This collection of 16 tunes, complete with CD and guidance on style and interpretation, gives you all the tools you need to begin exploring klezmer music - the repertoire of Jewish folk musicians originating in eastern Europe. Each tune is presented with helpful notes on tonality, phrasing and bowing, and ornamentation, which will immerse you in the style and help you to develop skills that can be applied throughout the book. The CD includes newly recorded (and selected historical) performances of each tune, together with a complete set of backings. Alternatively, accompanying instruments can play along using the chords above the melody line, or use the sekund and bass parts provided in two pull-out booklets. Whether you have some knowledge of the repertoire's distinctive sound and feel or none at all, Klezmer Fiddle is the perfect way to build up a body of fantastic tunes for any occasion.

(Bass Recorded Versions). 18 bass transcriptions, including: Another One Bites the Dust * Bicycle Race * Bohemian Rhapsody * Crazy Little Thing Called Love * Killer Queen * Under Pressure * We Are the Champions * You're My Best Friend * and more.

Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21, and here presents five variants that are, in his own words, 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair, and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21, and here presents five variants that are, in his own words, 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair, and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21, and here presents five variants that are, in his own words, 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair, and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21, and here presents five variants that are, in his own words, 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair, and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

This exciting series by the authors of Fiddle Time, Viola Time, and Cello Time provides great ensemble material for all string groups, whatever their size. String Time Joggers is a must-have for all those looking for imaginative and enjoyable ensemble repertoire.

This exciting new series by the authors of Fiddle Time, Viola Time, and Cello Time provides great new ensemble material for all string groups, whatever their size. String Time Joggers is a must-have for all those looking for imaginative and enjoyable ensemble repertoire.

A "hidden" instrument in the classical music world, the mandolin's repertoire of original music remains largely unknown. This book examines the lives and works of the mandolin's great composers and, together with Sparks's earlier The Early Mandolin (Oxford 1989), provides the first comprehensive survey of the instrument's history. The book also explores aspects of technique and looks at present-day orchestras and soloists.

(Bass Instruction). A walking bass line is the most common approach to jazz bass playing, but it is also used in rock music, blues, rockabilly, R&B, gospel, Latin, country and many other types of music. The term 'walking' is used to describe the moving feeling that quarter notes create in the bass part. The specific goal of this book is to familiarize players with the techniques used to build walking bass lines and to make them aware of how the process works. Through the use of 90-minutes' worth of recorded rhythm tracks, players will have the opportunity to put the new learning directly into action. This book literally gives bassists the tools they need to build their own walking bass lines.

An analysis of the physics and physiology involved in playing the cello. For performers, teachers, and mature students.

*A RADIO 4 BOOK OF THE WEEK* 'Utterly enthralling - a beautifully-written voyage of discovery that takes us deep into the heart of music-making' Deborah Moggach From the moment she hears Lev's violin for the first time, Helena Attlee is captivated. She is told that it is an Italian instrument, named after its former Russian owner. Eager to discover all she can about its ancestry and the stories contained within its delicate wooden body, she sets out for Cremona, birthplace of the Italian violin. This is the beginning of a beguiling journey whose end she could never have anticipated. Making its way from dusty workshops, through Alpine forests, cool Venetian churches, glittering Florentine courts, and far-flung Russian flea markets, Lev's Violin takes us from the heart of Italian culture to its very furthest reaches. Its story of luthiers and scientists, princes and orphans, musicians, composers, travellers and raconteurs swells to a poignant meditation on the power of objects, stories and music to shape individual lives and to craft entire cultures.

Jazzin' About Fun Pieces for Cello presents 8 orignal repertoire peices arranged for cello with piano accompaniment by Pam Wedgwood. Cool syncopation, funky riffs and smooth, stylish tunes - from dynamic to nostalgic, this series has it all. Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles. So take a break from the classics and get into the groove as you cruise from blues, to rock, to jazz for cello and piano. **Trinity College London selected pieces (Cello 2010-2012): Hungarian Stomp (Wedgwood) Ho Down - Show Down (Wedgwood) Rock-a-bow Baby (Wedgwood)

How did a small, humble folk instrument become an American icon? How did the guitar come to represent freedom, the open road, protest and rebellion, the blues, youth, lost love, and sexuality? In this intensely personal memoir and informative history, National Public Radio commentator and essayist Tim Brookes recounts his quest to build the perfect guitar. Pairing up with a master artisan from the Green Mountains of Vermont, Brookes sees how a rare piece of cherry wood is hued, dovetailed, and worked on with saws, rasps, and files. As his prized instrument takes shape, Brookes also narrates the long and winding history of the guitar in the United States. Arriving with conquistadors and the colonists, the guitar has found itself in an extraordinary variety of hands: miners and society ladies, lumberjacks and presidents' wives. In time, the guitar became America's vehicle of self-expression, its modern soundtrack. "Guitar" is a rare glimpse of one man's search for music. It is sure to resonate with musicians and non-musicians alike.

(Ukulele Chord Songbook). This series features convenient 6 x 9 books with complete lyrics and chord symbols above the lyrics for dozens of great songs. Each song also includes chord grids at the top of every page and the first notes of the melody for easy reference. These books are perfect for people who don't read music but want to strum chords and sing, and are equally ideal for more advanced, music-reading ukulele players who don't feel like wading through note-for-note notation. This collection features 100 favorites from the Fab Four: Across the Universe * Back in the U.S.S.R. * Carry That Weight * Dear Prudence * Eight Days a Week * Good Day Sunshine * Here Comes the Sun * If I Fell * Love Me Do * Michelle * Ob-La-Di, Ob-La-Da * Revolution * Something * Ticket to Ride * We Can Work It Out * and many more.

This book contains nine pieces from ABRSM's Grade 4 Violin syllabus for 2020-2023, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. The enclosed CD features inspiring recordings of the nine pieces in this book, plus piano accompaniment tracks for use when practising. A version of this book without the CD is also available, as are audio downloads (see https://shop.abrsm.org/audiodownloads for more details).

(Easy Piano Vocal Selections). Over 50 Disney delights, including: The Ballad of Davy Crockett * The Bare Necessities * Bibbidi-Bobbidi-Boo * Candle on the Water * Chim Chim Cher-ee * A Dream Is a Wish Your Heart Makes * Heigh-Ho (The Dwarfs' Marching Song) * It's a Small World * Kiss the Girl * The Siamese Cat Song * Someday My Prince Will Come * Supercalifragilisticexpialidocious * Under the Sea * When You Wish Upon a Star * Winnie the Pooh * Zip-A-Dee-Doo-Dah * and more.

Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900. Modern composers as diverse as Bela Bartok, Maurice Ravel, Benjamin Britten, and John Cage have confided some of their most personal and intense thoughts to the medium of the string quartet. The resulting repertoire has won the allegiance of string players-and of listeners in the concert hall and at home. Yet, until now, no book has addressed the language of these remarkable works, their interactions with the masterpieces of Beethoven and others, and theirnew approaches to musical expression. Intimate Voices, organized in rough chronological order, offers the observations and intuitions of leading authorities on quartets by twenty-one composers from eleven countries. Its two volumes-available separately or together-comprise an indispensable guide to amateur and professional chamber musicians, scholars, students, and anyone seeking a deeper acquaintance with the great achievements of twentieth-century music. Edited by Evan Jones, Associate Professor of Music Theory, Florida State University College of Music.

Play the Viol is the first comprehensive guide to appear in modern times and covers the treble, tenor, and bass viol. Its detailed technical instruction is based on original sources and on Alison Crum's extensive experience of performing and teaching. The book assumes no knowledge beyond an ability to read music, but aims to help players to reach an advanced standard, even without regular access to a teacher.