In Cum essem in Constantie, Martin John Cable presents a study of the Padua university jurist Raffaele Fulgosio (Fulgosius) (1367-1427) and his work as an advocate at the Council of Constance in 1414-15. Through the use of archival material and evidence drawn from Fulgosio's works, the book reveals a vivid picture both of teaching practice at a medieval university and the life and output of a working lawyer in early fifteenth-century Italy. The book recreates much of Fulgosio's workload at Constance and his involvement there in debates about representation, imperial and papal power and the Donation of Constantine.

In 1900, Paris had no skyscrapers, no tourist helicopters, no drones. Yet well before aviation made aerial views more accessible, those who sought such vantages had countless options available to them. They could take in the vista from an observation ride, see a painting of the view from Notre-Dame, or overlook a miniature model city. In Aeroscopics, Patrick Ellis offers a history of the view from above, written from below. Richly illustrated and premised upon extensive archival work, this interdisciplinary study reveals the forgotten media available to the public in the Balloon Era and after. Ellis resurrects these neglected spectacles as "aeroscopics," opening up new possibilities for the history of aerial vision.

These two accounts of the battle of Sedan in 1870 have been combined for good value to enable readers to gain a balanced overview of the action from different perspectives. What makes these accounts particularly interesting is that they were written not only by authors who were able to view the events without the impediment of national bias, but because both were present on the field of battle itself. So this excellent book offers the reader a history, an analysis, first-hand eyewitness accounts, the accounts and views of other witnesses and participants and a number of anecdotes including those concerning General Sheridan. This most significant of battles of the Franco-Prussian War came about as the numerically superior French Army under MacMahon attempted to relieve the siege of Metz. That attempt failed as the French were defeated at Beaumont. Moltke, Bismarck and the king, Wilhelm I, subsequently cornered the French at Sedan and surrounded them. The Emperor, Napoleon III, was with the French forces and, unable to escape, suffered the humiliation of both defeat and personal capture. This battle typified the pattern of the Franco-Prussian War which, following the lessons of the American Civil War, took armed conflict on its first steps into the industrial age. All of those lessons had been learnt by the Prussians and very few of them by the French, whose view of warfare and especially of the Prussians remained, to their cost, rooted in the experiences of another Napoleon and entirely different French and Prussian Armies in the days of the First Empire. Times had changed the French had been out-planned, out-organised, out-manoeuvred and out-gunned.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

From the late imperial period until 1922, the British and French made private and government loans to Russia, making it the foremost international debtor country in pre-World War I Europe. To finance the modernization of industry, the construction of public works projects, railroad construction, and the development and adventures of the military-industrial complex, Russia's ministers of finance, municipal leaders, and nascent manufacturing class turned, time and time again, to foreign capital. From the forging of the Franco-Russian alliance onwards, Russia's needs were met, first and foremost, its allies and diplomatic partners in the developing Triple Entente. In the case of Russia's relationships with both France and Great Britain, an open pocketbook primed the pump, facilitating the good spirits that fostered agreement. Russia's continued access to those ready lenders ensured that the empire of the Tsars would not be tempted away from its alliance and entente partners. This web of financial and political interdependence affected both foreign policy and domestic society in all three countries. The Russian state was so heavily indebted to its western creditors, rendering those western economies almost prisoners to this debt, that the debtor nation in many ways had the upper hand; the Russian government at times was actually able to dictate policy to its French and British counterparts. Those nations' investing classes-which, in France in particular, spanned not only the upper classes but the middle, rentier class, as well-had such a vast proportion of their savings wrapped up in Russian bonds that any default would have been catastrophic for their own economies. That default came not long after the Bolshevik Revolution brought to power a government who felt no responsibility whatsoever for the debts accrued by the tsars for the purpose of oppressing Russia's workers and peasants. The ensuing effect on allied morale, the French and British economies and, ultimately, on the Anglo-French relationship, was grim and far-reaching. This book will contribute to understandings of the ways that non-governmental and sometimes transnational actors were able to influence both British and French foreign policy and Russian foreign and domestic policy. It will address the role of individual financiers and policy makers-men like Lord Revelstoke, chairman of Baring Brothers, the British and French Rothschild cousins, Edouard Noetzlin of the Banque de Paris et de Pays Bas, and Sergei Witte, Russia's authoritative finance minister during much of this age of expansion; the importance of foreign capital in late imperial Russian policy; and the particular role of British capital and financial investment in the construction and strengthening of the Anglo-Russo-French entente. It will illustrate the interrelationship of political and economic decision-making with the ideas and beliefs that inform security policy. Drawing upon both the traditional archival sources for diplomatic history-the government holdings of Great Britain, France, and Russia-and the non-governmental archival holdings of international finance-this project looks beyond the realm of high politics and state-centered decision making in the formation of foreign policy, offering insights into the forms and functions of diplomatic alliances while elucidating the connections between finance and foreign policy. It is a classic tale of money and power in the modern era-an age of economic interconnectivity and great power interdependency.

This book provides a bold examination of the political use of history in contemporary Russia. Anton Weiss-Wendt argues that history is yet another discipline misappropriated by the Kremlin for the purpose of rallying the population. He explains how, since the pro-democracy protests in 2011-12, the Russian government has hamstrung independent research and aligned state institutions in the promotion of militant patriotism. The entire state machinery has been mobilized to construe a single, glorious historical narrative with the focus on Soviet victory over Nazi Germany. Putin's Russia and the Falsification of History examines the intricate networks in Russia that engage in "historymaking." Whether it is the Holocaust or Soviet mass terror, Tsars or Stalin, the regime promotes a syncretic interpretation of Russian history that supports the notion of a strong state and authoritarian rule. That interpretation finds its way into new monuments, exhibitions, and quasi-professional associations. In addition to administrative measures of control, the Russian state has been using the penal code to censor critical perspectives on history, typically advanced by individuals who also happen to call for a political change in Russia. This powerful book shows how history is increasingly becoming an element of political technology in Russia, with the systematic destruction of independent institutions setting the very future of History as an academic discipline in Russia in doubt.

With thousands of migrants attempting the perilous maritime journey from North Africa to Europe each year, transnational migration is a defining feature of social life in the Mediterranean today. On the island of Sicily, where many migrants first arrive and ultimately remain, the contours of migrant reception and integration are frequently animated by broader concerns for human rights and social justice. Island of Hope sheds light on the emergence of social solidarity initiatives and networks forged between citizens and noncitizens who work together to improve local livelihoods and mobilize for radical political change. Basing her argument on years of ethnographic fieldwork with frontline communities in Sicily, anthropologist Megan Carney asserts that such mobilizations hold significance not only for the rights of migrants, but for the material and affective well-being of society at large.

Drawing on recently declassified material from Stalin's personal archive in Moscow, this is the first attempt by scholars to systematically analyze the way Stalin interpreted and envisioned his world-both the Soviet system he was trying to build and its wider international context. Since Stalin rarely left his offices and perceived the world largely through the prism of verbal and written reports, meetings, articles, letters, and books, a comprehensive analysis of these materials provides a unique and valuable opportunity to study his way of thinking and his interaction with the outside world. Comparing the materials that Stalin read from week to week with the decisions that he subsequently shaped, Sarah Davies and James Harris show not only how Stalin perceived the world but also how he misperceived it. After considering the often far-reaching consequences of those misperceptions, they investigate Stalin's contribution to the production and regulation of official verbal discourse in a system in which huge political importance was attached to the correct use of words and phrases..

Focusing on the era in which the modern idea of nationalism emerged as a way of establishing the preferred political, cultural, and social order for society, this book demonstrates that across different European societies the most important constituent of nationalism has been a specific understanding of the nation's historical past. Analysing Ireland and Germany, two largely unconnected societies in which the past was peculiarly contemporary in politics and where the meaning of the nation was highly contested, this volume examines how narratives of origins, religion, territory and race produced by historians who were central figures in the cultural and intellectual histories of both countries interacted; it also explores the similarities and differences between the interactions in these societies. Histories of Nationalism in Ireland and Germany investigates whether we can speak of a particular common form of nationalism in Europe. The book draws attention to cultural and intellectual links between the Irish and the Germans during this period, and what this meant for how people in either society understood their national identity in a pivotal time for the development of the historical discipline in Europe. Contributing to a growing body of research on the 'transnationality' of nationalism, this new study of a hitherto-unexplored area will be of interest to historians of modern Germany and Ireland, comparative and transnational historians, and students and scholars of nationalism, as well as those interested in the relationship between biography and writing history.

This fascinating book is a must-Read for any Twain enthusiast" - Andy Borowitz In fall 1891, Mark Twain headed for Berlin, the "newest city I have ever seen," as America's foremost humorist wrote; accompanied by his wife, Olivia, and their three daughters. Twain, a "Yankee from head to toe," according to the Berlin press, conspired with diplomats, frequented the famed salons, had breakfast with duchesses, and dined with the emperor. He also suffered an "organized dog-choir club," at his first address, which he deemed a "rag-picker's paradise," picked a fight with the police, who made him look under his maid's petticoats, was abused by a porter, got lost on streetcars, was nearly struck down by pneumonia, and witnessed a proletarian uprising right in front of his hotel on Unter den Linden. Twain penned articles about his everyday life and also began a novel about lonely Prussian princess Wilhelmina von Preussen-unpublished until now, like many of his Berlin stories. These are assembled for the first time in this book, along with a riveting account of Twain's foray in the German capital, by Andreas Austilat. Berlinica offers English-language books from Berlin, German; fiction, non-fiction, travel guides, history about the Wall and the Third Reich, Jewish life, art, architecture and photography, as well as books about nightlife, cookbooks, and maps. It also offers documentaries and feature films on DVD, as well as music CDs. Berlinica caters to history buffs, Americans of German heritage, travelers, and artists and young people who love the cutting-edge city in the heart of Europe. Berlinica's current and upcoming titles include "Berlin Berlin Dispatches from the Weimar Republic," by Kurt Tucholsky, "Jews in Berlin, by Andreas Nachama, Julius H. Schoeps, and Hermann Simon, a comprehensive book on Jewish history and present in the German capital, "Wings of Desire-Angels of Berlin," by Lother Heinke," "The Berlin Wall Today," a full-color guide to the remnants of the Wall, "Wallflower," a novel by New-York-born writer Holly-Jane Rahlens; "Berlin For Free," a guide to everything free in Berlin for the frugal traveler by Monika Maertens; "Berlin in the Cold War," about post-World War II history and the Wall, "The Berlin Cookbook," a full-color collection of traditional German recipes by Rose Marie Donhauser, the music CD "Berlin-mon amour," by chanteuse Adrienne Haan, and two documentaries on DVD, "The Red Orchestra," by Berlin-born artist Stefan Roloff and "The Path to Nuclear Fission," by New York filmmaker Rosemarie Reed.

The Carolingian period represented a Golden Age for the abbey of St Gall, an Alpine monastery in modern-day Switzerland. Its bloom of intellectual activity resulted in an impressive number of scholarly texts being copied into often beautifully written manuscripts, many of which survive in the abbey's library to this day. Among these books are several of Irish origin, while others contain works of learning originally written in Ireland. This study explores the practicalities of the spread of this Irish scholarship to St Gall and the reception it received once there. In doing so, this book for the first time investigates a part of the network of knowledge that fed this important Carolingian centre of learning with scholarship. By focusing on scholarly works from Ireland, this study also sheds light on the contribution of the Irish to the Carolingian revival of learning. Historians have often assumed a special relationship between Ireland and the abbey of St Gall, which was built on the grave of the Irish saint Gallus. This book scrutinises this notion of a special connection. The result is a new viewpoint on the spread and reception of Irish learning in the Carolingian period.

Migration is a problem of highest importance today, and likewise is its history. Italian migrants who had to leave the peninsula in the long sixteenth century because of their heterodox Protestant faith is a topic that has its deep roots in Italian Renaissance scholarship since Delio Cantimori: It became a part of a twentieth century form of Italian leyenda negra in liberal historiography. But its international dimension and Central Europe (not only Germany) as destination of that movement has often been neglected. Three different levels of connectivity are addressed: the materiality of communication (travel, printing, the diffusion of books and manuscripts); individual migrants and their biographies and networks; and the cultural transfers, discourses, and ideas migrating in one or in both directions.

A folkloric research project on Sefer ha-ma'asim.

New Age culture is generally regarded as a modern manifestation of Western millenarianism - a concept built around the expectation of an imminent historical crisis followed by the inauguration of a golden age which occupies a key place in the history of Western ideas. The New Age in the Modern West argues that New Age culture is part of a family of ideas, including utopianism, which construct alternative futures and drive revolutionary change. Nicholas Campion traces New Age ideas back to ancient cosmology, and questions the concepts of the Enlightenment and the theory of progress. He considers the contributions of the key figures of the 18th century, the legacy of the astronomer Isaac Newton and the Swedish visionary Emanuel Swedenborg, as well as the theosophist, H.P. Blavatsky, the psychologist, C.G. Jung, and the writer and artist, Jose Arguelles. He also pays particular attention to the beat writers of the 1950s, the counterculture of the 1960s, concepts of the Aquarian Age and prophecies of the end of the Maya Calendar in 2012. Lastly he examines neoconservatism as both a reaction against the 1960s and as a utopian phenomenon. The New Age in the Modern West is an important book for anyone interested in countercultural and revolutionary ideas in the modern West.

A collection of Rudyard Kipling's articles describing the French Frontline during the First World War. Published to coincide with the 150th anniversary of Rudyard Kipling's birth.

The Emergence of the French Public Intellectual provides a working definition of "public intellectuals" in order to clarify who they are and what they do. It then follows their varied itineraries from the Middle Ages through the Renaissance and the Enlightenment to the nineteenth century. Public intellectuals became a fixture in French society during the Dreyfus Affair but have a long history in France, as the contributions of Christine de Pizan, Voltaire, and Victor Hugo, among many others, illustrate. The French novelist Emile Zola launched the Dreyfus Affair when he published "J'Accuse," an open letter to French President Felix Faure denouncing a conspiracy by the government and army against Captain Alfred Dreyfus, who was Jewish and had been wrongly convicted of treason three years earlier. The consequent emergence of a publicly-engaged intellectual created a new, modern space in intellectual life as France and the world confronted the challenges of the twentieth century.