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Science, Technology, and Utopias - Women Artists and Cold War America (Hardcover)
Loot Price: R4,664
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Science, Technology, and Utopias - Women Artists and Cold War America (Hardcover)
Series: Science and the Arts since 1750
Expected to ship within 12 - 17 working days
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The rise of proxy wars, the Space Race, and cybernetics during the
Cold War marked science and technology as vital sites of social and
political power. Women artists, historically excluded from these
domains, responded critically, while simultaneously redeploying the
products of "Technological Society" into works that promoted ideals
of progress and alternative concepts of human community. In this
innovative book, author Christine Filippone offers the first
focused examination of the conceptual use of science and technology
by women artists during and just after the women's movement. She
argues that artists Alice Aycock, Agnes Denes, Martha Rosler and
Carolee Schneemann used science and technology to mount a critique
on Cold War American society as they saw it-conservative and
constricting. Motivated by the contemporary American Women's
Movement, these artists transformed science and technology into new
modes of artmaking that transgressed modernist, heroic, painterly
styles and subverted the traditional economic structures of the
gallery, the museum and the dealer. At the same time, the artists
also embraced these domains of knowledge and practice as
expressions of hope for a better future. Many found inspiration in
the scientific theory of open systems, which investigated "problems
of wholeness, dynamic interaction and organization", enabling
consideration of the porous boundaries between human bodies and
their social, political and nonhuman environments. Filippone also
establishes that the theory of open systems not only informed
feminist art, but also continued to influence women artists'
practice of reclamation and ecological art through the twenty-first
century.
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