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Books > Humanities > Religion & beliefs > Alternative belief systems > General
Originally published in 1929 by the Rosicrucian Press, "Here, for the first time, is a simple system whereby anyone may determine the fortunate and unfortunate daily, monthly and yearly periods of his life, thereby knowing when to do and when not to do anything that has an important bearing upon the progress of his career or the attainment of self-mastery. No other reference books, almanacs, or charts are necessary; there are no complicated mathematical problems. Here is a fascinating, intriguing, astonishing book that will be a companion for many years." Contents Include: The Problem of Mastership - Man a Free Agent - Cosmic Rhythm and the Cycles of Life - The Periods of Earthly Cycles- The Simple Periods of Human Life - The Complex Yearly Cycle of Human Life With Description of Cycle No. 2 - Periods of the Business Cycle With Description of Cycle No. 3 - How to Use the Periods of the Cycles - The Periods of the Health Cycle With Description of Cycle No. 4 - The Cycles of Disease and Sex - The Daily Cycle of Significant Hours - How to use the Daily Cycle of Seven Periods - Description of Daily Periods - The Soul Cycle - How to Determine the Periods of the Soul Cycle - Description of the Periods of the Soul Cycle - The Cycles of Reincarnation
Restoring Africa’s Spiritual Identity, authored by African Hidden Voices and inspired by the revelations of Inkosi Yomoya Imboni Dr. Uzwi-Lezwe Radebe, delivers a powerful critique of the spiritual displacement caused by colonialism and religious imposition. The book reveals how the forced introduction of foreign religions severed Africa’s access to the masculine energy—the upward spiritual dimensions—disconnecting the continent from its highest spiritual authority and divine guidance. African Hidden Voices argues that African Indigenous Spirituality (AIS), once centered on direct knowledge through revelations, was systematically replaced by belief-based systems that undermined Africa’s spiritual sovereignty. This disconnection resulted in the erosion of indigenous institutions that once guided African societies. The book also seeks to illuminate the role played by African Initiated Churches (AICs) in asserting their attempts to merge Christianity with African practices. They failed to restore the continent’s true spiritual identity, as they remained bound by the very religious frameworks that displaced them. Politics through the rise of Pan Africanism also failed to restore Africa to its authentic spirituality as it was fused with religious dogmas. Restoring Africa’s Spiritual Identity calls for a return to authentic spiritual institutions, guided by the revelations of genuine spiritual guiders, to reclaim Africa's spiritual sovereignty. It presents a scholarly and visionary blueprint for restoring the continent’s cosmic balance and reconnecting with its original spiritual essence.
"This varied collection of essays traces the intertwining of modern Paganisms with popular music through a wide variety of genres. An important contribution to our understanding of emergent Pagan cultures, and a very exciting book." - Sabina Magliocco, California State University "Pop Pagans: Paganism and Popular Music is a crucial contribution to the study of spirituality and music. The wide-ranging coverage and theoretical perspectives presented here provide an essential baseline for approaching this dynamic intersection of expressive forms." - Holly Everett, Memorial University, Canada Paganism is rapidly becoming a religious, creative, and political force internationally. It has found one of its most public expressions in popular music, where it is voiced by singers and musicians across rock, folk, techno, goth, metal, Celtic, world, and pop music. With essays ranging across the US, UK, continental Europe, Australia and Asia, Pop Pagans assesses the histories, genres, performances, and communities of pagan popular music. Over time, paganism became associated with the counter culture, satanic and gothic culture, rave and festival culture, ecological consciousness and spirituality, and new ageism. Paganism has used music to express a powerful and even transgressive force in everyday life. Pop Pagans examines the many artists and movements which have contributed to this growing phenomenon.
"This varied collection of essays traces the intertwining of modern Paganisms with popular music through a wide variety of genres. An important contribution to our understanding of emergent Pagan cultures, and a very exciting book." - Sabina Magliocco, California State University "Pop Pagans: Paganism and Popular Music is a crucial contribution to the study of spirituality and music. The wide-ranging coverage and theoretical perspectives presented here provide an essential baseline for approaching this dynamic intersection of expressive forms." - Holly Everett, Memorial University, Canada Paganism is rapidly becoming a religious, creative, and political force internationally. It has found one of its most public expressions in popular music, where it is voiced by singers and musicians across rock, folk, techno, goth, metal, Celtic, world, and pop music. With essays ranging across the US, UK, continental Europe, Australia and Asia, Pop Pagans assesses the histories, genres, performances, and communities of pagan popular music. Over time, paganism became associated with the counter culture, satanic and gothic culture, rave and festival culture, ecological consciousness and spirituality, and new ageism. Paganism has used music to express a powerful and even transgressive force in everyday life. Pop Pagans examines the many artists and movements which have contributed to this growing phenomenon.
Creating Circles & Ceremonies is the accumulation of decades of circles, ceremonies, rituals, Mystery plays, initiations, rites of passe, and other magickal workings co-created by the Zell-Ravenhearts, today's most foremost Wizard/Witch couple. Here, in one easy-to-read volume, is their collection of chants, invocations, circle-castings, quarter-callings, spells and ceremonies. It is also a "kit" to use to assemble your own rituals, for any season or reason: Book I presents a basic ritual outline. Book II gives numerous example of actual ceremonies. These can be adapted and modified as needed for any size group. Book III provides an assortment of full rituals and ritual elements for celebrations of the eight great seasonal festivals called the Wheel of the Year. Versions of these have been commemorated for millennia in most traditional cultures of the Northern Hemisphere and today are universal throughout the worldwide Pagan Community.
This compelling reference work introduces the religions of Voodoo, a onetime faith of the Mississippi River Valley, and Vodou, a Haitian faith with millions of adherents today. Unlike its fictional depiction in zombie films and popular culture, Voodoo is a full-fledged religion with a pantheon of deities, a priesthood, and communities of believers. Drawing from the expertise of contemporary practitioners, this encyclopedia presents the history, culture, and religion of Haitian Vodou and Mississippi Valley Voodoo. Though based primarily in these two regions, the reference looks at Voodoo across several cultures and delves into related religions, including African Vodu, African Diasporic Religions, and magical practices like hoodoo. Through roughly 150 alphabetical entries, the work describes various aspects of Voodoo in Louisiana and Haiti, covering topics such as important places, traditions, rituals, and items used in ceremonies. Contributions from scholars in the field provide a comprehensive overview of the subject from various perspectives and address the deities and ceremonial acts. The book features an extensive collection of primary sources and a selected, general bibliography of print and electronic resources. Addresses both Vodou and Voodoo Situates the religions both religiously and historically Examines the African contributions to the faiths on a regional basis Introduces important gods and ceremonies
"This fascinating little book deals in detail with what at first might seem a small cult, colourful and dynamic certainly, but of significance merely local to its place of origin in the Indian state of Kerala. As the story unfolds, however, it becomes clear that this is far from the case, and that the phenomenon is full of interest for students of the history of religions. From Dr Gabriel's many other writings we have learned to expect patient investigation and humane and sympathetic interpretation. In this book we find those qualities once more abundantly on display." - From the Foreword by Professor Andrew Walls, Liverpool Hope University "This very short study of a possession cult in India raises important questions about the relation of religion to social organization -- and of the relation of religions to each other." - David Eller, Community College of Denver, Anthropology Review Database June 26, 2011 Playing God discusses the genre of rituals known as Teyyam extant in the North Malabar region of Kerala State, India. In this elaborately costumed ritual practitioners invoke the spirit of a deity into themselves that constitutes a splendid theophany in which, when the ritual process is over, the devotees are able to talk to the god and invoke his/her blessings and predictions of their future. This book concentrates on the cult of the Muttappan duo of gods, the most popular among the Teyyams of North Malabar. Playing God analyses the mythology and ritual praxis of the Muttappan cult and examines attempts to integrate the cult into a wider Hinduism by enunciating a new hermeneutic of the legend and rituals based on the Hindu Advaitic tradition. The book also discusses how the Teyyam ritual contrasts significantly with rituals and worship in Brahminical Hinduism. The popularity of the cult is a reflection of the changing relationships between castes in Kerala, involving a closer symbiosis and reflecting the urge by the untouchable groups of Kerala to gain a higher standing and acceptance in Keralan Hindu society. The rituals are rich in theological significance and symbolism, and have links to the performing arts of Kerala such as Kathakali and Ottam Tullal.
How does the soul relate to the body? Through the ages, innumerable religious and intellectual movements have proposed answers to this question. Many have gravitated to the notion of the "subtle body," positing some sort of subtle entity that is neither soul nor body, but some mixture of the two. Simon Cox traces the history of this idea from the late Roman Empire to the present day, touching on how philosophers, wizards, scholars, occultists, psychologists, and mystics have engaged with the idea over the past two thousand years. This study is an intellectual history of the subtle body concept from its origins in late antiquity through the Renaissance into the Euro-American counterculture of the 1960's and 70's. It begins with a prehistory of the idea, rooted as it is in third-century Neoplatonism. It then proceeds to the signifier "subtle body" in its earliest English uses amongst the Cambridge Platonists. After that, it looks forward to those Orientalist fathers of Indology, who, in their earliest translations of Sanskrit philosophy relied heavily on the Cambridge Platonist lexicon, and thereby brought Indian philosophy into what had hitherto been a distinctly platonic discourse. At this point, the story takes a little reflexive stroll into the source of the author's own interest in this strange concept, looking at Helena Blavatsky and the Theosophical import, expression, and popularization of the concept. Cox then zeroes in on Aleister Crowley, focusing on the subtle body in fin de siecle occultism. Finally, he turns to Carl Jung, his colleague Frederic Spiegelberg, and the popularization of the idea of the subtle body in the Euro-American counterculture. This book is for anyone interested in yogic, somatic, or energetic practices, and will be very useful to scholars and area specialists who rely on this term in dealing with Hindu, Daoist, and Buddhist texts. |
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