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Books > Humanities > History > European history > General
In 1992 David Owen was appointed the EU Co-Chairman of the
International Conference on the Former Yugoslavia, working
alongside the UN's Co-Chairman, Cyrus Vance. The papers collected
here provide fascinating primary source material and an insider's
account of the intense international political activity at that
time, which culminated in the Vance-Owen Peace Plan (VOPP). At a
time when the international community is looking again at whether
and how the Dayton Accords and the 1995 division into two entities
should be adjusted in Bosnia-Herzegovina, Owen highlights elements
of the VOPP which are of continuing relevance and which can guide
political debate and decisions in 2012 and thereafter. Sadly,
Bosnia-Herzegovina is still deeply divided, a direct consequence of
not imposing the VOPP. The book reminds the international community
and the people of Bosnia-Herzegovina that a unified structure for
their country is still achievable.
During a television broadcast in 1959, US President Dwight D.
Eisenhower remarked that "people in the long run are going to do
more to promote peace than our governments. Indeed, I think that
people want peace so much that one of these days our governments
had better get out of the way and let them have it." At that very
moment international peace organizations were bypassing national
governments to create alternative institutions for the promotion of
world peace and mounting the first serious challenge to the
state-centered conduct of international relations. This study
explores the emerging politics of peace, both as an ideal and as a
pragmatic aspect of international relations, during the early cold
war. It traces the myriad ways in which a broad spectrum of people
involved in and affected by the cold war used, altered, and fought
over a seemingly universal concept. These dynamic interactions
involved three sets of global actors: cold war states, peace
advocacy groups, and anti-colonial liberationists. These
transnational networks challenged and eventually undermined the
cold war order. They did so not just with reference to the United
States, the Soviet Union, and Western Europe, but also by
addressing the violence of national liberation movements in the
Third World. As Petra Goedde shows in this work, deterritorializing
the cold war reveals the fractures that emerged within each cold
war camp, as activists both challenged their own governments over
the right path toward global peace and challenged each other over
the best strategy to achieve it. The Politics of Peace demonstrates
that the scientists, journalists, publishers, feminists, and
religious leaders who drove the international discourse on peace
after World War II laid the groundwork for the eventual political
transformation of the Cold War.
This Companion to the Abbey of Le Bec in the Central Middle Ages
(11th-13th Centuries) offers the first major collection of studies
dedicated to the medieval abbey of Le Bec, one of the most
important, and perhaps the single most influential, monastery in
the Anglo-Norman world. Following its foundation in 1034 by a
knight-turned-hermit called Herluin, Le Bec soon developed into a
religious, cultural and intellectual hub whose influence extended
throughout Normandy and beyond. The fourteen chapters gathered in
this Companion are written by internationally renowned experts of
Anglo-Norman studies, and together they address the history of this
important medieval institution in its many exciting facets. The
broad range of scholarly perspectives combined in this volume
includes historical and religious studies, prosopography and
biography, palaeography and codicology, studies of space and
identity, as well as theology and medicine. Contributors are
Richard Allen, Elma Brenner, Laura Cleaver, Jean-Herve Foulon,
Giles E.M. Gasper, Laura L. Gathagan, Veronique Gazeau, Leonie V.
Hicks, Elizabeth Kuhl, Benjamin Pohl, Julie Potter, Elisabeth van
Houts, Steven Vanderputten, Sally N. Vaughn, and Jenny Weston.
This book is an interdisciplinary study aimed at re-imagining and
re-routing contemporary migrations in the Mediterranean. Drawing
from visual arts, citizenship studies, film, media and cultural
studies, along with postcolonial, border, and decolonial
discourses, and examining the issues from within a human rights
framework, the book investigates how works of cultural production
can offer a more complex and humane understanding of mobility in
the Mediterranean beyond representations of illegality and/or
crisis. Elvira Pulitano centers the discourse of cultural
production around the island of Lampedusa but expands the island
geography to include a digital multi-media project, a social
enterprise in Palermo, Sicily, and overall reflections on race,
identity, and belonging inspired by Toni Morrison's guest-curated
Louvre exhibit The Foreigner's Home. Responding to recent calls for
alternative methodologies in thinking the modern Mediterranean,
Pulitano disseminates a fluid archive of contemporary migrations
reverberating with ancestral sounds and voices from the African
diaspora along a Mediterranean-TransAtlantic map. Adding to the
recent proliferation of social science scholarship that has drawn
attention to the role of artistic practice in migration studies,
the book features human stories of endurance and survival aimed at
enhancing knowledge and social justice beyond (and notwithstanding)
militarized borders and failed EU policies.
By examining theoretical debates about the nature of
nineteenth-century German opera and analyzing the genre's
development and its international dissemination, this book shows
German opera's entanglement with national identity formation. The
thorough study of German opera debates in the first half of the
nineteenth century highlights the esthetic and ideological
significance of this relatively neglected repertoire, and helps to
contextualize Richard Wagner's attempts to define German opera and
to gain a reputation as the German opera composer par excellence.
By interpreting Wagner's esthetic endeavors as a continuation of
previous campaigns for the emancipation of German opera, this book
adds an original and significant perspective to discussions about
Wagner's relation to German nationalism.
With the Treaty of Versailles, the Western nation-state powers
introduced into the East Central European region the principle of
national self-determination. This principle was buttressed by
frustrated native elites who regarded the establishment of their
respective nation-states as a welcome opportunity for their own
affirmation. They desired sovereignty but were prevented from
accomplishing it by their multiple dispossession. National elites
started to blame each other for this humiliating condition. The
successor states were dispossessed of power, territories, and
glory. The new nation-states were frustrated by their devastating
condition. The dispersed Jews were left without the imperial
protection. This embarrassing state gave rise to collective
(historical) and individual (fictional) narratives of
dispossession. This volume investigates their intended and
unintended interaction. Contributors are: Davor Beganovic, Vladimir
Biti, Zrinka Bozic-Blanusa, Marko Juvan, Bernarda Katusic, Natasa
Kovacevic, Petr Kucera, Aleksandar Mijatovic, Guido Snel, and Stijn
Vervaet.
This book provides a selection of private letters written to family
and friends from a variety of people while they were on the Grand
Tour in the eighteenth century. Although many have been published
previously, this is the first time that letters of this kind have
been brought together in a single volume. Readers can compare the
various responses of travellers to the sights, pleasures and
discomforts encountered on the journey. People of diverse
backgrounds, with different expectations and interests, give
personal accounts of their particular experiences of the Grand
Tour. Unlike most collections of letters from the Tour, which
recount the views of a single person, this selection emphasises
diversity. Readers can juxtapose for example the letters of a
conscientious young nobleman like Lyttelton with those of the
excitable philanderer Boswell, or the well-travelled aristocratic
lady, Caroline Lennox. While the travellers represented here follow
much the same route via Paris, through France and across the Alps
via the terrifying Mount Cenis, to Rome, in the pursuit of learning
and pleasure, the Tour turns out to mean something quite different
to each of them.
***THE SUNDAY TIMES BESTSELLER*** BOOK OF THE YEAR IN GUARDIAN,
ECONOMIST & NEW STATESMAN 'Excellent and provocative... a
passionate, timely book.' Sunday Times 'A fine new book...
thoughtful, deeply reported and impeccably even-handed.' The Times
Emerging from a collection of city states 150 years ago, no other
country has had as turbulent a history as Germany or enjoyed so
much prosperity in such a short time frame. Today, as much of the
world succumbs to authoritarianism and democracy is undermined from
its heart, Germany stands as a bulwark for decency and stability.
Mixing personal journey and anecdote with compelling empirical
evidence, this is a critical and entertaining exploration of the
country many in the West still love to hate. Raising important
questions for our post-Brexit landscape, Kampfner asks why, despite
its faults, Germany has become a model for others to emulate, while
Britain fails to tackle contemporary challenges. Part memoir, part
history, part travelogue, Why the Germans Do It Better is a rich
and witty portrait of an eternally fascinating country.
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