This exciting new series by the authors of Fiddle Time, Viola Time, and Cello Time provides great new ensemble material for all string groups, whatever their size. String Time Joggers is a must-have for all those looking for imaginative and enjoyable ensemble repertoire.

A "hidden" instrument in the classical music world, the mandolin's repertoire of original music remains largely unknown. This book examines the lives and works of the mandolin's great composers and, together with Sparks's earlier The Early Mandolin (Oxford 1989), provides the first comprehensive survey of the instrument's history. The book also explores aspects of technique and looks at present-day orchestras and soloists.

(Technical Reference). A must for instrument owners, this guide provides illustrated step-by-step instructions for bow rehairing, repair and restoration of the violin, viola, cello and string bass. Features more than 100 richly detailed illustrations!

Available for violin, viola, and cello, this book includes a CD featuring performances of all the pieces and exercises with piano accompaniments and some additional backing.

Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character.

Jazzin' About Fun Pieces for Cello presents 8 orignal repertoire peices arranged for cello with piano accompaniment by Pam Wedgwood. Cool syncopation, funky riffs and smooth, stylish tunes - from dynamic to nostalgic, this series has it all. Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles. So take a break from the classics and get into the groove as you cruise from blues, to rock, to jazz for cello and piano. **Trinity College London selected pieces (Cello 2010-2012): Hungarian Stomp (Wedgwood) Ho Down - Show Down (Wedgwood) Rock-a-bow Baby (Wedgwood)

In a music business amply buffered against surprise, Danny Gatton swam stubbornly, from country, to gospel, rockabilly, soul, and standards. "Redneck Jazz" became Gatton's calling card for playing whatever and whenever he wanted. Hailed as the best unknown guitar player by both Rolling Stone and Guitar player magazines, he was a players' player who never received the popular acclaim he deserved. The struggle to reach a wider audience while staying true to his own muse proved to much for him to bear, and in 1994 he took his own life. Gatton's legend has only grown since his untimely death, along with appreciation for his blinding speed, effortless genre-hopping, flawless technique, and never-ending appetitie for tinkering and problem-solving. Unfinished Business places Gatton's musical contributions into context, as well as his influence on those peers who admired him most, including Albert Lee, Vince Gill, Arlen Roth, and Lou Reed.

How did a small, humble folk instrument become an American icon? How did the guitar come to represent freedom, the open road, protest and rebellion, the blues, youth, lost love, and sexuality? In this intensely personal memoir and informative history, National Public Radio commentator and essayist Tim Brookes recounts his quest to build the perfect guitar. Pairing up with a master artisan from the Green Mountains of Vermont, Brookes sees how a rare piece of cherry wood is hued, dovetailed, and worked on with saws, rasps, and files. As his prized instrument takes shape, Brookes also narrates the long and winding history of the guitar in the United States. Arriving with conquistadors and the colonists, the guitar has found itself in an extraordinary variety of hands: miners and society ladies, lumberjacks and presidents' wives. In time, the guitar became America's vehicle of self-expression, its modern soundtrack. "Guitar" is a rare glimpse of one man's search for music. It is sure to resonate with musicians and non-musicians alike.

This book contains nine pieces from ABRSM's Grade 4 Violin syllabus for 2020-2023, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. The enclosed CD features inspiring recordings of the nine pieces in this book, plus piano accompaniment tracks for use when practising. A version of this book without the CD is also available, as are audio downloads (see https://shop.abrsm.org/audiodownloads for more details).

The contribution of the British Isles to the history of the violin family has been consistently under-estimated. For over 200 years England, Wales, Scotland, and Ireland have produced many fine makers and an abundance of quality instruments and bows, now sought after around the world. In addition London has for over 100 years been an important centre for restoring, dealing in, collecting, and exhibiting the finest products of Stradivari, Guarneri, and other Italian masters - an important source of inspiration. Professor Harvey explains in detail the history of violin-making in Britain, from one of the earliest extant English instruments made of iron by John Bunyan in about 1647, to the extensive British craft industry of today, including within his book a comprehensive directory of violin-and-bow-makers of the British Isles, with auction prices. The book includes numerous high-quality colour and monochrome illustrations, including samples of the work of the major craftsmen involved. Throughout most of this history the scene has been dominated by the Hill family, which for over 250 years has produced instruments and bows of the highest quality, and their influence is fully assessed. The book is also a social and economic history of stringed instruments, showing how in England in particular the violin was slow to win acceptance by association with gypsies and the devil, and how the cello became the instrument favoured by royalty and the aristocracy. The demand for instruments at any particular time is gauged against musical activity in the country. The book is the first in any language to deal with the vast and fascinating subject in this way and in such depth. As such, it will be welcomed by makers, dealers internationally, auction houses, collectors, teachers, players, and students of stringed instruments.

These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki MethodA(R), or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.

A `hidden' instrument in the classical music world, the mandolin's repertoire of original music remains largely unknown. This book examines the lives and works of the mandolin's greatest composers, and taken together with The Early Mandolin (OUP 1989), provides the first comprehensive survey of the instrument's history. It also examines aspects of technique and looks at present-day orchestras and soloists.

This chart features chords for three of the most dominant dulcimer tunings DAD, DAC, and DAA. The most pertinent major, minor, seventh and many other chords are given for each tuning. A diagram showing all the notes of the fretboard is also given for each tuning.

Fiddle Time is a great series for young violinists. Packed with lively original tunes, well-known pieces, and easy duets, the series is carefully paced and organized to build confidence every step of the way. The new editions contain all your favourite pieces from the previous books, back by popular demand.

(Book). The world's most famous guitar had a golden anniversary in 2004, and this official, authorized book/CD package offers the best photos, quotes, facts and sounds to properly celebrate this achievement. From Buddy Holly to Jimi Hendrix to today's hottest players, the Fender Stratocaster defines rock'n'roll for generations of fans and players. Special features include exclusive photos from the world's greatest guitar collection, as well as a CD with musical examples of famous Strat sounds and styles hilariously performed by Greg Koch even spoken excerpts from the author's interviews with the Strat's beloved inventor, Leo Fender. This book also recognizes that the Stratocaster's deeper significance lies in the music that guitarists have created with it. You'll hear what Strat players have to say about their instrument, their music and each other. The Fender Stratocaster both reflects and influences popular culture worldwide. The Stratocaster Chronicles focuses on the people who brought it into the world, the designers and builders who refined it, and the players who have taken it from there.

This book contains all the scales and arpeggios required for ABRSM's Descant Recorder exams at Grades 1-5. It features all the new requirements from 2018, arranged in grade order.