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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > Wind instruments > General
A collection of studies composed for musicians who wish to extend
themselves in improvisation, composition, sight reading and general
musicianship skills. Each etude has a theoretical explanation,
suggestions for performance and tips for practice routines. Two CDs
of combo accompaniments performed by members of the Yellowjackets
are included. All books are compatible and written so that they can
be performed together.
The Wind Band Music of Henry Cowell studies the compositions for
wind band by twentieth-century composer Henry Cowell, a significant
and prolific figure in American fine art music from 1914-1965. The
composer is noteworthy and controversial because of his radical
early works, his interest in non-Western musics, and his
retrogressive mature style-along with notoriety for his
imprisonment in San Quentin on a morals charge. Eleven chapters are
organized both topically and chronologically. An introduction,
conclusion, series of eight appendices, bibliography, and
discography complete this comprehensive study, along with an audio
playlist of representative works, hosted on the CMS website.
Harold Meek writes from a lifetime's experience playing the horn
(often first chair) in several of America's great orchestras,
notably the Boston Symphony Orchestra. He shares anecdotes and
insights about the joys and travails of playing under Fritz Reiner,
Otto Klemperer, Serge Koussevitzky, Charles Munch, and others. Meek
also brings together some important information about changes in
the instrument itself, including a little-known letter from the
great British horn virtuoso, Dennis Brain, about the virtues of
different makes of horn. A valuable section prints interpretively
challenging horn passages from over three dozen masterpieces,
ranging from Beethoven symphonies to Weber's Der Freischutz, and
evaluates the solutions offered in recordings by various prominent
conductors, from Leopold Stokowski, Sir Adrian Boult, George Szell,
and Herbert von Karajan to Carlo Maria Giulini, Neville Marriner,
Kurt Masur, and Christopher Hogwood.
Music master to Frederick the Great, Quantz was one of the great
flute virtuosos of all time. He was also a thorough musician, a
fine teacher and an excellent writer. This classic book is
ostensibly a flute method, but it goes far beyond that, presenting
a complete and detailed picture of musical taste and performance
practice in the 18th century. Of special significance is a table
relating various tempos to the speed of the pulse, helping modern
musicians to solve the difficult question of authentic performance
tempos of Baroque music. This reissued edition includes all
Quantz's music examples together with an introduction and
explanatory notes by the translator, Edward R. Reilly.
Firmly rooted in Paul Harris's Simultaneous Learning approach, this
new edition of Improve your sight-reading! Clarinet Grades 1-3 is
designed to help overcome all the stumbling blocks to successful
sight-reading. Step by step you will build up a complete picture of
each piece, firstly through rhythmic, melodic and technical
exercises, then by studying prepared pieces and finally `going
solo' with a series of meticulously graded sight-reading pieces.
This new edition of the best-selling Improve your sight-reading!
contains completely new material throughout and has been brought up
to date to match the latest ABRSM sight-reading criteria.
More Graded Studies for Saxophone Book One, by Paul Harris, brings
together saxophone study repertoire spanning the entire spectrum of
technique from the 19th Century onward, and provides a firm
foundation for progress. Featuring core studies alongside specially
composed pieces by Paul Harris, this comprehensive collection
applies the Simultaneous Learning approach to instrumental
technique. Book One begins at Elementary level and progresses to
Intermediate (approx. Grades 1-5). The studies are arranged in
order of increasing difficulty according to a carefully planned
technical progression, and each study comes with a list of
Simultaneous Learning musical ingredients for players to explore in
preparation for the music.
Pipers takes the reader inside the world of the performer community
of Scottish piping, introducing the instrument itself and the
various different repertories. It also discusses piping techniques
as well as information on some of the great piping dynasties and
individual pipers. Dr Willie Donaldson shows how 'traditional
music', often assumed to be the anonymous product of a dim and
distant past, is the creation of gifted individuals operating in a
sophisticated and vigorously ongoing enterprise. Since pipers have
often been skilled also on the fiddle, keyboards and small-pipes,
or as singers or dancers, their story offers fascinating insights
into the whole traditional music and song repertoire of Scotland.
Pipers is a well-informed and highly readable account by a
prize-winning author who is a piper and composer of pipe music as
well as an internationally recognised historian of Scottish
tradition.
The Social Media Handbook explores how social media are changing
disciplinary understandings of the internet and our everyday lives.
In addition to person-to-person social networking services like
Facebook and Twitter, this volume considers a broad range of
networked information services that support in-depth social
interaction, community formation, and collaboration in the Web 2.0
era. Rather than considering social media in terms of specific
technologies, the chapters in this book engage topics across a
range of research, techniques, practices, culture and society, and
theories. These broader topics-including community, gender, fandom,
disability, and journalism-are entryways through which students and
faculty can explore ways of thinking about social media and find
new paradigms for analysis.
Brass Mix is an original series of graded pieces that can be played
by any brass instrument. Book 1 covers Grades 1-3 and contains 12
new arrangements of traditional tunes and works by a diverse range
of composers. The pieces have been selected and arranged by brass
specialists to align with ABRSM grade levels. Many are featured on
the ABRSM 2023 Brass syllabus and in addition, all are ideal
choices for Performance Grade exams. There are piano and brass duet
accompaniments for all pieces, providing useful flexibility for
students and teachers. Key features:-one piece at each grade and
list of the ABRSM 2023 Brass syllabus, for all instruments
-distinctive and engaging repertoire from which to build a
programme for a Practical or Performance Grade exam -accompaniments
for a pianist or a second brass player -a single student book that
can be used by treble- and bass-clef brass including Eb Tuba
-separate Bb, Eb and F piano accompaniment books -a downloadable
part for Bb Tuba. Contents: Les Matadors: from Minuets, Cotillons
and Country Dances [Ignatius Sancho] Xiao Baicai [Trad. Chinese]
Takeda Lullaby [Trad. Japanese] The Barnyard Rag [Billy Johnson /
Chris Smith] The March of the Women [Cicely Hamilton / Ethel Smyth]
Jinkli Nona [Trad. Malaysian] On a Southern Balcony: No. 4 from
Southland Sketches [Blanche Ray Alden] Wade in the Water
[African-American Spiritual] On Parade [Amanda Ira Aldridge] Oh,
the Summer [Samuel Coleridge-Taylor] The Deserted Garden [Florence
Price] A Canadian Boat Song [Maurice Arnold]
Globetrotters brings together twelve toe-tapping original tunes in
styles from around the world-from Arabic to Chinese and from
klezmer to the Cuban cha-cha-cha- for the budding clarinettist.
This unique book presents a kaleidoscope of musical traditions,
with supporting background information and backing tracks that
capture each sound-world. To help with technique and
interpretation, every piece includes tailored warm-ups and
stylistic tips from the authors. With options for
clarinet/saxophone or piano accompaniment, and an inspirational CD,
Globetrotters is the ultimate resource for aspiring musicians
looking to go travellin' ...
Notes for Flutists: A Guide to the Repertoire offers important
historical and analytical information about three dozen of the
best-known pieces written for the instrument. Its contextual and
theoretical insights make it an indispensable resource for
professional, amateur, and student flutists. With engaging prose
supported by fact-filled analytical charts, the book offers rich
biographical information and informative analyses to help flutists
gain a more complete understanding of J. S. Bach's Sonata in B
minor, Reinecke's Undine Sonata, Faure's Fantaisie, Hindemith's
Sonata for Flute and Piano, Copland's Duo for Flute and Piano, and
30 other masterpieces. Offering a faithful and comprehensive
resource for understanding the context in which the repertory was
composed, Notes for Flutists details in clear, chronological order
flute repertoire from Georg Philipp Telemann, Gabriel Faure, Claude
Debussy, Luciano Berio to Robert Muczynski and Aaron Copland. Kyle
J. Dzapo offers rich biographical information on each composer and
highlights history's impact on the creation and performance of
notable works for flute. Aimed as a starting point for connecting
performance studies with scholarship, Dr. Dzapo's analysis will
help flutists gain a more complete picture of a given work. Its
contextual and theoretical insights make it essential to musicians
preparing and presenting programs, and detailed historical
information about the work and composer will encourage and equip
readers with the desire and insights to explore other works in a
similarly analytical way. Lending insights to both solo flute and
chamber pieces, Dzapo presents Notes for Flutists as an accessible
music theory and analysis resource, making it indispensible for
students and professionals alike.
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