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Books > Fiction > Genre fiction > Crime & mystery > General
Her name is Jane Smith. But to friends and foes, she's Jane Effing Smith. Why? Because she's the best criminal defence attorney in the Hamptons - the elite world of New York's rich and infamous. Because she's as good an investigator as she is a lawyer. Because she's tough. She's strong. As Jane is preparing to defend a high-profile client accused of a triple homicide, she's also hired to revive a cold case - a cluster of unsolved murders. Then another bombshell lands. A devastating medical diagnosis. Terminal. She's got a year to live. But for now, she has a trial to win. Unless one of her many enemies kills her first.
Reporter Rex Tracey has just recovered from his affair with Lithuanian artist Milda Majauskas when she disappears. He's got other concerns, not least an anti-immigration group spreading hate across Tottenham, and a string of attacks on young women at the local beauty spot, Alexandra Palace. But when Milda's body is found, and Rex becomes a murder suspect, he is forced to seek answers.
What antique would you kill for?
Amelia and Alder's baby has finally arrived. Alder's former family
friends come to town to see the baby at the same time Camino releases a
set of dinosaur onesies.
Sharp left by the school and down the lane to the gas works. The gasworks? I, a dentist, heading for the gasworks in a small Welsh market town? It was the furnace I wanted... From the dramatic scenery of Snowdonia and the Gower to the stunning coastlines and hushed valleys, the landscapes of Wales have inspired many writers of Golden Age mystery stories - from within and without its borders. Centred around a lost novella by Cledwyn Hughes, this new collection features the best stories from celebrated Welsh authors such as Mary Fitt and Ethel Lina White, as well as short mysteries inspired by or set in the cities and wilds of the country by both beloved Golden Age writers and authors from the 1960s and 70s who continued to push the boundaries of the genre.
INTRODUCING MAGGIE BIRD
Six friends. One remote hotel. A long-overdue reunion. Welcome to The
Hitchcock Hotel...
In the thirty-second installment of Donna Leon’s bestselling series, a connection to Guido Brunetti’s own youthful past helps solve a mysterious murder On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice’s canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man’s presence in Venice exists, Brunetti is forced to use the city’s far richer sources of information: gossip and the memories of people who knew the victim. Curiously, he had been living in a small house on the grounds of a palazzo owned by a university professor, in which Brunetti discovers books revealing the victim’s interest in Buddhism, the revolutionary Tamil Tigers, and the last crop of Italian political terrorists, active in the 1980s. As the investigation expands, Brunetti, Vianello, Commissario Griffoni, and Signora Elettra each assemble pieces of a puzzle—random information about real estate and land use, books, university friendships—that appear to have little in common, until Brunetti stumbles over something that transports him back to his own student days, causing him to reflect on lost ideals and the errors of youth, on Italian politics and history, and on the accidents that sometimes lead to revelation.
Wanneer Kassie Kasselman die verdwyning van 'n ekskollega begin
ondersoek, is dit duidelik dat hier meer as net 'n dwelmverwante
verdwyning skuil. Hoe lyk dit dan of dit verband hou met die ontvoering
wat sy kollega Rooi Els se vrou se werkplek getref het?
When the UK's favourite breakfast TV presenter dies live on air in
front of millions of viewers, the nation is left devastated.
15-year-old Billy Davies is found dead in his father's shed. A pair of gardening shears thrust brutally into his chest. DI Hillary Greene tries to get to the bottom of this baffling crime. How had Billy come into contact with such a vicious killer? Who wanted him dead and why? The investigation reveals that the teenager was not such an innocent young man. Meanwhile, Hillary's career seems to have stalled. She's been passed over for promotion, and her reliable constable Tommy Lynch is to be transferred out. But Hillary won't let distractions get in the way of solving crimes. To catch this killer, Hillary will need to dig deep into the dark secrets of a small community. Set at prestigous, ancient Oxford University, drawing on the author's local knowledge of the university's history and the area, and expert research into police procedure. At the heart of the series is Hillary Greene, a hard-working detective who lives on a houseboat, has a reputation for getting the job done right. Her DCI, Philip 'Mellow' Mallow, has her back, even as she battles an ongoing internal investigation.
'A great yarn - Shrager knows her food and she's cooked up a storm. . . Rosie can write and Prudence Bulstrode is here to stay' Miriam Margolyes 'Think bolshy Mrs Beeton meets Miss Marple, our rambunctious heroine, Prudence, hilariously stomps her way through a riotous and unpredictable plot. Witty, warm and so enjoyable' Jo Brand 'A Golden Age classic for the modern era - Rosemary Shrager has come up with a recipe to die for' Anton Du Beke 'True to form, this recipe is a real killer!' Alan Titchmarsh 'Rosemary is one of the most positive and resilient people I know. I love her spirit as I love her cooking. Now, I have to admire her writing too' Pierre Koffman The irresistible debut novel from celebrity TV chef Rosemary Shrager where cosy crime and cookery collide! When an old television rival, Deirdre Shaw, is found dead at the Cotswolds manor house where she was catering for a prestigious shooting weekend, Prudence is asked to step into the breach. Prudence is only too happy to take up the position and soon she is working in the kitchens of Farleigh Manor. But Farleigh Manor is the home to secrets, both old and new. The site of a famous unsolved murder from the nineteenth century, Farleigh Manor has never quite shaken off its sensationalist past. It's about to get a sensational present too. Because, the more she scratches beneath the surface of this manor and its guests, the more Prudence becomes certain that Deirdre Shaw's death was no accident. She's staring in the face of a very modern murder. . . Praise for The Last Supper 'A great yarn - Shrager knows her food and she's cooked up a storm. Murder is the main course but the side dishes fascinate. A fascinating conclusion - Rosie can write and Prudence Bulstrode is here to stay. I look forward to more in this series.' Miriam Margolyes 'I've long admired Rosemary as a woman of many talents. I just hadn't realized that writing is one of them. The Last Supper has pace and style and a very interesting cast of characters' Richard Vines 'Rosemary Shrager has created a welcome addition to the ranks of female amateur sleuths. The Last Supper is a witty, light-hearted mystery, in which the author has served up a tasty treat' Simon Brett 'The Last Supper is a charming, hugely entertaining book. Retired chef Prudence Bulstrode is cranky, stubborn and insightful; an utterly brilliant creation. I can't wait to see what she gets up to next' M W Craven 'Discover how a Michelin-starred Miss Marple displays the skills of a bloodhound as she sniffs out the scent of a killer in this thriller that rises to a conclusion like a perfect souffle.' Nick Ferrari 'A light-hearted, fun mystery, combining cookery and crime - what's not to love?' Woman's Weekly 'Shrager, herself a kitchen whizz on TV, has a natural talent and deft touch for exactly this kind of gentle fun' The Sun
'A real page-turner' Ian Rankin The Party House by Lin Anderson is a deeply atmospheric psychological thriller set in the Scottish Highlands for fans of Lucy Foley, Ruth Ware and Sarah Pearse's The Sanatorium. Devastated by a recent pandemic brought in by outsiders, the villagers of Blackrig in the Scottish Highlands are outraged when they find that the nearby estate plans to reopen its luxury 'party house' to tourists. As animosity sparks amongst the locals, part of the property is damaged and in the ensuing chaos, the body of a young girl is found in the wreck. Seventeen-year-old Ailsa Cummings went missing five years ago, never to be seen again - until now. The excavation of Ailsa's remains ignites old suspicions cast on the men of this small community, including Greg, the estate's gamekeeper. At the beginning of a burgeoning relationship with a new lover, Joanne, Greg is loath to discuss old wounds. Frightened by Greg's reaction to the missing girl's discovery, Joanne begins to doubt how well she knows this new man in her life. Then again, he's not the only one with secrets in their volatile relationship . . .
A grieving daughter discovers letters in her late father's desk that make her question everything she thought she knew about him. Did he murder her mother? Is her sister really her sister? A shattering journey into the past follows, as she tries to find out what really happened in a remote Highland village twenty years ago.
This is a story set in America in the late 1960's early 1970's with racial tension still apparent. The story centers around a black male by the name of Anthony Johnson. A normal, hardworking, law-abiding, family man. With a wife, Michelle, and two young kids, a girl and a boy, to support. They are a happy, church-going family. However, one fateful day Anthony makes a decision that will change his life forever. Will anyone ever believe him? And can his son Leon discover the truth and bring their broken family back together again?
Jane and Colin are soulmates, he just doesn't know it yet, in this twisted thriller with a dark sense of humour. For twenty-four-year-old Jane, finding love in New York City is even harder than making it as a playwright. So, when Jane meets Colin, a sweet software engineer, she can't believe her luck: they're perfect for each other. Even when Colin breaks off their blooming relationship after six dates, Jane is certain that this is just a stumbling block. She'll get him back. She knows she will. That is, until Colin starts dating Zoe, a perfect, luminous, up-and-coming Brooklyn artist. Even worse, she's actually kind of nice. But Zoe doesn't have what it takes to love Colin. She'd never stay with him through thick and thin. All Jane has to do is prove it, and she and Colin will be so happy together. But when Jane sneaks into Colin's apartment, she makes a shocking discovery - one that will ensnare them all in a complicated web of lies, secrets, and murder. Unrelentingly twisty and utterly compelling, So Happy Together is an unputdownable, shattering read for fans of You, Katy Brent and C. J. Skuse.
It's Ab Fab meets Bewitched in this fun cozy mystery from a USA Today
Bestselling author.
Douglas Hunter works as a police detective till his wife leaves him. Attempting to locate her, he abuses his access to police databases, is forced to resign and sets up as a private detective. Alison Ogilvie believes her husband is cheating. She engages Hunter to check out a meeting in Dublin he is due to attend. There is no meeting. Hunter is visited by his old boss, DS Maureen MacNeil. Hostile as ever, she demands access to his house to keep tabs on the disused church next door. When Ogilvie fails to come home, Hunter traces the car but not Alan himself. They are visited by DS MacNeil. A body thought to be that of Alan Ogilvie has been found in a rented cottage. Ogilvie died of auto-erotic asphyxiation. Questioned on suspicion of withholding information concerning her husband's death, Alison contacts a lawyer, Louise Galbraith. Although the evidence linking both Alison and Hunter to Alan Ogilvie is circumstantial, MacNeil has dreamt up a conspiracy theory linking the disappearance of Hunter's wife and the death of Alison's husband. Alison finds a colleague of her husband dead in her bathroom. Wanted by the Irish police for the murder of a prostitute, he has broken in looking for somewhere to hide and in the process severed an artery in the lower arm. Alison wants to dispose of the body, Hunter insists on contacting the police. MacNeil's suspicions are confirmed. The church is raided by the police, the NCA and the Border Force. Thirteen people are detained, two being people smugglers. A man working on a blocked drain discovers bones in Hunter's garden. That morning a letter arrives from a lawyer acting for his wife demanding half the value of their house. Despite what DS MacNeil may think, his wife is still alive. A pathologist confirms the bones in the garden are those of a dog. MacNeil interviews Hunter on suspicion of murdering his wife. After rehearsing the existing evidence MacNeil goes on to the bones found in his garden. A pathologist has attended, the remains must be Susan's. It becomes clear that MacNeil's judgement is impaired. A test confirms MacNeil is using cocaine. MacNeil's boss, DI Maitland confirms that Alison is no longer suspected of anything, including any involvement in the death of her husband's colleague. The day after Alan Ogilvie's funeral, Alison turns up on Hunter's doorstep. Her sister has decided to stay on to support her over the festive period - the last thing she wants. They quarrel. Alison has left her own house to escape from her sister's children. Hunter and Alison spend the night together. Like Susan before her, Alison is less than impressed by his performance. They will have to work on it.
What would you do if you accidentally encountered the man who once abused you? And how would you get away with it? Bridget's life is small and safe: she loves her husband, her son and works hard to keep her own business afloat. Then one day her world is changed forever. The music teacher who abused her walks into a shop with the teenager he's clearly grooming. Bridget is sent spiralling back into her past. Anthony begins to stalk Bridget, trying to ensure her silence - until suddenly, she snaps. And now Bridget must find away to deal with the aftermath of her actions...
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