|
|
Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > String instruments > General
(Banjo). The best-selling banjo method in the world Earl Scruggs's
legendary method has helped thousands of banjo players get their
start. The "Revised and Enhanced Edition" features more songs,
updated lessons, and many other improvements. It includes
everything you need to know to start playing banjo, including: a
history of the 5-string banjo, getting acquainted with the banjo,
Scruggs tuners, how to read music, chords, how to read tablature,
right-hand rolls and left-hand techniques, banjo tunings, exercises
in picking, over 40 songs, how to build a banjo, autobiographical
notes, and much more The book/CD version includes a CD with Earl
Scruggs playing and explaining over 60 examples
(Bass Recorded Versions). 18 bass transcriptions, including:
Another One Bites the Dust * Bicycle Race * Bohemian Rhapsody *
Crazy Little Thing Called Love * Killer Queen * Under Pressure * We
Are the Champions * You're My Best Friend * and more.
 |
Vivaldi Rocks
(Sheet music)
Antonio Vivaldi, Mark Wood
|
R1,552
R1,378
Discovery Miles 13 780
Save R174 (11%)
|
Ships in 9 - 17 working days
|
|
|
In A Notebook for Viola Players, Ivo-Jan van der Werff offers a
guide to playing the viola with the greatest freedom, dexterity,
and ease. It includes right and left hand exercises to build a
sound technique, sections on how to practice them, how to hold the
viola and bow, how to think about good posture, how to create a
good sound, how to play with the least amount of tension, how to
deal with anxiety, and thoughts on wellness and practice
techniques. Alongside these are photographs and a companion website
of video demonstrations of the exercises played by the author, as
if in a lesson. Interspersed throughout the book are lively and
illuminating anecdotes of van der Werff's own experiences as a
student and as a professional musician, as well as a number of
blank pages and staff paper for the student to literally 'make
notes' and write down their own ideas, offering a space for
creative expression using the skills they learn in reading and
playing along with the text. Bringing together decades of teaching
and performance experience from one of the most respected figures
in viola pedagogy, A Notebook for Viola Players is a master class
in viola ideal for any player hoping to perfect the fundamental
areas of their practice.
15 hits from the King arranged for instrumentalists and including a
great full-accompaniment play-along CD so you can sound just like a
pro. Songs include: All Shook Up * Blue Suede Shoes * Hound Dog *
Jailhouse Rock * Love Me Tender * Return to Sender * (Let Me Be
Your) Teddy Bear * and more.
This is the first book to address the full range of performance
issues for the cello from the Baroque to the early Romantic period.
The development of playing techniques and stylistic transitions are
traced regionally through a comparison of Italian, French, German,
English, and East European performance traits. Through a close
study of contemporary violoncello methods, music, early
instruments, periodicals, diaries, letters and pictures, Walden
provides a cohesive overview which examines construction methods
for instruments and bows, fingering and bowing techniques, special
effects and ornamentation, accompanying skills and the stylistic
preferences of the most famous soloists. Richly illustrated with
over 300 music examples, plates and figures, this book provides
playing instructions which can easily be applied by modern players
to their own performance of period music.
This is a performing edition of Walton's String Quartet in A minor,
based on the edition published in the Walton Edition Chamber Music
volume. The work was first performed in 1947 and later revised as
the Sonata for String Orchestra.
This survey of the string quartet by ten chamber music specialists focuses on four main areas: social and musical background to the genre's development; celebrated ensembles and their significance; and string quartet playing. It reviews aspects of contemporary and historical practice, including "mixed ensembles." Informative appendixes and a full chronology of the mainstream repertory complete this compact guide.
A monumental accomplishment from the age of Enlightenment, the
string quartets of Joseph Haydn hold a central place not only in
the composer's oeuvre, but also in our modern conception of form,
style, and expression in the instrumental music of his day. Here,
renowned music historians Floyd and Margaret Grave present a fresh
perspective on a comprehensive survey of the works. This thorough
and unique analysis offers new insights into the creation of the
quartets, the wealth of musical customs and conventions on which
they draw, the scope of their innovations, and their significance
as reflections of Haydn's artistic personality. Each set of
quartets is characterized in terms of its particular mix of
structural conventions and novelties, stylistic allusions, and its
special points of connection with other opus groups in the series.
Throughout the book, the authors draw attention to the boundless
supply of compositional strategies by which Haydn appears to be
continually rethinking, reevaluating, and refining the quartet's
potentials. They also lucidly describe Haydn's famous penchant for
wit, humor, and compositional artifice, illuminating the unexpected
connections he draws between seemingly unrelated ideas, his irony,
and his lightning bolts of surprise and thwarted expectation.
Approaching the quartets from a variety of vantage points, the
authors correct many prevailing assumptions about convention,
innovation, and developing compositional technique in the music of
Haydn and his contemporaries.
Going beyond traditional modes of study, The String Quartets of
Joseph Haydn blends historical analysis and factual information
with critical appraisal in a way that will engage all Haydn
enthusiasts.
Featuring thirteen essays covering different traditions, styles, and instruments, this study is written by influential players, teachers and guitar historians. Its coverage allows the guitarist to learn the analogies and differences between traditions and styles. The genres range from baroque, classical, country, blues and rock to flamenco, African and Celtic.
The viola da gamba was a central instrument in European music from
the late 15th century well into the late 18th. In this
comprehensive study, Bettina Hoffmann offers both an introduction
to the instrument -- its construction, technique and history -- for
the non-specialist, interweaving this information with a wealth of
original archival scholarship that experts will relish. The book
begins with a description of the instrument, and here Hoffmann
grapples with the complexity of various names applied to this and
related instruments. Following two chapters on the instrument's
construction and ancestry, the core of the book is given to a
historical and geographical survey of the instrument from its
origins into the classical period. The book closes with a look at
the revival of interest in the 19th and 20th centuries.
Compilations of violin literature appropriate for students,
arranged by difficulty level.
Aimed at providing advice and direction for the frustrated
guitarist, Guthrie Govan focuses on how you can expand your
potential by refining your playing techniques, allowing you to
tackle more complex riffs and solos. This title is accompanied by
an instructional CD.
This book contains nine pieces from ABRSM's Grade 3 Violin syllabus
for 2020-2023, three pieces chosen from each of Lists A, B and C.
The pieces have been carefully selected to offer an attractive and
varied range of styles, creating a collection that provides an
excellent source of repertoire to suit every performer. The book
also contains helpful footnotes and, for those preparing for exams,
useful syllabus information. Inspiring recordings of the nine
pieces featured in this book, plus piano accompaniment tracks, are
available. These can be purchased as part of the Violin Exam Pieces
with CD package or as audio downloads (see
https://shop.abrsm.org/audiodownloads for more details).
Blues Ukulele is a collection of 16 blues standards arranged for
the ukulele by Fred Sokolow. Each song comes with two arrangements:
The first one gives you lyrics, melody and uke chord grids to strum
while singing. The second is a uke chord/melody tab arrangement, so
you can play the song's melody and chords simultaneously with a lot
of blues licks thrown in. Includes a CD with arrangements of each
song played and sung by Fred Sokolow. Includes: Beale Street Blues
* C.C. Rider * Limehouse Blues * Midnight Special * St. James
Infirmary * St. Louis Blues * 'Tain't Nobody's Biz-ness If I Do *
and 9 others.
 |
Ukulele
(Paperback)
Steven Sproat
|
R353
R328
Discovery Miles 3 280
Save R25 (7%)
|
Ships in 18 - 22 working days
|
|
|
(Music Sales America). Step-by-step pictures take you from
first-day exercises to playing along with a backing track Absolute
Beginners has been designed to tell you everything you need to know
from the very first time you play your ukulele. In one great book
you get: a look-and-learn course that uses clear pictures instead
of long explanations; practical advice and tips covering everything
you need to know to get you playing, fast ; CD audio tracks to show
you how things should sound, plus full-length accompaniment tracks
to play along with ; and more. It's simply everything you need An
owner's manual approach to your ukulele that makes learning easier
than ever before
Viola Time Sprinters is the third book in this hugely successful
series, building on the firm technical and stylistic foundations of
Joggers and Runners. You'll find pieces in first, second, and third
position, as well as a range of bowing techniques, including
spiccato, hooked bowing, and string crossing. The book includes
original pieces in different styles, pieces by a range of
composers, and duets with parts of equal difficulty, together with
a CD of performances and backings. Straightforward piano
accompaniments are available in a separate volume.
(Bass Instruction). A walking bass line is the most common approach
to jazz bass playing, but it is also used in rock music, blues,
rockabilly, R&B, gospel, Latin, country and many other types of
music. The term 'walking' is used to describe the moving feeling
that quarter notes create in the bass part. The specific goal of
this book is to familiarize players with the techniques used to
build walking bass lines and to make them aware of how the process
works. Through the use of 90-minutes' worth of recorded rhythm
tracks, players will have the opportunity to put the new learning
directly into action. This book literally gives bassists the tools
they need to build their own walking bass lines.
This handbook provides a historical account of the development of the violin, viola and their close relatives as well as a practical guide to playing techniques and principles of interpretation. It aims to help performers to play in a historically appropriate style and to guide listeners toward a clearer understanding of the issues that affected string performance during this series' core period (c.1700-c.1900). Its six detailed case studies, which include Bach and Beethoven, will assist readers in forging well-grounded, period interpretations of major works from the repertory.
|
|