In this major monograph on Grayson Perry, now updated and expanded, writer and art historian Jacky Klein explores the artist's work through a discussion of his major themes and subjects. Klein's text is complemented by intimate and perceptive commentaries by Perry on individual pieces, giving unique access to his imaginative world and creative processes. This third edition not only has updates throughout, but also includes two new chapters, on the 'House for Essex', designed and built in 2015 with Living Architecture (a UK not-for-profit holiday rental company founded by philosopher and writer Alain de Botton, which aims to promote, educate and enhance appreciation of modern architecture), and on 'Identity Politics', covering new work made since the previous edition of this book was published in 2013.

Step right up for the Greatest Book on Earth! For more than 70 years, Clowns International--the oldest established clowning organization--has been painting the faces of its members on eggs. Each one is a record of a clown's unique identity, preserving the unwritten rule that no clown should copy another's look. This mesmerizing volume collects more than 150 of these portraits, from 1946 to the modern day, accompanied by short personal histories of many of the clowns. Here are Tricky Nicky, Taffy, Bobo, Sammy Sunshine, the legendary Emmett Kelly, and Jolly Jack, clowning since 1977 and still performing today with a penguin puppet named Biscuit. A treasure just like the eggs it enshrines, The Clown Egg Register is an extraordinary archive of images and lives of the men and women behind the make-up.

Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists-such as Sandra de la Loza, Judy Baca, and David Botello, among others-but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the "errata exhibit," or the staging of exhibits that critically question mainstream art museums, and the "remix," or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual. Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.

New York-based Todd James (born 1969) pioneered a distinct cartoon-based graffiti style in New York in the 1980s, working under the name REAS and gaining the respect of both a street-culture audience and the art and design market. He has since produced work for the Beastie Boys, Eminem and Iggy Pop, among others. This unique artist's book is the first publication by James in half a decade, and collects 60 of his drawings, all created exclusively for this volume. Bearing close resemblance to his best-known graffiti work, each drawing is complete unto itself yet also represents a potential painting for the future. "Yield to Temptation" is of a piece with James' broader concerns: American excess as represented by the forms and fictions of sexuality and the ravages of war. James invites his audience to glamorize these issues, even as he undercuts any assumptions about them. His drawings have the expressive, minimal intensity of a cartoon Franz Kline and evoke the Day-Glo era of 1970s print culture, where "Schoolhouse Rock" crosses over into "Playboy" cartoons. "Yield to Temptation" is being published on the occasion of James' solo exhibition in Tokyo.

A complete and in-depth look at the art of the newest Star Trek trilogy. Covering the creation of Star Trek (2009), Star Trek Into Darkness and Star Trek Beyond, this lavish art book contains never-before-seen concept art and designs, as well as interviews with the key creatives who helped bring these exciting movies to life on the big screen.

This comprehensive monograph offers a detailed examination of the paintings of the acclaimed German painter Neo Rauch (b.1960). Rauch's paintings deftly blend the iconography of Socialist Realism from his upbringing and art-school training in GDR-era Leipzig with the stylistic mannerisms of the Baroque and Romantic past, conjuring heavily populated sites of great commotion and complexity, remarkably without recourse to preliminary drawing. His compositions and their enigmatic figures are rich with reference and allusion, but the stories they tell are indistinct and somehow out of time. They have an ancient modernity - or the freshness of renewed antiquity. Michael Glover discloses Rauch's working methods, revealing how the artist approaches the making of his work, how his images come into being, and the importance of words and their etymology to the creation or disruption of an artwork. These are works that interrogate the very meaning of the artistic impulse; ruminations in the guise of history painting that in fact question what a painter could and should be creating at this particular historical moment.

Contains over 35 years of cannabis creations with a humorous twist. Thirty marijuana mailing pieces -- postcards including Budzilla, Super Skunk, Muy Blastido, Stupor Farms, Harvest Moon, Buds from Space, High Noon, High Society, and more. Originally created as satirical brand labels for the "California Homegrowers Association" and used on greeting cards, stickers, and tee shirts, these pot-themed postcards are perfect for all your cannabis-related (or cannabis-fueled) correspondance. Includes the following designs, plus more Top o' the Mornin' Harvest Moon Muy Blastido Red Eye World Famous Drive Thru Bud Humboldt Honey Amazing Bud Stories Northern Lights Sun King High Noon Budzilla Super Skunk Stupor Farms Buds from Space High Society Purple Haze Kush Ganjah Jah Make Ah Don't Tread on Me Fumar la Mejor Space City Sticky Fingers

The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound. On one hand, the leaders of local congregations, seminaries, and other Christian ministries often don't know what to make of works by contemporary artists. Not only are these artists mostly unknown to church leaders, they and their work often lead them to regard the world of contemporary art with indifference, frustration, or even disdain. On the other hand, many artists lack any meaningful experience with the contemporary church and are mostly ignorant of its mission. Not infrequently, these artists regard religion as irrelevant to their work, are disinclined to trust the church and its leaders, and have experienced personal rejection from these communities. In response to this situation, the 2015 biennial conference of Christians in the Visual Arts (CIVA) facilitated a conversation between these two worlds. This volume gathers together essays and reflections by artists, theologians, and church leaders as they sought to explore misperceptions, create a hospitable space to learn from each other, and imagine the possibility of a renewed and mutually fruitful relationship. Contemporary Art and the Church seeks common ground for the common good of both the church and the contemporary art world. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.

In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road, according to the logic and progress of the capitalist machine - and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken's "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer's midcareer survey (Musee d'art contemporain, Montreal, 2008), Rachel Harrison's "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor's "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).

This catalog presents works of sixteen leading contemporary artists that refer to ancient pictorial forms, patterns and symbols: Adel Abdessemed, Marina Abramovic, Sanford Biggers, Louise Bourgeois, Peter Buggenhout, Nathalie Djurberg, Amar Kanwar, Bharti Kher, Sigalit Landau, Tea Makipaa, Ana Mendieta, Mariella Mosler, Kiki Smith, Nancy Spero, Philip Taaffe, and Su-Mei Tse.

This new publication explores the whole career of Winifred Nicholson with a special emphasis on her theories of colour. Using specific paintings to examine her ideas and writings about colour the book includes her late 'prismatic' pictures which have never been properly explained. Throughout her life Winifred Nicholson was interested in prisms and rainbows, but when she was given some prisms by a physicist friend in the mid 1970s her painting took on a new direction. Looking through a prism she saw objects with a rim of prismatic colour, and explored and developed these ideas, often painting pictures that verged on the abstract. Nicholson's 'prismatic' pictures were a culmination of her life's search to find "form's secret and rhythmic law". She painted them in Greece in 1979, at her home in Cumbria, and during her last painting trip to the Island of Eigg in the Hebrides in 1980, where she had an inspired period of painting and made some of her best loved pictures. Published on the occasion of the exhibition 'Liberation of Colour' at mima, Middlesbrough Institute of Modern art, the book illustrates many previously unseen paintings from private collections, as well as some of Nicholson's best known works, and draws on new research, including previously unseen archival material.

British artist Michael Landy (b. 1963) is known primarily as an installation artist. His work, along with others associated with the Young British Artists (YBAs), was first catapulted to the world spotlight when it was featured in the notorious Sensation exhibition (1997). His sculptural installations and performances explore political and social themes, such as the nature of consumerism and commodity. In 2009, Landy began a three-year artist residency at the National Gallery, London. He chose to focus his project on representations of saints and their accompanying stories, often gruesome, which were once part of common culture but are now largely unknown. Landy's preoccupation with recycling narratives and repurposing imagery results in Saints Alive, the subject of this book, conceived to include drawings, collages, and a series of kinetic, interactive sculptures with moving parts and sounds.

Witness to Phenomenon articulates a fresh examination of the German Group Zero-Heinz Mack, Otto Piene, and Gunter Uecker-and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe- Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d'art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art.

After the example of Noah, who saved the animal species in his ark for posterity, this volume, an "Illustrated Animal Bible by Artists from all over the World," aspires to rescue and house the animals among us today. Recruiting over 200 artists, illustrators and designers from every corner of the globe, each of whom was invited to select a creature (animal or species) to represent their birthplace, and add it to the Ark, the project has resulted in an amazing illustration bible that mixes styles and techniques, showing how astonishing nature is and why we should take better care of the planet and the species on it. At once fun, graphically charming and ecologically intelligent, "Ark "wil immediately appeal to children and design audiences. The final parade of animals is astonishing: the burrowing owl for Canada, the capybara for Uruguay, the Carey turtle for Colombia, the Caribean manatee for Puerto Rico, the nene goose for Maui, the spectacled bear for Peru... "Ark "also supplies a section of "Nature Facts," an illustrated tale of Noah and a list of all the artists involved--among them Allan Deas, Gustav Dejert, Drew Funk, Chris Garbutt, Kronk, Cecy Meade, Meomi, Noper, Shen Plum and Roland Tamayo.