* American artist Chris Johanson has built a loyal following with his vibrant and sometimes hilarious take on the universe and our place in it. This monograph offers a panoramic view of Johanson's practice from his roots as a street artist in San Francisco to his celebrated exhibitions.

An invaluable resource for general readers investigating climate change, this book examines the impact of climate change on popular culture and analyzes how writers and directors treat the disasters caused by climate change in their novels and films. Climate Change in Popular Culture: A Warming World in the American Imagination is the first study that includes analyses of both fiction and popular nonfiction works devoted to climate change. In addition, the book examines a number of classic works from the perspective of the growing field of climate change literature and includes a brief history of climate change science as well basic scientific definitions, all intended for general readers. The text provides an introduction to the science, politics, and economics of climate change. It also includes both historical overviews and potential probable futures projected by leading climate scientists and environmental writers. In addition, the text looks at how such creative writers and directors as Margaret Atwood, John Steinbeck, Paulo Bacigalupi, Kim Stanley Robinson, T. C. Boyle, Michael Crichton, and Octavia Butler, among others, have used the disasters caused by climate change in their work. Provides readers with an overview of the causes and impacts of climate change Examines how authors and directors use a variety of narrative forms to explore the impact of climate change Introduces readers to an overview of the literary and filmic responses to climate change Includes an introduction to climate change science as well as detailed definitions for readers unfamiliar with the subject matter

"When you're in New York" the sculptor Louise Nevelson once said, "you're in perpetual resurrection." She might have said the same thing about St. Peter's Lutheran Church, set in the heart of midtown Manhattan. In the 1970s the church made a radical move, scrapping its neo-gothic building for a sleek modern structure in the shadow of a skyscraper. The transformation was not just architectural. Inside, Nevelson created a shimmering chapel, while over the years artists and designers such as Willem de Kooning, Kiki Smith, and Massimo and Lella Vignelli produced works for the sanctuary. This fusion of modern art, architecture, and design was complemented by an innovative jazz ministry, including funerals for Billy Strayhorn and John Coltrane, and performances by Duke Ellington and other jazz legends. For the first time, this volume examines the astounding cultural output of this single church. Just as importantly, the story of St. Peter's serves as a springboard for wider reflections on the challenges and possibilities which arise when religion and art intersect in the modern city. Working from a wide range of disciplines, including art history, theology, musicology, and cultural studies, a distinguished group of scholars demonstrate that this church at the center of New York City deserves an equally central place in contemporary scholarship.

In a world where the notion of home is more traumatizing than it is comforting, artists are using this literal and figurative space to reframe human responses to trauma. Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that 'home' is a stable site of belonging. Lauzon's boundary-breaking discussion of artists including Krzysztof Wodiczko, Sanitago Sierra, Doris Salcedo, and Yto Barrada posits that contemporary art offers a unique set of responses to questions of home and belonging in an increasingly unwelcoming world. From the legacies of Colombia's 'dirty war' to migrant North African workers crossing the Mediterranean, The Unmaking of Home in Contemporary Art bears witness to the suffering of others whose overriding notion of home reveals the universality of human vulnerability and the limits of empathy.

For many the smoke and mirrors which surround Banksy are as fascinating as the artwork of the 21st century's most important living artist. Banksy Myths Volume 2 takes the same approach as Vol 1. We collect the stories, the reader can judge for themselves.

With his geometric structures perched upon the hillsides, beaches, and deserts of California, John Lautner (1911-1994) was behind some of the most striking and innovative architectural designs in mid-20th-century America. This introductory book brings together the most important of Lautner's projects to explore his his ingenious use of modern building materials and his bold stylistic repertoire of sweeping rooflines, glass-paneled walls, and steel beams. From commercial buildings to such iconic homes as the Chemosphere, we look at Lautner's sensitivity to a building's surroundings and his unique capacity to integrate structures into the Californian landscape. With several of Lautner's houses now labeled Los Angeles Historic-Cultural Monuments, we'll also consider the architect's cultural legacy, as much as his pioneering of a visual paradigm of 1950s optimism, economic growth, and space-age adventure. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Since 2011, the art of the Arab uprisings has been the subject of much scholarly and popular attention. Yet the role of artists, writers and filmmakers themselves as social actors working under extraordinary conditions has been relatively neglected. Drawing on critical readings of Bourdieu's Field Theory, this book explores the production of culture in Arab social spaces in `crisis'. In ten case studies, contributors examine a wide range of countries and conflicts, from Algeria to the Arab countries of the Gulf. They discuss among other things the impact of Western public diplomacy organisations on the arts scene in post-revolutionary Cairo and the consequences of dwindling state support for literary production in Yemen. Providing a valuable source of empirical data for researchers, the book breaks new ground in adapting Bourdieu's theory to the particularities of cultural production in the Middle East and North Africa.

I Hope So: Sane Wadu follows the expansion and development of Wadu’s conceptual preoccupations, beginning with an early interest in bucolic scenes of pastoral life which has evolved into incisive social commentary, a complex exploration of the intersection of faith and politics, and an ongoing critique of societal contradictions. An illuminating essay by Mukami Kuria and an interview with Rosie Olang’ Odhiambo offer readers multiple entry points into Wadu’s penetrating vision. This catalogue is published on the occasion of Sane Wadu’s first retrospective exhibition at the Nairobi Contemporary Art Institute in 2022.

Brandlife examines immersive brand experience across a variety of consumer or service related businesses in the fields of hospitality, retail and dining. Each volume explores a distinct business type and how the standouts work to build a cohesive brand strategy through the integration of graphic identity with space design. This volume looks at cafes and features projects by multidisciplinary studios as well as collaborative teams of graphic designers, makers, and architects, alongside interviews revealing how they work together to realize their unique visions.

The artist Ed Kluz has a fascination for the sites of lost buildings. Kluz grew up in the wilds of the Yorkshire Dales, surrounded by the landscape of the past, and the sense of remoteness he felt there sparked an interest in forgotten places, such as country houses and follies. Once-celebrated houses that were abandoned to ruin, burned or deliberately destroyed have now become the haunting subject matter of his distinctive collages.Kluz is meticulous in his research. He spends hours at a site, sketching, taking photographs and generally 'getting to the heart of a place'. Then, in a process in which he likens himself to a collector of fragments or relics, he gathers all the material he can find before adding a little invention of his own to revive or reimagine the house. His highly original works are a combination of watercolour and layer upon layer of delicate painted collage elements, the tension between colour and texture achieving a sense of depth and light. Kluz's lost houses conjure up the vanished buildings in all their pomp, perched on stark, treeless plains under threatening skies, as if briefly illuminated in the glare of lightening or the beam of an arc light. In his introduction to the book, the art and architectural historian Tim Knox describes Kluz's views of houses, with their concentration on the filigree architecture and silhouette of building itself, as heirs to the highly finished perspective drawings produced by professional architectural artists in the early nineteenth century, but he also draws parallels with the bold graphic tradition of Eric Ravilious and Edward Bawden. Kluz himself, too, explains that his aim is to evolve the long tradition of country-house painting - a tradition that began in Britain in the sixteenth century and continued into the 1800s, only declining with the advent of photography. Over recent decades, public interest in lost country houses has been growing; there are an increasing number of books and websites devoted to the theme. In his search for information about his often elusive subjects, Kluz has made full use of these sources, presenting in this book a wide range of materials - engravings, paintings, plans, maps, written accounts and his own preparatory sketches - before the final spread in each chapter unveils the finished collage. Ten English houses are featured in depth, among them the Tudor palace of Holdenby House in Northamptonshire, the magnificent mansion of Hamstead Marshall in Berkshire, Vanbrugh's Claremont in Surrey, and the grandiosely Gothic Fonthill Abbey in Wiltshire. Each house is introduced by the architectural historian Olivia Horsfall Turner, who details its history and fate. As Knox concludes, one yearns to have all the houses back, 'But in a sense we have, in Kluz's scenographic visions.'

Dieter Kienast (1945-1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in the relationship between society and nature in the 1970s, he sought a synthesis between design and ecology. As a designer, planner, researcher, and university lecturer, Kienast introduced new facets to those fields. Critiques of urban planning, processes of participation, and the significance of spontaneous urban vegetation played just as prominent a role in these discussions as did art, literature, architecture, and the popularity of postmodernism. This book not only vividly deconstructs the ways in which design, theory, and representation are interwoven in Kienast's work, but also sheds light on a specific period of landscape architecture.

This book is premised on the view that the idea of the avant garde has an increased importance in these times of global political crisis. Much cultural production today is shaped by a biopolitics that construes all creative and knowledge production in terms of capital accumulation. A different kind of culture is possible. This collection of writings, essays, interviews and artworks by many of today's most radical cultural practitioners and astute commentators on matters avant garde mediates the different strategies and temporalities of avant-garde art and politics. Tracing diverse genealogies and trajectories, the book offers an inter-generational forum of ideas that covers different arts fields, from visual art, art activism, photography, film and architecture, to literature, theatre, performance, intermedia and music. This is an extraordinarily rich collection and is sure to be a benchmark for many years. -- .

The most comprehensive monograph in print on this provocative artist, who has helped to redefine contemporary art This thorough, multifaceted assessment of Raymond Pettibon's entire career to date includes nearly 700 images, contributions from important figures in the art-historical and cultural fields, and a recent interview with the artist. Beginning with childhood drawings, the book moves through to his mature work, which embraces both high and low culture.

Encountering the work of Alan Davie (1920-2014) at Wakefield Art Gallery in 1958, a young David Hockney (b.1937) was struck by Davie's landmark Abstract Expressionist paintings, which mirrored and stimulated his own fledgling experimentation with colourful abstraction. Juxtaposing the remarkable early work of two greats of post-war painting, this book provides an original perspective on an important aspect of two significant artistic careers. A richly illustrated text demonstrates points of convergence - such as the painterly surface, passion and poetry, and an exploration of text within the pictorial frame - while also presenting divergence, moving the discussion beyond comparison to reveal a moment when each artist expanded the expressive potential of the painted canvas. Seeking to suggest new relationships and continuities between two generations previously segregated, this beautifully produced publication is ambitious in its intention, pushing the boundaries of traditional interpretations of British art history.

The Tyrone Guthrie Centre in Annaghmakerrig celebrates a quarter of a century this year and marks this important milestone with the launch of a beautiful volume, 'Annaghmakerrig'. The Centre is an artists' retreat set amid the lakes and drumlins of County Monaghan. An eclectic and varied list of poets, musicians, actors, directors and visual artists use the space to develop what we see on stages, pages and gallery walls throughout the country. The book is a collection and a collage that captures the essence and history of the centre, as well as the stories of its fascinating and somewhat eccentric families, not to mention the creativity of the five thousand artists who have spent time there since it was opened by Brian Friel in 1981. In the book. Eugene McCabe remembers Tony Guthrie the theatre director, while Joseph Hone provides a touching and powerful childhood memoir. Other contributors include Colm Toibin, John Banville, Gerald Barry, Anne Enright, Joseph O'Connor, Paul Muldoon, Patrick Scott, Alice Maher, Rosita Boland, Tim Robinson and Claire Keegan. The book is edited by SHEILA PRATSCHKE, Director of Annaghmakerrig, with works selected by RUAIRI O CUIV (visual art) and EVELYN CONLON (literature).

'Avant-garde' Art Groups in China gives a critical account of four of the most significant avant-garde Chinese art groups and associations of the late 1970s and '80s. It is made up largely of conversations conducted by the author with members of these organizations that provide insight into the circumstances of artistic production during the decade leading up to the Tiananmen Square Massacre of 1989. The conversations are supported by an extended introduction and other comprehensive notes that give a detailed overview of the historical circumstances under which the groups and associations developed.

David Hockney's continuing belief in the importance of the portrait and his virtuoso skill in creating a sense of close communication between artist, sitter and viewer has resulted in some of the best-loved works of the postwar era. From the 1950s on, Hockney's most persistent subject matter, in paintings, drawings, collages and photoworks, has been of people usually very close to him, as well as of himself. These works are narratives of autobiographical relationships: they reflect the intimate and often intense stories of this artist's life. They also explore different formal ways of representing the passage of time and at the same time the unavoidable but marvellous stillness of portraits. The works include fascinating sequences as he paints his mother or Henry Geldzahler or Celia Birtwell on and off for decades; the special qualities attached to depictions of lovers; and the range of celebrities, writers and artists - Billy Wilder, Armistead Maupin, W.H. Auden, Henry Moore, Christopher Isherwood - who have been part of a very full life. The text by a distinguished European critic and curator reinforces the point that this hugely popular English-born artist, who made America his second home, has become a figure of worldwide appeal.

The definitive book on the life and career of internationally acclaimed artist Yoshitomo Nara Yoshitomo Nara rose to prominence in the mid-1990s, a star in a generation of avant-garde Japanese artists associated with the neo-Pop 'Superflat' movement. This book, made in close collaboration with Nara himself, explores more than three decades of his work - and is the first truly authoritative monograph on the artist in more than a decade. Written by art historian Yeewan Koon and featuring texts by Nara himself, it includes his most recent work in painting, drawing, sculpture, and ceramics.

Art and science – they may seem like opposites, but throughout history there have been visionaries who have brought together these contrasting subjects. The Art of Science explores the work of 40 such artists and artist-scientists, uncovering how these innovators have designed futuristic technology centuries ahead of its time, investigated time and space through abstract art, and created sculpture informed by NASA technology. An expertly curated selection of artists from many different cultures and eras – including Huang Quan, Leonardo da Vinci, Johannes Vermeer, Anna Atkins, Olafur Eliasson and Anicka Yi – this book tells the story of the vital partnership between art and science, with over 200 lavish illustrations.

Chaouki Chamoun is one of the Middle East's most renowned artists. Born in Sariine Tahta, the Bekaa Valley of Lebanon in 1942, he studied architectural drawing at night school, then joined the Lebanese University where he won art scholarships to Syracuse University and later to New York University. Through more than thirty oneman shows and over fifty group exhibitions, his work has continuously evolved in search of a new aesthetic vocabulary. With over 300 plates to illustrate his story, Chamoun leads us through his own artistic journey, showing how the schools of the modern era have informed his technique and imagery, and how he has been motivated and inspired as much by the tiniest details of a pebble as by the political turmoil visited on his homeland. Going beyond a record of his life and art, this book delves into what drives an artist to create.