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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > String instruments > General
In this volume fifteen musicologists from five countries present
new findings and observations concerning the production,
distribution and use of music manuscripts and prints in
seventeenth-century Europe. A special emphasis is laid on the Duben
Collection, one of the largest music collections of
seventeenth-century Europe, preserved at the Uppsala University
Library. The papers in this volume were initially presented at an
international conference at Uppsala University in September 2006,
held on the occasion of the launching of The Duben Collection
Database Catalogue on the Internet. For the first time, the entire
collection had been made acessible worldwide, covering a vast
number of musical and philological aspects of all items in the
collection.
This book contains all the scales and arpeggios required for
ABRSM's Descant Recorder exams at Grades 1-5. It features all the
new requirements from 2018, arranged in grade order.
This book contains all the scales and arpeggios required for
ABRSM's Flute exams at Grades 6-8. It features all the new
requirements from 2018, arranged in grade order
This survey of the string quartet by ten chamber music specialists focuses on four main areas: social and musical background to the genre's development; celebrated ensembles and their significance; and string quartet playing. It reviews aspects of contemporary and historical practice, including "mixed ensembles." Informative appendixes and a full chronology of the mainstream repertory complete this compact guide.
*A RADIO 4 BOOK OF THE WEEK* 'Utterly enthralling - a
beautifully-written voyage of discovery that takes us deep into the
heart of music-making' Deborah Moggach From the moment she hears
Lev's violin for the first time, Helena Attlee is captivated. She
is told that it is an Italian instrument, named after its former
Russian owner. Eager to discover all she can about its ancestry and
the stories contained within its delicate wooden body, she sets out
for Cremona, birthplace of the Italian violin. This is the
beginning of a beguiling journey whose end she could never have
anticipated. Making its way from dusty workshops, through Alpine
forests, cool Venetian churches, glittering Florentine courts, and
far-flung Russian flea markets, Lev's Violin takes us from the
heart of Italian culture to its very furthest reaches. Its story of
luthiers and scientists, princes and orphans, musicians, composers,
travellers and raconteurs swells to a poignant meditation on the
power of objects, stories and music to shape individual lives and
to craft entire cultures.
Featuring thirteen essays covering different traditions, styles, and instruments, this study is written by influential players, teachers and guitar historians. Its coverage allows the guitarist to learn the analogies and differences between traditions and styles. The genres range from baroque, classical, country, blues and rock to flamenco, African and Celtic.
Encore Violin is the official collection of best-loved ABRSM violin
exam pieces, selected from syllabuses of the past few decades.
Violinists will find an appealing mix of repertoire, while teachers
can be confident that the perfect balance of content has been
selected at every level. Book 3 features popular pieces at Grades 5
and 6. Have fun exploring modern favourites and timeless classics,
like the Bach-Gounod Ave Maria or Brahms's Hungarian Dance in G
minor. Footnotes provide background information, a summary of the
key skills that each piece develops, and new ideas for exploring
the music. Perfect for learners exploring repertoire for the
own-choice piece in ABRSM's Performance Grade exams
Principal Cello is an exciting collection of 12 pieces for more
advanced cellists. Covering Grades 6-8, it features music in a
range of styles with works by Janacek, Debussy and Grieg sitting
alongside hidden gems by William H. Squire and Georg Goltermann.
Cello arrangements of popular recital pieces such as Borowski's
Adoration are also included, making this the ideal companion for
exploring new repertoire in practice, concerts or exams. Key
features: *
This is a compact, composite and authoritative survey of the history and development of the cello from its origins to the present day. Its carefully structured series of thirteen essays deals with the history and construction of the cello and bow, discusses the careers of the most distinguished cellists through history, surveys the repertory of the instrument in unprecedented detail and reviews teaching methods, technical developments and issues of performance practice. It is the most comprehensive book ever to be published about the instrument.
(Violin Play-Along). The Violin Play-Along series will help you
play your favorite songs quickly and easily. Just follow the music,
listen to the demonstration tracks to hear how the violin should
sound, and then play along using the separate backing tracks. The
purchase price includes online access to audio for download or
streaming. Songs in this volume include: All of Me * Don't You
Worry Child * Fix You * Good Feeling * My Immortal * Pokemon Theme
* Radioactive * Star Wars Medley. Online audio is accessed at (a
href="http: //www.halleonard.com/mylibrary"
target="_blank")halleonard.com/mylibrary(/a)
(Ukulele). The Ukulele from the Beginning Pop Songs The Blue Book
is a great collection of 15 favorite pop songs, specially chosen
and arranged for primary school-age and early secondary school-age
children. The songs are simplified, and annotated with easy chord
symbols, strumming and picking patterns. This is a truly accessible
pop songbook, combing a great deal of contemporary repertoire with
a selection of true pop classics. Songs include: Bleeding Love *
Call My Name * Fireflies * Locked Out of Heaven * Love Story * Mad
World * and more.
(Sitar). The Hal Leonard Sitar Method is designed for anyone just
learning to play the sitar. This comprehensive and easy-to-use
beginner's guide serves as an introduction to sitar and its
technique, as well as the practice, theory, and history of raga
music. The accompanying CD includes 42 tracks for demonstration and
play-along. Lessons include: choosing an instrument; tuning;
postures; right- and left-hand technique; Indian notation; raga
forms; melodic patterns; bending strings; hammer-ons, pull-offs,
and slides; changing strings; recommended listening; and much more
In the early seventeenth century, enthusiasm for the violin swept
across Europe-this was an instrument capable of bewitching
virtuosity, with the power to express emotions in a way only before
achieved with the human voice. With this new guide to the Baroque
violin, and its close cousin, the Baroque viola, distinguished
performer and pedagogue Walter Reiter puts this power into the
hands of today's players. Through fifty lessons based on the
Reiter's own highly-renowned course at The Royal Conservatory of
the Hague, The Baroque Violin & Viola, Volume II provides a
comprehensive exploration of the period's rich and varied
repertoire. The lessons in Volume II cover the early
seventeenth-century Italian sonata, music of the French Baroque,
the Galant style, and the sonatas of composers like Schmelzer,
Biber, and Bach. Practical exercises are integrated into each
lesson, and accompanied by rich video demonstrations on the book's
companion website. Brought to life by Reiter's deep insight into
key repertoire based on a lifetime of playing and teaching, The
Baroque Violin & Viola, Volume II: A Fifty-Lesson Course will
enhance performances of professional and amateur musicians alike.
The Cambridge Companion to the Violin offers students, performers and scholars a fascinating and composite survey of the history and repertory of the instrument from its origins to the present day. The volume comprises fifteen essays, written by a team of ten specialists, and is intended to develop the violin's historical perspective in breadth from every relevant angle. The main subjects discussed include the instrument's structure and development; its fundamental accoustical properties; principal exponents; technique and teaching methods; solo and ensemble repertory; pedagogical literature; traditions in folk music and jazz; and aspects of historical performing practice. The text is supported by numerous illustrations and diagrams as well as music examples, a useful appendix, glossary of technical terms and an extensive bibliography.
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