An invaluable resource for general readers investigating climate change, this book examines the impact of climate change on popular culture and analyzes how writers and directors treat the disasters caused by climate change in their novels and films. Climate Change in Popular Culture: A Warming World in the American Imagination is the first study that includes analyses of both fiction and popular nonfiction works devoted to climate change. In addition, the book examines a number of classic works from the perspective of the growing field of climate change literature and includes a brief history of climate change science as well basic scientific definitions, all intended for general readers. The text provides an introduction to the science, politics, and economics of climate change. It also includes both historical overviews and potential probable futures projected by leading climate scientists and environmental writers. In addition, the text looks at how such creative writers and directors as Margaret Atwood, John Steinbeck, Paulo Bacigalupi, Kim Stanley Robinson, T. C. Boyle, Michael Crichton, and Octavia Butler, among others, have used the disasters caused by climate change in their work. Provides readers with an overview of the causes and impacts of climate change Examines how authors and directors use a variety of narrative forms to explore the impact of climate change Introduces readers to an overview of the literary and filmic responses to climate change Includes an introduction to climate change science as well as detailed definitions for readers unfamiliar with the subject matter

This book, first published in 1987, was the first major survey of the links between the visual arts and pop music over the last thirty years. It brings to light the ideas, styles and people who have influenced both the look of pop and the shape of art. It examines how pop uses art movements like Dada, Futurism and Surrealism in everything from the design of album covers to the creation of a group's look, stage act and video; how art uses pop, as a subject for painting, sculpture and design; the vital role of the British art school connection; and collaborations and cross-overs - between the visual arts and groups, musicians and movements.

"I always thought I would get into painting, but I got waylaid by rock 'n' roll. Finally, I thought, 'Now's the time.' As soon as I could be alone and paint without any interruptions, I just couldn't stop." – Chrissie Hynde

"These paintings wake me up, show me life, make me want to get up and do something." – Brian Eno

"The fact that Chrissie is a great musician doesn’t undermine her painting; it underpins it…" – Tim Marlow

In 2015, Chrissie Hynde, the singer, songwriter and leader of The Pretenders, produced an oil painting of a ceramic vase. It proved to be the starting point for Chrissie Hynde’s first body of work, nearly 200 canvases in all. These paintings are now shared for the very first time in Adding The Blue.

Beginning with still life studies and culminating in vibrant abstract compositions, Adding The Blue is a beautiful book of paintings that reveals Chrissie Hynde as an artist as passionate about her painting as her music.

With forewords by visionary musician and artist, Brian Eno, and The Royal Academy’s Artistic Director, Tim Marlow, Adding The Blue is captioned throughout with Chrissie Hynde’s thoughts, anecdotes and reflections.

Published in hardback the front cover features the work,'Tuesday Self-Portrait'

Since the release of his first monograph, Vincent Van Duysen has consolidated his reputation for buildings of exceptional spatial mastery and highly refined detailing, and built a growing international following. This beautiful companion volume presents thirty of the Belgian architect's most recent works produced over the past decade, much of which has been exquisitely captured by renowned photographers Helene Binet and Francois Halard. The buildings featured from this latest period include an array of elegant residences in Europe, New York, Paris and The Hamptons, as well as larger-scale commercial and public projects. Product and furniture designs, microcosms of the architect's rigorous attention to detail, are also featured, including yacht interiors and objets decoratifs. With a foreword by close friend and Academy Award-winning actor Julianne Moore, the broader context of Van Duysen's contribution to contemporary architecture is provided by architect Nicola di Battista and architecture critic Marc Dubois. An illustrated chronology provides a complete overview of the architect's recent projects. Van Duysen has established a reputation as one of the world's most refined and artful architects. This major new publication will further cement his uncompromising commitment to creating timeless places and spaces.

"When you're in New York" the sculptor Louise Nevelson once said, "you're in perpetual resurrection." She might have said the same thing about St. Peter's Lutheran Church, set in the heart of midtown Manhattan. In the 1970s the church made a radical move, scrapping its neo-gothic building for a sleek modern structure in the shadow of a skyscraper. The transformation was not just architectural. Inside, Nevelson created a shimmering chapel, while over the years artists and designers such as Willem de Kooning, Kiki Smith, and Massimo and Lella Vignelli produced works for the sanctuary. This fusion of modern art, architecture, and design was complemented by an innovative jazz ministry, including funerals for Billy Strayhorn and John Coltrane, and performances by Duke Ellington and other jazz legends. For the first time, this volume examines the astounding cultural output of this single church. Just as importantly, the story of St. Peter's serves as a springboard for wider reflections on the challenges and possibilities which arise when religion and art intersect in the modern city. Working from a wide range of disciplines, including art history, theology, musicology, and cultural studies, a distinguished group of scholars demonstrate that this church at the center of New York City deserves an equally central place in contemporary scholarship.

The reflections on historical and contemporary positions assembled here shed light on concepts of temporalities in the context of artistic practices. In the 1960s and 1970s the pursuit for the situational, processual and actual stirred up artistic and theoretical fields. Nowadays, contemporary practices expand on these subjects by exploring the notion of anachronism, the impermanence of one's own corporeality together with the performative and ephemeral qualities of the sonic amongst other relevant concepts. The goal of this publication is to offer a deep dive into situation-specific settings and to fundamentally explore how temporality is able to initiate action and structure our perception, thereby affecting our bodies, our senses, how we communicate and how the present moment is shaped.

In a world where the notion of home is more traumatizing than it is comforting, artists are using this literal and figurative space to reframe human responses to trauma. Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that 'home' is a stable site of belonging. Lauzon's boundary-breaking discussion of artists including Krzysztof Wodiczko, Sanitago Sierra, Doris Salcedo, and Yto Barrada posits that contemporary art offers a unique set of responses to questions of home and belonging in an increasingly unwelcoming world. From the legacies of Colombia's 'dirty war' to migrant North African workers crossing the Mediterranean, The Unmaking of Home in Contemporary Art bears witness to the suffering of others whose overriding notion of home reveals the universality of human vulnerability and the limits of empathy.

Dieter Kienast (1945-1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in the relationship between society and nature in the 1970s, he sought a synthesis between design and ecology. As a designer, planner, researcher, and university lecturer, Kienast introduced new facets to those fields. Critiques of urban planning, processes of participation, and the significance of spontaneous urban vegetation played just as prominent a role in these discussions as did art, literature, architecture, and the popularity of postmodernism. This book not only vividly deconstructs the ways in which design, theory, and representation are interwoven in Kienast's work, but also sheds light on a specific period of landscape architecture.

This book is premised on the view that the idea of the avant garde has an increased importance in these times of global political crisis. Much cultural production today is shaped by a biopolitics that construes all creative and knowledge production in terms of capital accumulation. A different kind of culture is possible. This collection of writings, essays, interviews and artworks by many of today's most radical cultural practitioners and astute commentators on matters avant garde mediates the different strategies and temporalities of avant-garde art and politics. Tracing diverse genealogies and trajectories, the book offers an inter-generational forum of ideas that covers different arts fields, from visual art, art activism, photography, film and architecture, to literature, theatre, performance, intermedia and music. This is an extraordinarily rich collection and is sure to be a benchmark for many years. -- .

Encountering the work of Alan Davie (1920-2014) at Wakefield Art Gallery in 1958, a young David Hockney (b.1937) was struck by Davie's landmark Abstract Expressionist paintings, which mirrored and stimulated his own fledgling experimentation with colourful abstraction. Juxtaposing the remarkable early work of two greats of post-war painting, this book provides an original perspective on an important aspect of two significant artistic careers. A richly illustrated text demonstrates points of convergence - such as the painterly surface, passion and poetry, and an exploration of text within the pictorial frame - while also presenting divergence, moving the discussion beyond comparison to reveal a moment when each artist expanded the expressive potential of the painted canvas. Seeking to suggest new relationships and continuities between two generations previously segregated, this beautifully produced publication is ambitious in its intention, pushing the boundaries of traditional interpretations of British art history.

Celebrate more than three decades of filmmaking by diving into the brilliant, twisted mind of Quentin Tarantino, and discover the artistic process of an Oscar-winning legend. Born in Knoxville, Tennessee, in 1963, Quentin Tarantino spent many Saturday evenings during his childhood accompanying his mother to the movies, nourishing a love of film that was, over the course of his life, to become all-consuming. The script for his first movie took him four years to complete: My Best Friend's Birthday (1987), a seventy-minute film in which he both acted and directed. The script for his second film, Reservoir Dogs (1992), took him just under four weeks to complete. When it debuted, he was immediately hailed as one of the most exciting new directors in the industry. Known for his highly cinematic visual style, out-of-sequence storytelling, and grandiose violence, Tarantino's films have provoked both praise and criticism over the course of his career. They've also won him a host of awards--including Oscars, Golden Globes, and BAFTA awards--usually for his original screenplays. His oeuvre includes the cult classic Pulp Fiction, bloody revenge saga Kill Bill Vol. 1 and Vol. 2, and historical epics Inglorious Basterds, Django Unchained, The Hateful Eight, and Once Upon a Time...In Hollywood. Featuring an all-new chapter on the director's latest award-winning film Once Upon a Time...In Hollywood, this stunning retrospective catalogs each of Quentin Tarantino's movies in fascinating detail. The book is a tribute to a unique directing and writing talent, celebrating an uncompromising, passionate director's enthralling career at the heart of cult filmmaking.

The Tyrone Guthrie Centre in Annaghmakerrig celebrates a quarter of a century this year and marks this important milestone with the launch of a beautiful volume, 'Annaghmakerrig'. The Centre is an artists' retreat set amid the lakes and drumlins of County Monaghan. An eclectic and varied list of poets, musicians, actors, directors and visual artists use the space to develop what we see on stages, pages and gallery walls throughout the country. The book is a collection and a collage that captures the essence and history of the centre, as well as the stories of its fascinating and somewhat eccentric families, not to mention the creativity of the five thousand artists who have spent time there since it was opened by Brian Friel in 1981. In the book. Eugene McCabe remembers Tony Guthrie the theatre director, while Joseph Hone provides a touching and powerful childhood memoir. Other contributors include Colm Toibin, John Banville, Gerald Barry, Anne Enright, Joseph O'Connor, Paul Muldoon, Patrick Scott, Alice Maher, Rosita Boland, Tim Robinson and Claire Keegan. The book is edited by SHEILA PRATSCHKE, Director of Annaghmakerrig, with works selected by RUAIRI O CUIV (visual art) and EVELYN CONLON (literature).

The artist Ed Kluz has a fascination for the sites of lost buildings. Kluz grew up in the wilds of the Yorkshire Dales, surrounded by the landscape of the past, and the sense of remoteness he felt there sparked an interest in forgotten places, such as country houses and follies. Once-celebrated houses that were abandoned to ruin, burned or deliberately destroyed have now become the haunting subject matter of his distinctive collages.Kluz is meticulous in his research. He spends hours at a site, sketching, taking photographs and generally 'getting to the heart of a place'. Then, in a process in which he likens himself to a collector of fragments or relics, he gathers all the material he can find before adding a little invention of his own to revive or reimagine the house. His highly original works are a combination of watercolour and layer upon layer of delicate painted collage elements, the tension between colour and texture achieving a sense of depth and light. Kluz's lost houses conjure up the vanished buildings in all their pomp, perched on stark, treeless plains under threatening skies, as if briefly illuminated in the glare of lightening or the beam of an arc light. In his introduction to the book, the art and architectural historian Tim Knox describes Kluz's views of houses, with their concentration on the filigree architecture and silhouette of building itself, as heirs to the highly finished perspective drawings produced by professional architectural artists in the early nineteenth century, but he also draws parallels with the bold graphic tradition of Eric Ravilious and Edward Bawden. Kluz himself, too, explains that his aim is to evolve the long tradition of country-house painting - a tradition that began in Britain in the sixteenth century and continued into the 1800s, only declining with the advent of photography. Over recent decades, public interest in lost country houses has been growing; there are an increasing number of books and websites devoted to the theme. In his search for information about his often elusive subjects, Kluz has made full use of these sources, presenting in this book a wide range of materials - engravings, paintings, plans, maps, written accounts and his own preparatory sketches - before the final spread in each chapter unveils the finished collage. Ten English houses are featured in depth, among them the Tudor palace of Holdenby House in Northamptonshire, the magnificent mansion of Hamstead Marshall in Berkshire, Vanbrugh's Claremont in Surrey, and the grandiosely Gothic Fonthill Abbey in Wiltshire. Each house is introduced by the architectural historian Olivia Horsfall Turner, who details its history and fate. As Knox concludes, one yearns to have all the houses back, 'But in a sense we have, in Kluz's scenographic visions.'

A dazzling celebration of the clothes that made America's favorite doll and the incredible woman behind them, timed to the movie release of Barbie, starring Margot Robbie and Ryan Gosling and directed by Greta Gerwig. If you've ever had a Barbie doll, or you know someone who did, chances are that Barbie was dressed in one of the thousands of designs created by Carol Spencer during her unparalleled reign as a Barbie fashion designer spanning more than thirty-five years. Illustrated with more than 100 full-color photographs, including many never-before-seen images of rare and one-of-a-kind pieces from Spencer's private archive, Dressing Barbie is a treasure trove of some of the best and most iconic Barbie looks from the early 1960s until the late 1990s. Along with behind-the-scenes stories of how these designs came to be, Spencer reminisces about her thrilling time at Mattel working with legendary figures such as Ruth Handler, Barbie's creator, and Charlotte Johnson, the original Barbie designer, for a full, inside look into life with the beloved doll. Over the course of her career, Spencer won many accolades. She was the first designer to have her signature on the doll, the first to go on a signing tour, the first to design a limited-edition Barbie for collectors, and the designer of the biggest-selling Barbie of all time. Now, she is the first member of the inner circle to reveal the fashion world of the quintessential California girl as never before.

The most comprehensive monograph in print on this provocative artist, who has helped to redefine contemporary art This thorough, multifaceted assessment of Raymond Pettibon's entire career to date includes nearly 700 images, contributions from important figures in the art-historical and cultural fields, and a recent interview with the artist. Beginning with childhood drawings, the book moves through to his mature work, which embraces both high and low culture.

An icon of 1980s New York, Jean-Michel Basquiat (1960-1988) first made his name under the graffiti tag "SAMO," before establishing his studio practice and catapulting to fast fame at the age of 20. Although his career lasted barely a decade, he remains a cult figure of artistic social commentary, and a trailblazer in the mediation of graffiti and gallery art. Basquiat's work drew upon diverse sources and media to create an original and urgent artistic vocabulary, biting with critique against structures of power and racism. His practice merged abstraction and figuration, poetry and painting, while his influences spanned Greek, Roman, and African art, French poetry, jazz,and the work of artistic contemporaries such as Andy Warhol and Cy Twombly. The results are vivid, visceral mixtures of words, African emblems, cartoonish figures, daubs of bold color, and beyond. This book presents Basquiat's short but prolific career, his unique style, and his profound engagement with ever-relevant issues of integration and segregation, poverty and wealth. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

A timely exploration of the allusive, sculptural fiber work of an important contemporary South African artist The book presents an early career survey of the work of Cape Town-based artist Igshaan Adams (b. 1982), showcasing his multimedia practice since 2009. In addition to exploring recurring motifs in his work-Arabic calligraphy, the rose, the (self-)portrait, Sufi symbols, and pathways literal and metaphorical-the publication highlights some of Adams's material concerns, including his sculptural applications of weaving, his embrace of recycled materials related to black South African domesticity and interiority, and his use of the gallery wall and floor in installations. Hendrik Folkerts surveys the artist's recent work, addressing its engagement with presence, absence, and the trace.. Adams himself offers a visual essay enabling readers to see details they would be imperceptible in a gallery setting. In shorter essays and poetic texts, the other authors focus on the South African historical and political context, specific artworks, and particular creative strategies, materialities, and narratives. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (April 2-August 1, 2022)

'Avant-garde' Art Groups in China gives a critical account of four of the most significant avant-garde Chinese art groups and associations of the late 1970s and '80s. It is made up largely of conversations conducted by the author with members of these organizations that provide insight into the circumstances of artistic production during the decade leading up to the Tiananmen Square Massacre of 1989. The conversations are supported by an extended introduction and other comprehensive notes that give a detailed overview of the historical circumstances under which the groups and associations developed.

As featured in The New York Times, T Magazine, and The Tonight Show Starring Jimmy Fallon The phenomenally creative musician and filmmaker David Byrne presents new artwork that explores daily life in surprising ways, with unique reflections on shared human experiences - a book for our time from a highly influential artist Through striking and humorous figurative drawings, the iconic artist and musician David Byrne depicts daily life in intriguing ways. His illustrations, created while under quarantine, expand on the dingbat, a typographic ornament used to illuminate or break up blocks of text, to explore the nuances of life under lockdown and evoke the complex, global systems the pandemic cast in bright light. Edited and designed by Alex Kalman in close collaboration with Byrne, this unique book reflects on shared experiences and presents history as a story that is continually undergoing revision.

A global guide to the 500 works of permanently installed modern and contemporary art worth traveling to experience

Enjoy a world tour from the comfort of your reading chair or plan a detailed and engaging art itinerary for your next trip with Destination Art, the essential guide to 500 must-see examples of permanently installed art from the last 100 years. With the book's geographical organization and logistical details - including GPS coordinates, addresses, websites, and symbols indicating the degree of possible access, travel planning is made easy.

Discover hidden gems in big cities, explore art in nature, and trek to remote locales for one-of-a-kind experiences of art in unique locations. The artists featured in this global selection are among the world's best and most beloved from the past century, including Marina Abramović, Alexander Calder, Jenny Holzer, Yayoi Kusama, Henri Matisse, Henry Moore, Richard Serra, and many more.

Highlighting the best and most significant of public art in city centers, sculpture parks, site-specific installations in museums, memorials designed by contemporary artists, works of land art, and much more, Destination Art is an informative and enjoyable overview of the most significant and travel-worthy art around the globe.

From the publisher of Destination Architecture.

Mati & The Music is a book about the 52 paintings by Mati Klarwan that appeared on album covers, this body of work started in the mid 1950s and continued for half a century. Klarwein was heavily involved in the New York art scene of the 1960s and 1970s. He was mainly commissioned to paint covers by the musicians themselves the most famous being Miles Davis 'Bitches Brew' and 'Live Evil', Carlos Santana's 'Abraxas', Earth Wind & Fire, Buddy Miles, Gregg Allman. He was also employed by major records labels including Blue Note for Jackie McLean, Reuben Wilson and Douglas records for the Last Poets, Howard Walkes and Jerry Garcia. This book is an introduction to a painter's work through his passion for music.