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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > General
In many different parts of the world modern furniture elements have
served as material expressions of power in the post-war era. They
were often meant to express an international and in some respects
apolitical modern language, but when placed in a sensitive setting
or a meaningful architectural context, they were highly capable of
negotiating or manipulating ideological messages. The agency of
modern furniture was often less overt than that of political
slogans or statements, but as the chapters in this book reveal, it
had the potential of becoming a persuasive and malleable ally in
very diverse politically charged arenas, including embassies,
governmental ministries, showrooms, exhibitions, design schools,
libraries, museums and even prisons. This collection of chapters
examines the consolidating as well as the disrupting force of
modern furniture in the global context between 1945 and the
mid-1970s. The volume shows that key to understanding this
phenomenon is the study of the national as well as transnational
systems through which it was launched, promoted and received. While
some chapters squarely focus on individual furniture elements as
vehicles communicating political and social meaning, others
consider the role of furniture within potent sites that demand
careful negotiation, whether between governments, cultures, or
buyer and seller. In doing so, the book explicitly engages
different scholarly fields: design history, history of interior
architecture, architectural history, cultural history, diplomatic
and political history, postcolonial studies, tourism studies,
material culture studies, furniture history, and heritage and
preservation studies. Taken together, the narratives and case
studies compiled in this volume offer a better understanding of the
political agency of post-war modern furniture in its original
historical context. At the same time, they will enrich current
debates on reuse, relocation or reproduction of some of these
elements.
Shanghai, long known as mainland China's most cosmopolitan city, is
today a global cultural capital. This book offers the first
in-depth examination of contemporary Shanghai-based art and design
- from state-sponsored exhibitions to fashionable cultural
complexes to cutting edge films and installations. Informed by
years of in-situ research, the book looks beyond contemporary art's
global hype to reveal the socio-political tensions accompanying
Shanghai's transitions from semi-colonial capitalism to Maoist
socialism to Communist Party-sponsored capitalism. Case studies
reveal how Shanghai's global aesthetic constructs glamorising
artifices that mask the conflicts between vying notions of
foreign-influenced modernity and anti-colonialist nationalism, as
well as the city's repressed socialist past and its consumerist
present. -- .
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Subway Art
(Paperback)
Martha Cooper, Henry Chalfant
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R583
R509
Discovery Miles 5 090
Save R74 (13%)
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In 1984, photographers Martha Cooper and Henry Chalfant captured
the imagination of a generation with Subway Art, a groundbreaking
book documenting the work of graffiti writers who illegally painted
subway cars in New York City. The 2009 edition of the book is now
available in a new, slightly reduced format. Henry Chalfant's
images of the trains retain their impact, while Martha Cooper's
narrative pictures tell the story. In the introductions, the
authors recall how they gained entry to the New York graffiti
community in the 1970s and 1980s and describe the techniques that
they used to photograph it. Afterwords report how the lives of the
original subway artists have unfolded, and chronicle the end of the
subway graffiti scene in the late 1980s and its unexpected rebirth
as a global art movement. This is an essential book for all fans of
graffiti, stunning photography and 1980s-cool.
Lupente showcases five outstanding contemporary artists in an
elegant and absorbing package. This volume-the first in our ongoing
Flesk Artist Showcase series-features Julia Blattman, a premier
visual-development artist working in the animation industry;
Stephanie Law, a fine artist who pulls from dreams and reality to
illuminate the boundary between those two worlds; Karla Ortiz, a
concept and fine artist who is renowned for her personal works and
her designs for film; Virginie Ropars, one of the most-revered
dollmakers today and an inspiration to sculptors around the world;
and Erica Williams, also known as "HookieDuke," who has gained
acclaim by mastering a unique, highly intricate style of lines and
designs that centers on Nature as its inspiration. Examples of the
most highly regarded works by the five are accompanied by
biographical essays, interviews, quotes and captions that reveal
insights into their creative processes. In addition, Flesk's
personal access to each artist has resulted in an insightful and
engaging introduction to these talented creators, among the best
working today.
Abstract Expressionism was the defining movement in American art during the years following World War II, making New York City the centre of the international art scene. But what the heck did it mean! The drips, the spills, the splashes, the blotches of colour, the wild spontaneous energy signifying what?
ABSTRACT EXPRESSIONISM FOR BEGINNERS will not only help you understand, but, also, appreciate the art of some of the most iconic figures in modern art Jackson Pollock, Willem de Kooning, Mark Rothko, Helen Frankenthaler and others. Explore their lives and artistic roots, the heady world of Greenwich Village in the 1940s and 1950s, the influence of jazz, the voices of critics and the enduring legacy of a uniquely inspired group of artists.
In a fine assimilation of abstraction, myth, landscape and
conceptualization, her art is threaded with the face, form and
guration of the `goddess' in various incarnations of Rini's own
design. This book is an attempt to understand and appreciate the
dramatis persona, review her creative journey and take the reader
through the various stages of her life and work until the present,
with its focus on an exceptionally impressive and extensively
varied repertoire.
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The Art of Jock
(Hardcover)
Will Dennis, Jock; Introduction by Jim Lee; Foreword by Peter Berg; Afterword by Scott Snyder
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R1,143
Discovery Miles 11 430
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Discover the uniquely dynamic work of acclaimed artist Jock, from
his groundbreaking comics art to his stunning posters for the pop
culture company Mondo and his evocative concept illustrations for a
range of acclaimed films. Mark Simpson, known by his pen name,
Jock, is an internationally recognized three-time"New York Times
"best-selling artist and Eisner Award nominee. Over the last two
decades, Jock has become one of the most distinguished illustrators
in comics, with credits that include titles with DC Comics/Vertigo
("The Losers, Batman: The Black Mirror, Green Arrow: Year One"),
Marvel ("Savage Wolverine, Daredevil"), and his runaway success,
"Wytches"(co-created with Scott Snyder for Image Comics). He is
also known for his extensive work with Mondo the renowned pop
culture company famous for its iconic poster designs and
collectibles including electrifying posters that offer unique
interpretations of fan-favorite movies such as "Shaun of the Dead,"
"The Thing," "Pan s Labyrinth," "The Dark Knight Trilogy,"
"Halloween," and many more. In the movie world, Jock s concept art
has defined the look of major films such as "Dredd," "Ex Machina,"
and "Star Wars Episode VIII." Made in collaboration with Mondo,
"The Art of Jock"delves into the prolific artist s catalog,
showcasing not only the best of his sketches and published images
but also personal notes from Jock himself that provide insight into
the inner workings of his creative process. Featuring commentary
from long-time collaborators, including Scott Snyder and Alex
Garland, this look into the mind and method of one of the most
critically acclaimed illustrators working today is a must-have for
fans of comic book and pop culture art, as well as aspiring artists
and illustrators. Features two gatefolds, plus excusive vellum and
acetate overlays that further illuminate Jock s creative process."
Take care of yourself. How many times a week do we hear or say
these words? If we all took the time to care for ourselves, how
much stronger will we be? More importantly how much stronger will
our communities be? In Take Care of Your Self, Iraqi artist and
curator Sundus Abdul Hadi turns a critical and inventive eye on the
notion of self-care, rejecting the idea that self-care means buying
stuff and recasting it as a collective practice rooted in the
liberation struggles of the oppressed. Throughout, Abdul Hadi
explores the role of art in fostering healing for those affected by
racism, war, and displacement, weaving in the artwork of
twenty-seven artists of color from diverse backgrounds to identify
the points where these struggles intersect. In centering the voices
of those often relegated to the margins of the art world and
emphasizing the imperative to create safe spaces for artists of
color to explore their complicated reactions to oppression, Abdul
Hadi casts self-care as a political act rooted in the impulse
toward self-determination, empowerment, and healing that animates
the work of artists of color across the world.
This illustrated volume highlights the rich personality of the
Armenian painter Rafael Megall (born 1983), his connection with the
artistic tradition of his country, and the peculiar language
inspired by the story of his people. The book offers a panorama of
his production, among others: the famous icons, paintings on wood
first showcased at the 57th Venice Biennale; the installation The
Artist and His Mother, showcased at the National Gallery of
Armenia, one of the most powerful artworks dedicated to the
Armenian genocide; the unpublished series of portraits dedicated to
Lev Tolstoy.
Let Frodo, Sam, Gandalf, and other beloved inhabitants of
Middle-earth guide your tarot practice with this epic tarot deck
and guide, inspired by the iconic The Lord of the Rings novels.
Join the Fellowship of the Ring with the only official The Lord of
the Rings tarot deck! Featuring original artwork inspired by
classic tarot iconography, this 78-card deck comprises both major
and minor arcana and depicts fan-favorite characters, creatures,
and scenes from The Lord of the Rings novels. Packaged in a
collectible gift box, it's the perfect gift for The Lord of the
Rings fans and tarot enthusiasts alike! 75+ BEAUTIFULLY ILLUSTRATED
CARDS: Features stunning, exclusive artwork of everyone from heroes
like Sam Gamgee and Legolas to sinister antagonists Gollum and
Sauron! HELPFUL GUIDE: Learn the basics of tarot with the included
bonus guide, with handy explanations behind the meaning of each
card as well as a few simple spreads for easy readings. COLLECTIBLE
GIFT BOX: The Lord of the Rings Tarot Deck and Guide comes packaged
in a handsome, collectible gift box. COMPLETE YOUR THE LORD OF THE
RINGS COLLECTION: The Lord of the Rings Tarot Deck and Guide joins
The Lord of the Rings: The Definitive Movie Posters and The Lord of
the Rings: Hardcover Ruled Journal in Insight Editions'
fan-favorite library of The Lord of the Rings books.
The classic game of Loter a drew a lot of inspiration from the
ancient practice of Tarot. This deck explores the similarities
between these two timeless traditions with a modern twist finally
reuniting these long lost primos to help you reconnect with your
Latinx magic. One common misconception is that Tarot is a practice
used only to predict the future, but this Millennial Loter a Tarot
Deck is specifically designed to help you better understand your
present and get in touch with your heritage. The only person in
charge of your future is you, so the guidebook accompanying this
78-card tarot deck focuses on self-reflection and inspiration for
your goals, all done with a sprinkle of Millennial Loter a humour.
First Published in 2005. Routledge is an imprint of Taylor &
Francis, an informa company.
The Concise Dictionary of Popular Culture covers the theories,
media forms, fads, celebrities and icons, genres, and terms of
popular culture. From Afropop and Anime to Oprah Winfrey and the
X-Files, the book provides more than just accessible definitions.
Each of the more than 800 entries is cross-referenced with other
entries to highlight points of connection, a thematic index allows
readers to see common elements between disparate ideas, and more
than 70 black and white photos bring entries to life.
This timely follow-up to Conway's highly successful Marine Art of
Geoff Hunt (2004) presents the considerable artistic output of
Britain's leading marine painter since 2003. This new volume is
heavily illustrated with images ranging from large paintings to
sketchbook drawings with text written by the artist himself. The
new book reflects Hunt's developing career during a time in which
he served a five-year term as President of the Royal Society of
Marine Artists, worked on large-scale paintings such as the
definitive Mary Rose,and also completed numerous outdoor sketches
and paintings. The book is divided into six sections: 1. The Sea
Painter's World, an introduction to the artist's studio work at
Merton Place, London and his plein air work on the River Thames; 2.
Home Waters; 3. The Mediterranean; 4. In the Wake of Nelson; 5.
North America and 6. The West Indies and Beyond. This concept sets
Geoff's work in a broadly geographical context, showcasing the
artist's freer plein air style alongside the exhaustively
researched maritime history paintings to which he owes his standing
as Britain's leading marine artist.
This is the definitive study of US artist Dorothea Tanning
(1910-2012), positioning her as one of the most fascinating and
significant creative forces to emerge during the 20th century. It
provides a framework within which to consider the range and depth
of Tanning's work, well beyond the better-known early Surrealist
works of the 1940s, and makes connections between her life
experiences and thematic preoccupations. Extensively illustrated
and featuring unpublished material from interviews which the author
conducted with the artist between 2000 and 2009, this book will
appeal to the general museum-going public as well as academics,
students, curators and collectors.
The most comprehensive book yet on this inspired, inventive
chronicler of the African-American experience Alabama-born,
Chicago-based Kerry James Marshall is one of the most exciting
artists working today. Critically and commercially acclaimed, the
painter is known for his representation of the history of
African-American identity in Western art. Conversant with a wide
typology of styles, subjects, and techniques, from abstraction to
realism and comics, Marshall synthesizes different traditions and
genres in his work while seeking to counter stereotypical
depictions of black people in society. This is the most
comprehensive overview available of his remarkable career.
The exhibited works of Kurt Jackson (b.1961) do not necessarily
reveal his day-to-day working practice. Behind his finished
canvases are hundreds of sketchbooks borne out of his continual
routine of making drawings, marks, notes, poems and scribbles. This
book, newly available in paperback, examines the importance of the
sketchbook to Jackson. For Jackson, sketchbooks are vital to the
development and completion of his paintings. Often sketching while
a painting evolves, the artist values each medium equally - the
pages of his sketchbooks reveal how the hastily executed images can
help him to work out what he wants to achieve on canvas, or simply
capture a spontaneous image when there is not enough time to paint
or draw properly. Illustrating mundane daily events and happenings
as well as key moments, journeys and the overlapping ongoing
project work, Jackson's sketchbooks are key to understanding his
inspirations as an artist. Drawing on a selection of 20
sketchbooks, of differing sizes and a variety of media, this
fascinating publication provides a rare insight in to the mind of a
highly creative and original artist.
This delightful homage to Pulcinella (or Punch as he is referred to
in English) contains over one hundred extraordinary pencil
illustrations, some of which are depicted in comic-strip style.
Divided into several scenes, it features the oddly surreal and
globally recognised character that originated in
seventeenth-century comedic theatre and became a fixture in
Neapolitan puppetry. Distinguished by a long nose and typically
dressed in white with a black mask, Pulcinella is often depicted in
various kinds of misadventures and singing about themes of love,
hunger, and money. In the typical fashion of author Luigi Serafini,
Pulcinellopaedia Seraphiniana is created in a unique language all
its own, and is filled with fascinating and mysterious
illustrations that require thorough examination and inference to
decipher what the artist is intending to portray. Written by
Serafini s imaginative coauthor and alter ego C. Petrulo, who
represents Pulcinella himself, the book artfully presents the
struggles of a rebellious antihero who must come to grips with the
difficulties of everyday life. First published in 1984 and since
revised by the author, this volume is an exquisite treasure that
has intrigued readers for more than thirty years. Designed as a
handsome companion volume ready to take its place alongside the
bestselling Codex Seraphinianus, the Pulcinellopaedia is akin to a
missing chapter or coda to the Codex that no fan of Luigi Serafini
s work will want to miss.
A central pillar of Daniel Lie's artistic practice is time -
ranging from age-old memories to the beginning of the world, from
the life span of a human being to the geological time of the
elements. Lie's art explores concepts such as life, death, and
decay, as well as biographical relationships and heritage, with an
approach that centres around personal memories, family stories,
cultural objects, and natural products that survive for a long time
and are linked to memories of the past. Taking a lifetime as a
comparative measure, the works are inspired by developmental
processes and the transition from one state to another.
Installations, sculptures, and a combination of different media
reveal the performative qualities of the referential objects -
time, transience, and presence. Lie turns a spotlight on these
three aspects by creating complex installations and giving pride of
place to organic elements that grow and age and have life cycles of
their own, such as plants and fungi. Engaging in an
interdisciplinary exchange with mycologists, archaeologists, and
environmental specialists, Lie addresses the fault lines in binary
thought patterns such as science and religion, past origins and
present existence, life and death, while attempting to subvert
them.
An essential sourcebook of prints from a key fashion decade. The
1950s was the decade when an analytical approach to design, with a
lightness and freshness, combined with whimsical imagery and
idiosyncratic subject matter. Showcasing hundreds of print designs,
this book celebrates the heyday of postwar fashion design. From
Lucienne Day and Robert Stewart to Maija Isola of Marimekko, the
designs and influences of the print icons of the time are all
covered. In addition to finished prints, the book contains
exclusive illustrations and original artworks. The major themes of
the period are explored, including: narrative and novelty;
abstraction, exploring the distorted and attenuated forms used in
print; artistic licence and the influence of contemporary art on
fashion print; and finally kinetic prints that capture the
influence of the era’s ‘mobiles, doodles and spasms’. Each
short chapter introduction is followed by a range of illustrations
with captions to give provenance and relevance, making this a
unique sourcebook for contemporary designers and students.
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