Surely, Christian history in Germany principally followed the outlines of a Catholic and Protestant narrative, right? On the contrary, for Hesse, Hanau, and Fulda this dominant framework largely obscures the historical experience of most Christians, specifically rural Christians. The rural Christian narrative, animated for more than a millennium by agricultural and communal forces, principally followed an indigenous path characterized by long-term surges and setbacks. This path eventually bifurcated not in the 1517-1648 period but rather in the wake of the 1648 Peace of Westphalia, and it did so not into Catholic and Protestant storylines but rather into those Christian corpora (Gemeinden) which maintained their local civil-sacred unity into the twentieth century and those which lost that unity after succumbing to Westphalia's divisive effects.

In 1992 David Owen was appointed the EU Co-Chairman of the International Conference on the Former Yugoslavia, working alongside the UN's Co-Chairman, Cyrus Vance. The papers collected here provide fascinating primary source material and an insider's account of the intense international political activity at that time, which culminated in the Vance-Owen Peace Plan (VOPP). At a time when the international community is looking again at whether and how the Dayton Accords and the 1995 division into two entities should be adjusted in Bosnia-Herzegovina, Owen highlights elements of the VOPP which are of continuing relevance and which can guide political debate and decisions in 2012 and thereafter. Sadly, Bosnia-Herzegovina is still deeply divided, a direct consequence of not imposing the VOPP. The book reminds the international community and the people of Bosnia-Herzegovina that a unified structure for their country is still achievable.

During a television broadcast in 1959, US President Dwight D. Eisenhower remarked that "people in the long run are going to do more to promote peace than our governments. Indeed, I think that people want peace so much that one of these days our governments had better get out of the way and let them have it." At that very moment international peace organizations were bypassing national governments to create alternative institutions for the promotion of world peace and mounting the first serious challenge to the state-centered conduct of international relations. This study explores the emerging politics of peace, both as an ideal and as a pragmatic aspect of international relations, during the early cold war. It traces the myriad ways in which a broad spectrum of people involved in and affected by the cold war used, altered, and fought over a seemingly universal concept. These dynamic interactions involved three sets of global actors: cold war states, peace advocacy groups, and anti-colonial liberationists. These transnational networks challenged and eventually undermined the cold war order. They did so not just with reference to the United States, the Soviet Union, and Western Europe, but also by addressing the violence of national liberation movements in the Third World. As Petra Goedde shows in this work, deterritorializing the cold war reveals the fractures that emerged within each cold war camp, as activists both challenged their own governments over the right path toward global peace and challenged each other over the best strategy to achieve it. The Politics of Peace demonstrates that the scientists, journalists, publishers, feminists, and religious leaders who drove the international discourse on peace after World War II laid the groundwork for the eventual political transformation of the Cold War.

On 14 April 1912, less than a week into a transatlantic trip from Southampton to New York, the largest luxury cruise liner in the world struck an iceberg off the coast of Labrador, causing the hull to buckle. The massive 50,000 ton ship hailed as 'unsinkable' was soon slipping into the cold Atlantic Ocean, the crew and passengers scrambling to launch lifeboats before being sucked into the deep. Of the 2,224 passengers and crew aboard, more than 1,500 died, making the sinking one of the deadliest for a single ship up to that time. The sinking has captured the public imagination ever since, in part because of the scale of the tragedy, but also because the ship represented in microcosm Edwardian society, with the super-rich sharing the vessel with poor migrants seeking a new life in North America. Other factors, such as why there were only enough lifeboats to hold half the passengers, also caused controversy and led to changes in maritime safety. In later years many survivors told their stories to the press, and Titanic celebrates these accounts. A final chapter examines the shipwreck today, which has been visited underwater by explorers, scientists and film-makers, and many artifacts recovered as the old liner steadily disintegrates. Titanic offers a compact, insightful photographic history of the sinking and its aftermath in 180 authentic photographs.

In 1944 the British War Office distributed a handbook to British soldiers informing them what to expect and how to behave in a newly-liberated France. Containing candid descriptions of this war-ravaged society (widespread malnourishment, rampant tuberculosis) as well as useful phrases and a pronunciation guide (Bonjewer, commont-allay-voo), it was an indispensable guide to everyday life. This small, unassuming publication had a deeper purpose: to bring together two allies who did not enjoy ideal relations in 1944. The book attempts to reconcile differences by stressing a shared history and the common aim - defeating Hitler. It also tried to dispel misapprehensions: 'There is a fairly widespread belief among people in Britain that the French are a particularly gay, frivolous people with no morals and few convictions.' Often unintentionally hilarious in its expression of these false impressions, the book is also a guide for avoiding social embarrassment: 'If you should happen to imagine that the first pretty French girl who smiles at you intends to dance the can-can or take you to bed, you will risk stirring up a lot of trouble for yourself - and for our relations with the French.' Many of its observations still ring true today. For example, 'The French are more polite than most of us. Remember to call them "Monsieur, Madame, Mademoiselle," not just "Oy!"' Others remind us of how we recently we have adopted French customs: 'Don't drink yourself silly. If you get the chance to drink wine, learn to "'take it".' Anyone with an interest in Britain, France or World War II will find this an irresistible insight into British attitudes towards the French and an interesting, timeless commentary on Anglo-French relations.

This Companion to the Abbey of Le Bec in the Central Middle Ages (11th-13th Centuries) offers the first major collection of studies dedicated to the medieval abbey of Le Bec, one of the most important, and perhaps the single most influential, monastery in the Anglo-Norman world. Following its foundation in 1034 by a knight-turned-hermit called Herluin, Le Bec soon developed into a religious, cultural and intellectual hub whose influence extended throughout Normandy and beyond. The fourteen chapters gathered in this Companion are written by internationally renowned experts of Anglo-Norman studies, and together they address the history of this important medieval institution in its many exciting facets. The broad range of scholarly perspectives combined in this volume includes historical and religious studies, prosopography and biography, palaeography and codicology, studies of space and identity, as well as theology and medicine. Contributors are Richard Allen, Elma Brenner, Laura Cleaver, Jean-Herve Foulon, Giles E.M. Gasper, Laura L. Gathagan, Veronique Gazeau, Leonie V. Hicks, Elizabeth Kuhl, Benjamin Pohl, Julie Potter, Elisabeth van Houts, Steven Vanderputten, Sally N. Vaughn, and Jenny Weston.

This book is an interdisciplinary study aimed at re-imagining and re-routing contemporary migrations in the Mediterranean. Drawing from visual arts, citizenship studies, film, media and cultural studies, along with postcolonial, border, and decolonial discourses, and examining the issues from within a human rights framework, the book investigates how works of cultural production can offer a more complex and humane understanding of mobility in the Mediterranean beyond representations of illegality and/or crisis. Elvira Pulitano centers the discourse of cultural production around the island of Lampedusa but expands the island geography to include a digital multi-media project, a social enterprise in Palermo, Sicily, and overall reflections on race, identity, and belonging inspired by Toni Morrison's guest-curated Louvre exhibit The Foreigner's Home. Responding to recent calls for alternative methodologies in thinking the modern Mediterranean, Pulitano disseminates a fluid archive of contemporary migrations reverberating with ancestral sounds and voices from the African diaspora along a Mediterranean-TransAtlantic map. Adding to the recent proliferation of social science scholarship that has drawn attention to the role of artistic practice in migration studies, the book features human stories of endurance and survival aimed at enhancing knowledge and social justice beyond (and notwithstanding) militarized borders and failed EU policies.

By examining theoretical debates about the nature of nineteenth-century German opera and analyzing the genre's development and its international dissemination, this book shows German opera's entanglement with national identity formation. The thorough study of German opera debates in the first half of the nineteenth century highlights the esthetic and ideological significance of this relatively neglected repertoire, and helps to contextualize Richard Wagner's attempts to define German opera and to gain a reputation as the German opera composer par excellence. By interpreting Wagner's esthetic endeavors as a continuation of previous campaigns for the emancipation of German opera, this book adds an original and significant perspective to discussions about Wagner's relation to German nationalism.