This book analyzes practices of collecting in European art museums from 1989 to the present, arguing that museums actualize absence both consciously and unconsciously, while misrepresentation is an outcome of the absent perspectives and voices of minority community members which are rarely considered in relation to contemporary art. Difficult knowledge is proposed as a way of dealing with absence productively. Drawing on social art history, museology, postcolonial theory, and memory studies, Margaret Tali analyzes the collections of four modern and contemporary art museums across Europe: the Hamburger Bahnhof in Berlin, the Ludwig Museum of Contemporary Art in Budapest, the Kiasma Museum in Helsinki, and the Kumu Museum in Tallinn.

This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.

'Creative License' describes what happened next and the continuum leading up to this moment. In this ground-breaking study, James Charnley reveals the personalities and events that ignited an explosion of radical creativity such that a contemporary observer, Patrick Heron, could describe Leeds College of Art as "an unprecedented inventive powerhouse on the national scene". Between 1963 and 1973, Leeds College of Art and Leeds Polytechnic were at the forefront of an experiment in art and education where "all that was forbidden was to be dull". With Jeff Nuttall, Robin Page, George Brecht, Patrick Hughes and John Fox on the staff, students pushed the freedom and facilities offered further than anything before or since. 'Creative License' captures the rebellious trajectory of the 1960s, the emergence of the counter-culture, dissent and later disillusionment. This is a case study of an era when art colleges were well funded and well free and, at Leeds, had a mission to progress the avant-garde project to the next level. Perhaps only now can the consequences of this experiment be assessed and its achievements recognised, and James Charnley sets out to do just that.

Iñaki Ábalos and Juan Herreros established the renowned architec­tural firm Ábalos & Herreros in Madrid in 1984. At the time, fol­lowing the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros's melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, col­lages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros's planning and design process. Each of the book's three contributors--two of whom worked with Ábalos and Herreros--approaches the archive with specific questions, and their essays explore topics including the architects' fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innova­tive visions for landscape architecture. While many have written about the work of Ábalos and Herreros, previous books have been based mainly on their built projects and on­going research. Ábalos & Herreros Selected by Office Kersten Geers David Van Severen, Juan José Castellón and SO-IL is the first book to draw on the firm's archive to offer a new take on this important architectural practice.

This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024

"The landscape and architecture of a city like Berlin possess a great deal of under-track information. Inexplicable, yet perceptible, sometimes barely whispered." - Vincenzo Castella Vincenzo Castella went to Berlin for the first time between August and September 1989, without imagining that an epochal turning point was preparing in that city, with the imminent fall of the Wall, on 9th November 1989. The volume publishes for the first time the shots of that residency. A photographic cycle which, although presenting itself as a 'digression, an experiment with open outcomes' as explained by Frank Boehm in his text, with respect to the themes of his research at the time is fully inserted in a wider reflection on landscape, understood as a context built and modified by man, which is also the common thread of all of Castella's oeuvre. For today's readers, this is not just an unpublished visual document that, through a silent and essential revival, gives us a glimpse of how the city looked before history intervened to cut its boundaries, but also a crucial element to approach and deepen the work of one of the most appreciated masters of contemporary photography. Text in English, German and Italian.

What do new technologies taste like? A growing number of contemporary artists are working with food, live materials and scientific processes, in order to explore and challenge the ways in which manipulation of biological materials informs our cooking and eating. 'Bioart', or biological art, uses biotech methods to manipulate living systems, from tissues to ecologies. While most critiques of bioart emphasise the influences of new media, digital media, and genetics, this book takes a bold, alternative approach. Bioart Kitchen explores a wide spectrum of seemingly unconnected subjects, which, when brought together, offer a more inclusive, expansive history of bioart, namely: home economics; the feminist art of the 1970s; tissue culture methodologies; domestic computing; and contemporary artistic engagements with biotechnology.

Georgia O'Keeffe spent almost 40 years of her life in the American Southwest. Her two houses in New Mexico; at Ghost Ranch and Abiquiu and the landscapes around them became essential elements in her paintings. The mountains and arroyos, the skulls and the Jimson weeds, a ladder against a wall, a door; all transformed by her genius into a quintessentially American art. Astonishingly, the history of these houses has never before been written. In this volume, Barbara Buhler Lynes and Agapita Judy Lopez create a vibrant picture of O'Keeffe at home. Drawing on O'Keeffe's correspondence, Lynes and Lopez set forth their fascinating story. An essay by architect Beverly Spears describes the distinctive characteristics of adobe architecture and its construction, and the many individuals involved with the house are identified. An appendix provides valuable information about the materials used in resorting the Abiquiu house. Photographs made especially for this book show the houses as they are today, plus dozens of photographs made by major photographers during her life show her living in the houses. Photographs of her painting and specific architectural components of the Abiquiu house are also included. These photographs and their accompanying texts offer for the first time a compelling picture of O'Keeffe's life in New Mexico, how each house satisfied different aspects of the artist's personal and professional needs and how O'Keeffe gradually transformed these Spanish Pueblo Revival style houses to reflect her modernist aesthetic.

A comprehensive overview of renowned Belgian artist Berlinde De Bruyckere's work since 2014, inspired by the figure of the angel Belgian artist Berlinde De Bruyckere has long been a leading light in the international contemporary art world whose sculptures, installations and drawings endeavor to find the meaning of humanity, physicality, suffering and vitality. Conceived in the loneliness and isolation of the COVID-19 pandemic, this book explores De Bruyckere's recent, never-before-seen work inspired by the figure of the angel as portrayed in myths, stories, literature and art history. According to De Bruyckere, an angel-with its warm, dark wings-provides protection, a refuge from fear. The angel guards against a lonely existence and, even more importantly, against a lonely death. It symbolizes the fragile line De Bruyckere treads between artistic poeticism and engagement with current affairs. This volume will serve as an essential resource on an artist whose works constitute a provocative and influential addition to the contemporary art canon. Distributed for Mercatorfonds Exhibition Schedule: Bonnefantenmuseum Maastrich, The Netherlands (March 29-September 26, 2021)

Japanese Sumi-e brush painting combines the techniques of calligraphy and ink painting to produce compositions of rare beauty. This art has its roots in the Zen Buddhist practices of mindfulness and meditation--serving as a means not just for describing wonders of nature, but as a method for training our minds to view the world in its essential grace and simplicity. This book is the product of many years of study with Ukai Uchiyama--a master Japanese calligrapher and artist. Kay Morrissey Thompson shares the knowledge she gained from this association, presenting a thorough discussion of the artist's work along with a series of practical lessons based on Mr. Uchiyama's instruction. The informative text is accompanied by over fifty illustrations, many in color, reproducing works by Ukai Uchiyama and enabling aspiring artists to understand how each painting was created. With a smaller size and new cover, this timeless Tuttle Classic (originally published in 1960), has been reformatted for a new generation of readers.

The product of extensive interviews with the artist, this publication provides the definitive guide to the work of Jock McFadyen RA. The architecture critic Rowan Moore creates a fascinating portrait of the artist, weaving together stories from McFadyen's life - from burning an effigy of his principal and being thrown out of college to a residency at the National Gallery and election to the Royal Academy in 2012 - with an in-depth analysis of his art. McFadyen's story begins in 1950s Scotland, moving via squats in Chelsea during the punk era, to the East End of London, now the subject of many of his large-scale landscapes. Moore explores McFadyen's decision to 'believe in painting' in the face of artists who appeared to seek financial reward before all else, and the inspiration he takes from a wide range of artists, including James Abbott McNeill Whistler (1834-1903) and Walter Sickert (1860-1942). This publication celebrates an important contemporary painter, and is generously illustrated with a selection of McFadyen's works - including Tate Moss, a painting derived from an illicit kayak trip along the canal into London's future Olympic Park, and his recent depictions of a gargantuan moon hanging above Edinburgh.

Twenty-five leading artist duos and collectives give insight into how and why to work collaboratively Art history is traditionally presented as the individual's struggle for self-expression, yet over the past fifty years, the number of artists working collaboratively has grown exponentially. Co-Art: Artists on Creative Collaboration explores this phenomenon through conversations with twenty-five leading art-world pairs and groups, who offer insight that is relevant beyond the art world, making this book vital for all who seek to work creatively and effectively with others. Artists featured: Allora & Calzadilla, Assemble, Auguste Orts, ayr, Biggs & Collings, Broomberg & Chanarin, ChimPom, Claire Fontaine, DAS INSTITUT, DIS, Elmgreen & Dragset, Eva & Franco Mattes, GCC, Gelitin, Guerrilla Girls, Iain Forsyth and Jane Pollard, Jane and Louise Wilson, John Wood and Paul Harrison, LaBeouf, Roenkkoe & Turner, Lizzie Fitch/Ryan Trecartin, Los Carpinteros, Pauline Boudry/Renate Lorenz, Raqs Media Collective, SUPERFLEX

The 2021 Capitol Hill Riot marked a watershed moment when the 'old world' of factbased systems of representation was briefly overwhelmed by the emerging hyper-individual politics of aestheticized emotion. In The Trump Effect in Contemporary Art and Visual Culture, Kit Messham-Muir and Uros Cvoro analyse the aesthetics that have emerged at the core of 21st-century politics, and which erupted at the US Capitol in January 2021. Looking at this event's aesthetic dimensions through such aspects as QAnon, white resentment and strongman authoritarianism, they examine the world-wide historical trends towards ethno-nationalism and populism that emerged following the end of the Cold War in 1989 and the dawning of the current post-ideological age. Building on their ground-breaking research into how trauma, emotion and empathy have become well-worn tropes in contemporary art informed by conflict, Messham-Muir and Cvoro go further by highlighting the ways in which art can actively disrupt an underlying drift in society towards white supremacism and ultranationalism. Utilising their outsiders' perspective on a so-called American phenomenon, and rejecting American exceptionalism, their theorising of the 'Trump Effect' rejects the idea of Trump as a political aberration, but as a symptom of deeper and longer-term philosophical shifts in global politics and society. As theorists of contemporary art and visual culture, Messham-Muir and Cvoro explore the ways in which these features of the Trump Effect operate through aesthetics, in the intersection of politics and contemporary art, and provide valuable insight into the current political context.

This book spotlights a complex art collection established at the intersection of modern art and social justice. In 1963, as civil rights protests swirled across the fiercely segregated state, this historically Black college became an unlikely hub in Mississippi envisioned as “an interracial oasis in which the fine arts are the focus and magnet.” Since its founding in 1869 by the abolitionist-led American Missionary Association, Tougaloo College has made the fight for equality central to its mission. In 1963, Tougaloo became the nexus for modern art in Mississippi, when leaders of the New York art world began a rich program of art acquisitions. This publication features two essays and approximately thirty-five selections from this distinctive collection by diverse artists such as Francis Picabia, Jacob Lawrence, and Alma Thomas.

Progressing by image and word associations, Fremon evokes Bourgeois's history and inner life, bringing a sense of fascinating and moving proximity to the internationally renowned artist... The art world's grande dame and its shameless old lady, who spun personal history into works of profound strangeness, speaks out with her characteristic insolence and wit, and comes to vibrant life again through the words of a most discrete, masterful writer. From her childhood in France to her exile and life in America, to her death; her relationships to her family and her young assistant, her views on landmark male artists, the genesis of her own work... through the moods, barbs, resentments, reservations and back, at full speed - this is a phosphorescent account of Bourgeois's life, as could only be captured by the imagination of one artist regarding another.

Architecture is a constant presence in the study of human interaction-acting as both the ground on which human social behavior is performed and a means of shaping subjectivity itself. Proxemics was an attempt to visualize and instrumentalize these dynamics, appealing to both the social sciences and the emerging field of environmental design. Founded by anthropologist Edward T. Hall and taking shape between the departments of architecture and anthropology at the Illinois Institute of Technology, proxemics developed amidst cold war political tensions and intense social and civil unrest. Proxemics and the Architecture of Social Interaction presents selections from Hall's extensive archive of visual materials alongside a critical analysis that traces transformations in the fields of design and science. Together these materials illuminate a moment in American history when new spatial practices arose to challenge the environmental conditions of cultural, political, and racial identity.

This book provides a revolutionary new 3-step tracing technique that beginning artists can use to quickly learn to draw manga characters just like a pro! Every page presents a classic manga pose, from walking and running to jumping for joy, in three different steps: 1. A simple outline of the body 2. The defining elements of the character (like clothes, hair and facial expression) highlighted for easy tracing so you can practice placing them onto the basic body outline. 3. The finished drawing (for inspiration). Popular manga artists Junka Morozumi and Tomomi Mizuna guide you through a series of carefully graded lessons to build up your skills gradually. Each pose and scene has a star skill level, so you can build your way up from 1 to 5! Chapter 1 deals with the basic poses of standing, walking, and running. Chapter 2 presents signature manga poses such as turning around in surprise and being angry with hands on hips. Chapter 3 practices various sitting and lying down poses. Chapter 4 deals with drawing perspective, looking at characters from above, below and diagonal viewpoints. Chapter 5 focuses on 2-person manga poses including the classic prince with a princess in his arms. Chapter 6 lets readers try out the skills they have acquired by tracing and copying a full-page manga illustration containing multiple characters. These six lessons are supplemented by expert tips and easy exercises for capturing the right facial expressions, drawing the clothes and getting the perspective and body proportions right. Beginning manga artists are in good hands with Morozumi, who lectures at art academies in Tokyo, and Mizuna, whose work has been exhibited in the U.S., Europe and beyond. If you've been looking for an easy-to-use guide to drawing manga, The Manga Artist's Handbook: Drawing Basic Manga Characters is the perfect place to start!

Dress up your drawings any way you like using this complete all-in-one style guide! Have you ever struggled to get the drape of a dress or the look of a jacket just right? Maybe you've mastered the human form but your drawings lack a sense of fashion? Or perhaps you're a budding fashionista who loves decking your characters out in elegant, outrageous or cutting-edge outfits? No matter how you wish to clothe your creations, in traditional togs or casual fashions, How to Create Manga: Drawing Clothing and Accessories is the perfect tutorial for you! Fashion meets form in this essential style guide to dressing up your drawings. Drape your manga creations in the wardrobe of your dreams, while learning techniques and tips used by professional illustrators to realistically draw clothing and accessories of all types--from blouses and T-shirts to button downs, sweaters, coats, pants, skirts and shorts. And what about the accessories? Boots, belts, shoes and sandals are all included as well, along with detailed coverage of satchels, purses and backpacks. How to Create Manga: Drawing Clothing and Accessories is the fashion bible used by manga artists in Japan. It presents more than 900 drawings by twelve accomplished illustrators, covering a broad range of fashions. Detailed, in-depth instructionals show you how to render not just the garments themselves, but the folds, creases and wrinkles that give them a sense of realism and movement. Other books in the series include How to Create Manga: Drawing Facial Expressions, How to Create Manga: Drawing the Human Body and How to Create Manga: Drawing Action Scenes and Characters.

Nobody doubts that the contemporary art of Turkey has `arrived' on the international stage: Hale Tenger's work has been bought by the Pompidou Centre; Fikret Atay features in Tate Modern's collection; Kutlug Ataman has been nominated for the Turner Prize; and collectors flock from around the world to pick up pieces by exceptionally talented Turkish artists. 'Unleashed' is the most comprehensive account yet of the recent storm of activity in Turkey's art scene. A sumptuously illustrated A-Z of over ninety of the most exciting Turkish contemporary artists, it contains many exclusive interviews with some of the biggest names in Turkish art, as well as such up-and-coming artists as Leyla Gediz, Emre Huner and Ali Kazmal and the Turkish diaspora. It also features interviews with and profiles of leading curators, gallerists, collectors, artist-run spaces and museums. The work of the featured artists is put into further context by three important essays written by leading curators and critics, which tackle the issues of identity, and the relationship of Turkish art to international artistic trends.

In recent decades, an exciting new art movement has emerged in which artists utilize and illuminate the latest advances in science. Some of their provocative creations a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang (pictured on the cover) can be seen in traditional art museums and magazines, while others are being made by leading designers at Pixar, Google s Creative Lab, and the MIT Media Lab. In Colliding Worlds, Arthur I. Miller takes readers on a wild journey to explore this new frontier.

Miller, the author of Einstein, Picasso and other celebrated books on science and creativity, traces the movement from its seeds a century ago when Einstein s theory of relativity helped shape the thinking of the Cubists to its flowering today. Through interviews with innovative thinkers and artists across disciplines, Miller shows with verve and clarity how discoveries in biotechnology, cosmology, quantum physics, and beyond are animating the work of designers like Neri Oxman, musicians like David Toop, and the artists-in-residence at CERN s Large Hadron Collider.

From NanoArt to Big Data, Miller reveals the extraordinary possibilities when art and science collide."

Dark Horse Books and Nintendo team up to bring you "The Legend of Zelda: Hyrule Historia", containing an unparalleled collection of historical information on "The Legend of Zelda" franchise. This handsome hardcover contains never-before-seen concept art, the full history of Hyrule, the official chronology of the games, and much more! Starting with an insightful introduction by the legendary producer and video-game designer of Donkey Kong, Mario, and The Legend of Zelda, Shigeru Miyamoto, this book is crammed full of information about the storied history of Link's adventures from the creators themselves! As a bonus, "The Legend of Zelda: Hyrule Historia" includes an exclusive comic by the foremost creator of "The Legend of Zelda" manga - Akira Himekawa!

Damien Hirst grew up in Leeds and studied at Goldsmiths College, London. Most notable amongst the exhibitions he curated whilst at college was Freeze, in 1988, in which he exhibited his work and that of his contemporaries. This book was produced for an exhibition held at Gagosian Gallery, Hong Kong, in 2011.