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Books > Humanities > History > European history > General
This book examines the coexistence of crony capitalism and
traditionally democratic institutions such as political competition
and elections in Russia after the collapse of communism. The
combination, Gulnaz Sharafutdinova argues, has produced a distinct
pattern of political evolution in contemporary Russia. Elections
are meant to ensure government accountability and allow voters to
elect a government responsive to their needs, but in postcommunist
Russia the institutional forms of democracy did not result in the
expected outcomes. Instead, democratic institutions in the context
of crony capitalism-in which informal elite groups dominate policy
making, and preferential treatment from the state, not market
forces, is crucial to amassing and holding wealth-were widely
devalued and discredited. As Sharafutdinova demonstrates,
especially through her close scrutiny of elections in two regions
of Russia, Nizhnii Novgorod and the Republic of Tatarstan, crony
capitalism made elections especially intense struggles among the
elites. Massive amounts of money flowed into campaigns to promote
candidates by discrediting their rivals, money purchased candidates
and power, and elites thereby solidified their control. As a
result, the majority of citizens perceived elections as the means
for the elite to access power and wealth rather than as expressions
of public will. Through her detailed case studies and her analyses
of contemporary Russia in general, Sharafutdinova argues
persuasively that the turn toward authoritarianism associated with
Vladimir Putin and supported by a majority of Russian citizens was
a negative political response to the interaction of electoral
processes and crony capitalism.
With contributions by J.N. Bremmer, J. Carlsen, D.P. Kehoe, L. De
ligt, E. Lo Cascio, F.J.A.M. Meijer, H.W. Pleket, D. Rathbone, P.
Rosafio, H. Sancisi-Weerdenburg, H.W. Singor, W. Scheidel, R.J.
v.d. Spek, H.C. Teitler, H.S. Versnel, H.T. Wallinga, D. Yntema.
The Lost History of Cosmopolitanism challenges our most basic
assumptions about the history of an ideal at the heart of
modernity. Beginning in antiquity and continuing through to today,
Leigh T.I. Penman examines how European thinkers have understood
words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its
cognates. The debates over their meanings show that there has never
been a single, stable cosmopolitan concept, but rather a range of
concepts-sacred and secular, inclusive and exclusive-all described
with the cosmopolitan vocabulary. While most scholarly attention in
the history of cosmopolitanism has focussed on Greek and Roman
antiquity or the Enlightenments of the 18th century, this book
shows that the crucial period in the evolution of modern
cosmopolitanism was early modernity. Between 1500 and 1800
philosophers, theologians, cartographers, jurists, politicians,
alchemists and heretics all used this vocabulary, shedding ancient
associations, and adding new ones at will. The chaos of discourses
prompted thinkers to reflect on the nature of the cosmopolitan
ideal, and to conceive of an abstract 'cosmopolitanism' for the
first time. This meticulously researched book provides the first
intellectual history of an overlooked period in the evolution of a
core ideal. As such, The Lost History of Cosmopolitanism is an
essential work for anyone seeking a contextualised understanding of
cosmopolitanism today.
Shown are the various caliber mortars used by the German infantry
during World Wars I & II.
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Memorial Book of Kremenets
(Hardcover)
Abraham Samuel Stein; Cover design or artwork by Rachel Kolokoff-Hoper; Compiled by Jonathan Wind
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Casuistry and Early Modern Spanish Literature examines a neglected
yet crucial field: the importance of casuistical thought and
discourse in the development of literary genres in early modern
Spain. Faced with the momentous changes wrought by discovery,
empire, religious schism, expanding print culture, consolidation of
legal codes and social transformation, writers sought innovation
within existing forms (the novella, the byzantine romance,
theatrical drama) and created novel genres (most notably, the
picaresque). These essays show how casuistry, with its questioning
of example and precept, and meticulous concern with conscience and
the particularities of circumstance, is instrumental in cultivating
the subjectivity, rhetorical virtuosity and spirit of inquiry that
we have come to associate with the modern novel.
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