PREPARE TO BE HOOKED . . . * #1 UK SUNDAY TIMES BESTSELLER * * A NEW YORK TIMES BSETSELLER * * OVER 2,000 5 STAR REVIEWS * 'I was ENTHRALLED. Empathetic, gripping, authentic' Gillian McAllister 'A GRIPPING read. Superb!' Shari Lapena 'The story EVERYONE has been waiting for.' Adele Parks 'Fast-paced, cleverly plotted. GRIPS from first page to last' Paula Hawkins 'Artful, slippery, HUGELY SATISFYING. A rare treat awaits!' Louise Candlish ___________ LONDON. Early morning, June 2019: on the foreshore of the river Thames, a bag of bones is discovered. Human bones. DCI Samuel Owusu is called to the scene and quickly sends the bag for forensic examination. The bones are those of a young woman, killed by a blow to the head many years ago. Also inside the bag is a trail of clues, in particular the seeds of a rare tree which lead DCI Owusu back to a mansion in Chelsea where, nearly thirty years previously, three people lay dead in a kitchen, and a baby waited upstairs for someone to pick her up. The clues point forward too to a brother and sister in Chicago searching for the only person who can make sense of their pasts. Four deaths. An unsolved mystery. A family whose secrets can't stay buried for ever ... ___________ 'Twisty and strange and surprising' EMILY HENRY 'Dark menace, consummate plotting. A sheer PLEASURE to read' HARRIET TYCE 'This is perfection on a page.' ALICE FEENEY 'A riveting, rollicking read, guaranteed to send your blood pressure soaring' RED MAGAZINE 'It's a triumph. Brava!' ERIN KELLY 'Compulsive, gripping and immersive.' CL TAYLOR 'Lisa Jewell is, simply, outstanding.' ALEX MARWOOD 'Compelling, ingenious, breath-stopping.' TAMAR COHEN 'A witty and propulsive stunner of a novel.' KATHERINE HEINY 'This is Lisa Jewell at her absolute best. I loved it!' PAUL BURSTON 'A compulsive, dark, satisfying tale that will pick you up and refuse to put you down.' CATHERINE STEADMAN ___________ Readers can't get enough of The Family Remains . . . ***** 'There's nothing about this book that I would change. Seriously.' ***** 'My expectations were high and this still managed to surpass them.' ***** 'The writing is outstanding from start to finish and it's an engrossing read.' ***** 'I could not put it down and loved the surprises and twists.' ***** 'Lisa Jewell can write one hell of a thriller!!'

From the author of the BBC 2 Between the Covers hit, The Fine Art of Invisible Detection 'The world's greatest storyteller' Guardian 'One of the finest crime writers of any generation' Daily Mail 'Our finest practitioner of the double-cross plotting' Mick Herron ______________________________________ Umiko Wada never set out to be a private detective, let alone become the one-woman operation behind the Kodaka Detective Agency. But so it has turned out, thanks to the death of her former boss, Kazuto Kodaka, in mysterious circumstances. Keen to avoid a similar fate, Wada chooses the cases she takes very carefully. A businessman who wants her to track down his estranged son offers what appears to be a straightforward assignment. Soon she finds herself pulled into a labyrinthine conspiracy with links to a twenty-seven-year-old investigation by her late employer and to the chaos and trauma of the dying days of the Second World War. As Wada uncovers a dizzying web of connections between then and now, it becomes clear that someone has gone to extraordinary lengths to keep the past buried. Soon those she loves most will be sucked into the orbit of one of the most powerful men in Tokyo. And he will do whatever it takes to hold on to his power... The Fine Art of Uncanny Prediction is another tour de force from the cunning mind of master storyteller Robert Goddard. Spanning seventy years, it takes the reader on a head-spinning journey of twist and counter-twist which keep you guessing until the final pages. __________________________________ Readers love the Umiko Wada series: ***** 'Guaranteed and satisfying escapism' ***** 'Twists and turns right up to the last page' ***** 'Edge-of-the-seat stuff' ***** 'Fresh and inventive' ***** 'The master of twists and suspense ... sublime' ***** 'Scintillating and wickedly twisty'

Op ’n verlate grondpad in Limpopo druk hulle twee kilogram se vlekvrye staal – die reuse Smith & Wesson Model 500 – teen Lemmer die lyfwag se kop en vra: “Waar is dit?” Hy weet nie. Hulle belieg en bedrieg hom, steel sy Glock, die een met sy vingerafdrukke daarop. Hulle ken hom nie; hulle gaan betaal. Hulle gaan ’n spoor trap wat wyd sal loop.

This is an intelligent thriller introducing a brilliant anti-heroine whose actions grip the reader right from the first page. Cilla is a 22-year-old contract killer, specialising in the dry job: a murder which is interpreted by the world as death by natural causes. She is an amoral anti-heroine that the reader has little choice but to root for. She breaks the "Charlies Angels" mould: She's not pretty, she's not physically strong, she doesn't fight men with karate kicks in high heels. She is trained to outwit her opponents and run away when necessary. Her weapon of choice is poison. Death By Natural Causes is perfect for fans of Bella Mackie's HOW TO KILL YOUR FAMILY and the television shows KILLING EVE and THE QUEEN'S GAMBIT.

'Kathy Reichs has written her masterpiece' MICHAEL CONNELLY 'This page-turning series never lets the reader down' HARLAN COBEN In a profession like this, you're bound to make enemies . . . It all starts when Dr Temperance Brennan finds a box on her porch. Inside is a fresh human eyeball with GPS coordinates etched into it. They lead her to a macabre discovery in a Benedictine Monastery, and soon after she discovers a mummified corpse in a state park. There seems to be no pattern to these killings, except that each mimics a killing connected to something a younger Tempe experienced, or barely escaped. Someone is targeting her, and she needs to figure out why before they strike again. And then her daughter Katy disappears. Someone is playing a dangerous game with Tempe. And they won't stop until they have taken everything from her . . . Electrifying, heart-stopping and compulsive, this is Tempe's most personal and dangerous case yet . . . PRAISE FOR KATHY REICHS 'A thing of clever beauty - smart, scary, complicated, and engrossing from the first sentence' MICHAEL CONNELLY 'Reanimates all the ghosts from Temperance Brennan's forensic past until they thoroughly haunt her present . . . This page-turning series never lets the reader down' HARLAN COBEN 'Masterfully constructed' J.A. JANCE 'A mystery within a mystery that invites you to get into the action, complete with twisting turns and heart-stopping dives into the unknown . . . The crowning achievement of a master storyteller' NELSON DeMILLE 'I await the next Kathy Reichs' thriller with the same anticipation I have for the new Lee Child or Patricia Cornwell' JAMES PATTERSON 'Over the course of twenty books, Kathy Reichs and Tempe Brennan have thrilled readers with pacey, mazey tales . . . We readers are truly grateful' IAN RANKIN 'Reichs, skilfully using the conventions of the mystery novel, forces the reader to face up to the obscene realities of death time and time again. At work and a play she gets under your skin' THE TIMES 'A thrilling read from one of my favorite writers' KARIN SLAUGHTER 'One of the absolute best thrillers of the year! I can't recall when this many twists have been so masterfully woven into a novel.' JEFFERY DEAVER 'The Queen of forensic crime' EVENING STANDARD

On holiday in Keldstone visiting his nephew, Jim, blanket manufacturer Athelstan Digby agrees to look after the old bookshop on the ground floor of his lodgings while his hosts are away. On the first day of his tenure, a vicar, a chauffeur and an out-of-town stranger enquire after The Life and Death of Mr. Badman by John Bunyan. When a copy mysteriously arrives at the shop in a bundle of books brought in by a young scamp, and is subsequently stolen, Digby moves to investigate the significance of the book along with his nephew, and the two are soon embroiled in a case in which the stakes have risen from antiquarian book-pinching to ruthless murder. First published in a limited run in 1934, this exceedingly rare and fast-paced bibliomystery set against the landscapes of Yorkshire is long overdue its return to print.

'A great yarn - Shrager knows her food and she's cooked up a storm. . . Rosie can write and Prudence Bulstrode is here to stay' Miriam Margolyes 'Think bolshy Mrs Beeton meets Miss Marple, our rambunctious heroine, Prudence, hilariously stomps her way through a riotous and unpredictable plot. Witty, warm and so enjoyable' Jo Brand 'A Golden Age classic for the modern era - Rosemary Shrager has come up with a recipe to die for' Anton Du Beke 'True to form, this recipe is a real killer!' Alan Titchmarsh 'Rosemary is one of the most positive and resilient people I know. I love her spirit as I love her cooking. Now, I have to admire her writing too' Pierre Koffman The irresistible debut novel from celebrity TV chef Rosemary Shrager where cosy crime and cookery collide! When an old television rival, Deirdre Shaw, is found dead at the Cotswolds manor house where she was catering for a prestigious shooting weekend, Prudence is asked to step into the breach. Prudence is only too happy to take up the position and soon she is working in the kitchens of Farleigh Manor. But Farleigh Manor is the home to secrets, both old and new. The site of a famous unsolved murder from the nineteenth century, Farleigh Manor has never quite shaken off its sensationalist past. It's about to get a sensational present too. Because, the more she scratches beneath the surface of this manor and its guests, the more Prudence becomes certain that Deirdre Shaw's death was no accident. She's staring in the face of a very modern murder. . . Praise for The Last Supper 'A great yarn - Shrager knows her food and she's cooked up a storm. Murder is the main course but the side dishes fascinate. A fascinating conclusion - Rosie can write and Prudence Bulstrode is here to stay. I look forward to more in this series.' Miriam Margolyes 'I've long admired Rosemary as a woman of many talents. I just hadn't realized that writing is one of them. The Last Supper has pace and style and a very interesting cast of characters' Richard Vines 'Rosemary Shrager has created a welcome addition to the ranks of female amateur sleuths. The Last Supper is a witty, light-hearted mystery, in which the author has served up a tasty treat' Simon Brett 'The Last Supper is a charming, hugely entertaining book. Retired chef Prudence Bulstrode is cranky, stubborn and insightful; an utterly brilliant creation. I can't wait to see what she gets up to next' M W Craven 'Discover how a Michelin-starred Miss Marple displays the skills of a bloodhound as she sniffs out the scent of a killer in this thriller that rises to a conclusion like a perfect souffle.' Nick Ferrari 'A light-hearted, fun mystery, combining cookery and crime - what's not to love?' Woman's Weekly 'Shrager, herself a kitchen whizz on TV, has a natural talent and deft touch for exactly this kind of gentle fun' The Sun

'Kathy Reichs has written her masterpiece' MICHAEL CONNELLY 'This page-turning series never lets the reader down' HARLAN COBEN In a profession like this, you're bound to make enemies . . . An eye . . . It all starts when Dr Temperance Brennan finds a box on her porch. Inside is a fresh human eyeball with GPS coordinates etched into it. They lead her to a macabre discovery in a Benedictine Monastery, and soon after she discovers a mummified corpse in a state park. . . . for an eye There seems to be no pattern to these killings, except that each mimics a killing connected to something a younger Tempe experienced, or barely escaped. Someone is targeting her, and she needs to figure out why before they strike again. And then her daughter Katy disappears. Someone is playing a dangerous game with Tempe. And they won't stop until they have taken everything from her . . . Electrifying, heart-stopping and compulsive, this is Tempe's most personal and dangerous case yet . . . PRAISE FOR KATHY REICHS 'A thing of clever beauty - smart, scary, complicated, and engrossing from the first sentence' MICHAEL CONNELLY 'Reanimates all the ghosts from Temperance Brennan's forensic past until they thoroughly haunt her present . . . This page-turning series never lets the reader down' HARLAN COBEN 'Masterfully constructed' J.A. JANCE 'A mystery within a mystery that invites you to get into the action, complete with twisting turns and heart-stopping dives into the unknown . . . The crowning achievement of a master storyteller' NELSON DeMILLE 'I await the next Kathy Reichs' thriller with the same anticipation I have for the new Lee Child or Patricia Cornwell' JAMES PATTERSON 'Over the course of twenty books, Kathy Reichs and Tempe Brennan have thrilled readers with pacey, mazey tales . . . We readers are truly grateful' IAN RANKIN 'Reichs, skilfully using the conventions of the mystery novel, forces the reader to face up to the obscene realities of death time and time again. At work and a play she gets under your skin' THE TIMES 'A thrilling read from one of my favorite writers' KARIN SLAUGHTER 'One of the absolute best thrillers of the year! I can't recall when this many twists have been so masterfully woven into a novel.' JEFFERY DEAVER 'The Queen of forensic crime' EVENING STANDARD

The Murders at Fleat House is a suspenseful and utterly compelling crime novel from the author of the multimillion-selling The Seven Sisters series, Lucinda Riley. 'A thrilling whodunit for crime fans. Another Lucinda Riley legacy to treasure' - Lancashire Post 'A cleverly woven mystery to savour' - Sunday Express The sudden death of a pupil in Fleat House at St Stephen's - a small private boarding school in deepest Norfolk - is a shocking event that the headmaster is very keen to call a tragic accident. But the local police cannot rule out foul play and the case prompts the return of high-flying Detective Inspector Jazmine 'Jazz' Hunter to the force. Jazz has her own private reasons for stepping away from her police career in London, and reluctantly agrees to front the investigation as a favour to her old boss. Reunited with her loyal sergeant, she enters the closed world of the school and, as Jazz begins to probe the circumstances surrounding Charlie Cavendish's tragic death, events are soon to take another troubling turn. Charlie is exposed as an arrogant bully, and those around him had both motive and opportunity to switch the drugs he took daily to control his epilepsy. As staff at the school close ranks, the disappearance of a young pupil and the death of an elderly classics master provide Jazz with important leads, but are destined to complicate the investigation further. As snow covers the landscape and another suspect goes missing, Jazz must also confront her personal demons . . . Then, a particularly grim discovery at the school makes this the most challenging murder investigation of her career. Because Fleat House hides secrets darker than even Jazz could ever have imagined . . .

The ghosts of the past will not be silenced. Glasgow, 1983, and a beat constable walks away from a bar where he knows a crime is about to be committed. It is a decision that will haunt him for the rest of his life. In the present, an old fisherman is found dead by Kinloch's shoreline and a stranger with a deadly mission moves into town. As past and present collide, D.C.I. Jim Daley must confront old friends, new foes and ghosts who will not be silenced. SOON TO BE A MAJOR TV SERIES 'In high demand across the globe . . . A runaway hit . . . Readers instantly warm to Daley' - Daily Mail 'Dark humour has helped to make his books world-famous' - The Times

A beautiful woman is being held captive in an unknown location. She is manacled to a chair in a darkened, sinister dining room. Her captor is polite but menacing. Her female companions, silent spectators. A serial killer's dark obsession with the preservation of beauty sees him return to stalk the streets of Penzance in the summer of 2019. It's 23 years since his first victims went missing, setting DI Brandon Hammett on the hunt for the Sleeping Beauty Killer. When a glass box is found in Prussia Cove, containing a conch and the ear of a missing beauty, a murder investigation is launched. Is the Sleeping Beauty Killer back? Or is this a copycat killing? An evasive, clever killer is at large, presenting DI Brandon Hammett with a disturbingly formidable chase to the edge... -- Karen Taylor

Aan die Kaapse Weskus versorg Rebecca Maas haar sterwende pa in ’n tegnologies gevorderde slimhuis, ’n huis wat praat in ’n halfbekende stem. Op die horison, ’n olietenkskip.

’n Posthuman biohacker trou met die enorme skip, en maak kuns oor die wittebroodsreis.

En in die yswildernis van Svalbard verdwyn ’n navorser se kollega en minnaar spoorloos. Hulle is daar om geheimsinnige spierwit items te ondersoek – dalk beendere, maar dan beendere wat vertak en ineensmelt soos geen bekende skepsel s’n nie.

Willem Anker se roman Buys (2014) is bekroon met die Universiteit van Johannesburg-prys, die WA Hofmeyrprys, die kykNET-Rapportprys, die Hertzogprys en die Helgaard Steyn-toekenning. In vertaling as Red Dog was dit in 2020 op die langlys vir die International Booker Prize. Anker doseer skeppende skryfkunde aan die Universiteit Stellenbosch.

Nadat Ella Neser as moordspeurder uit die polisie bedank het, het sy op plesierbote in die Karibiese See gaan werk. Toe kom die virus, en sy is verplig om na Suid­Afrika te repatrieer. Nou sit sy sonder werk en sonder toekoms. Sy word gevra om 'n private ondersoek te loods op die dorpie Osspruit in Mpumalanga. Vier jong manne het oënskynlik besluit om voor en tydens die inperkingstyd weg te loop, maar meer sinistere gebeure word agter hulle verdwynings vermoed . . .

Die aksie speel binne vier dae in Julie af, tydens die grendeltyd. Hoe dieper Ella begin krap, hoe meer besef sy daar is 'n gewetenlose brein wat agteraf konkel met die steenkoollorries na Eskom as rookskerm. Ella is genoodsaak om haar eie intuïsie te vertrou ten einde by die waarheid uit te kom – maar dit gebeur nie sonder verdere hikke en bloedlating nie.

Man uit die dode verskyn as krimi­vervolgverhaal op Netwerk24 en daarna in boekvorm by H&R. Dit speel af net voor die aanvang van Die versoeking van Thomas Maas.

It takes one moment to call for help. So why did he wait?

With a shocking twist that will leave you breathless, Twenty-Seven Minutes is a gripping story about what happens when grief becomes unbearable, dark secrets are unearthed, and the horrifying truth is revealed.

THE QUESTION
For the last ten years, the small town of West Wilmer has been struggling to answer one question: on the night of the crash that killed his sister, why did it take Grant Dean twenty-seven minutes to call for help? If he'd called sooner, Phoebe might still be alive.

THE SECRET
As the anniversary of Phoebe's death approaches, Grant is consumed by his memories and the secret that's been suffocating him for years. But he and Phoebe weren't the only ones in the car that night. Becca was there too - she's the only other person who knows what really happened. Or is she?

THE TRUTH
Everyone remembers Phoebe, but local girl June also lost someone that night. Her brother Wyatt has been missing for ten years and, now that her mother is dead, June has no one left - no family, no friends. Until someone appears at her door. Someone who knows what really happened that night. And they are ready to tell the truth.

Marinda van Zyl is daarvoor bekend dat sy onverkende gebeure in die geskiedenis ontgin en dit verweef in verhale waarvan die karakters en hulle lotgevalle ’n mens bybly. Rooiborslaksman is ’n welkome opvolg op Van Zyl se die epiese historiese roman Amraal.

In Rooiborslaksman word die negentiende­eeuse konflik met die Herero’s en Duitsers in die destydse Suidwes­Afrika vervleg met die lewensverhale van Liesbet Lambert (Amraal Lambert se laatlam) wat wees gelaat word tydens die pokke­epidemie en Frederik Vlermuis vir wie Gobabis se kerktoring soos die spierwit pendoring van die kameeldoringboom lyk waaraan die rooiborslaksman genadeloos sy prooi ryg.

Daniel weier om te glo wat almal sê: dat hy ’n skelm is, nes sy pa . . . Wanneer hy egter ’n meisie in ’n rolstoel op Simonstad se kaai raaksien en besluit om haar pêrelhangertjie te steel, beland hy onverwags op ’n skip wat hom wegvoer na Skulpiesbaai en die rykman Robert Stanford se plaas. Hy maak kennis met Malgas, ’n visser wat in die kliphuis bokant die melkhoutbos woon, en Gertjie, die diensmeisie wat die venynige juffrou Caitlin in haar rolstoel versorg. Maar wie is die vreemde ou vrou wat saam met die strandjutwolf langs die see verskyn? En waarom tree Caitlin so boosaardig op, terwyl sy vrees dat die Seevrou haar gaan kom haal? Hou dit dalk verband met die wrak van die slaweskip wat daar op die rotse geloop het? ’n Spannende historiese jeugroman wat tegelykertyd fantasie­, avontuur­ en spookverhaal is.

Ella Neser is terug van haar Karibiese skeepsvaart, en soort van terug in Lou se arms. Haar nuwe opdrag, nou as private speurder, is 'n bisarre een. Donna Maas, huisvrou en eggenoot van die sielkundige Thomas Maas, is oortuig haar man het 'n skelmpie. En dit is Ella se taak om met die bewyse vorendag te kom.

Die roman begin egter by die einde van die verhaal, waar Ella haar finale verslag optik. Daar is 'n moord gepleeg, maar ons weet nie wie die slagoffer is nie, en nog minder, wie die skurk.

'n Verskeidenheid karakters word betrek in Die versoeking van Thomas Maas, waaronder Thomas, sy vrou, hul tienertweeling, Maas se pa, wat aan dementia ly, en ook die hoof van 'n perdeskool, Amalia Rojas.

'n Verbysterende roman deur een van die mees ervare spanningsromanskrywers in Afrikaans. Karsten dop die genre se reëls op sy kop, en kom vorendag met 'n hoogtepunt nie net in sy eie oeuvre nie, maar in die Afrikaanse krimi­korpus

As a rousing Strauss piece is reaching its crescendo in Maningpool Civic Hall, the talented yet obnoxious conductor Sir Noel Grampian is shot dead in full view of the Municipal Orchestra and the audience. It was no secret that he had many enemies - musicians and music critics among them - but to be killed in mid flow suggests an act of the coldest calculation. Told through the letters and documents sent by D.I. Alan Hope to his wife as he puzzles through the dauntingly vast pool of suspects and scant physical evidence in the case, this is an innovative and playful mystery underscored by the author's extensive experience of the highly-strung world of music professionals. First published in 1941, this new edition returns Farr's only crime novel to print to receive its long-deserved encore.