The most comprehensive monograph in print on this provocative artist, who has helped to redefine contemporary art This thorough, multifaceted assessment of Raymond Pettibon's entire career to date includes nearly 700 images, contributions from important figures in the art-historical and cultural fields, and a recent interview with the artist. Beginning with childhood drawings, the book moves through to his mature work, which embraces both high and low culture.

A bold, compelling, and original study of nonhuman life in Warhol. Like a Little Dog examines a dimension of Andy Warhol that has never received critical attention: his lifelong personal and artistic interest in nonhuman life. With this book, Anthony E. Grudin offers an engaging new overview of the iconic artist through the lens of animal and plant studies, showing that Warhol and his collaborators wondered over the same questions that absorb these fields: What qualities do humans share with other life forms? How might the vulnerability of life and the unpredictability of desire link them together? Why has the human/animal/plant hierarchy been so rigidly, violently enforced? Nonhuman life impassioned every area of Warhol's practice, beginning with his juvenilia and an unusually close creative collaboration with his mother, Julia Warhola. The pair codeveloped a transgressive animality that permeated Warhol's prolific career, from his commercial illustration and erotica to his writing and, of course, his painting, installation, photography, and film. Grudin shows that Warhol disputed the traditional claim that culture and creativity distinguish the human from the merely animal and vegetal, instead exploring the possibility of art as an earthy and organic force, imbued with appetite and desire at every node. Ultimately, by arguing that nonhuman life is central to Warhol's work in ways that mirror and anticipate influential texts by Toni Morrison and Ocean Vuong, Like a Little Dog opens an entirely unexplored field in Warhol scholarship.

This book celebrates and seeks to understand the overlooked appearances of hybrid forms in visual culture; artefacts and practices that meld or interweave incongruous elements in innovative ways. And with an emphasis on the material aspects of such entities, the book adopts the term 'mixed form' for them. Focusing on key phenomena in the last half millennium such as the cabinet of curiosities, the broadside ballad and the chapbook as early forms of image-text, the scrapbook, assemblage, and, in digital times, so-called 'mixed reality,' the book argues that while the quality of inconsistency is traditionally dismissed, its expression nevertheless plays a vital role in social life. Crucially, Mixed Forms of Visual Culture relates its phenomena to the emergence of the division of labour under capitalism and addresses the shifting relationships between art and life, when singularity and uniformity are variously valued and dismissed in the two arenas, and at different points in history. Two of the book's chapters take the form of visual essays, with one comprising an anthology of found scrapbook pages and the other offering an analysis of artists' scrapbooks. The book is richly illustrated throughout.

Combining a broad overview of Jean-Jacques Lebel’s coming-of-age among Surrealists and his rupture with the movement, Laurel Jean Fredrickson focuses on two landmark happenings in this book: the first, “Funeral of the Thing of Tinguely” (1960), and the most scandalous, “120 Minutes dedicated to the Divine Marquis” (1966). This study illustrates the development and significance of French happenings in relation to cultural and political changes of the 1960s. Research in Lebel’s archives, and others like the Archives nationale d’outre-mer are indispensable in the telling of this extraordinary historical and theoretical narrative. It illuminates sensitive, often veiled dimensions of postwar French society, from torture during the Algerian War, to government censorship, to the sexual politics of nudity in art. This volume shows how Lebel synthesized the lessons of Dada and surrealism and 1960s experimentalism, electrified by political radicalism, to participate in shaping the erotics and forms of revolution in May 1968.

Using a restrained palette of pencil and colored pencil on paper, Greek artist Christiana Soulou (born 1961) draws figures that embody a ceaseless formation and fragmentation of the self. Soulou's wide range of characters includes the mysterious figures of the Tarot, the fantastical beasts of Borges' "Book of Imaginary Beings" and a series of awkward ballet dancers. The richness of Soulou's imagery and storytelling is at the core of her exploration of identity. Part of the "2000 Words" series, conceived and commissioned by Massimiliano Gioni, and published by the Deste Foundation for Contemporary Art, "2000 Words: Christiana Soulou" presents the entirety of the artist's works in the Dakis Joannou Collection and includes an essay by Claire Gilman examining the tension between the material and immaterial in Soulou's work.

Illustrator Djamila Knopf leads us through her world, where anime-influenced characters, exquisite settings, and the process of creating fantasies enchant her fans worldwide. Having settled on her own authentic, creative style, featuring line art and a palette of delicate, yet impactful, colors, Djamila has decided to write a book that charts her journey. Japanese art was a key influence from an early age, and the book illustrates how Djamila has fused her favorite aspects of anime with her own, the result being a unique style that has captured the attention of both art fans and the industry. Her approach to storytelling and ideation are covered in depth; although artists have different approaches, Djamila shares her own experiences and insights to help readers fine-tune their own early stages of creation. As a fantasy artist, symbolism and fantastical scenes have always been part of Djamila's world, and here she shares how she works with these, as well as finding very personal connections to even the most general of concepts. The final leg of the journey is visiting Djamila's own studio, where she discusses being an independent artist, her daily routine and workspace, and the practical aspect of time management and motivation.

Noma Bar's innovative, playful style has made him one of the most sought-after illustrators working today, with a broad range of commissions from magazines and newspapers - including Empire, the New York Times, Wired, the Guardian and Time Out - and numerous private and advertising clients. His use of negative space and minimalist forms creates images with multiple readings that can delight and shock in equal measure. Each of Bar's illustrations tells a story that is hidden in the details, with the message revealing itself as you look more closely. Noma Bar has handpicked his most iconic illustrations and favourite works, each one displaying the distinctive style that has established his reputation. The works are organized into thematic chapters such as `Pretty Ugly' (portraits), `In Out' (sex), `Life Death' (conflict), and `Less More' (daily life). Alongside the images, Bar reveals his working methods and the stories behind his often idiosyncratic inspiration for different illustrations, and reflects on how his life experiences have shaped him as an artist. As a collection, the whole is much greater than the sum of these many, many-layered parts. It is destined to become a must-have reference source for all professionals in the worlds of graphic design and illustration, while also being an enthralling treasury for any follower of visual and popular culture. This limited, slipcased edition includes an exclusive screen print. One copy in this release of 1000 copies contains a one-of-a-kind gold-leaf print.

Interior stylist Bea Mombaers is passionate about vintage and design; she's always on the lookout for special finds and unique objects. Over time she developed a distinctive signature style. This book presents Bea's work and universe as seen through the lenses of different photographers. The photos show interiors arranged by Bea, but also intriguing details, beautiful still lifes and objects with a story Bea feels inspired by. The photos are presented according to the key moments in a day: waking up, breakfast, break, lunch, coffee, apero, dinner and party. Bea is a source of inspiration and interior dreams, and a personal view on Bea Mombaers's world and her favourite projects up to now.

This intelligently argued overview is invaluable for the way in which it reveals and makes coherent sense of the often-bewildering diversity of styles, forms, media, techniques, and agendas that proliferate in contemporary art. Extensively revised and expanded since it was first published, Michael Archer s acclaimed book is brought fully up to date in this third edition. A completely new section maps the developments in contemporary art since 2000, ensuring that the book remains an indispensable source of information on the evolution of art over the past five-and-a-half decades."

A powerful portrait of the greatest humanitarian emergency of our time, from the director of Human Flow In the course of making Human Flow, his epic feature documentary about the global refugee crisis, the artist Ai Weiwei and his collaborators interviewed more than 600 refugees, aid workers, politicians, activists, doctors, and local authorities in twenty-three countries around the world. A handful of those interviews were included in the film. This book presents one hundred of these conversations in their entirety, providing compelling first-person stories of the lives of those affected by the crisis and those on the front lines of working to address its immense challenges. Speaking in their own words, refugees give voice to their experiences of migrating across borders, living in refugee camps, and struggling to rebuild their lives in unfamiliar and uncertain surroundings. They talk about the dire circumstances that drove them to migrate, whether war, famine, or persecution; and their hopes and fears for the future. A wide range of related voices provides context for the historical evolution of this crisis, the challenges for regions and states, and the options for moving forward. Complete with photographs taken by Ai Weiwei while filming Human Flow, this book provides a powerful, personal, and moving account of the most urgent humanitarian crisis of our time.

An in-depth history of the Stalinist skyscraper In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. Moscow Monumental explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital. Drawing on a wealth of original archival research, Katherine Zubovich examines the decisions and actions of Soviet elites-from top leaders to master architects-and describes the experiences of ordinary Muscovites who found their lives uprooted by the ambitious skyscraper project. She shows how the Stalin-era quest for monumentalism was rooted in the Soviet Union's engagement with Western trends in architecture and planning, and how the skyscrapers required the creation of a vast and complex infrastructure. As laborers flooded into the city, authorities evicted and rehoused tens of thousands of city residents living on the plots selected for development. When completed in the mid-1950s, these seven ornate neoclassical buildings served as elite apartment complexes, luxury hotels, and ministry and university headquarters. Moscow Monumental tells a story that is both local and broadly transnational, taking readers from the streets of interwar Moscow and New York to the marble-clad halls of the bombastic postwar structures that continue to define the Russian capital today.

Edward's adventures now take him to Tuscany, Italy. Here we see our Gentleman traveling through the rolling Tuscan countryside experiencing mediaeval hill towns, beautiful landscapes and sumptuous food and Italian lifestyle. The aim of this project is to produce a series of small sketchbooks that give a real flavour of iconic places around the world through the eyes of Edward - our modern gentleman.

A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her Joan Mitchell (1925-1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositions she made in France later in her career. Signature works are represented here along with rarely seen paintings, works on paper, artist's sketchbooks, and photographs of Mitchell's life, social circle, and surroundings. Featuring scholarly texts, in-depth essays, and artistic and literary responses, this book is organized in ten chronological chapters. Each chapter centers on a closely related suite of paintings, illuminating a shifting inner landscape colored by experience, sensation, memory, and a deep sense of place. Presenting groundbreaking research and a variety of perspectives on her art, life, and connections to poetry and music, this unprecedented volume is an essential reference for Mitchell's admirers and those just discovering her work. Published in association with the San Francisco Museum of Modern Art Exhibition Schedule: San Francisco Museum of Modern Art (September 4, 2021-January 17, 2022) Baltimore Museum of Art (March 6-August 14, 2022) Fondation Louis Vuitton (October 5, 2022-February 27, 2023)

This is the first monograph to offer a comprehensive account of the work of Californian artist Mary Weatherford (born 1963), beginning in the mid-1980s and extending to the present. Weatherford was a student of pioneering twentieth-century art historian Sam Hunter at Princeton. Her broadly literate and visually arresting paintings address the legacies of American modernists from Arthur Dove and Agnes Pelton to Willem de Kooning and Morris Louis, while grappling with the politics of gender, the representation of specific moods and experiences, and other concerns squarely rooted in the present moment. From her early monumental targets, through canvases studded with real shells and starfish, as well as more abstract evocations of landscape inspired by caves, to her recent neon-appended panels whose atmospheres of rolling color foreground the painting process itself, Weatherford's works argue forcibly and convincingly for the engagement of painting with contemporary life. Suzanne Hudson's text, the fruit of many studio visits and long interviews, reveals a singularly inventive artist whose boundless facility for reinvention will compel any viewer, student, or critic of painting.

Dress up your drawings any way you like using this complete all-in-one style guide! Have you ever struggled to get the drape of a dress or the look of a jacket just right? Maybe you've mastered the human form but your drawings lack a sense of fashion? Or perhaps you're a budding fashionista who loves decking your characters out in elegant, outrageous or cutting-edge outfits? No matter how you wish to clothe your creations, in traditional togs or casual fashions, How to Create Manga: Drawing Clothing and Accessories is the perfect tutorial for you! Fashion meets form in this essential style guide to dressing up your drawings. Drape your manga creations in the wardrobe of your dreams, while learning techniques and tips used by professional illustrators to realistically draw clothing and accessories of all types--from blouses and T-shirts to button downs, sweaters, coats, pants, skirts and shorts. And what about the accessories? Boots, belts, shoes and sandals are all included as well, along with detailed coverage of satchels, purses and backpacks. How to Create Manga: Drawing Clothing and Accessories is the fashion bible used by manga artists in Japan. It presents more than 900 drawings by twelve accomplished illustrators, covering a broad range of fashions. Detailed, in-depth instructionals show you how to render not just the garments themselves, but the folds, creases and wrinkles that give them a sense of realism and movement. Other books in the series include How to Create Manga: Drawing Facial Expressions, How to Create Manga: Drawing the Human Body and How to Create Manga: Drawing Action Scenes and Characters.