Scaling the Balkans puts in conversation several fields that have been traditionally treated as discrete: Balkan studies, Ottoman studies, East European studies, and Habsburg and Russian studies. By looking at the complex interrelationship between countries and regions, demonstrating how different perspectives and different methodological approaches inflect interpretations and conclusions, it insists on the heuristic value of scales. The volume is a collection of published and unpublished essays, dealing with issues of modernism, backwardness, historical legacy, balkanism, post-colonialism and orientalism, nationalism, identity and alterity, society-and nation-building, historical demography and social structure, socialism and communism in memory, and historiography.

This book is an interdisciplinary study aimed at re-imagining and re-routing contemporary migrations in the Mediterranean. Drawing from visual arts, citizenship studies, film, media and cultural studies, along with postcolonial, border, and decolonial discourses, and examining the issues from within a human rights framework, the book investigates how works of cultural production can offer a more complex and humane understanding of mobility in the Mediterranean beyond representations of illegality and/or crisis. Elvira Pulitano centers the discourse of cultural production around the island of Lampedusa but expands the island geography to include a digital multi-media project, a social enterprise in Palermo, Sicily, and overall reflections on race, identity, and belonging inspired by Toni Morrison's guest-curated Louvre exhibit The Foreigner's Home. Responding to recent calls for alternative methodologies in thinking the modern Mediterranean, Pulitano disseminates a fluid archive of contemporary migrations reverberating with ancestral sounds and voices from the African diaspora along a Mediterranean-TransAtlantic map. Adding to the recent proliferation of social science scholarship that has drawn attention to the role of artistic practice in migration studies, the book features human stories of endurance and survival aimed at enhancing knowledge and social justice beyond (and notwithstanding) militarized borders and failed EU policies.

In this volume, Maciej Mikula analyses the extant texts of the Ius municipale Magdeburgense, the most important collection of Magdeburg Law in late medieval Poland. He discusses the different translation traditions of the collection; the application of Magdeburg Law in cities; how differences between the versions could affect the application of the rights; and how the invention of printing influenced the principle of legal certainty. Mikula ultimately shows that the differences between the texts not only influenced legal practice, but also bear out how complex the process was of the adaptation of Magdeburg Law.

In this celebrated, landmark history of the Balkans, Misha Glenny investigates the roots of the bloodshed, invasions and nationalist fervour that have come to define our understanding of the south-eastern edge of Europe. In doing so, he reveals that groups we think of as implacable enemies have, over the centuries, formed unlikely alliances, thereby disputing the idea that conflict in the Balkans is the ineluctable product of ancient grudges. And he exposes the often-catastrophic relationship between the Balkans and the rest of Europe, raising profound questions about recent Western intervention. Updated to cover the last decade's brutal conflicts in Kosovo and Macedonia, the surge of organised crime in the region, the rise of Turkey and the rocky road to EU membership, The Balkans remains the essential and peerless study of Europe's most complex and least understood region.

This book provides a selection of private letters written to family and friends from a variety of people while they were on the Grand Tour in the eighteenth century. Although many have been published previously, this is the first time that letters of this kind have been brought together in a single volume. Readers can compare the various responses of travellers to the sights, pleasures and discomforts encountered on the journey. People of diverse backgrounds, with different expectations and interests, give personal accounts of their particular experiences of the Grand Tour. Unlike most collections of letters from the Tour, which recount the views of a single person, this selection emphasises diversity. Readers can juxtapose for example the letters of a conscientious young nobleman like Lyttelton with those of the excitable philanderer Boswell, or the well-travelled aristocratic lady, Caroline Lennox. While the travellers represented here follow much the same route via Paris, through France and across the Alps via the terrifying Mount Cenis, to Rome, in the pursuit of learning and pleasure, the Tour turns out to mean something quite different to each of them.