East Berlin 1968: a city recovering from the horrors of WWII and where the state police, the Stasi, cultivate a climate of paranoia and fear. In a place where your closest friend or family member could be a state informer, the threat of violence is ever present and no one knows this more than damaged school teacher Sebastian Metzger. But something evil and ancient is stalking Metzger from the shadows of war–torn buildings–something which threatens the city and perhaps even the future of humanity itself. Tiny Acts of Violence is a stunning horror graphic novel from Martin Stiff, writer and illustrator of the critically acclaimed and award-nominated The Absence. “It’s an erudite indictment of social conditioning - - it goes beyond The Lives of Others in its critique of the Stasi.” Pat Mills (Charley’s War, Spacewarp) “Has the feel of a long-unearthed Hitchcock… A highly effective thriller” Rob Williams (Old Haunts, Judge Dredd) “The atmosphere of menace and state control-induced paranoia drops from it’s pages.” Simon Furman (Transformers, To The Death) “Gorgeously moody, graphically striking and brilliantly cinematic” Andrew Cartmel (The Vinyl Detective, Doctor Who)

When a body is found in the forest, the police make a horrifying discovery: her scalp has been removed and sewn back on. But they have no idea why.

With a second woman reported missing, detectives fear their worst nightmare has come true.

A serial killer is stalking the streets of Oslo.

With time running out to find the woman, former detective Harry Hole is called in to think like a murderer thinks... and to track down this killer before they strike again.

But Harry has ulterior motives for wanting to solve this case and, if he fails, there could be more than one life at risk.

’n Reeksmoordenaar jag by stormweer, en Rooi en Kassie moet hom vastrek. Die Hartedief kom met moord weg, en dan is Kassie se volle aandag ook nie eintlik by die saak nie, want hy is smoorverlief op ’n aanvallige mede-seëlversamelaar. Vlerksleep is nie vir sissies nie. Om sake vir hom en Rooi te vererger word hul baas daarvan verdink dat sy hul ondersoek in die wiele ry, en Kassie moet haar onskuld bewys. Intussen word Kaapse vroue vermoor wanneer daar onweer broei.

The third and final thrilling book in the bestselling, award-winning A Good Girl’s Guide to Murder trilogy.

Pip Fitz-Amobi is haunted by the way her last investigation ended. Soon she’ll be leaving for Cambridge University but then another case finds her . . . and this time it’s all about Pip.

Pip is used to online death threats, but there’s one that catches her eye, someone who keeps asking: who will look for you when you’re the one who disappears? And it’s not just online. Pip has a stalker who knows where she lives. The police refuse to act and then Pip finds connections between her stalker and a local serial killer. The killer has been in prison for six years, but Pip suspects that the wrong man is behind bars.

As the deadly game plays out, Pip realises that everything in Little Kilton is finally coming full circle. If Pip doesn’t find the answers, this time she will be the one who disappears.

A shocking psychological thriller of a woman’s act of violence against her husband―and of the therapist obsessed with uncovering her motive.

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.

Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.

Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations―a search for the truth that threatens to consume him....

After a turbulent time, DCI Ryan’s life is finally returning to normal and he’s looking forward to spending an uneventful Easter bank holiday weekend with his fiancée.

Then, on Good Friday morning he is called out to a crime scene at one of the largest cemeteries in Newcastle. The body of a redheaded woman has been found buried in a shallow grave and the killer has given her wings, like an angel.

Soon, another woman is found at a different cemetery, followed quickly by another. Panic spreads like wildfire as a new serial killer is born, and Ryan’s band of detectives must work around the clock to unmask him before he can strike again.

‘I need to report a crime. My baby has been stolen.’

All Lauren wants is a new life in Spain. She’s suffered an unimaginable loss, but at last she has found a home in the pretty seaside town of Mantilla de Mar. Everyone deserves a new start, and Lauren needs to put her past firmly behind her.

Hope has everything: an interesting career as a therapist, an attractive husband, a dream home in the countryside - and, finally, the baby she always longed for. Sam. Her beautiful boy.

But Sam has gone missing.

So when the police tell her that a woman has been found in Spain with a child matching Sam’s description, Hope thinks that her nightmare might be coming to an end.

But Lauren is insisting Sam is her baby. She even has his passport and birth certificate to prove it.

So what really happened to Baby Sam? And who still has secrets to hide?

One child. Two mothers. And a past that won’t let them go.

When the ancient waters of Lady’s Well in the rural village of Holystone begin to run red, it seems to be a nasty Hallowe’en prank and nothing more. But things take a sinister turn when the entire village suffers severe poisoning, and one old man turns up dead.

Accusations abound in the small, close-knit community, and ‘old’ religions spar against ‘new’ while fear runs like wildfire through the streets.

With so many potential motives and countless opportunities, there’s only one man who can help solve this particular mystery…

A vivid and immersive story of obsession perfect for fans of dark academia and Donna Tartt's The Secret History Oliver Marks has just served ten years for the murder of one of his closest friends - a murder he may or may not have committed. On the day he's released, he's greeted by the detective who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened ten years ago. As a young actor studying Shakespeare at an elite arts conservatory, Oliver noticed that his talented classmates seem to play the same roles onstage and off - villain, hero, tyrant, temptress - though Oliver felt doomed to always be a secondary character in someone else's story. But when the teachers change up the casting, a good-natured rivalry turns ugly, and the plays spill dangerously over into life. When tragedy strikes, one of the seven friends is found dead. The rest face their greatest acting challenge yet: convincing the police, and themselves, that they are blameless.

Too Good To Be True is a gripping Quick Read from Ann Cleeves, featuring Detective Inspector Jimmy Perez from the bestselling Shetland series. When young teacher Anna Blackwell is found dead in her home, the police think her death was suicide or a tragic accident. After all, Stonebridge is a quiet country village in the Scottish Borders, where murders just don't happen. But Detective Inspector Jimmy Perez soon arrives from far-away Shetland when his ex-wife, Sarah, asks him to look into the case. The local gossips are saying that her new husband, Tom, was having an affair with Anna. Could Tom have been involved with her death? Sarah refuses to believe it - but needs proof. Anna had been a teacher. She must have loved kids. Would she kill herself knowing there was nobody to look after her daughter? She had seemed happier than ever before she died. And to Perez, this suggests not suicide, but murder . . .