(Instrumental Folio). 15 favorites from this Grammy award-winning singer-songwriter, including: Back to December * Change * Fearless * Fifteen * Love Story * Mine * Our Song * Picture to Burn * Should've Said No * Sparks Fly * Speak Now * Teardrops on My Guitar * Today Was a Fairytale * White Horse * You Belong with Me.

The two volumes of Trott's widely used etudes are combined into one convenient, affordable volume.

Utilizing fewer tools and expressing a get-it-done attitude, this useful manual makes the violin-making process easy for the everyday crafter. Using step-by-step instructions and hundreds of detailed drawings and color photographs, the obscure language and unfamiliar techniques of instrument-making are given a populist overhaul in this newly revised and expanded resource. Requiring only basic tools and everyday woods, aspiring luthiers can begin each new project with full-size component cutouts, which are included for each instrument piece. An inspiring full-color gallery of violins made by other amateur crafters is also included. From cutting and shaping each piece to assembly and performance, the theory that only elite crafters can make wood instruments is debunked.

Viola Time Sprinters is the third book in this hugely successful series, building on the firm technical and stylistic foundations of Joggers and Runners. You'll find pieces in first, second, and third position, as well as a range of bowing techniques, including spiccato, hooked bowing, and string crossing. The book includes original pieces in different styles, pieces by a range of composers, and duets with parts of equal difficulty, together with a CD of performances and backings. Straightforward piano accompaniments are available in a separate volume.

This exciting new series by the authors of Fiddle Time, Viola Time, and Cello Time provides great new ensemble material for all string groups, whatever their size. String Time Joggers is a must-have for all those looking for imaginative and enjoyable ensemble repertoire.

Notation in Johannes Brahms's sonata scores tells violinists and pianists far more than merely what pitches to play and how long to play them-if read carefully, these scores reveal an immense amount of expression, both of musical and human essences. Joel Lester's Brahms's Violin Sonatas magnifies key passages from these scores, revealing in clear and accessible language how the composer built his themes and musical narratives and how, ultimately, Brahms's music came to sound Brahmsian. Through close readings and annotated musical examples, Brahms's Violin Sonatas guides practitioners to read scores with care and to develop their own informed interpretation of the pieces, eschewing the notion of a single "correct" interpretation of the historical score. By exploring not only the sonatas' musical elements, but also their relationship to important events in the composer's life, Lester shows how subtle components can communicate the gestures, moods, personalities, and emotions that make Brahms's music so compelling. A companion volume to the author's award-winning 1999 study Bach's Works for Solo Violin: Style, Structure, and Performance (OUP), Brahms's Violin Sonatas is a clear and practical guide to understanding and performing Brahms's music in the present.

Scored by Thomas F. Heck for solo violin with classical guitar accompaniment, this collection includes pieces from Volumes 1-3 of the Suzuki Violin School. Heck, himself a guitarist and Suzuki parent, intended the arrangements to serve as interesting alternative accompaniments to the Violin School repertoire. The contrapuntal interest and enriched timbral possibilities of the violin-with-guitar combination result in unusually appealing chamber music performance pieces suited for young musicians. The intermediate-to-advanced level classical guitar notation is supplemented by chord symbols to enable non-classically trained guitarists to accompany the violin line. Contents are: Twinkle, Twinkle, Little Star Theme and Variations (Shinichi Suzuki) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (T.H. Bayly) * Allegro (Shinichi Suzuki) * Three Minuets from Notebook for Anna Magdalena Bach (J.S. Bach) * Chorus from Judas Maccabaeus (G.F. Handel) * Gavotte (F.J. Gossec) * Musette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (J.S. Bach) * Waltz, Op. 39, No. 15 (J. Brahms) * Theme from Witches' Dance (N. Paganini) * Minuet in G, Wo0 10, No. 2 (L. van Beethoven) * Minuet from Quintet in E (L. Boccherini) * Humoresque, Op. 101, No. 7 (A. DvorAk) * Gavotte (P. Martini) * Gavotte I and II in D from Air for the G String (J.S. Bach) * Minuets, BWV Anh. 114 & BWV Anh. 115 (J.S. Bach).

Comprehensive database of original works written for the standard string quartet during the twentieth century. The sources of information include publishers' list, music reference materials, data from national music information centers, programmes, composers' correspondence and other publicity materials. Lawrence lists countries that have produced string quartets throughout the century, as well as the context of a composer's string-quartet output within the wider range of his/her work. Lawrence's book is a solid, comprehensive basis for investigation, welcome in universities and conservatories, as well as in any music enthusiast's library.

Real Repertoire for Violin, part of the Real Repertoire series has been carefully selected for the intermediate violinist, providing an essential repertoire that players will return to time and again. Pieces have been selected by Mary Cohen and include masterpieces by Bach, Mozart and Brahms as well as lesser known pieces by Bartok and Wieniawski. A lasting inspiration to violinists everywhere.

Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.

Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.

(Easy Guitar). Easy arrangements in notes and tab for 19 of the Beach Boys' best, including: Barbara Ann * California Girls * Fun, Fun, Fun * God Only Knows * Good Vibrations * Help Me Rhonda * I Get Around * In My Room * Kokomo * Little Deuce Coupe * Sloop John B * Surfer Girl * Surfin' Safari * Surfin' U.S.A. * Wouldn't It Be Nice * and more.

Achieving Musical Success in the String Classroom describes a fully pragmatic pedagogical approach toward developing complete musicianship in beginning through advanced level string players by incorporating the ideas of Mimi Zweig, Paul Rolland, and Shinichi Suzuki. Author Karel Butz's philosophical assumptions are explained regarding the structure and purpose of string teaching contributing to a high level of musical artistry among students. Introductory through advanced string concepts relating to instrument set-up, posture, left and right hand development, music theory, aural skills, assessment procedures, imagery in playing, the development individual practice and ensemble skills, and effective rehearsal strategies are explained in a sequential approach that benefit the classroom teacher and student. In addition, several score examples, sample lesson plans, grading rubrics as well as videos of Butz demonstrating his pedagogical ideas and techniques with musicians are included.

This new edition contains all the scales and arpeggios required for ABRSM's Grades 1-5 Cello exams. Contains all scales and arpeggios for the revised syllabus from 2012, with bowing patterns and suggested fingering, and a helpful introduction including advice on preparing for the exam.

This new edition contains all the scales and arpeggios required for ABRSM's Grade 3 Violin exam. Includes all Grade 3 scales and arpeggios for the revised syllabus from 2012, with bowing patterns and suggested fingering, along with a helpful introduction including advice on preparing for the exam.

Riema Abdunnur gives insight into publications focusing on performing violinists, particularly on those suffering from CMD, subsequently providing a better understanding to the unique work conditions of violinists, and enhancing diagnosis and therapeutic results by practitioner dentists. Moreover, the analysis of the included papers aims to reveal what exactly was studied in violinists regarding to CMD, and how far manual medicine was included there. The conclusion of the author is, playing violin could be classified as a potential factor associated with CMD in violinists. More researches that take the interdisciplinary collaboration between dental and manual medicine into special account are recommended.About the Author Riema Abdunnur did her research studies at Medical University of Innsbruck, Austria.

Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character.

The Sheku Kanneh-Mason Cello Collection combines the artist's renowned performance repertoire with his own inspirational compositions, all as performed by Sheku himself. Suitable for the intermediate cellist and beyond, this dynamic volume is sure to spark a desire to perform. With commentary from Sheku revealing the stories behind the pieces and his own expert advice, this collection is a must-have for all aspiring cellists.

Improve your sight-reading! Viola Grades 1-5, by renowned educationalist Paul Harris, is designed to help viola players overcome sight-reading problems, especially in the context of graded exams. Step by step you build up a complete picture of each piece, firstly through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously graded sight-reading pieces.