Lara Douds examines the practical functioning and internal political culture of the early Soviet government cabinet, the Council of People's Commissars (Sovnarkom), under Lenin. This study elucidates the process by which Sovnarkom's governmental decision-making authority was transferred to Communist Party bodies in the early years of Soviet power and traces the day-to-day operation of the supreme state organ. The book argues that Sovnarkom was the principal executive body of the early Soviet government until the Politburo gradually usurped this role during the Civil War. Using a range of archival source material, Lara Douds re-interprets early Soviet political history as a period where fledging 'Soviet' rather than simply 'Communist Party' power was attempted, but ultimately failed when pressures of Civil War and socio-economic dislocation encouraged the centralising and authoritarian rather than democratic strand of Bolshevism to predominate. Inside Lenin's Government explores the basic mechanics of governance by looking at the frequency of meetings, types of business discussed, processes of decision-making and the administrative backdrop, as well as the key personalities of Sovnarkom. It then considers the reasons behind the shift in executive power from state to party in this period, which resulted in an abnormal situation where, as Leon Trotsky commented in 1923, 'leadership by the party gives way to administration by its organs'.

Pope Innocent III was the most energetic and dynamic Pope of the Middle Ages. He applied his energies to reform not only in Canon Law but also in the life and morals of Ecclesiastics. He vied with secular princes with great success to maintain the independence of the Church and he also approved St. Francis and his order, which would have spiritual benefits extending far beyond Innocent's reign. This book covers the life of Pope Innocent in great detail, yet is easily readable and accessible to all. Covering his youth to his elevation to the Papacy and his labours therein, Pope Innocent III and His Times gives the picture of the man who managed the Papacy at its greatest point in the middle ages.

The Rise of Western Civilization introduces students to the vibrancy of the past and illustrates the way in which early civilizations have influenced contemporary society. The text emphasizes art, literature, social history, and other cultural developments to help students learn about the people of a particular era and how their lives have shaped our history. Organized chronologically, themes within the text include the establishment of empires and the cause of their rise and fall, the formation and development of government, and significant social changes. Chapters explore the first civilizations, ancient Greece, the Roman Empire, Islam and Byzantium, medieval civilization, the Reformation Era, early modern Europe, and much more. Each chapter includes special sections-Historical Profiles, Historical Issues, and Historical Connections-to engage students and bring the subject matter to life. Historical Profiles examine the life of an historical figure who had an impact on the time in which he or she lived. Historical Issues highlight events, issues, or personalities that can be interpreted in a variety of different ways and are intended to inspire critical thinking and lively discussion. Historical Connections connect the dots between a past event or person and something relevant to modern society. The Rise of Western Civilization is part of the Cognella History of Europe Series, a collection of textbooks that help students discover the power, influence, and dynamic nature of European countries and their histories. It is an ideal text for survey courses in world and European history.

Like many national cinemas, the French cinema has a rich tradition of film musicals beginning with the advent of sound to the present. This is the first book to chart the development of the French film musical. The French film musical is remarkable for its breadth and variety since the 1930s; although it flirts with the Hollywood musical in the 1930s and again in the 1950s, it has very distinctive forms rooted in the traditions of French chanson. Defining it broadly as films attracting audiences principally because of musical performances, often by well-known singers, Phil Powrie and Marie Cadalanu show how the genre absorbs two very different traditions with the advent of sound: European operetta and French chanson inflected by American jazz (1930-1950). As the genre matures, operetta develops into big-budget spectaculars with popular tenors, and revue films also showcase major singers in this period (1940-1960). Both sub-genres collapse with the advent of rock n roll, leading to a period of experimentation during the New Wave (1960-1990). The contemporary period since 1995 renews the genre, returning nostalgically both to the genre's origins in the 1930s, and to the musicals of Jacques Demy, but also hybridising with other genres, such as the biopic and the documentary.

The Flowering of Ecology presents an English translation of Maria Sibylla Merian's 1679 'caterpillar' book, Der Raupen wunderbare Verwandelung und sonderbare Blumen-Nahrung. Her processes in making the book and an analysis of its scientific content are presented in a historical context. Merian raised insects for five decades, recording the food plants, behavior and ecology of roughly 300 species. Her most influential invention was an 'ecological' composition in which the metamorphic cycles of insects (usually moths and butterflies) were arrayed around plants that served as food for the caterpillars. Kay Etheridge analyzes the 1679 caterpillar book from the viewpoint of a biologist, arguing that Merian's study of insect interactions with plants, the first of its kind, was a formative contribution to natural history. Read Kay Etheridge's blogpost on "Art Herstory". See inside the book.

This volume offers a comprehensive introduction to the major political, social, economic, and cultural developments in Vienna from c. 1100 to c. 1500. It provides a multidisciplinary view of the complexity of the vibrant city on the Danube. The volume is divided into four sections: Vienna, the city and urban design, politics, economy and sovereignty, social groups and communities, and spaces of knowledge, arts, and performance. An international team of eighteen scholars examines issues ranging from the city's urban environment and art history, to economic and social concerns, using a range of sources and reflecting the wide array of possible approaches to the study of medieval Vienna today. Contributors are: Peter Csendes, Ulrike Denk, Thomas Ertl, Christian Gastgeber, Thomas Haffner, Martha Keil, Franz Kirchweger, Heike Krause, Christina Lutter, Paul Mitchell, Kurt Muhlberger, Zoe Opacic, Ferdinand Opll, Barbara Schedl, Christoph Sonnlechner, and Peter Wright.

The Kunstkammer was a programmatic display of art and oddities amassed by wealthy Europeans during the sixteenth to the eighteenth centuries. These nascent museums reflected the ambitions of such thinkers as Descartes, Locke, and Kepler to unite the forces of nature with art and technology. Bredekamp advances a radical view that the baroque Kunstkammer is also the nucleus of modern cyberspace.