"Scholars of the French Revolution will find this dictionary very useful for historiographic analysis as well as for factual reference. An excellent resource. . . ." Choice

Judge Baltasar Garzon achieved international prestige in 1998 when he pursued the perpetrators of crimes committed in Argentina against Spanish citizens and began proceedings for the arrest of the Chilean ex-dictator Augusto Pinochet. But when he transferred his attention to his Spanish homeland he was put on trial for opening an investigation into crimes committed by Francoists. As result he now (February 2012) finds himself on the point of being expelled from the judiciary. ... The Garzon case is neither so absurd nor so difficult to understand if the record of the Spanish judiciary is examined through the prism of a series of representative cases since the transition to democracy. Key is the way the judiciary has dealt with those who have investigated cases of people murdered by the military rebels from July 1936 onwards. Shoot the Messenger? relates thirteen judicial cases that took place between 1981 and 2012. They range from the banning of the documentary film Rocio by Fernando Ruiz Vergara, because it named the person responsible for one of the massacres in southwest Spain, to the recent trial of Judge Garzon. The judicial outcome in each case reflected the prejudices and ideology of the judge in charge. ... The Francoist repression still constitutes a dead weight in Spanish politics as heavy as the gravestone that covers the remains of the dictator in the Valle de los Caidos. The nature of the transition from autocracy to democracy has made it difficult to overcome a black past that not even the post-Franco democratic governments -- Rodriguez Zapatero's "memory" policy included -- have dared confront. The potential defrocking of Judge Garzon puts the Spanish polity/judiciary back in the realm of Franco's end-of-year message on December 30, 1969, with what became the nautical catch-phrase of his twilight years, "all is lashed down and well lashed down" (todo ha quedado atado, y bien atado).

From the Sunday Times-bestselling Patrick Bishop comes a heart-stopping countdown narrative recreating the liberation of Paris in 1944, one of the great and most dramatic hinge moments of WW2.

When the Germans marched in and the lamps went out in the City of Light the millions who loved Paris mourned. Liberation, four years later, triggered an explosion of joy and relief. It was the party of the century and everybody who was anybody was there. General Charles de Gaulle seized the moment to create an instant legend that would take its place alongside the great moments in French history. After years of oppression and humiliation Parisians had risen to reclaim their city and drive out the forces of darkness – or so the story went.

This fresh new account of the liberation, packed with revelation, tells the story of those heady days of suspense, danger, exhilaration – and vengeance – through the eyes of a range of participants, reflecting all sides of the conflict: Americans, French and Germans; resisters and collaborators. Among them are famous names like Ernest Hemingway, J.D. Salinger and Pablo Picasso, but also some fascinating unknowns including a medic turned Resistance gunwoman, an androgynous Hungarian sculptor and a French bluestocking who quietly set about saving the nation’s art treasures from the Nazi looters.

Paris ’44 looks behind the mythology to tell the real story of the liberation and expose the conflicts and contradictions of France under the occupation – the shame as well as the glory. This gripping war-time narrative will enthral anyone who has a place for Paris in their hearts.