die voorste skaapskeerder, maar nou is hy in die tronk vir die moord op hy sy tweede vrou. Na sy vrylating spoor Sarah, ín navorser wat jare gelede met die gesin te doen gehad het, hom op. Saam neem hul bestekopname van die karretjiemense se verlede en toekoms.
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