Interior stylist Bea Mombaers is passionate about vintage and design; she's always on the lookout for special finds and unique objects. Over time she developed a distinctive signature style. This book presents Bea's work and universe as seen through the lenses of different photographers. The photos show interiors arranged by Bea, but also intriguing details, beautiful still lifes and objects with a story Bea feels inspired by. The photos are presented according to the key moments in a day: waking up, breakfast, break, lunch, coffee, apero, dinner and party. Bea is a source of inspiration and interior dreams, and a personal view on Bea Mombaers's world and her favourite projects up to now.

Accrochage brings together about seventy works from the Pinault Collection produced by thirty artists since the 1970s. The works-never shown before in the Venetian venues of the collection-are the outcome of minimal gestures and artistic research focused on the theme of the void. Fabio Mauri, Pier Paolo Calzolari, Sol LeWitt, Charles Ray, Roman Opalka, Bernd Lohaus, Thomas Schutte, Goshka Macuga, and Niele Toroni are only some of the artists taking part in a show that becomes a place of meeting, rela- tions, questions, and comparison between different ways of practicing art.

"When you're in New York" the sculptor Louise Nevelson once said, "you're in perpetual resurrection." She might have said the same thing about St. Peter's Lutheran Church, set in the heart of midtown Manhattan. In the 1970s the church made a radical move, scrapping its neo-gothic building for a sleek modern structure in the shadow of a skyscraper. The transformation was not just architectural. Inside, Nevelson created a shimmering chapel, while over the years artists and designers such as Willem de Kooning, Kiki Smith, and Massimo and Lella Vignelli produced works for the sanctuary. This fusion of modern art, architecture, and design was complemented by an innovative jazz ministry, including funerals for Billy Strayhorn and John Coltrane, and performances by Duke Ellington and other jazz legends. For the first time, this volume examines the astounding cultural output of this single church. Just as importantly, the story of St. Peter's serves as a springboard for wider reflections on the challenges and possibilities which arise when religion and art intersect in the modern city. Working from a wide range of disciplines, including art history, theology, musicology, and cultural studies, a distinguished group of scholars demonstrate that this church at the center of New York City deserves an equally central place in contemporary scholarship.

The Cambridge Art Book contains a unique collection of contemporary images of this most beautiful city, from the grand architecture of its historic university to its more intimate corners. Alongside the drama of its fine buildings, the tranquillity of its green spaces, the city's artists uncover the quirks that make it an unending delight.

"The landscape and architecture of a city like Berlin possess a great deal of under-track information. Inexplicable, yet perceptible, sometimes barely whispered." - Vincenzo Castella Vincenzo Castella went to Berlin for the first time between August and September 1989, without imagining that an epochal turning point was preparing in that city, with the imminent fall of the Wall, on 9th November 1989. The volume publishes for the first time the shots of that residency. A photographic cycle which, although presenting itself as a 'digression, an experiment with open outcomes' as explained by Frank Boehm in his text, with respect to the themes of his research at the time is fully inserted in a wider reflection on landscape, understood as a context built and modified by man, which is also the common thread of all of Castella's oeuvre. For today's readers, this is not just an unpublished visual document that, through a silent and essential revival, gives us a glimpse of how the city looked before history intervened to cut its boundaries, but also a crucial element to approach and deepen the work of one of the most appreciated masters of contemporary photography. Text in English, German and Italian.

Under a Banner of Concern is a compilation of drawings and poetry from acclaimed artist and musician, Tim Presley. Featuring art from Presley's 2019 exhibition in Chicago and Los Angeles-Under the Banner of Concern-the black ink drawings merge abstracted and expressionistic brush and line work, the latter of which breaks down figures into simple forms. Characterized by Presley's "every figure" symbology in their emptied out flat bodies and hollowed eye sockets, these figures are both represented as sexualized and mask-like. In addition to his exhibited drawings, the book will also feature previously unreleased artwork, as well as new poetry from Presley. Under a Banner of Concern is a psychedelic visual experience that is a place for introspection rather than pure image-making.

Goldstruck: A Life Shaped by Jewellery sets luxurious imagery of a lifetime s work alongside an honest and often comically autobiographical account of Stephen s career in the jewellery world. The book is a lavish collation of Stephen s personal and professional life, encompassing material such as photography by Rankin and Amelia Troubridge documenting his coveted collections, intricate sketches and designs that convey a fascinating creative process, and archival imagery including magazine editorials, advertising campaigns and intimate photography from Stephen s personal collection. Alongside such visual opulence, a foreword by Tracey Emin and a host of candid and personal recollections from luminaries of the worlds of art, entertainment and fashion, Stephen charts his career from the first steps of enrollment upon a jewellery- making course at his local college in Rochester, Kent to his rise to international recognition.

Out of My Great Sorrows is the story of Philadelphia artist Mary Zakarian, whose life and work were shaped by the experiences of her mother, a survivor of the 1915 Armenian Genocide. Written by Mary Zakarian's niece and nephew, the narrative examines the complexities of the artist's life as they relate to many issues, including ethnicity, gender, immigration, and assimilation. Above all this is a story of trauma - its effects on the survivor, its transmission through the generations, and its role in the artistic experience. Zakarian painted obsessively throughout her life. As she gained recognition for her artwork, she became increasingly haunted by her mother's untold story and was driven to express the tragedy of the Armenian Genocide in her art. Zakarian's attempt to deal openly with the issues of trauma and guilt caused conflicts in her relationship with her mother. These emotions became a driving force behind her art as well as the basis for her personal difficulties. By examining Mary Zakarian's life and art, the authors bring new insights to the study of the Armenian experience. This moving story will inspire all those who have struggled to express themselves in the face of injustice and oppression.

Mark Ryden returns with 20 new incredible portraits of creatures   From his Snow Yak to his very personal interpretation of the California bear, for more than 20 years Mark Ryden has populated an incredible “pop surrealist� bestiary of half-animal, half-plush creatures. Freely inspired by the Rushton toys that enjoyed their heyday in America in the ’60s and ’70s, these creatures are now the object of a cult worship among fans of the artist, and are one of his marks of distinction in the world of contemporary art.   This book reveals the details and backgrounds of the 20 new paintings Mark Ryden has created for his 2020’s show at Emmanuel Perrotin‘s gallery in Shanghai, but also some of his most iconic master-pieces showcasing yaks and others creatures of his own mythology.   With a statement essay from the artist and an introduction by Takashi Murakami (“the Warhol of Japan�), this “little pink book� will become an instant classic for the lovers of contemporary art and surrealism.

Georgia O'Keeffe spent almost 40 years of her life in the American Southwest. Her two houses in New Mexico; at Ghost Ranch and Abiquiu and the landscapes around them became essential elements in her paintings. The mountains and arroyos, the skulls and the Jimson weeds, a ladder against a wall, a door; all transformed by her genius into a quintessentially American art. Astonishingly, the history of these houses has never before been written. In this volume, Barbara Buhler Lynes and Agapita Judy Lopez create a vibrant picture of O'Keeffe at home. Drawing on O'Keeffe's correspondence, Lynes and Lopez set forth their fascinating story. An essay by architect Beverly Spears describes the distinctive characteristics of adobe architecture and its construction, and the many individuals involved with the house are identified. An appendix provides valuable information about the materials used in resorting the Abiquiu house. Photographs made especially for this book show the houses as they are today, plus dozens of photographs made by major photographers during her life show her living in the houses. Photographs of her painting and specific architectural components of the Abiquiu house are also included. These photographs and their accompanying texts offer for the first time a compelling picture of O'Keeffe's life in New Mexico, how each house satisfied different aspects of the artist's personal and professional needs and how O'Keeffe gradually transformed these Spanish Pueblo Revival style houses to reflect her modernist aesthetic.

An easy-to-follow, yet comprehensive beginner's guide to drawing. In The Complete Guide to Drawing for Beginners, experienced art instructor Yoshiko Ogura explains the basics of pencil drawing through a series of lessons that provide insights on artistic composition, simulating highlights and shadows, depicting realistic forms, rendering texture and creating a sense of depth in your artwork. At the beginning of the book, she provides you with all the information you need to get started--what materials to buy, how to prepare your work surface, pencils and erasers--even how to sit correctly when drawing. Once you know these, Ogura provides a series of easy and clear step-by-step lessons showing you how to draw simple objects while gaining an understanding of the essential concepts of perspective, how to convey hard and soft surfaces and textures, composition and balance. From here, you progress to more complex shapes and objects including landscapes and portraits of people and animals, as she explains all the additional concepts needed to draw these realistically. This book teaches you how to draw the following interesting subjects: Simple forms (an apple, a milk carton, an egg, a mug) Hard & soft surfaces (fabric, a loaf of bread, a stone, a book) Transparent objects (water droplets, a glass) Complex objects (a piece of squash with seeds and pulp, a sunflower) Human anatomical features (hands, faces) Landscape elements (trees, buildings) Animals (a cat, a parakeet) Still life (fruit, flowers) Plus, many other inspirational examples and ideas! By the end, all your drawings will begin to look impressively polished and realistic! As you work through the lessons, you'll master all the skills and knowledge that seasoned artists demonstrate in their work.

Experience the brilliant artist's lifelong obsession with nature and immersion in gardens, a bedrock of her hugely influential work. Yayoi Kusama's work is the product of an infinite curiosity and obsessive drive to create. Throughout the artist's long and varied career, there is one persistent yet little-studied through line-her deep engagement with nature. From early sketches depicting flowers at her family's plant nursery in Japan, to her most recent monumental sculptures of botanical forms poised to take flight, Kusama consistently calls our attention to the patterns, connections, and cycles of living things that are not always visible. KUSAMA: Cosmic Nature is the accompanying catalogue to the first comprehensive exploration of the artist's enduring fascination with the natural world, exhibited across the 250-acre landscape of The New York Botanical Garden. The exhibition examines her lifelong awareness and attunement to nature, which serves not merely as a source of inspiration, but is an integral source of power for her artistic language. This profound life force pervades all of Kusama's work, from studies of the molecular to contemplations of the universal, resulting in a transcendent, cosmic nature. Exhibition guest curator Mika Yoshitake, an independent scholar specializing in postwar Japanese art, and Joanna L. Groarke, NYBG exhibitions curator, catalogue co-editors, bring together essays by art historians, curators, and a scientist, who each present unique interpretations of Kusama's engagement with the natural world. Featuring more than 120 drawings, paintings, sculptures, and archival photographs, including stunning views of the works displayed in NYBG's gardens and galleries, KUSAMA: Cosmic Nature offers a new perspective on one of the world's most celebrated contemporary artists.

Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The term environmental sound art is generally applied to the work of sound artists who incorporate processes in which the artist actively engages with the environment. While the field of environmental sound art is diverse and includes a variety of approaches, the art form diverges from traditional contemporary music by the conscious and strategic integration of environmental impulses and natural processes. This book presents a current perspective on the environmental sound art movement through a collection of personal writings by important environmental sound artists. Dismayed by the limitations and gradual breakdown of contemporary compositional strategies, environmental sound artists have sought alternate venues, genres, technologies, and delivery methods for their creative expression. Environmental sound art is especially relevant because it addresses political, social, economic, scientific, and aesthetic issues. As a result, it has attracted the participation of artists internationally. Awareness and concern for the environment has connected and unified artists across the globe and has achieved a solidarity and clarity of purpose that is singularly unique and optimistic. The environmental sound art movement is borderless and thriving.

The Social Design Reader explores the ways in which design can be a catalyst for social change. Bringing together key texts of the last fifty years, editor Elizabeth Resnick traces the emergence of the notion of socially responsible design. This volume represents the authentic voices of the thinkers, writers and designers who are helping to build a 'canon' of informed literature which documents the development of the discipline. The Social Design Reader is divided into three parts. Section 1: Making a Stand includes an introduction to the term 'social design' and features papers which explore its historical underpinnings. Section 2: Creating the Future documents the emergence of social design as a concept, as a nascent field of study, and subsequently as a rapidly developing professional discipline, and Section 3: A Sea Change is made up of papers acknowledging social design as a firmly established practice. Contextualising section introductions are provided to aid readers in understanding the original source material, while summary boxes clearly articulate how each text fits with the larger milieu of social design theory, methods, and practice.

The German Architecture Annual, edited by the Deutsches Architekturmuseum (DAM) in Frankfurt am Main, has been documenting current architectural events in Germany for almost 40 years. Contributions by renowned authors present the shortlist of 26 buildings as selected by a jury for the 2020 DAM Prize for Architecture in Germany. Curators of the museum, architects, and architectural critics visited around 100 nominated buildings. The 2020 edition offers a detailed portrait of a smaller selection of finalists along with an in-depth appraisal of this year's winner.