Improve your sight-reading! Violin Grade 4 is part of the best-selling series by Paul Harris, guaranteed to improve your sight-reading! This workbook helps the player overcome problems by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally by 'going solo' with a series of meticulously graded sight-reading pieces. This edition now includes supporting audio available online for students to check their performances against. The Improve your sight-reading! series will help you improve your reading ability, and with numerous practice tests included, will ensure sight-reading success in graded exams.

The Russian school of violin playing produced many of the twentieth century's leading violinists - from the famed disciples of Leopold Auer such as Jascha Heifetz, Nathan Milstein, and Mischa Elman to masters of the Soviet years such as David Oistrakh and Leonid Kogan. Though descendants of this school of playing are found today in every major orchestra and university, little is known about the pedagogical traditions of the Russian, and later Soviet, violin school. Following the revolution of 1917, the center of Russian violin playing and teaching shifted from St. Petersburg to Moscow, where violinists such as Lev Tseitlin, Konstantin Mostras, and Abraham Yampolsky established an influential pedagogical tradition. Founded on principles of scientific inquiry and physiology, this tradition became known as the Soviet Violin School, a component of the larger Russian Violin School. Yuri Yankelevich (1909 - 1973), a student and assistant of Abraham Yampolsky, was greatly influenced by the teachers of the Soviet School and in turn he became one of the most important pedagogues of his generation. Yankelevich taught at the Moscow Conservatory from 1936 to 1973 and produced a remarkable array of superb violinists, including forty prizewinners in international competitions. Extremely interested in the methodology of violin playing and teaching, Yankelevich contributed significant texts to the pedagogical literature. Despite its importance, Yankelevich's scholarly work has been little known outside of Russia. This book includes two original texts by Yankelevich: his essay on positioning the hands and arms and his extensive research into every detail of shifting positions. Additional essays and commentaries by those close to him examine further details of his pedagogy, including tone production, intonation, vibrato, fingerings and bowings, and his general approach to methodology and selecting repertoire. An invaluable resource for any professional violinist, Yankelevich's work reveals an extremely sophisticated approach to understanding the interconnectivity of all components in playing the violin and is complete with detailed practical suggestions and broad historical context.

Violin Star is a three-book series offering beginner violinists a refreshing and inspirational choice of pieces to help build confidence and musical skills. The repertoire is imaginatively tailored to develop specific techniques through an exciting range of musical styles. This Accompaniment book includes separate piano and violin accompaniments for every piece featured in the Student's book (available separately). The Student's book contains the solo violin parts, along with colourful illustrations, activities and a playalong CD. Key features of the series include: an approachable progression from beginner level to Grade 2; playalong CDs with each Student's book, which contain specially created instrumental arrangements to convey style and mood; and original compositions and arrangements by Edward Huws Jones.

(Bass Recorded Versions). Note-for-note transcriptions with tab of Jaco's brilliant bass work on 16 songs: Amerika * Birdland * Blackbird * The Chicken * Chromatic Fantasy * Come On, Come Over * Continuum * Donna Lee * Invitation * Liberty City * Opus Pocus * Portrait of Tracy * River People * Soul Intro * Teen Town * Word of Mouth.

(Ukulele). 20 great Disney classics arranged for all uke players, including: Beauty and the Beast * Bibbidi-Bobbidi-Boo (The Magic Song) * Breaking Free * Can You Feel the Love Tonight * Chim Chim Cher-ee * Heigh-Ho * It's a Small World * Some Day My Prince Will Come * Supercalifragilisticexpialidocious * We're All in This Together * When You Wish upon a Star * and more.

(Easy Piano Vocal Selections). Over 50 Disney delights, including: The Ballad of Davy Crockett * The Bare Necessities * Bibbidi-Bobbidi-Boo * Candle on the Water * Chim Chim Cher-ee * A Dream Is a Wish Your Heart Makes * Heigh-Ho (The Dwarfs' Marching Song) * It's a Small World * Kiss the Girl * The Siamese Cat Song * Someday My Prince Will Come * Supercalifragilisticexpialidocious * Under the Sea * When You Wish Upon a Star * Winnie the Pooh * Zip-A-Dee-Doo-Dah * and more.

Play the Viol is the first comprehensive guide to appear in modern times and covers the treble, tenor, and bass viol. Its detailed technical instruction is based on original sources and on Alison Crum's extensive experience of performing and teaching. The book assumes no knowledge beyond an ability to read music, but aims to help players to reach an advanced standard, even without regular access to a teacher.

`In all areas of human endeavour, time and again an individual appears who, due to a multitude of personal attributes, elevates his or her field to a hitherto unknown height. Such an individual was William Primrose. His name and the viola are synonymous.' Janos Starker This unique book is the result of a series of conversations with Primrose in the last years before his death in 1982. David Dalton describes how he came to the great artist armed with every question he could think of pertaining to performing on and teaching the viola. The lively dialogue contains a wealth of illuminating advice for the student on the technicalities of playing the viola. It is, however, far more than a technical guide. The two violists discuss the unique position of their instrument - `an instrument without tradition' is Primrose's bald description. They cover the topic of repertoire with fascinating insights into the performance of the great concertos by Bartok and Walton, with which Primrose was so closely associated. Still more invaluable advice emerges from the discussion of Primrose's own experience, on the art of performance, on demeanour on stage, on competitions, on recordings, and on preparing for a career. The book is a tribute to one of the greatest artists of this century.

Known principally as the father of Wolfgang Amadeus, Leopold Mozart was a distinguished musician in his own right. An excellent violinist and composer, his greatest contribution to music was his Treatise on Fundamental Principles of Violin Playing. Published at Ausburg in 1756 it was the major work of its time on the violin and it contains much that is of considerable interest and value to musicians today: notes on performance, practice, a glossary of technical terms and specific chapters on the playing of written and improvised embellishments, the trill, and special rhythmic figures. Copious exercises illustrate each point made in the text. A Preface--revised for this edition--offers an illuminating biographical study of Leopold both as a man and as a musician.

Drawing on her high level of technical proficiency, professional violinist Maureen Taranto-Pyatt shares practical guidance in her new methodology, "Progressive Form." With The New Art of Violin Playing, violinists will learn to appreciate the physics (weight and momentum) and geometry (angles and rotations) of movement with an accurate understanding of anatomy and physiology in order to facilitate a nuanced flow of compression and release. Featuring nearly 400 images and music examples to illustrate elements of technique, balance, and gesture, this accessible guide will help musicians manifest deeper meaning and greater satisfaction in making music. Taranto-Pyatt divides the material into three parts—Left Arm, Right Arm, and Integration—that can be used as a step-by-step retooling of technique or as a reference for targeted issues. A comprehensive exploration of method in service of musical expression, The New Art of Violin Playing offers the serious violinist a path toward a more integrated and liberated musical world through the combined use of balance concepts, guided movement, and creative images.

This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the "Missa solemnis" and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K. L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized.

Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues.

Originally published in 1995.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

(Music Sales America). Superb book and recording by the world-renowned Shetland fiddler, with full accompaniment by Phil Cunningham. Fifty solos representing the best of Scottish fiddle music. Contents: The Newly-wed's Reel * Cameron Men's Polka No. 1 * Forbes Leith * Waiting for teh Federals * Cataroni * Maple Sugar * The Galway Hornpipe * The Hawk * The Liverpool Hornpipe * Princess Beatrice * The Balkan Hills * If I Get a Bonnie Lass * Underhill * Herr Roloff's Farewell * Fram Apon Him * Da Aald Hill Grind * Jeannie Shoked the Bairn * Da Lerwick Lasses * Louis Waltz * The Scholar * The Laird of Drumblair * Da New Rigged Ship * Oo't Be East the Vong * Faery Reel * Da Bonnie Lass O Bekkahill * Mrs. Jameson's Favourite * Deil Among the Tailors * The Flowers of Edinburgh * Crossing the Minch * Fairy Dance * Dean Brig of Edinburgh * Da Mirrie Boys O Greenland * La Grande Chaine * Lay Dee at Dee * The Trumpet Hornpipe * Maid Behind the Bar * The High Level Hornpipe * Da Full Rigged Ship * Cameron Men's Polka No. 2 * The Pirate * Da Galley Witch * Rosewood * Music of Spey * Maid in a Box * Miss Spence's Reel * Da Back Reel * Munster Grass * Annie Laurie * Heave and Go * Da Scallowa Lasses.