Sloppy Craft: Postdisciplinarity and the Crafts brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' - craft that is messy or unfinished looking in its execution or appearance, or both. The contributors address 'sloppiness' in contemporary art and craft practices including painting, weaving, sewing and ceramics, consider the importance of traditional concepts of skill, and the implications of sloppiness for a new 21st century emphasis on inter- and postdisciplinarity, as well as for activist, performance, queer and Aboriginal practices. In addition to critical essays, the book includes a 'conversation' section in which contemporary artists and practitioners discuss challenges and opportunities of 'sloppy craft' in their practice and teaching, and an afterword by Glenn Adamson.

The Street Art Manual is an illicit, tactical handbook to creating art in public and taking over urban space. Every type of street art is covered, from painting graffiti, to light projections, stenciling, wheat pasting and mural making, with each technique illustrated with step-by-step drawings. Arm yourself with the tips and knowledge that no other guide will give you and go out and reclaim the streets in the name of urban creativity.

The drawings of Israeli artist Eran Shakine may look carefree and casual, but their message is serious: Muslims, Christians, and Jews share a history. They are linked through Abraham's sons Ishmael, an ancestor of the Muslims, and Isaac, an ancestor of the Jews, as well as through Jesus, born a Jew. As Shakine demonstrates in this new collection of his work, Muslims, Christians, and Jews have a great deal in common. Eran Shakine: Knocking on Heaven's Door presents new large-format oilstick drawings depicting Muslims, Christians, and Jews as an indistinguishable trio involved in actions that are both profound and humorous. In doing so, he reveals both the diversity and the similarity of the three and offers his own highly individual view of these world religions. Shakine's work argues that though they may have many differences, they share one thought: when they knock at heaven's door, they all hope to find the love of God. The result is a moving, sometimes witty, and always powerful collection of drawings that speak to many conflicts in the world today.

A unique and compelling view of the work of leading contemporary artist Nalini Malani through the lens of her most recent commission This publication presents the latest work of Nalini Malani (b. 1946), recipient of the 2022 National Gallery Contemporary Fellowship with ArtFund. For over five decades, Malani's art has focused on giving a voice to the stories of those marginalized by history -particularly women. She is one of the most incisive artists of our time, and the acute analysis and poetic compassion of her experimental film, photography, painting, and drawing has influenced generations of others from the 1960s to the present day. For her first museum commission in the United Kingdom, Malani has created an immersive installation of large-scale, animated drawings inspired by the sites, histories, and collections of the National Gallery, London, and the Holburne Museum, Bath. With a floating palimpsest of digital images, Malani reveals, annotates, and shares new, underlying stories in some of Europe's best-known paintings, offering a contemporary and critical dialogue between past and present. With leading articles based on new research, sumptuous illustrations, and artist-led design, this extensive study documents the Fellowship alongside the artist's previous work. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: Holburne Museum, Bath October 7, 2022-January 8, 2023 The National Gallery, London March 2-June 11, 2023

In the minds of many Americans, Islam is synonymous with the Middle East, Muslim men with violence, and Muslim women with oppression. A clash of civilizations appears to be increasingly manifest and the war on terror seems a struggle against Islam. These are all symptoms of Islamophobia. Meanwhile, the current surge in nativist bias reveals the racism of anti-Muslim sentiment. This book explores these anxieties through political cartoons and film--media with immediate and important impact. After providing a background on Islamic traditions and their history with America, it graphically shows how political cartoons and films reveal Americans' casual demeaning and demonizing of Muslims and Islam--a phenomenon common among both liberals and conservatives. Islamophobia and Anti-Muslim Sentiment offers both fascinating insights into our culture's ways of "picturing the enemy" as Muslim, and ways of moving beyond antagonism.

The Church needs the arts, as they are a way to access the soul. As Augustine says, one who sings, prays twice. Recent popes have given the impression that the Church is again interested in the way the arts draw us into ourselves, where we are able to contact the mystery that is God. Art for Church is a personal and professional expression of how that renewed interest plays itself out. This text takes its name from the "cloth of gold," an image related to centuries of experimentation by the medieval and Renaissance worlds as they sought an alchemical solution to worship. There previously existed a centuries-long search for how to make golden cloth that would praise God; this pursuit distinctly resembles the quest of the artist to produce the perfect product. Pope Paul VI (1897-1978) and his papal fraternity had set the tone, too often a confining one, for such an alchemical quest in the Church. Unfortunately, the music in the artist's heart is not always the same as that in the heart of the pastor. Pope Paul VI eventually did apologize for the "cloak of lead" he imposed upon artists creating works in the name of the Church. He also came to admit that artistic freedom is a necessary part of the process when the Church seeks the works of artists. In this book, McNally offers insights on how much freedom is necessary for art to flourish in the service of the Church and just what is at stake if that freedom is curtailed. Art for Church contains over 120 original paintings and 30 original poems by the author.

As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. Distributed for The Menil Collection Exhibition Schedule: The Metropolitan Museum of Art(04/11/11-08/28/11) San Francisco Museum of Modern Art (10/15/11-01/16/12) The Menil Collection (03/02/12-06/10/12)

Our homes contain us, but they are also within us. They can represent places to be ourselves, to recollect childhood memories, or to withdraw into adult spaces of intimacy; they can be sites for developing rituals, family relationships, and acting out cultural expectations. Like the personal, social, and cultural elements out of which they are constructed, homes can be not only comforting, but threatening too. The home is a rich theme running through post-war western art, and it continues to engage contemporary artists today - yet it has been the subject of relatively little critical writing. Art and the Home: Comfort, Alienation and the Everyday is the first single-authored, up-to-date book on the subject. Imogen Racz provides a theme-led discussion about how the physical experience of the dwelling space and the psychological complexities of the domestic are manifested in art, focusing mainly on sculpture, installation and object-based practice; discussing the work and ideas of artists as diverse as Louise Bourgeois, Gordon Matta-Clark, George Segal and Cornelia Parker within their artistic and cultural contexts.

Part performance art and part engineering, sand sculpture has become amazingly sophisticated as artists explore the boundaries of their skill with sand as a medium. Within a very short time, a sculptor can create an awesome, thought-provoking experience that will completely vanish after a few weeks. The photographs are all that's left. Barbara Purchia and E. Ashley Rooney take you on a round-the-world tour of sandscapes showcasing a dazzling array of sculptural figures, forms, and styles. Behind-the-scenes interviews with the sand masters reveal what motivates them and how they approach their art. Todd Vander Pluym, the world's premier sand artist and president of Sand Sculptors International (SSI), shares a contemporary history of sand sculpture, and renowned international sculptor Kirk Rademaker describes how he built a new life around this ephemeral medium.The images of these art pieces will have you wanting to stick your toes in the sand!

Celebrated British painter Rose Wylie-whose works are at once tactile, cerebral, and humorous-often draws her influence from a wide range of popular culture. Here her newest body of work references memories from her own life and mimics the way memories evolve and change over time. Wylie's source material is culled from the vast visual world around her, ranging from sixteenth-century British estates to Serena Williams and the French Open. While initially these may seem random or aesthetically simplistic, through the nuanced use of humor, language, and compositional structure, Wylie creates wittily observed and subtly sophisticated meditations on the nature of memory, and visual representation itself, in line with the paintings she has become known for over the course of her career. A new essay by art critic Michael Glover explores the remarkable painter whose work has "spark, assurance, brash humor, an extraordinary, freewheeling eclecticism that seems to be just as ready to suck in references to the art of Ptolemaic Egypt and Roman portraiture as to pay homage to the films of Quentin Tarantino and the late paintings of Philip Guston." Part of David Zwirner Books's Spotlight Series, this book features Wylie's newest paintings and drawings and is published on the occasion of the artist's 2020 solo exhibition of these works at David Zwirner Hong Kong.

Though ferociously private, Lucian Freud spoke every week for decades to his close confidante and collaborator William Feaver – about painting and the art world, but also about his life and loves. The result is this a unique, electrifying biography, shot through with Freud's own words.

In Youth, the first of two volumes, Feaver conjures Freud's early childhood: Sigmund Freud's grandson, born into a middle-class Jewish family in Weimar Berlin, escaping Nazi Germany in 1934 before being dropped into successive English public schools. Following Freud through art school, his time in the Navy during the war, his post-war adventures in Paris and Greece, and his return to Soho – consorting with duchesses and violent criminals, out on the town with Greta Garbo and Princess Margaret – Feaver traces a brilliant, difficult young man's coming of age.

An account of a century told through one of its most important artists, The Lives of Lucian Freud is a landmark in the story its subject and in the art of biography itself.

One of the major literary works by Andy Warhol, the subject of the new Netflix documentary The Andy Warhol Diaries, executive produced by Ryan MurphyConceptually unique, hilarious, and frightening, a: A Novel is the perfect literary manifestation of Andy Warhol's sensibility. In the late sixties, Warhol set out to turn a trade book into a piece of pop art, and the result was this astonishing account of the artists, superstars, addicts, and freaks who made up the Factory milieu. Created from audiotapes recorded in and around the Factory, a: A Novel begins with the fabulous Ondine popping several amphetamines and then follows its characters as they converse with inspired, speed-driven wit and cut swaths through the clubs, coffee shops, hospitals, and whorehouses of 1960s Manhattan.

The Art of Horizon Zero Dawn is the ultimate gallery of thehotly anticipated new IP from Guerrilla Games (Killzoneseries). It focuses on the stunning artwork used to developthe game, and includes over 300 images, sketches, andconcept art, commentary throughout from the artists andcreators. This is an in-depth insight into a world asbeautiful as it is dangerous.

The Sketchbook Project is a crowd-sourced library of over 30,000 sketchbooks (and counting) submitted by people of all ages and backgrounds from all over the world. Organised continent by continent and featuring work from 135 different countries, The Sketch Book Project World Tour will showcase the best and brightest work from hundreds of artists. Along with introductions to each continent section, mini-bios will accompany each artist's work to provide context to the art. Page by page, the Sketchbook Project World Tour will reveal a unique and intimate look into the inner-creative workings of everyday people around the globe. The Sketchbook Project World Tour's publication will coincide with the launch of the Sketchbook Project's 2015 Summer Tour across America. Potential foreword by This is Colossal's founder and editorial director, Christopher Jobson.

The Lost Thing uses the house as a metaphor in which the various rooms are images of mental states, memories and displacements. The catalogue accompanying the exhibition is structured as a labyrinthine wandering from room to room showing an experimental exploration of installation art's ability to articulate existential issues through a poetic architectural adaptation. Hanne Tyrmi (1954) is a Norwegian artist who has been active in the art scene since the 1980s. As an artist, she is totally unafraid of using a variety of visual languages to make her point: she is a sort of "polyglot" with a reputation for creating sculptures, installations, videos and photographic works that invade our emotions like a benign virus. Her work is infectious and any contact with it sets in motion a metamorphosis that brings about a healthy resistance to the emotional malaise of our time. A strong sense of adventure can be felt in her works, something she learnt from her travels around the world, without fear and with an open mind. She lived and worked in Brazil, South Africa and India for years; more recently she moved her studio from Oslo to Xiamen in order to work in Chinese workshops. Hanne has ventured into the world of art fearless of its conventional canons and she is willing to address issues and subjects many artists would shy away from. Her curiosity is focused on how one's mind and body behave when confronted by certain images and environments, i.e. on the emotional reactions of the viewers.

An exhaustive monograph on the work of the multi-media, award winning artist Monica Bonvicini.

Architecture and the Virtual is a study of architecture as it is reflected in the work of seven contemporary artists, working with the tools of our post-digital age. The book maps the convergence of virtual space and contemporary conceptual art and is an anthropological exploration of artists who deal with transformable space and work through analogue means of image production. Marta Jecu builds her inquiry around interviews with artists and curators in order to explore how these works create the experience of the virtual in architecture. Performativity and neo-conceptualism play important roles in this process and in the efficiency with which these works act in the social space.

Gerhard Richter is one of the most important and popular artists of the postwar era. For decades he has sought innovative ways to make painting more relevant, often through a multifaceted dialogue with photography. Today Richter is most widely recognized for the photo-paintings he made during the 1960s that rely on images culled from mass media and pop culture. Always fascinated with the limits and uncertainties of representation, he has since then produced landscapes, abstractions, glass and mirror constructions, prints, sculptures, and installations. Though Richter has been known in the United States for quite some time, the highly successful retrospective of his work at the MOMA in 2002 catapulted him to unprecedented fame. Enter noted curator Dietmar Elger, who here presents the first biography of this contemporary artist. Written with full access to Richter and his archives, this fascinating book offers unprecedented insight into his life and work. Elger explores Richter's childhood in Nazi Germany; his years as a student and mural painter in communist East Germany; his time in the West during the turbulent 1960s and '70s, when student protests, political strife, and violence tore the Federal Republic of Germany apart; and, his rise to international acclaim during the 1980s and beyond. Richter has always been a difficult personality to parse, and the seemingly contradictory strands of his artistic practice have frustrated and sometimes confounded critics. But the extensive interviews on which this book is based disclose a Richter who is far more candid and vivid than ever before. The result is a book that will be the foundational portrait of this artist and his profoundly influential oeuvre.

This book is premised on the view that the idea of the avant garde has an increased importance in these times of global political crisis. Much cultural production today is shaped by a biopolitics that construes all creative and knowledge production in terms of capital accumulation. A different kind of culture is possible. This collection of writings, essays, interviews and artworks by many of today's most radical cultural practitioners and astute commentators on matters avant garde mediates the different strategies and temporalities of avant-garde art and politics. Tracing diverse genealogies and trajectories, the book offers an inter-generational forum of ideas that covers different arts fields, from visual art, art activism, photography, film and architecture, to literature, theatre, performance, intermedia and music. This is an extraordinarily rich collection and is sure to be a benchmark for many years. -- .