Time Pieces is an exciting new series of repertoire which explores the wealth of music written from the sixteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written too so you can map your journey through time. Time Pieces for Cello is a three-volume anthology providing a graded selection of well-crafted and idiomatic arrangements, as well as some original pieces, for cello and piano. All of them have been carefully written to provide practice of the keys, note ranges and fingering patterns encountered in the early grades, and there are suggestions for position work and varied bowing patterns. Each volume balances well-known pieces with less familiar music, and the emphasis throughout is on tuneful repertoire perfectly suited to the cello with a simple supportive piano accompaniment. From Tallis to Tchaikovsky and from Haydn to Britten, Time Pieces for Cello allows the pupil to get a real feel for the different styles of music through tune and will prove an invaluable, varied source of further study and recital repertoire. Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

Thirty-eight titles, including Les Rameaux, by Faure; Ave Maria, by Grieg; Spring Song, by Mendelssohn; Barcarolle, by Offenbach; The Swan, by Sain-Saens; Traumerei, by Schumann; and Valse Triste, by Sibelius.

Among the great names in the history of harpsichord making, that of the Ruckers is probably the most famous. This dynasty of makers, represented by four generations active in Antwerp between c.1580 and c.1680, exerted a predominant influence in Western Europe. Their harpsichords and virginals, synonyms of extraordinary workmanship, acquired a tremendous reputation that extended beyond European borders and lasted until well after their active period. The envy they inspired was such that it gave rise to large-scale counterfeiting, probably the most significant in the field of instrument making up to then. The MIM, the Musical Instruments Museum, Brussels, owns eighteen instruments considered at the time of their acquisition to be Ruckers. Given the considerable patrimonial interest of this collection, a project centred on its conservation, study, restoration and enhancement was set up. The present publication sums up this fascinating research and sheds new light on this outstanding heritage.

A good guitar repairman is hard to find, and when found, a long waiting list seems inevitable. Those who have confronted this problem may now turn to Don E. Teeter's encyclopedic treatment of guitar adjustment, maintenance, and repair. Profusely illustrated with line drawings and photographs and written in a clear and straightforward style, this book takes the reader on a guided tour of the acoustic guitar's various parts and their functions. Teeter provides detailed instructions for disassembling and assembling guitars, describes the tools and materials used in their repair, and gives step-by-step procedures for major and minor repairs, inlay work, and refinishing.

The book is not just for the experts in guitar repair. As Teeter notes, "Quite a few of the techniques listed in this manual, such as adjusting tension rods, adjusting string heights (action), repairing minor cracks, setting movable bridges for proper intonation (note accuracy), dressing and polishing frets, gluing loose bridges, changing machine heads and of course, the proper care and maintenance of the instruments, are within the capabilities of the average amateur with limited tools."

Teach violin with the popular Suzuki Violin School. Revised edition features:
New engravings in a 9" x 12" format
New editing of pieces, including bowings and fingerings
16 additional pages
Additional exercises, some from Dr. Suzuki, plus additional insight and suggestions for teachers
Glossary of terms in English, French, German and Spanish
Musical notation guide
Fingerboard position.
Titles: Chorus from Judas Maccabaeus (G. F. Handel), Musette (J. S. Bach), Hunters' Chorus (C. M. v. Weber), Long, Long Ago (T. H. Bayly), Waltz (J. Brahms), Bourr?e (G. F. Handel), The Two Grenadiers (R. Schumann), Theme from Witches' Dance (N. Paganini), Gavotte from Mignon (A. Thomas), Gavotte (J. B. Lully), Minuet in G (L. van Beethoven), Minuet (L. Boccherini)
This title is available in SmartMusic.

(Music Sales America). Over 350 authentic bluegrass licks are included in this book, which also discusses how to apply the licks to create your own solos and expand your musical understanding and knowledge of the fingerboard. It features special sections on bluesy licks, trail-offs, playing in closed positions up the neck, crosspicking, floating, double stops, and more. A special celebrity section featuring the licks of Doc Watson, Norman Blake, Dan Crary, Tony Rice and Mark O'Connor is also included.

Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from "twinkle, twinkle" in Book 1 to music by Vivaldi in Book 5.

Yehudi Menuhin shares with the reader his unique store of understanding about the violin, about how to exercise and practise, about the techniques of performance. His reflections on the nature and scope of his instrument are profoundly illuminating and his theories on interpretation particularly valuable. A section on the violinist as teacher/student contains a fascinating transcript of a lesson with Yehudi Menuhin, who also writes separately about the violinist as orchestral player, leader, chamber music player, recitalist and soloist. William Primrose writes the distinguished monograph on the viola and describes the instrument as 'a violin with a college education'. He was an acknowledged technical master of the viola who, along with Lionel Tertis, was one of the finest exponents of this beautiful instrument of the 20th century. Denis Stevens, the British musicologist and specialist in early music, provides and interesting chapter on the history of the violin and looks in detail at the monumental challenge that is Bach's Six Solos for Violin without Bass Accompaniment better known as the Sonatas and Partitas for Violin.

The Suzuki MethodA(R) of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Suzuki Cello School materials include: Cello Parts (Vol. 1-10) * Piano Accompaniments (Vol. 1-8) * Cassettes (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard) * Compact Discs (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard). Suzuki MethodA(R) Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

(Play It Like It Is). This matching folio showcases Satriani's chilling guitar technique. Ten songs in all, including: Always With Me, Always With You * Satch Boogie * and more.

The Suzuki MethodA(R) of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Suzuki Cello School materials include: Cello Parts (Vol. 1-10) * Piano Accompaniments (Vol. 1-8) * Cassettes (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard) * Compact Discs (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard). Suzuki MethodA(R) Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

Air Guitar is renegade art critic and Art Issues editor Dave Hickey's assessment of the beauties and potentialities of American culture, "high" and "low, " presented in a series of reflections on his experiences as the child of a jazz musician, abortive graduate student, amateur art dealer, professional songwriter, music journalist, and resident of Las Vegas.

The banjo has been called by many names over its history, but they all refer to the same sound-strings humming over skin-that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America's iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance. Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo's sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.

Titles: Concerto in D Major, K. 218 (Allegro, Andante cantabile, Rondeau) (W.A. Mozart) (Joachim/arr. S. Suzuki) * Points of Practice.
This title is available in SmartMusic.

(Stylistic Method). Take your playing to the stratosphere with the most advanced lead book by this proven heavy metal author. Speed Mechanics is the ultimate technique book for developing the kind of speed and precision in today's explosive playing styles. Learn the fastest ways to achieve speed and control, secrets to make your practice time really count, and how to open your ears and make your musical ideas more solid and tangible. Packed with over 200 vicious exercises including Troy's scorching version of "Flight of the Bumblebee." Music and examples demonstrated on CD. 89-minute audio.

Cello Basics is a landmark method by two of the leading figures in music education. Comprising the student's lesson book, free downloadable accompaniment parts, and online audio, Cello Basics provides everything you need to get playing: step-by-step technical progression supported by fun exercises and warm-ups, a wide range of imaginative repertoire, helpful fact files and rhythm boxes, music theory and general musicianship activities, online audio of the piano accompaniments, and downloadable accompaniments (piano and cello duet parts)