Outstanding and renowned teacher Geraldine Cotter guides students through all forms of traditional Irish music with step-by-step examples, exercises and diagrams. This all encompassing book is beautifully presented and contains prints, photographs and clearly legible notation. The generous section of repertoire pieces includes "The Jolly Banger", "Lucky In Love" and "The Galway Rambler". The accompanying 2 CD demonstration recording is included, and features all one hundred tunes from the final section of the book.

The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe's prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument's place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe's appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument's social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.

The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history-which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.

A graphic, easy-to-understand fingering chart for any saxophone which features chromatic, major and minor scale studies. Contains staff notation and fingering diagrams for the entire range of the saxophone, plus a diagram of parts of the sax. Printed on sturdy laminated paper, perfectly sized for carrying with other study book. Great for beginning students!

(Saxophone Play-Along). The Saxophone Play-Along Series will help you play your favorite songs quickly and easily. Just follow the notation, listen to the CD to hear how the saxophone should sound, and then play-along using the separate backing tracks. The mleody and lyrics are also included in the book to help you follow along. The audio CD is playable on any CD player. For PC and Mac users, the CD also contains Amazing Slowdowner Software so you can adjust the recording to any tempo without changing pitch. Volume 4 includes: Boulevard of Broken Dreams * Harlem Nocturne * Night Train * Peter Gunn * The Pink Panther * St. Thomas * Tequila * Yakety Sax.

Wind Talk for Brass provides instrumental music teachers, practitioners, and students with a handy, easy-to-use pedagogical resource for brass instruments found in school instrumental programs. With thorough coverage of the most common brass instruments - trumpet, horn, trombone, baritone/euphonium, and tuba/sousaphone - the book offers the most topical and information necessary for effective teaching. This includes terminology, topics, and concepts associated with each specific instrument, along with teaching suggestions that can be applied in the classroom. Be sure to look to the back of the book for a "Practical Tips" section, which discusses common technical faults and corrections, common problems with sound (as well as their causes and solutions to them), fingering charts, literature lists (study materials, method books, and solos), as well as a list of additional resources relevant to teaching brass instruments (articles, websites, audio recordings). Without question, Wind Talk for Brass stands alone as an invaluable resource for woodwinds!

Teachers and flutists at all levels have praised Nancy Toff's The Flute Book, a unique one-stop guide to the flute and its music. Organized into four main parts-The Instrument, Performance, The Music, and Repertoire Catalog-the book begins with a description of the instrument and its making, offers information on choosing and caring for a flute, sketches a history of the flute, and discusses differences between members of the flute family. In the Performance section, readers learn about breathing, tone, vibrato, articulation, technique, style, performing, and recording. In the extensive analysis of flute literature that follows, Toff places individual pieces in historical context. The book ends with a comprehensive catalog of solo and chamber repertoire, and includes appendices with fingering charts as well as lists of current flute manufacturers, repair shops, sources for flute music and books, and flute clubs and related organizations worldwide. In this Third Edition, Toff has updated the book to reflect technology's advancements-like new digital recording technology and recordings' more prevalent online availability-over the last decade. She has also accounted for new scholarship on baroque flutes; recent developments like those of the contrabass flute, quarter-tone flute, and various manufacturing refinements and experiments; consumers' purchase prices for flutes; and an updated repertoire catalog, index, and appendices.

(Brass Solo). Attractive solo literature for the intermediate level student. Contents: Air from Orchestra Suite No. 3, BWV 1068 (J. S. Bach) * Petite Piece concertante (Balay) * Sure on this shining night from Four Songs, Op. 13 (Barber) * The Girl with the Flaxen Hair from Preludes, Book I (Debussy) * Honor and Arms from Samson (Handel) * Les Folies d'Espagne from Pieces de viole, Book II (Marais) * Concert Rondo in E-flat Major, K. 371 (Mozart) * The Dog Star from A Fool's Preferment (Purcell) * Allegro spiritoso from Sonata No.5 (Senaille) * Allegro from Concerto in D Major (Torelli) * Lento from Concertino for Trumpet and Piano (Whitney).

How do four instrumentalists with strong individual tastes and temperaments manage to forge a distinctive approach to the music they play? This extraordinary book ushers readers into the workshop of one of the world's most accomplished string quartets. In rich and probing conversations with their longtime friend and musicologist and conductor David Blum, the members of the Guarneri String Quartet, both individually as a group, tell what it is like to play together.

Globetrotters brings together twelve toe-tapping original tunes in styles from around the world-from Arabic to Chinese and from klezmer to the Cuban cha-cha-cha- for the budding saxophonist. This unique book presents a kaleidoscope of musical traditions, with supporting background information and backing tracks that capture each sound-world. To help with technique and interpretation, every piece includes tailored warm-ups and stylistic tips from the authors. With options for saxophone or piano accompaniment, and an inspirational CD, Globetrotters is the ultimate resource for aspiring musicians looking to go travellin' ...

Big Man tells the fascinating story of Clarence Clemons, the larger-than-life saxophone player of the E Street Band. Clarence and his longtime friend, writer/producer Don Reo, take you on a thrilling ride from Clarence's childhood to the present, from beat-up vans to private jets, from boardwalk bars to stadiums and concert halls all over the world. It's a fitting account of a life lived to the full by a man who threw himself wholeheartedly into his music right up until his tragic death in 2011. The book is filled with never-before-told stories about Clarence's life, his friendship with Bruce Springsteen, and his encounters with some of the most famous people in the world. Along the way, Clarence and Don spin their own fictional "legends" that add to the already-mystical lore of E Street. An absolute must for all Springsteen fans, Big Man reveals the heart and soul of the man who brought so much music and love to so many people for so long.

Notes for Clarinetists: A Guide to the Repertoire offers important historical and analytical information about thirty-five of the best-known pieces written for the instrument. Numerous contextual and theoretical insights make it an essential resource for professional, amateur, and student clarinetists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help clarinetists gain a more complete understanding of Three Pieces for Clarinet Solo by Igor Stravinsky, Aaron Copland's Concerto for Clarinet, String Orchestra, Harp, and Piano, Robert Schumann's Fantasy Pieces for Clarinet and Piano, Op. 73. and Time Pieces for Clarinet and Piano, Op. 43. by Robert Muczynski, among many others. With close attention to matters of context, style, and harmonic and formal analysis, Albert Rice explores a significant portion of the repertoire, and offers a faithful and comprehensive guide that includes works by Boulez, Brahms, and Mozart to Hindemith, Poulenc, and Stamitz. Rice includes biographical information on each composer and highlights history's impact on the creation and performance of important works for clarinet. Intended as a starting point for connecting performance studies with scholarship, Rice's analysis will help clarinetists gain a more complete picture of a given work. Its valuable insights make it essential to musicians preparing and presenting programs, and its detailed historical information about the work and composer will encourage readers to explore other works in a similarly analytical way. Covering concertos, chamber pieces, and works for solo clarinet, Rice presents Notes for Clarinetists as an indispensable handbook for students and professionals alike.

Music from all three films arranged for string instruments. Desirable and collectible, these instrumental folios are loaded with full-color photos of scenes from all three films. They are printed on top-quality antique paper stock, and the covers showcase the new "trilogy" artwork. The string series was written especially for violin, viola, and cello. Each book features a piano accompaniment and a carefully crafted removable string part complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD, with demo tracks (featuring live string performances) and play-along tracks, completes each package. The string books are completely compatible with each other and can be played together or as solos. Due to level considerations, the string books are not compatible with the books in the wind series. Titles are the twelve major themes from the blockbuster trilogy: from The Fellowship of the Ring: The Prophecy * In Dreams * Concerning Hobbits * Many Meetings * The Black Rider; from The Two Towers: Gollum's Song * Rohan * Evenstar * Forth Eorlingas; from The Return of the King: Into the West * The Steward of Gondor * Minas Tirith.

After the establishment of the Turkish Republic, Turkey's secularized society disdained the ney, the Sufi reed flute long associated with Islam. The instrument's remarkable revival in today's cities has inspired the creation of teaching and learning sites that range from private ney studios to cultural and religious associations and from university clubs to mosque organizations.Banu enay documents the years-long training required to become a neyzen-a player of the ney. The process holds a transformative power that invites students to create a new way of living that involves alternative relationships with the self and others, changing perceptions of the city, and a dedication to craftsmanship. enay visits reed harvesters and travels from studios to workshops to explore the practical processes of teaching and learning. She also becomes an apprentice ney-player herself, exploring the desire for spirituality that encourages apprentices and masters alike to pursue ney music and its scaffolding of Islamic ethics and belief.