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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > General
Make your Mark is divided into three: 'Draw', 'Paint', 'Make'. It celebrates and discusses the work of forty-five urban artists, extraordinarily diverse but united by one basic principle: their work is completely fresh, original and the epitome of creativity - the perfect antidote to the jaded imagery that fills our streets and our media. The names - 44 Flavours from Germany, Bault from France, Morcky from Italy, Ricardo Cavolo from Spain, Zio Ziegler from the USA, Fuco Ueda from Japan, Raymond Lemstra from the Netherlands, Joao Ruas from Brazil and many others - will be unfamiliar to most; the talent they display, indisputable, courageous, always distinctive, is a joy.
In celebration of the 50th anniversary of the first man on the moon, this book for the first time ever looks at the artefacts left behind on the moon from the perspective of architecture. The book looks at every single mission - manned and unmanned - that has actually landed on the moon. It covers the time of the beginning of the Soviet and American space race with the landing of Luna 2 in 1959, to the present with China's Chang'e 3 moon rover. This architectural guide differentiates itself from other scientific and edu cational books through its abstract approach to the topic of architecture on the moon. The content does not feature science fiction, but rather the question of what exists and what implications these bizarre structures hold for the future of architecture on other planets - as these topics are quite pertinent in today's world of the commercialization of spaceflight, with SpaceX and NASA planning to take humans to Mars in the next 15 years. The guide brings together authors both from the East and the West. Contributors on the Russian side include Galina Balashova, the famous archi tect of the Soviet space program, and the expert Alexander Glushko, son of the deceased chief engineer of the Soviet space program, Valentin Glushko. Further contributions by Evangelos Kotsioris (MoMA), Brian Harvey (China), Gurbir Singh (India), and Olga Bannova (University of Houston).
A New York Times best art book of 2021 "[A] gold mine of a book . . . Funny, biting, morbid, it's a page-turner for sure."-Holland Cotter, New York Times Ray Johnson (1927-1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the New York Correspondence School. Drawing on the vast collection of Johnson's work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist's books, collages, drawings, mail art, and performance documentation. In keeping with Johnson's democratic, rhizomatic, and antihierarchical ethos, this indispensable resource on the artist's oeuvre contains 700 illustrations, many of them never before published, and twenty-one short essays by various contributors that allow readers to dip into and out of the book in a nonlinear manner. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (November 26, 2021-March 21, 2022)
Inspired bya private archive and including contemporary work by artists who acknowledge the continued relevance of Angela Davis's experience and politics, the essays, interviews, and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economic and political policy. Beginning with the arrest, trial, and acquittal of Davis, 1970-72, and continuing through her world tour to thank those who joined in demanding her release and her influential career as a public intellectual, the book examines fifty years of history in light of the current political moment. Profusely illustrated with materials found in the archive (press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis's political writings), the book includes an interview with Angela Davis and Lisbet Tellefsen, the archivist who collected these materials, as well as essays that ouch on visibililty and invisibility, history, memory, and the iconography of black radical feminism.
A new and updated edition of the definitive monograph on the British artist Antony Gormley, now available in an affordably priced format This beautiful and comprehensive monograph, expanded and updated in a new affordably priced edition, examines the entirety of Gormley's career, from his earliest sketches to his best-known public installations. Martin Caiger-Smith's 'magnificent, magisterial overview' (The Independent) examines the relationship between Gormley's life and art and identi-fies the singular vision that ties together a vast canon of work in an extraordinary range of media and materials. Best known for the major public works that most visibly represent his innovative approach to sculpture, Gormley is a prolific artist who has renegotiated the tension between the individual and the universal. Drawing on images that range from childhood snap-shots to photographs of his most recent installations, this book traces the evolution of Gormley's work, from the drawings he makes every day in the studio, through the constantly evolving process of casting his own body in various forms, to the ultimate expression of his ideas in such masterpieces as the colossal Angel of the North or the scattered figures of Another Place. Illustrated with hundreds of images that explore the scale and impact of Gormley's work-including his acclaimed exhibition at the Royal Academy in 2019, as well as recent installations in Florence, Delos, and New York City-and 'dense with insight and deeply considered analysis from the author' (Financial Times), this book is the definitive survey of a monumental career.
The Art & Times of Daniel Jocz presents the entrancing and challenging work of American jewellery artist and sculptor Daniel Jocz. There is a spontaneous quality to the work, yet it is always rich with meaning. His open spirit is fully embodied in the 2007 neckpiece series An American's Riff on the Millstone Ruff. Inspired by the extravagant scale of 17th-century Dutch ruffs at the Rijksmuseum in Amsterdam, he decided to update them with automobile paint. Jeannine Falino takes an in-depth look at the twists and turns of Jocz's long career, from his early geometric sculptures to the fashion-forward flocked Candy Wear collection, and from his ruminations on Marlene Dietrich in the form of necklaces featuring enamel smoked cigarettes to the wall reliefs he explores today. Wendy Steiner considers Jocz's place in the avant-garde through the lens of fashion and culture, while Patricia Harris and David Lyon explore his involvement in the rollicking Boston jewellery scene of the late 20th century.
Colombia's contemporary art scene - one of the most vibrant in Latin America - nevertheless remains relatively undocumented outside that country. With profiles of 90 key players and four critical essays, Contemporary Art Colombia captures the renewed dynamism of the Colombian art world. Contemporary Art Colombia features the key figures, museums and spaces so integral to the booming Colombian art scene, including public institutions such as the Museo del Banco de la Republica in Bogota and the Medellin Museo de Arte Moderno; private initiatives such as Art Fair ArtBo; private institutions such as Flora and Fundacion Misol; commercial galleries such as Bogota-based Casas Riegner and Instituto de Vision; artists such as Doris Salcedo, Carlos Motta, Edinson Quinones, and Oscar Munoz; and well-established figures like Celia de Birbragher, the founder and editor of Latin America's leading art magazine, ArtNexus.
A fantastic, single-sided adult coloring book from the bestselling artist behind Fantomorphia, Mythomorphia, Imagimorphia and Animorphia. The perfect stocking stuffer gift for anyone who loves a coloring book challenge! A coloring book like you've never seen before-perfect for colored pencils, crayons, or markers! An amazing adult coloring book challenge, featuring the strange and superdetailed images of artist Kerby Rosanes. Kerby works in intricately detailed black-and-white lines to create creatures, characters, patterns, and tiny elements to form massive compositions of mind-boggling complexity. His second single-sided book invites readers to complete the drawings and find hidden treasures and creatures scattered throughout its pages. Find your zen as you bring this beautiful art to life! Geomorphia is packed full of intricate images of stunning creatures and landscapes morphing and shapeshifting into Kerby's signature, breathtaking scenes. The world that he imagines will excite and transport drawers, as he brings this beautiful fantasyscape and its creatures to life. Geomorphia is an amazing adult coloring book challenge featuring his trademark strange and super-detailed images, and perfect for coloring then posting on the wall or framing.
In Consuming Stories, Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to examining narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, the neo-slave narrative, and the fairy tale and with internationally known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works , along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race, especially when aligned with power and desire. Breaking these implicit rules makes them visible-and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture. Peabody also shows how Walker uses her tools and strategies to unsettle cultural histories abroad when she works outside the United States. These stories, Peabody reminds us, not only change the way people remember history but also shape the entertainment industry. Ultimately, Consuming Stories shifts the critical conversation away from the visual legacy of historical racism toward the present-day role of the entertainment industry-and its consumers-in processes of racialization.
London is full of landmarks that you'll be very familiar with. From the historic St Paul's Cathedral and Tower Bridge to the modern-day architecture of The Shard. It is a city that is forever changing and full of surprises around every corner. But there are a few corners you will never see without looking through the eyes of this book. It will show you a reimagined version of these famous landmarks that will make you question what you see and have you asking, what is real? In this book, London towers transform into giant robots, stars are born from flowers, gateways to other worlds open up through the London Eye and show you a different reality. Every image in this book will show you a surreal version of London, taking you on a visual journey through the city you thought you knew.
Building-related art commissioned by the state brings politics, society, architecture, and urban design together in a unique way. In the German Democratic Republic (GDR), it was initially given the function of propagating political contents and idealized images of society. Artists increasingly emancipated themselves from government guidelines and developed their own forms of expression in interplay with their surroundings. Until today, many people identify numerous artworks with their home country. The publication documents the symposium "Building-related Art in the German Democratic Republic" on the occasion of the anniversary "seventy years of building-related art in Germany" in 2020. Renowned experts examine building-related art in the GDR from the perspective of aesthetics and contents and discuss this internationally unique stock of artworks in detail.
Anyone who has ever laughed out loud at Max Kersting’s brilliant combinations of word and image has immediately become a fan of his unique and original art. He lends new meaning to found photographs with his added speech and thought bubbles. The newly created word-image relationships are, in their sensitive way, as humorous as they are inimitably profound. This connection applies all the more to his new work, which could be called “purely graphic.†Here, Kersting considers the graphic†in its two meanings of drawing and writing, or symbol. Even Roland Barthes compared the flow of the fountain pen to the pressure of the ballpoint pen. Like brilliant emblems from Kersting’s ballpoint pen, the texts are scratched across the paper in brief, marvelously unskilled handwriting, as well as across the existential ground upon which our daily lives occur.
Brandlife examines immersive brand experience across a variety of consumer or service related businesses in the fields of hospitality, retail and dining. Each volume explores a distinct business type and how the standouts work to build a cohesive brand strategy through the integration of graphic identity with space design. This volume looks at cafes and features projects by multidisciplinary studios as well as collaborative teams of graphic designers, makers, and architects, alongside interviews revealing how they work together to realize their unique visions.
LucaPancrazziisoneoftheforemostItaliancontemporary artistsworkingtoday.Hehashadnumeroussoloexhibitons aroundtheworld,includingamajorpresentationatthelast MoscowBiennale. Thisnewworkformspartofanimportantforthcoming exhibitonatGalerieAndreaCaratsch,Zurich. Entitled'StillLife'theexhibitionpresentsaseriesof monochromaticpaintings,largelyofpropsandcornersin hisstudioandworkingenvironment,paintedusingadetailed semi-pointillismtechniquethatfromafarrevealsthesubtle recreationsofbrushes,skulls,jarsandworksurfaces. LucaPancrazzi'spointofviewturnsupsidedownnormal visions,hestimulatesourfantasyalongroutesandthoughts aboutthepresent."Nothinginthisworldiscompletelyidentical forthereasonthattwobodiescannottakeuponeandthesame place.Eachbodyisidenticaltoitselfonly."Thesewordsofthe FlorentinemathematicianCorradoBrodgicanbetakenasan
Bouncing Bodies Fernando Botero's fulsome and frolicking forms Fernando Botero is an artist with his own style. For more than six decades, the Colombian's "Boterismo" technique has captured collectors, institutions, and public spaces worldwide with a unique, fleshy, overblown approach to the human body. Through these corpulent creations, Botero has become one of the most recognized artists from Latin America, his artworks displayed in prominent places around the globe, including Park Avenue in New York City and the Champs-Elysees in Paris. This TASCHEN Basic Art edition offers an essential introduction to this leading figure of figures in contemporary art. Tracing Botero's oeuvre from his earliest caricatures of animals through to recent large-scale bronze sculptures, the book examines the artist's diverse array of influences, from Paolo Uccello to Abstract Expressionism, and celebrates the wit, irony, insight, and critical acumen that round out his compositions, however absurd the proportions.
Energy Overlays provides a glimpse into our post - carbon future where energy infrastructure is seamlessly woven into the fabric of our cities as works of public art. Fifty designs use a variety of renewable energy technologies to arrive at innovative site - specific solutions. Power plants of the future will be the perfect place to have a picnic! On the foreshore of St Kilda with the skyline of Melbourne as a backdrop rises a new kind of power plant - one that merges renewable energy production with leisure , recreation, and education. Energy Overlays provides a roadmap to our sustainable future with essays about the energy transition and beautiful renderings and diagrams of more than fifty designs. The result is a city where the infrastructures that power our world are designed to be reflections of culture, where public parks provide clean electricity to the city grid, and where the art that makes our lives more vibrant and interesting is also part of the solution to climate change. |
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