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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > General
This book delves into creative renditions of key aspects of Jewish Mysticism in Latin American literature, film, and art from the perspective of literary and cultural studies. It introduces the work of Latin American authors and artists who have been inspired by Jewish Mysticism from the 1960s to the present focusing on representations of dybbuks (transmigratory souls), the presence of Eros as part of the experience of mystical prayer, reformulations of Zoharic fables, and the search for Tikkun Olam (cosmic repair), among other key topics of Jewish Mysticism. The purpose of this book is to open up these aspects of their work to a broad audience who may or may not be familiar with Jewish Mysticism.
This second collection of gorgeously illustrated artworks highlights events from volumes 10 through 15 of the main story. The definitive edition also includes illustrations from volumes 1 through 3 of Sword Art Online: Progressive, as well as art from animated productions, games, and conventions. A must-have for SAO fans and abec fans alike!
Published on the occasion of Damien Hirst's exhibition at the
Wallace Collection, London, in October 2009, this small volume
presents 30 colorplates showcasing a selection of blue skull and
flower paintings from that show, and three gatefolds. An interview
also featured in the larger Wallace Collection catalogue is also
included here.
Dark Horse Books and Nintendo team up to bring you "The Legend of Zelda: Hyrule Historia", containing an unparalleled collection of historical information on "The Legend of Zelda" franchise. This handsome hardcover contains never-before-seen concept art, the full history of Hyrule, the official chronology of the games, and much more! Starting with an insightful introduction by the legendary producer and video-game designer of Donkey Kong, Mario, and The Legend of Zelda, Shigeru Miyamoto, this book is crammed full of information about the storied history of Link's adventures from the creators themselves! As a bonus, "The Legend of Zelda: Hyrule Historia" includes an exclusive comic by the foremost creator of "The Legend of Zelda" manga - Akira Himekawa!
Malileh Afnan's work appears 'as a relic of an older civilization or an archaeological excavation into the collective psyche. The delicacy of Persian miniatures and manuscripts, which she remembers from childhood, is mirrored in her love for intimate scale and the refined beauty of muted colour'. Calligraphy plays an important role: images appear that suggest the written word. Works on paper and tablets of painted plaster are reminiscent of ancient, almost obliterated texts, and like palimpsests, retain only some vestige of literal meaning and an impression of human contact. Afnan has absorbed both Middle Eastern and Western influences. She has looked towards such artists as Pollock, Rothko, Dubuffet and Klee, and shares an affinity with the American artist Mark Tobey, who helped arrange the first European exhibition of her work in 1971.
Since the 1990s, acclaimed Norwegian and London-based artist AK Dolven has produced a substantial body of work that explores the relationship between individuals and the perception of their environment, the connections that bind inner and outer realities. Using a diverse range of media, she combines seemingly simple, almost minimalistic elements to create complex responses to a particular locale - especially the frozen landscapes of the Arctic Circle - while maintaining a universal voice that resonates far beyond the specifics of the place. Frequently immersive in nature, her works investigate but also induce feelings of discomfort and disorientation in the eye, body and mind of the viewer, a sense of forever being at odds with one's surroundings. Coinciding with a solo exhibition at the Ikon Gallery, this book presents the past decade of the artist's practice. In five themed chapters, each artwork is shown in a series of large-scale installation shots and details that replicate the spatial and physical impact of the piece itself. Introductory texts to each chapter by five internationally renowned writers and thinkers illuminate various aspects of the artist's work, addressing, among other things, its political significance, emotional intensity and philosophical depth. An introduction by volume editor Gaby Hartel considers the importance of AK Dolven's sketchbooks to the genesis of her work, with a 24-page insert reproducing some of these sketchbooks in facsimile form. A second bound-in insert at the back of the book presents the artist's own notes on the works, with supporting source material.
The main themes and aims of this book are understanding aesthetics, contemporary art and the end of the avant-garde not from the traditional viewpoint of the metaphysics of the beautiful and the sublime but rather thru close connection to the techno-genesis of virtual worlds. This book tackles problems in contemporary art theory such as the body in space and time of digital technologies, along with other issues in visual studies and image science. Further intentions exhibit the fundamental reasons for the disappearance of the picture in the era of virtual reality starting from the notion of contemporary art as realized iconoclasm; art has no world for its "image". The author argues that the iconoclasm of contemporary art has severe consequences. This text appeals to philosophers of art and those interested in contemporary art theory.
Disrupted Realism is the first book to survey the works of contemporary painters who are challenging and reshaping the tradition of Realism. Helping art lovers, collectors, and artists approach and understand this compelling new phenomenon, it includes the works of 38 artists whose paintings respond to the subjectivity and disruptions of modern experience. Widely published author and blogger John Seed, who believes that we are "the most distracted society in the history of the world," has selected artists he sees as visionaries in this developing movement. The artists' impulses toward disruption are as individual as the artists themselves, but all share the need to include perception and emotion in their artistic process. Six sections lay out and analyze common themes: "Toward Abstraction," "Disrupted Bodies," "Emotions and Identities," "Myths and Visions," "Patterns, Planes, and Formations," and "Between Painting and Photography." Interviews with each artist offer additional insight into some of the most incisive and relevant painting being created today.
Start your personal planning any time of the year with this stylish, undated weekly calendar. Start your personal planning any time of the year with this undated weekly calendar that features sixty customizable pages. Perfect for home or the office, it has plenty of space each day of the week to schedule appointments and meetings or to jot down important to-dos or notes.
Tony Conrad has significantly influenced cultural developments from minimalism to underground film, "concept art," postmodern appropriation, and the most sophisticated rock and roll. Creator of the "structural" film, The Flicker, collaborator on Jack Smith's Flaming Creatures and Normal Love, follower of Henry Flynt's radical anti-art, member of the Theatre of Eternal Music and the first incarnation of The Velvet Underground, and early associate of Mike Kelley, Tony Oursler, and Cindy Sherman, Conrad has eluded canonic histories. Yet Beyond the Dream Syndicate does not claim Conrad as a major but under-recognized figure. Neither monograph nor social history, the book takes Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Such an approach simultaneously illuminates and estranges current understandings of the period, redrawing the map across medium and stylistic boundaries to reveal a constitutive hybridization at the base of the decade's artistic development. This exploration of Conrad and his milieu goes beyond the presentation of a relatively overlooked oeuvre to chart multiple, contestatory regimes of power simultaneously in play during the pivotal moment of the 1960s. From the sovereign authority invoked by Young's music, to the "paranoiac" politics of Flynt, to the immanent control modeled by Conrad's films, each avant-garde project examined reveals an investment within a particular structure of power and resistance, providing a glimpse into the diversity of the artistic and political stakes that continue to define our time.Branden W. Joseph is Professor of Modern and Contemporary Art in the Department of Art History and Archaeology at Columbia University and an editor of the journal Grey Room (MIT Press). He is the author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde (MIT Press, 2003.)
This catalogue accompanying the exhibition Invisibilia constitutes the first substantive monograph on Oscar Munoz's work in English. The publication aims to become one of the most significant research resources published on the artist's work to date by addressing the entire span of the artist's career, beginning in the 1970s and continuing to 2020. This publication on Oscar Munoz's artistic practice contributes to the field of conceptual photography both within and beyond the Latin American context. Bilingual Spanish translations effectively extend both the publication's impact and its international reach. The diverse cadre of scholars who contributed to the book offer new perspectives and fresh takes on frequently discussed artworks that are here given a new slant. A comprehensive chronology that charts Munoz's artistic evolution alongside the development of the artistic scene in Cali and national events in Colombia effectively roots the artist's works in its cultural and historical context.
Lucian Freud (1922-2011) was interested in the telling of truths. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay. Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud's sitting process for portraiture and Sigmund Freud's psychotherapy sessions is a fascinating element to this figurative oeuvre. Despite the thickness of the impasto surfaces, Freud's portraits of subjects as varied as the Queen, Kate Moss, and an obese job center supervisor penetrate the physicality of the body with a direct and often disarming insight. The result is as much a psychological interrogation as it is an uneasy examination of the relationship between artist and model. This book brings together some of Freud's most outstanding and unapologetic portraits, to introduce an artist widely considered one of the finest masters of the human form. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
Reconstructing modernity assesses the character of approaches to rebuilding British cities during the decades after the Second World War. It explores the strategies of spatial governance that sought to restructure society and looks at the cast of characters who shaped these processes. It challenges traditional views of urban modernism and sheds new light on the importance of the immediate post-war for the trajectory of planned urban renewal in twentieth century. It examines plans and policies designed to produce and govern lived spaces- shopping centers, housing estates, parks, schools and homes - and shows how and why they succeeded or failed. It demonstrates how the material space of the city and how people used and experienced it was crucial in understanding historical change in urban contexts. The book is aimed at those interested in urban modernism, the use of space in town planning, the urban histories of post-war Britain and of social housing. -- .
Marlene Dumas's work is widely admired for its emotionally-charged portrayal of the human figure and its potent combination of drama, humor and sexuality. Born in South Africa in 1953 and based in Amsterdam, Dumas is a highly-skilled ?painter's painter?; her work comments on the state of painting today while asking what it means to be a woman working within the predominantly male genre of Expressionist art. Dumas's work is collected and exhibited internationally, and since the publication of the first edition of this book, her following has continued to grow. This revised edition, with a new essay by Ilaria Bonacossa and new writings by Dumas, has been expanded by 80 pages to include the artist's most recent work.
For over five decades, Dorothy Iannone has been making exuberantly
sexual and joyfully transgressive image-text works. Karen Rosenberg
wrote of her in "The New York Times" "High priestess, matriarch,
sex goddess: the self-taught American artist Dorothy Iannone has
been called all these things and more. Since the early 1960s she
has been making paintings, sculptures and artist's books that
advocate 'ecstatic unity, ' most often achieved through
lovemaking." Beginning with the famous "An Icelandic Saga," in
which Iannone narrates her journey to Iceland (where she meets
Dieter Roth and leaves her husband to live with him), this singular
volume traces Iannone's search for "ecstatic unity" from its carnal
beginnings in her relationships with Roth and other men into its
spiritual incarnation as she becomes a practicing Buddhist.
Reproducing several previously unpublished or long-out-of-print
works in their entirety (such as "Danger in Dusseldorf," "The
Whip," "An Explosive Interlude"), as well as longer excerpts from
rarely-seen works like "A Cookbook" and "Berlin Beauties," this
volume gives readers the chance to read her work with sustained
attention, and enjoy the sophistication of the stories she tells
and the visual-textual embellishments that make them so
irresistible.
Somewhere in Brooklyn, a little boy dreams of being a famous artist, not knowing that one day he would make himself a king. Jean-Michel Basquiat and his unique, collage-style paintings rocketed to fame in the 1980s as a cultural phenomenon unlike anything the art world had ever seen. However, before that, he was a little boy who saw art everywhere: in poetry books and museums, in games, in the words that we speak and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own style introduces young readers to the powerful message that art doesn't always have to be neat or clean - and definitely not inside the lines - to be beautiful.
A new and updated edition of the definitive monograph on the British artist Antony Gormley, now available in an affordably priced format This beautiful and comprehensive monograph, expanded and updated in a new affordably priced edition, examines the entirety of Gormley's career, from his earliest sketches to his best-known public installations. Martin Caiger-Smith's 'magnificent, magisterial overview' (The Independent) examines the relationship between Gormley's life and art and identi-fies the singular vision that ties together a vast canon of work in an extraordinary range of media and materials. Best known for the major public works that most visibly represent his innovative approach to sculpture, Gormley is a prolific artist who has renegotiated the tension between the individual and the universal. Drawing on images that range from childhood snap-shots to photographs of his most recent installations, this book traces the evolution of Gormley's work, from the drawings he makes every day in the studio, through the constantly evolving process of casting his own body in various forms, to the ultimate expression of his ideas in such masterpieces as the colossal Angel of the North or the scattered figures of Another Place. Illustrated with hundreds of images that explore the scale and impact of Gormley's work-including his acclaimed exhibition at the Royal Academy in 2019, as well as recent installations in Florence, Delos, and New York City-and 'dense with insight and deeply considered analysis from the author' (Financial Times), this book is the definitive survey of a monumental career.
The Language of Mixed-Media Sculpture is both a survey and a celebration of contemporary approaches to sculptures that are formed from more than one material. It profiles the discipline in all its expanded forms and recognizes sculpture in the twenty-first century not as something solid and static, but rather as a fluid interface in material, time and space. It gives insightful revelations of the creative journeys of ten renowned sculptors and showcases twenty-eight international sculptors. With over two hundred colour photographs, this sumptuously illustrated volume will inspire those intrigued by and interested in contemporary sculpture.
Will Eisner (1917-2005) is universally considered the master of comics storytelling and is best known for his iconic comic strip The Spirit and for his seminal work A Contract With God. Considered the first significant graphic novel, upon publication in 1978 it ushered in a new kind of personal, non-super-hero genre of comics storytelling. Since then, Eisner went on to write and illustrate over twenty award-winning graphic novels. Will Eisner: Champion of the Graphic Novel by noted historian Paul Levitz celebrates Eisner by including not only unpublished and rare art, photographs, letters and sketches from the archives, but original interviews with creators such as Jules Feiffer, Art Spiegelman, Scott McCloud, Jeff Smith and Neil Gaiman, all of whom knew and were inspired by Eisner and have offered their support to help publicise this long-awaited tribute to a comics legend.
A reformatted and reduced price edition of the first book to show the provocative posters and groundbreaking graphics of the Black Panther Party. The Black Panther Party for Self Defense, formed in the aftermath of the assassination of Malcolm X in 1965, sounded a defiant cry for an end to the institutionalized subjugation of African Americans. The Black Panther newspaper was founded to articulate the party's message, and artist Emory Douglas became the paper's art director and later the party's minister of culture. Douglas's artistic talents and experience proved a powerful combination: his striking collages of photographs and his own drawings combined to create some of the era's most iconic images. This landmark book brings together a remarkable lineup of party insiders who detail the crafting of the party's visual identity.
A fantastic, single-sided adult coloring book from the bestselling artist behind Fantomorphia, Mythomorphia, Imagimorphia and Animorphia. The perfect stocking stuffer gift for anyone who loves a coloring book challenge! A coloring book like you've never seen before-perfect for colored pencils, crayons, or markers! An amazing adult coloring book challenge, featuring the strange and superdetailed images of artist Kerby Rosanes. Kerby works in intricately detailed black-and-white lines to create creatures, characters, patterns, and tiny elements to form massive compositions of mind-boggling complexity. His second single-sided book invites readers to complete the drawings and find hidden treasures and creatures scattered throughout its pages. Find your zen as you bring this beautiful art to life! Geomorphia is packed full of intricate images of stunning creatures and landscapes morphing and shapeshifting into Kerby's signature, breathtaking scenes. The world that he imagines will excite and transport drawers, as he brings this beautiful fantasyscape and its creatures to life. Geomorphia is an amazing adult coloring book challenge featuring his trademark strange and super-detailed images, and perfect for coloring then posting on the wall or framing.
This book examines how contemporary Scottish writers and artists revisit and reclaim nature in the political and aesthetic context of devolved Scotland. Camille Manfredi investigates the interaction of landscape aesthetics and strategies of spatial representation in Scotland's twenty-first-century literature and arts, focusing on the apparatuses designed by nature writers, poets, performers, walking artists and visual artists to physically and intellectually engage with the land and re-present it to themselves and to the world. Through a comprehensive analysis of a variety of site-specific artistic practices, artworks and publications, this book investigates the works of Scotland-based artists including Linda Cracknell, Kathleen Jamie, Thomas A. Clark, Gerry Loose, John Burnside, Alec Finlay, Hamish Fulton, Hanna Tuulikki and Roseanne Watt, with a view to exploring the ongoing re-invention of a territory-bound identity that dwells on an inclusive sense of place, as well as on a complex renegotiation with the time and space of Scotland.
While almost everybody knows Ludwig Bemelmans' Madeline, the fact that the illustrator published over forty other titles remains a well-kept secret. The first title in Thames & Hudson's brand-new series, this book offers a visually rich insight into the life and work of this important artist and writer. Ludwig Bemelmans grew up under the Austro-Hungarian empire and emigrated to the United States in his late teens, just escaping the outbreak of the First World War. His illustrations for the Madeline books offer a classic vision of Paris that has created a lasting impression on millions of readers. And every illustrator would love to know how he conveyed all the emotions of a spirited little girl drawn with just a few lines and dots; how did he achieve such clarity in simplicity? Laurie Britton Newell's illustrated essay gathers material from Bemelmans' diverse oeuvre, from novels, autobiographical stories, humorous articles and comic strips to murals and menus for hotels and restaurants. The book makes accessible this mesmerizing material, which is otherwise lost to the public, and connects it to the artist's intriguing life. An icon of a fascinating era, Bemelmans through his magical work gives us glimpses of a life that embodied both hard work and glamour, in Paris and New York. |
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