|
|
Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > String instruments > General
This new edition contains all the scales and arpeggios required for
ABRSM's Grade 7 Violin exam. Includes all Grade 7 scales and
arpeggios for the revised syllabus from 2012, with bowing patterns
and suggested fingering, along with a helpful introduction
including advice on preparing for the exam.
This new edition contains all the scales and arpeggios required for
ABRSM's Grade 8 Violin exam. Includes all Grade 8 scales and
arpeggios for the revised syllabus from 2012, with bowing patterns
and suggested fingering, along with a helpful introduction
including advice on preparing for the exam.
Teaching Strings in Today's Classroom: A Guide for Group
Instruction assists music education students, in-service teachers,
and performers to realize their goals of becoming effective string
educators. It introduces readers to the school orchestra
environment, presents the foundational concepts needed to teach
strings, and provides opportunities for the reader to apply this
information. The author describes how becoming an effective string
teacher requires three things of equal importance: content
knowledge, performance skills, and opportunities to apply the
content knowledge and performance skills in a teaching situation.
In two parts, the text addresses the unique context that is
teaching strings, a practice with its own objectives and related
teaching strategies. Part I (Foundations of Teaching and Learning
String Instruments) first presents an overview of the string
teaching environment, encouraging the reader to consider how
context impacts teaching, followed by practical discussions of
instrument sizing and position, chapters on the development of each
hand, and instruction for best practices concerning tone
production, articulation, and bowing guidelines. Part II
(Understanding Fingerings) provides clear guidance for
understanding basic finger patterns, positions, and the creation of
logical fingerings. String fingerings are abstract and thus
difficult to negotiate without years of playing experience-these
chapters (and their corresponding interactive online tutorials)
distill the content knowledge required to understand string
fingerings in a way that non-string players can understand and use.
Teaching Strings in Today's Classroom contains pedagogical
information, performance activities, and an online virtual teaching
environment with twelve interactive tutorials, three for each of
the four string instruments. ACCOMPANYING VIDEOS CAN BE ACCESSED
VIA THE AUTHOR'S WEBSITE: www.teachingstrings.online
A look and learn course that uses clear pictures instead of long
explanations. Practical advice and tips covering everything you
need to know to start playing, fast. CD demonstration tracks, plus
full-length accompaniments to play along with. Covers correct
posture and playing position, pima fingerstyle, strumming, reading
standard musical notation and TAB. An 'owner's manual' approach to
the guitar that makes learning even easier than before.
For the first time, Star Wars(R) A Musical Journey (Music from
Episodes I-VI): Instrumental Solos includes selections from all six
Star Wars(R) movies arranged for Flute, Clarinet, Alto Sax, Tenor
Sax, Trumpet, Horn in F, Trombone, Piano Accompaniment, Violin,
Viola and Cello. The arrangements are completely compatible with
each other and can be played together or as solos. Due to level
considerations regarding keys and instrument ranges, the wind
instrument arrangements are not compatible with the string
instrument arrangements in this series. Each book contains a
carefully edited part that is appropriate for the Level 2--3 player
and a fully orchestrated accompaniment CD. Each song on the CD
includes a demo track, which features a live instrumental
performance, followed by the play-along track itself. Also included
is 4-color art as well as black and white art from the movies.
Titles:
Episodes I -- VI
1. Star Wars (Main Theme)
Episode I: The Phantom Menace
2. Jar Jar's Introduction
3. Augie's Great Municipal Band
4. Qui-Gon's Funeral
5. Duel of the Fates
6. Anakin's Theme
7. The Flag Parade
Episode II: Attack of the Clones
8. Across the Stars
9. The Arena
10. The Meadow Picnic
Episode III: Revenge of the Sith
11. Battle of the Heroes
Episode IV: A New Hope
12. Cantina Band
13. The Throne Room
Episode V: The Empire Strikes Back
14. The Imperial March
15. May the Force be With You
Episode VI: Return of the Jedi
16. Princess Leia's Theme This title is available in SmartMusic.
The Original Guitar Case Chord Book has long been considered the
essential reference for guitarists. Now the Silver Anniversary
Edition includes a specially recorded, full-length audio CD.
(Bass Instruction). Legendary jazz bassist Ray Brown reveals his
lessons and teaching philosophy in this in-depth book. Includes:
solo exercises and arpeggios; music fundamentals; right- and
left-hand positions; scales; chords; exercises in tenths; rhythm
patterns with "drops"; diminished chords; runs and variations;
blues patterns; extension scales; and much more.
Titles: Lullaby (Tonalization) (F. Schubert); Lullaby
(Tonalization) (J. Brahms); Concerto No. 2 in G Major, Op. 13, 3rd
Movement (F. Seitz); Concerto No. 5 in D Major, Op. 22, 1st
Movement (F.Seitz); Concerto No. 5 in D Major, Op. 22, 3rd Movement
(F. Seitz); Concerto in A Minor, 1st Movement, Op. 3, No. 6 (A.
Vivaldi/T. Nachez); Concerto in A Minor, 3rd Movement, Op. 3, No. 6
(A. Vivaldi/T. Nachez); Perpetual Motion, "Little Suite No. 6" (K.
Bohm); Concerto for Two Violins in D Minor, BWV 1043, 1st Movement,
Violin II (J. S. Bach)
This title is available in SmartMusic.
collection for cello and piano, with audio tracks online Solo Time
for Cello is a two-volume series of concert pieces for the
intermediate to advanced cellist. Featuring arrangements and
original pieces by the composers of the award-winning Cello Time
series, these graded collections provide a diverse range of
repertoire from the Baroque to the modern age and introduce players
to exciting new arrangements of amongst others, Amy Beach, Florence
Price, Teresa Carreno, and Samuel Coleridge-Taylor.
In A Notebook for Viola Players, Ivo-Jan van der Werff offers a
guide to playing the viola with the greatest freedom, dexterity,
and ease. It includes right and left hand exercises to build a
sound technique, sections on how to practice them, how to hold the
viola and bow, how to think about good posture, how to create a
good sound, how to play with the least amount of tension, how to
deal with anxiety, and thoughts on wellness and practice
techniques. Alongside these are photographs and a companion website
of video demonstrations of the exercises played by the author, as
if in a lesson. Interspersed throughout the book are lively and
illuminating anecdotes of van der Werff's own experiences as a
student and as a professional musician, as well as a number of
blank pages and staff paper for the student to literally 'make
notes' and write down their own ideas, offering a space for
creative expression using the skills they learn in reading and
playing along with the text. Bringing together decades of teaching
and performance experience from one of the most respected figures
in viola pedagogy, A Notebook for Viola Players is a master class
in viola ideal for any player hoping to perfect the fundamental
areas of their practice.
22 melodies for violin and piano designed to help students learn
the correct method of shifting from one position to another. The
position changes are from 1st to 3rd and vice versa and when
mastered the same technique can be applied to all other position
changes. This book is suitable for individual and class tuition.
Viola Time Joggers is a landmark book in the popular Viola Time
series, which is enjoyed by students and teachers all over the
world. It contains Kathy and David Blackwell's trademark attractive
and engaging compositions that appeal to learners of all ages. This
book contains viola accompaniments for the tunes in Viola Time
Joggers. These fun, characterful duet parts are suitable for a
teacher or more advanced student, and will enhance lessons by
providing an alternative accompaniment option for these popular
pieces.
collection for cello and piano, with audio tracks online Solo Time
for Cello is a two-volume series of concert pieces for the
intermediate to advanced cellist. Featuring arrangements and
original pieces by the composers of the award-winning Cello Time
series, these graded collections provide a diverse range of
repertoire from the Baroque to the modern age and introduce players
to exciting new arrangements of amongst others, Amy Beach, Florence
Price, Teresa Carreno, and Samuel Coleridge-Taylor.
String players face a bewildering array of terms related to their
instruments. Because string playing is a living art form, passed
directly from master to student, the words used to convey complex
concepts such as bow techniques and fingering systems have
developed into an extensive vocabulary that can be complicated,
vague, and even contradictory. Many of these terms are derived from
French, Italian, or German, yet few appear in any standard music
dictionary. Moreover, the gulf separating classical playing from
fiddle, bluegrass, jazz, and other genres has generated
style-specific terms rarely codified into any reference work. All
Things Strings: An Illustrated Dictionary bridges this gap, serving
as the only comprehensive resource for the terminology used by the
modern string family of instruments. All of the terms pertaining to
violin, viola, cello, and double bass, inclusive of all genres and
playing styles, are defined, explained, and illustrated in a single
text. Entries include techniques from shifting to fingerboard
mapping to thumb position; the entire gamut of bowstrokes; terms
found in orchestral parts; instrument structure and repair;
accessories and equipment; ornaments (including those used in jazz
and bluegrass); explanations of various bow holds; conventions of
orchestral playing; and types of strings, as well as information on
a select number of famous luthiers, influential pedagogues, and
legendary performers. All Thing Strings is expertly illustrated
with original drawings by T. M. Larsen and musical examples from
the standard literature. Appendixes include an extensive
bibliography of recommended reading for string players and a
detailed chart of bowstrokes showing notation and explaining
execution. As the single best source for understanding string
instruments and referencing all necessary terminology, All Things
Strings is an essential tool for performers, private teachers,
college professors, and students at all levels. It is also an
invaluable addition to the libraries of orchestra directors and
composers wishing to better understand the complexities of string
playing. With the inclusion of terms relevant to all four modern
string instruments played in all genres from jazz to bluegrass to
historically informed performance this resource serves the needs of
every string musician."
New research throws light on the history of the viol after Purcell,
including its revival in the late eighteenth century through
Charles Frederick Abel. It is normally thought that the bass viol
or viola da gamba dropped out of British musical life in the 1690s,
and that Henry Purcell was the last composer to write for it. Peter
Holman shows how the gamba changed its role and function in the
Restoration period under the influence of foreign music and
musicians; how it was played and composed for by the circle of
immigrant musicians around Handel; how it was part of the fashion
for exotic instruments in themiddle of the century; and how the
presence in London of its greatest eighteenth-century exponent,
Charles Frederick Abel, sparked off a revival in the 1760s and 70s.
Later chapters investigate the gamba's role as an emblem of
sensibility among aristocrats, artists and intellectuals, including
the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence
Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's
influence and legacy farinto the nineteenth century. A concluding
chapter is concerned with its role in the developing early music
movement, culminating with Arnold Dolmetsch's first London concerts
with old instruments in 1890. PETER HOLMAN is Professor Emeritus of
Historical Musicology at Leeds University, and director of The
Parley of Instruments, the choir Psalmody, and the Suffolk Villages
Festival.
(Guitar Recorded Versions). 13 songs from the album Alice in Chains
Unplugged, including: Angry Chair * Brother * Down in a Hole *
Frogs * Got Me Wrong * Heaven Beside You * Killer Is Me * No
Excuses * Nutshell * Over Now * Rooster * Sludge Factory * Would?
A comprehensive, lesson by lesson method covering all aspects of
playing bass guitar in a group; with special emphasis on riffs,
scales and arpeggios, techniques, music reading and theory as it
relates to the bass guitar. You do not need to read music to use
this book. Contains 48 Lessons. Also including a CD & DVD
matching the lessons and exercises in the book.
In this book, Steve Khan shares his approach to chord construction
on guitar, an area in which he has become famous. He has taken a
complex subject and broken it down into simple building blocks and
small study units. Players will learn to extend their sense of
harmony by the superimposition of chord forms which are familiar,
as well as a world of new ones. With two CDs full of performed
examples, play-along tracks, and five completely new compositions
by Steve Khan available only in this package.
|
|