Frank Auerbach: The Sitters provides a comprehensive overview of the artist's portraiture. It reveals the special connection between the artist and his 'sitters' - the small group of dedicated models who have been Auerbach's chief subject over a career spanning seven decades. A comprehensive list of his sitters has been compiled here for the first time, providing new biographical information about his models from E.O.W. to J.Y.M. and beyond. Frank Auerbach: The Sitters includes a wide range of contributors. An essay by the art critic William Feaver describes the experience of sitting for Auerbach, while a conversation from 2001 between the artist and Martin Gayford describes Auerbach's intentions and process. Auerbach's close friendship with the art historian Michael Podro is also explored, with a short memoir by Natasha Podro and a re-published, little known essay from 1969 by Podro himself. Forty paintings and drawings from 1956 to 2020 are illustrated in colour, with thoroughly researched catalogue entries that shed new light on the artist's relationships and his work. The publication accompanies Piano Nobile's exhibition Frank Auerbach: The Sitters, held in autumn 2022.

The fairy tales of the Brothers Grimm according to David Hockney are like no other version you will have read before. Although inspired by earlier illustrators of the tales, from Arthur Rackham to Edmund Dulac, Hockney's extraordinary etchings re-imagine these strange and supernatural stories for a modern audience, capturing their distinctive atmosphere in a style that is recognisably the artist's own. Reprinted for the first time since its original publication in 1969, Hockney's book brings together some well-known tales - Rapunzel, Rumpelstiltskin - with others that are less familiar. Informed by great art of the past, attuned to idiosyncrasies of character and incident, and fresh in execution and content, his illustrations invite us to read each one as if for the first time.

Disability and illness are not easy subjects to write about in a direct manner. These are, however, the domains that most of us will eventually inhabit. It is a simple fact that our bodies fail, though our culture protests this at every occasion. The bodies of disabled people have been deemed unworthy of textual representation beyond the texts of medicine. The life stories of those who are suffering are seen as tragic, fodder for stories of what happens to the "other." The author (Nancy Halifax, assistant professor of critical disability studies at York University) posits that the sociopolitical structures of our culture limit the range of disabled people's positions in the world; their absence in books and other cultural products points to the absence of social equity. The subjective experience of illness, impairment, and disability is poorly reflected in most current models of health and disease used in the practices and policies of medical and health institutions. Those with illness, impairment, and disability see this deficiency as a serious problem. This type of work that is called into creation by its subjects exemplifies the notion that writers are ethically preoccupied with telling stories, not only for oneself, but also for others. This book defies and celebrates academic writing; it presents a story of illness and disability, experiences that collectively enrich and challenge our understandings of embodiment, narrative, social structures, identity, and politics-the full continuum of what it means and has meant, to be human. This is a remarkable and important book for both arts-informed researchers and educators and non-arts-informed researchers and educators in cultural studies, critical disability studies, education, health, and qualitative research.

H. Leslie Moody and Frances Johnson Moody never owned the company outright, but their dreams shaped North Carolina's Hyalyn Porcelain, Inc. and drove it forward to the satisfaction of an emerging, increasingly modern post-World War II America. Hyalyn's reputation for high quality led to its association with top designers like Michael and Rosemary Lax, Eva Zeisel, Georges Briard, Charles Leslie Fordyce, Herbert Cohen, Erwin Kalla, and Esta Brodey. Before moving to North Carolina in 1945, ceramic engineer and designer Less Moody prepared to organize and operate Hyalyn Porcelain, Inc. From Zanesville's Mosaic Tile Company, Ohio State University's ceramics department, Love Field Pottery, Abingdon Pottery, San Jose Potteries, and Rookwood Pottery, he gained expertise in clay formulation, glaze chemistry, product design, plant operation, project planning, advertising, and employee management. With the aid of investors, his dream came true when, in 1946, Hyalyn's first lamp bases and flower containers emerged from the shop's tunnel kiln. Thoroughly documented and illustrated with 425 images, hyalyn: America's Finest Porcelain is a complete history of Hyalyn Porcelain, Inc., and its successors, Hyalyn Cosco, Hyalyn, Ltd., and Vanguard Studios.

Maternal bodies in the visual arts brings images of the maternal and pregnant body into the centre of art-historical enquiry. By exploring religious, secular and scientific traditions as well as contemporary art practices, it shows the power of visual imagery in framing our understanding of maternal bodies and affirming or contesting prevailing maternal ideals. The book reassesses historical models and, in drawing on original case studies, shows how visual practices by artists may offer the means of reconfiguring the maternal. It will appeal to students, academics and researchers in art history, gender studies and cultural studies, as well as to general readers interested in the maternal and visual culture. -- .

These sketchbooks, the work of the acclaimed Scottish artist Barbara Rae CBE RA during her three journeys towards the Northwest Passage in the depths of the Arctic Circle in 2015, 2016 and 2017, record in colourful and assured brush strokes the icebergs, frozen bays and snowdrifts of this often hostile landscape. Polar bears roam and the Northern Lights dance across its pages, accompanied by Rae's handwritten notes in which she records her experiences and her immediate reactions to this harsh, unforgiving environment. Each page of the sketchbooks is meticulously reproduced, and the handsomely bound volume sits comfortably in the hand, making it the perfect gift for anyone interested in painting or exploration. Each page of the sketchbooks is meticulously reproduced, and the handsomely bound volume sits comfortably in the hand, making it the perfect gift for anyone interested in painting or exploration.

The first in a two-volume survey, readers are invited to reexamine the history of the West and its art through a multifaceted modern lens. More than 40 artists are included who reflect the tremendous diversity, depth, and breadth of a field steeped in history. While some follow the traditions established by Remington and Russell, others seek to break from tradition, busting myths and bringing new insights and artistic styles to the genre. They come from both sides of the Mississippi and have pedigrees that range from bona fide cowboy or Native American credentials to careers in commercial illustration. The unifying theme is a common concern for and commitment to their art and the West itself. In this volume, contemporary artists are featured whose work revolves around the American cowboy. Within these pages, many different artists, some of whom have been cowboys themselves, exhibit their rendition of the wonderful world of the West.

A powerful portrait of the greatest humanitarian emergency of our time, from the director of Human Flow In the course of making Human Flow, his epic feature documentary about the global refugee crisis, the artist Ai Weiwei and his collaborators interviewed more than 600 refugees, aid workers, politicians, activists, doctors, and local authorities in twenty-three countries around the world. A handful of those interviews were included in the film. This book presents one hundred of these conversations in their entirety, providing compelling first-person stories of the lives of those affected by the crisis and those on the front lines of working to address its immense challenges. Speaking in their own words, refugees give voice to their experiences of migrating across borders, living in refugee camps, and struggling to rebuild their lives in unfamiliar and uncertain surroundings. They talk about the dire circumstances that drove them to migrate, whether war, famine, or persecution; and their hopes and fears for the future. A wide range of related voices provides context for the historical evolution of this crisis, the challenges for regions and states, and the options for moving forward. Complete with photographs taken by Ai Weiwei while filming Human Flow, this book provides a powerful, personal, and moving account of the most urgent humanitarian crisis of our time.

The fourth edition of the essential introduction to digital art, one of contemporary art’s most exciting and dynamic forms of practice. Digital art, along with the technological developments of its medium, has rapidly evolved from the ‘digital revolution’ into the social media era and to the postdigital and post-Internet landscape. This new, expanded edition of this invaluable overview of the medium traces the emergence of artificial intelligence, augmented and mixed realities, and Non-Fungible Tokens (NFTs), and surveys themes explored by digital artworks in the areas of activism, networks and telepresence, and ecological art and the Anthropocene. Christiane Paul considers all forms of digital art, focusing on the basic characteristics of their aesthetic language and their technological and art-historical evolution. By looking at the ways in which internet art, digital installation, software art, AR and VR have emerged as recognized artistic practices, Digital Art is an essential critical guide.

Working in 1970s Italy, a group of artists-namely Ugo La Pietra, Maurizio Nannucci, Francesco Somaini, Mauro Staccioli, Franco Summa, and Franco Vaccari-sought new spaces to create and exhibit art. Looking beyond the gallery, they generated sculptural, conceptual, and participatory interventions, called Arte Ambientale (Environmental Art), situated in the city streets. Their experiments emerged at a time of cultural crisis, when fierce domestic terrorism aggravated an already fragile political situation. To confront the malaise, these artists embraced a position of artistic autonomy and social critique, democratically connecting the city's inhabitants through direct art practices.

In this first survey of his career, you'll find beloved, neo-psychedelic artist Oliver Hibert blending in as living art among examples of his fine art, illustration, and design, including his unique recreation of the tarot deck. Building off of features in publications including Juxtapoz, Hi-Fructose, and Beautiful Decay, this title breaks down Hibert's quest for the "Superflat" using his favored medium of acrylic and addresses the question of what happens when an artist tackles commercial assignments. His body of work is connected through color and inspiration from the 1960s, an aesthetic that has attracted the likes of The Flaming Lips for whom Hibert has created posters, tour apparel, and album covers. With well over 200 images, Eye See You also shows just how prolific the artist is, covering his paintings, sculpture, and drawings, as well as his many projects for clients such as Nike, Fender Guitars, Miley Cyrus, and Creature Skateboards. This is a must-have and insightful work for collectors and fans of contemporary art.

This guide introduces aspiring manga artists to drawing chibi characters--wide-eyed caricatures beloved for their cartoonish exaggeration. Drawing Cute Manga Chibi walks you through the steps needed to draw these adorable characters, while sidebars offer expert tips, pointers on the pitfalls to avoid, and how to use details to bring your drawings to life. In this book, readers will learn how to imagine and express: Facial expressions Body posture Hairstyles Different ages Poses Bringing your characters into full-color Different character identities--from a punk rocker to a samurai Author and Japanese manga artist Ryusuke Hamamoto (Ryu Moto) is best known for his design and creation of the Petit Eva character--who even makes an appearance in this book! In Drawing Cute Manga Chibi, he shares his personal tips, showing you how to break the "rules" of figure drawing in order to create these bobbleheaded cuties. Artists of all ages and levels will have fun creating original characters or reimagining their friends and family as kawaii chibi drawings.

This survey exhibition captures the arc and continued ascent of contemporary artist Beverly McIver. This exhibition catalog accompanies a survey exhibition of contemporary artist and painter Beverly McIver. Curated by Kim Boganey, this exhibition represents the diversity of McIver's thematic approach to painting over her career. From early self-portraits in clown makeup to more recent works featuring her father, dolls, Beverly's experiences during COVID-19 and portraits of others, Full Circle illuminates the arc of Beverly McIver's artistic career while also touching on her personal journey. McIver's self-portraits explore expressions of individuality, stereotypes, and ways of masking identity; portraits of family provide glimpses into intimate moments, in good times as well as in illness and death. The show includes McIver's portraits of other artists and notable figures, recent work resulting from a year in Rome with American Academy's Rome Prize, and new work in which McIver explores the juxtaposition of color, patterns, and the human figure. Full Circle also features works that reflect on McIver's collaborations with other artists, as well as her impact on the next generation of artists. The complementary exhibition, In Good Company, includes artists who have mentored McIver, such as Faith Ringgold and Richard Mayhew, as well as those who have studied under her. This catalog includes a conversation with Beverly McIver by exhibition curator Kim Boganey, as well as two essays: one by leading Black feminist writer Michele Wallace, daughter of Beverly's graduate school mentor Faith Ringgold, and another by distinguished scholar of African American art history Richard Powell. Published in association with the Scottsdale Museum of Contemporary Art Exhibition dates: Scottsdale Museum of Contemporary Art February 12-September 4, 2022 Southeastern Center for Contemporary Art December 8, 2022-March 26, 2023 The Gibbes Museum April 28-August 4, 2023

This monograph gathers and presents the largest assemblage in one volume about the life, work, and ideas of Banksy - the world's most discussed artist of recent decades. Featuring hundreds of works - Girl with Balloon, Mickey Snake, Dismaland, Love is in the Air, Barcode, Monkey Queen -- the book includes reproductions of paintings, serigraphs, and stencils. The most iconic works are here, but so too are numerous installation objects and a selection of memorabilia all with the official approval of Pest Control, the group that manages all things Banksy. Banksy is considered the world's greatest practitioner of street art at work today. His work has always implied political critiques - of inequality, injustice, discrimination, consumerism, pollution, and the establishment. But, Banksy is a ghost -- no one knows his identity. He is an exemplary case of fame and notoriety built upon absence, anonymity, and the denial of one's explicit contribution to the public debate if not in terms of creative activism. Banksy's relationship with the art market is also complex: at the same time mocking, distant, and hostile and yet all he does is based upon a marketing logic that has proven to be among the most effective ever attempted. In short, an apparent (or real) contradiction between adhesion to the market and ferocious criticism of the market itself. This volume is published to coincide with a major traveling exhibition of over one hundred Banksy works, but it is sure to be a must have for art lovers and Banksy fans alike for years to come.

After punk's arrival in 1976, many art students in the northern English city of Leeds traded their paintbrushes for guitars and synthesizers. In bands ranging from Gang of Four, Soft Cell, and Delta 5 to the Mekons, Scritti Politti, and Fad Gadget, these artists-turned-musicians challenged the limits of what was deemed possible in rock and pop music. Taking avant-garde ideas to the record-buying public, they created Situationist antirock and art punk, penned deconstructed pop ditties about Jacques Derrida, and took the aesthetics of collage and shock to dark, brooding electro-dance music. In No Machos or Pop Stars Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England's state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to dismantle both art world and music industry hierarchies by making it possible to dance to their art. Their stories reveal the subversive influence of art school in a regional music scene of lasting international significance.