The official edition of the beloved classic voted by the British Crime Writers’ Association as the "Best Crime Novel of all Time," now featuring a new introduction by Louise Penny, a foreword from Agatha Christie's great grandson, and exclusive content from the Queen of Mystery.

Roger Ackroyd knew too much. He knew that the woman he loved had poisoned her brutal first husband. He suspected also that someone had been blackmailing her. Then, tragically, came the news that she had taken her own life with an apparent drug overdose.

However, the evening post brought Roger one last fatal scrap of information, but before he could finish reading the letter, he was stabbed to death. Luckily one of Roger’s friends and the newest resident to retire to this normally quiet village takes over—none other than Monsieur Hercule Poirot . . .

Not only beloved by generations of readers, The Murder of Roger Ackroyd was one of Agatha Christie’s own favorite works—a brilliant whodunit that firmly established the author’s reputation as the Queen of Mystery.

Oscar Wilde has fled to France after his release from Reading Gaol. Tonight he is sharing a drink and the story of his cruel imprisonment with a mysterious stranger. Oscar has endured the treadmill, solitary confinement, censored letters, no writing materials. Yet even in the midst of such deprivation, his astonishing detective powers remain undiminished--and when first a brutal warder and then the prison chaplain are found murdered, who else should the governor turn to for help other than Reading Gaol's most celebrated inmate?

'A taut, gripping, all-consuming thriller' – Lisa Regan, bestselling author of the Detective Josie Quinn series

ONE HIJACKED BUS.

New driver Jessa is desperate for her shift to run smoothly to avoid exposing her job-application lies. Twelve-year-old passenger Sage just wants to get home, exhausted from watching over her little sister, Bonnie. But disaster strikes when their bus is hijacked in broad daylight. For the innocent souls onboard, the nightmare is only just beginning . . .TEN FRIGHTENED CHILDREN.

Trapped inside a shipping container buried 20 feet underground, the captives are promised they'll be freed once a ransom is paid to the hijackers. But Jessa and Sage aren't sure they'll last that long. It’s dark and cramped – and, as every minute passes, it's becoming harder to breathe.

A DEADLY RACE AGAINST THE CLOCK . . .

With time – and air – running out, can they team up to outsmart their captors? Or are they doomed to an unthinkable fate?

Marinda van Zyl is daarvoor bekend dat sy onverkende gebeure in die geskiedenis ontgin en dit verweef in verhale waarvan die karakters en hulle lotgevalle ’n mens bybly. Rooiborslaksman is ’n welkome opvolg op Van Zyl se die epiese historiese roman Amraal.

In Rooiborslaksman word die negentiende­eeuse konflik met die Herero’s en Duitsers in die destydse Suidwes­Afrika vervleg met die lewensverhale van Liesbet Lambert (Amraal Lambert se laatlam) wat wees gelaat word tydens die pokke­epidemie en Frederik Vlermuis vir wie Gobabis se kerktoring soos die spierwit pendoring van die kameeldoringboom lyk waaraan die rooiborslaksman genadeloos sy prooi ryg.

Die derde boek in die Abel-trilogie. Die polisie word ontbied na ’n kamer in die Sleep Inn in Bez Valley. Bloed en hare in die bad dui op ’n slagting, maar daar is geen lyk nie. Wanneer ’n gelooide en onthaarde vel in formalien gevind word, weet Ella Neser sy is weer op Abel Lotz se spoor. Abel bevind hom in Brugge, by sy vriend Ignaz Bouts. Kort voor lank soek hy weer na velle met tatoes vir die omslae van die tien volumes van sy Kosmiese Reise, hierdie keer met die hulp van Ignaz. Hy het twee velle en kort nog agt. Intussen word die lyk van ’n amptenaar van Binnelandse Sake kaal en bevrore langs ’n dam gevind, sy keel afgesny. Dit blyk dat ’n joernalis op sy spoor was, nadat ’n Suid-Afrikaanse paspoort aan die lyk van ’n meesterbrein van Al-Kaïda gevind is.

It’s the perfect plot. All it needs is a killer ending.

Six authors. One private island. Seventy-two hours to write the ending.

World-famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. When six struggling authors are invited to Fletch's private Scottish island and presented with the opportunity of a lifetime, the plot thickens: whoever writes a worthy ending will receive a game-changing book deal and two million dollars.

Why have they been chosen to attend? Who is behind the invitation? And just how far would they go to secure a place on the bestseller list?

They have just seventy-two hours, a typewriter and a blank page. All they have to do is write…

Starting is often the hardest part. But getting to the end could be murder.

*Evelyn Clarke is the pseudonym for Number One Sunday Times bestselling author V.E. Schwab, and screenwriter and YA author Cat Clarke.*

A boy is found with his throat ripped out,
the blood drained from his body. It’s not the first
such killing, and the town knows who to blame:
the vampyr colony in the mountains.

But out-of-state detective Barbara Atkins think the evidence
doesn’t stack up. People are lying.
And Deadhart has a history of dark secrets.

The snow keeps falling, but so do the victims.
Time is running out for Barbara.
Is she hunting a cold-blooded murderer,
or a bloodthirsty monster?

And which does she fear most?

A story about stories within stories, as four interconnected mysteries take the reader through the ages, from Shakespeare’s day to a 19th-century Gothic former Priory, to 1920s Venice, and finally to 1940s California, from the internationally bestselling author of The Turnglass.

We begin with the last testament of William Shakespeare as he investigates the real-life murder mystery of his friend, playwright Christopher Marlowe.

The second story is a 19th-century Gothic tale about the discovery of Shakespeare’s manuscript, set in an isolated former Priory, now a clinic for those who cannot sleep.

The third is a lighter Golden Age detective tale set in Venice, where private investigator Honora Feldman looks into a baffling case of theft and murder in the British expat community, with the Gothic story at its heart.

And finally, a 1940s American Noir, as Ken Kourian finds that a serial killer is recreating all the murders in The Waterfall, the companion book to his friend Oliver Tooke’s The Turnglass.

The Waterfall is a beguiling and intricate mystery that cements Gareth Rubin’s position as one of the most original authors writing today.

When a young girl is snatched from a West Yorkshire town there are eerie similarities with a cold case from many years earlier. It can’t be the same killer, can it?

Yorkshire, 1994. Eighteen-year-old Adrian Brown spends his days working at the local newspaper, and his evenings in his local pub. But under this ordinary surface lies a haunting story. Aged ten, Adrian w as kidnapped by a shadowy figure know n as The Lollipop Man, who had abducted three children before. Adrian w as the only one to escape.

The Lollipop Man might well have returned when another missing child whips up a media frenzy. Journalist Sheila Hargreaves, troubled with memories of her own involvement in the reporting of the previous abductions, is determined to dig deeper, atone for w hat she did nearly a decade ago and bring the Lollipop Man to justice.

They say you can't choose your family . . . But what if they're wrong? Chloe lives a quiet life. Working as a newspaper archivist in the day and taking care of her nan in the evening, she's happy simply to read about the lives of others as she files the news clippings from the safety of her desk. But there's one story that she can't stop thinking about. The case of Angie Kyle - a girl, Chloe's age, who went missing as a child. A girl whose parents never gave up hope. When Chloe's nan is moved into care, leaving Chloe on the brink of homelessness, she takes a desperate step: answering an ad to be a lodger in the missing girl's family home. It could be the perfect opportunity to get closer to the story she's read so much about. But it's not long until she realizes this couple isn't all they seem. In a house where everyone has something to hide, is it possible to get too close? Anna Wharton's debut, The Imposter, is a thought-provoking story of obsession, loneliness and the lies we tell ourselves in order to live with ourselves. 'Evocative and compelling' - Karen Hamilton, author of The Perfect Girlfriend and The Last Wife

*Now a major TV series starring Gary Oldman* 'To have been lucky enough to play Smiley in one's career; and now go and play Jackson Lamb in Mick Herron's novels - the heir, in a way, to le Carre - is a terrific thing' Gary Oldman Spooks are supposed to be stealthy ... But those who make a noisy mess of their careers end up in Slough House. This is Jackson Lamb's kingdom: a dumping ground for spies who've screwed up. Once high fliers, they're now slow horses, condemned to a life of pushing paper as punishment for crimes of drugs and drunkenness, lechery and failure, politics and betrayal. In drab and mildewed offices, these highly trained spies moan and squabble, stare at the walls, and dream of better days - not one of them joined the Intelligence Service to be a slow horse, and the one thing they have in common is their desire to be back in the action. So when a young man is kidnapped and held hostage, his beheading scheduled for live broadcast on the net, the slow horses aren't going to just sit quietly and watch. And unless they can prove they're not as useless as they're thought to be, a public execution is going to echo round the world. 'The most exciting development in spy fiction since the Cold War' The Times 'The most enjoyable British spy novel in years.' Mail on Sunday 'The new spy master' Evening Standard