(Music Sales America). These are the original editions of the ever-popular instruction books for various instruments by C. Paul Herfurth. The books are packed full of lessons, illustrations, fingering charts, daily practice records, test questions, and manuscript paper for homework. Perfect for use in group lessons, school classes, or for individual lessons.

This book is part of Alfred's Harry Potter Instrumental Solos series arranged for Violin, Viola, and Cello. All string instrument arrangements are fully compatible and can be successfully performed as ensembles or solos. Each book includes piano accompaniments, a removable string part, and a fully orchestrated accompaniment MP3 CD, which features each song as a live performance demo track followed by a play-along track. Titles: Double Trouble * Family Portrait * Farewell to Dobby * Fawkes the Phoenix * Fireworks * Harry in Winter * Harry's Wondrous World * Hedwig's Theme * Hogwarts' Hymn * Hogwarts' March * Leaving Hogwarts * Lily's Theme * Obliviate * Statues * A Window to the Past * Wizard Wheezes
Due to level considerations regarding keys and instrument ranges, the string instrument arrangements are not compatible with the wind instrument arrangements in this series. This title is available in SmartMusic.

The second edition of Susan J. Maclagan's A Dictionary for the Modern Flutist presents clear and concise definitions of more than 1,600 common flute-related terms that a player of the Boehm-system or Baroque flute may encounter. Fully illustrated with more than 150 images, the entries describe flute types, flute parts; playing techniques; acoustics; articulations; intonation; common ornaments; flute-making and repairs; flute history; flute music books, and many more topics. Unique to the second edition are entries on beatbox techniques and muscles of the face and throat. Entries now also feature bibliographic cross-references for further research. Carefully labeled illustrations for many flute types, parts, mechanisms, and accessories help make definitions easier to visualize. Appendixes provide further information on such subjects as flute classifications, types of flutes and their parts, key and tone hole names, head joint options, orchestra and opera audition excerpts, and biographies of people mentioned in the definitions. Contributed articles include "An Easy Guide to Checking Your Flute Tuning and Scale" by Trevor Wye; "Flute Clutches" by David Shorey; "Early Music on Modern Flute" by Barthold Kuijken; and "Crowns and Stoppers" and "Boehm Flute Scales from 1847 to the Present:The Short Story" by Gary Lewis. Maclagan's A Dictionary for the Modern Flutist, second edition is an essential reference volume for flutists of all levels and for libraries supporting student, professional, and amateur musicians.

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 5 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included. -Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus. -Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 5 Saxophone exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

Flute Globetrotters brings together 12 toe-tapping original tunes in styles from around the world - from Arabic to Chinese and from klezmer to the Argentinian tango - for the budding flautist. This unique book presents a kaleidoscope of musical traditions, with supporting information and backing tracks that capture each sound-world. To help with technique and interpretation, every piece includes warm-ups and stylistic tips from the authors. With options for flute or piano accompaniment, and inspirational recordings, Flute Globetrotters is the ultimate resource for those looking to go travellin' ...

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 2 Clarinet syllabus from 2022. Key features: - Nine pieces in a range of styles, chosen from Lists A, B and C- Classic repertoire and newly commissioned pieces and arrangements- Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 2 Clarinet exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

This book contains nine pieces selected from ABRSM's Grade 4 Clarinet syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.-Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book). Contents: Allegro (fifth movement from Sonata No. 2, Methodical Sonatas, Book II, TWV 41:c3) [Georg Philipp Telemann] Basse Danse (from 'Capriol Suite') [Peter Warlock] Minuet: No. 9 from 'Twenty Four Five' [Lynne Williams] Romanze (from Eine Kleine Nachtmusik, K. 525, second movement) [Wolfgang Amadeus Mozart] Heather Hill (No. 1 from 'Two Contrasts for Clarinet and Piano') [Freda Swain] Tonight (from 'West Side Story') [Leonard Bernstein / Stephen Sondheim] For Latin Lovers [Brian Chapple] A Nakht in Gan Eydn [Trad. Klezmer] Bauhinia Soft-Shoe [Raymond Yiu]

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 1 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included. -Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus. -Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 1 Saxophone exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

This book contains nine pieces selected from ABRSM's Grade 2 Flute syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) Contents: Menuet II (from 'Royal Fireworks Music', HWV 351) [George Frideric Handel] Study in D major (from Complete Method for the Flute, Part 1, Op. 53) [Heinrich Soussmann] Arethusa [Trad. British] Theme from Berceuse (from Dolly, Op. 56) [Gabriel Faure] Once Upon a Time [Karen Tanaka] Shaker Melody [Trad. American] We're off to see the wizard (from 'The Wizard of Oz') [Edgar Yipsel Harburg / Harold Arlen] Circus Rag [Cecilia McDowall] Cat Walk [Pam Wedgwood]

This book contains nine pieces selected from ABRSM's Grade 4 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included.-Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book). Contents: Valse sous le vent [Valerie Rousse / Joel Littorie] Allegro (fourth movement from Sonata in F, HWV 369, Op. 1 No. 11) [George Frideric Handel] A la Gavotte (No. 1 from Street Beats) [Karen Street] Chanson de Matin [Edward Elgar] Bess, you is my woman now [George Gershwin / Ira Gershwin] Pas de deux [Errollyn Wallen] Abracadabra [Ruth Byrchmore] Tango (from All Styles) [Mark Fielding] Entry of the Gladiators, Op. 68, arr. Ian Denley [Julius Fucik]

This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level alto saxophone with piano accompaniment, plus commentary from YolanDa and downloadable backing tracks.

This book contains nine pieces selected from ABRSM's Grade 2 Clarinet syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.-Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book). Contents: Gavotte II (Musette) (from English Suite No. 3, BWV 808) [Johann Sebastian Bach] The Fisherman's Bend: Hornpipe (no.1, Knautical Knots) [John Blood] Elephant Ballet [Helen Madden] Waltz for Libby [Andy Firth] The Miller of Dee [Trad. English] Abiyoyo [Trad. South African] Ready to Pounce (No. 7 from Flying High) [Edmund Jolliffe] Pieces of Eight [James Rae] Carnival Time [Lloyd Coleman]

Dip into this stockingful of easy Christmas music for flute! Unwrap a traditional carol, dance to the 'Skaters' Waltz' and a 'Christmas Calypso', and pull a cracker full of solos and duets. With words to sing along, chords for guitar or keyboard, and a fantastic play-along CD, Flute Time Christmas is the perfect gift for any young flautist.

Wind Talk for Brass provides instrumental music teachers, practitioners, and students with a handy, easy-to-use pedagogical resource for brass instruments found in school instrumental programs. With thorough coverage of the most common brass instruments - trumpet, horn, trombone, baritone/euphonium, and tuba/sousaphone - the book offers the most topical and information necessary for effective teaching. This includes terminology, topics, and concepts associated with each specific instrument, along with teaching suggestions that can be applied in the classroom. Be sure to look to the back of the book for a "Practical Tips" section, which discusses common technical faults and corrections, common problems with sound (as well as their causes and solutions to them), fingering charts, literature lists (study materials, method books, and solos), as well as a list of additional resources relevant to teaching brass instruments (articles, websites, audio recordings). Without question, Wind Talk for Brass stands alone as an invaluable resource for woodwinds!

Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets.
Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them.
Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.

"Boland's clear, accessible text reflects years of professional experience as a performer and teacher of the one-key flute. Her book answers all the practical needs of beginners and offers advanced flutists a wealth of useful information. Even players wedded to the Boehm flute will gain fresh musical insights from Boland's comprehensive method."--Laurence Libin, Department of Musical Instruments, Metropolitan Museum of Art

"This is the best introduction to the one-key (baroque) flute for Boehm system flute players available today. With her comprehensive knowledge of the numerous historical treatises and tutors and her extensive practical experience as a player and teacher, Jan Boland has fashioned a guide that is at the same time informative and enjoyable. I only wish it had been available when I set out to learn the one-key flute. It would have saved me much time and led me directly to the most important sources."--John Thow, composer and Professor of Music at the University of California, Berkeley

"An easy-to-read format, clear prose, attractive graphics, and well chosen and very legible music make it an ideal beginner's tutor."--Betty Bang Mather, Professor Emeritus, University of Iowa School of Music

Creative Clarinet is a tutor book ideal for beginner and intermediate clarinettists of all ages. Tried-and-tested pieces in a variety of contemporary styles-including rock, swing, funk, blues, and Latin-are presented alongside guidelines on the fundamentals of technique from expert teachers Kellie Santin and Cheryl Clark. As with each book in the series, Creative Clarinet is accompanied by a CD featuring play-along tracks by world-class musicians.

Creative Saxophone Improvising is the third book in the series and leads the student towards fluent and idiomatic improvisation using a range of skills and techniques. The book includes 16 new pieces in a range of contemporary styles, each presented with warm ups, scales, and solo ideas or melodic variations to be used as a basis for improvising. BL For intermediate saxophonists of all ages BL Authentic and varied CD backing for all pieces;includes versions for alto and tenor saxophone

This step-by-step instruction book offers all that's needed to master the basics of Tin Whistle playing. Starting off with easy, well-known tunes, the beginner quickly learns about many aspects of reading and playing the music.

(Music Sales America). Absolute Beginners: Flute uses step-by-step pictures to take you from first day exercises to playing along with a backing track Absolute Beginners has been designed to tell you everything you need to know from the first time you play your flute. In one great book you get: A look-and-learn course that uses clear pictures instead of long explanations; Practical advice and tips covering everything you need to know to get you playing, fast ; CD audio tracks to show you how things should sound; Full-length accompaniment tracks to play along with; and more.

A comprehensive text teaching elements of jazz phrasing, articulation, vibrato, harmony, and technical studies leading to improvisation. For the flute student beginning the serious study of jazz and contemporary styles, this book will help in many ways. Phrasing and interpretation of rhythms are studied through exercises and original pieces. Scale and arpeggio studies will help the student learn both the music theory and technical skills needed to improvise.

A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.

The first edition of Albert R. Rice's The Baroque Clarinet is widely considered the authoritative text on the European clarinet during the first half of the eighteenth century. Since its publication in 1992, its conclusions have influenced the approaches of musicologists, instrument historians, and clarinet performers. Twenty-eight years later, Rice has updated his renowned study in a second edition, with new chapters on chalumeau and clarinet music, insights on newly found instruments and additional material on the Baroque clarinet in society. Expanding the volume to include the chalumeau, close cousin and predecessor to the clarinet, Rice draws on nearly three decades of new research on the instrument's origins and music. Discoveries include two recently found chalumeaux in a private collection, one by Johann Heinrich Eichentopf of Leipzig, and attributions based on historical evidence for three more chalumeaux. Rice furthers the discussion to recently uncovered early instruments and historical scores, which shed light on the clarinet's evolution. Most essentially, Rice highlights the chalumeau's substantial late-seventeenth and early-eighteenth century repertory, comprising over 330 works by 66 composers, and includes a more expansive list of surviving Baroque clarinet works, organized by date, composer, and tonality/range. The Baroque Clarinet and Chalumeau provides a long-awaited follow-up to Rice's groundbreaking volume, drawing from a variety of sources-including German, Italian, Dutch, Swedish, Norwegian, Danish, Finnish, Flemish, Czech, and Catalan research-to bring this new information to an English-speaking audience. With his dedication to scholarly accuracy, Rice brings the Baroque clarinet into sharper focus than ever before.

The Highland bagpipe has long been a central strand of Scottish identity, but what happened to the Highland bagpipe in the two centuries following Culloden? How was its music transmitted and received? This study presents contemporary evidence and uses a range of methods to recreate the changing world of the pipers as they influenced and were influenced by the transformation in Scottish society. This book is intended for pipers exploring the achievements and musical concerns of their predecessors; for the general reader interested in a music whose history is akin to that of Scotland's poetry and song; and for all students of the process of tradition.Combining newspaper and manuscript evidence from the pipers themselves with a wide range of historical sources, the author harnesses the insights of the practical player to those of the historian and provides a fresh account of the players and their musical traditions, which have previously been the subject of much myth-making. This is the first history of the musical culture of the worldwide piping community.