Notes for Flutists: A Guide to the Repertoire offers important historical and analytical information about three dozen of the best-known pieces written for the instrument. Its contextual and theoretical insights make it an indispensable resource for professional, amateur, and student flutists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help flutists gain a more complete understanding of J. S. Bach's Sonata in B minor, Reinecke's Undine Sonata, Faure's Fantaisie, Hindemith's Sonata for Flute and Piano, Copland's Duo for Flute and Piano, and 30 other masterpieces. Offering a faithful and comprehensive resource for understanding the context in which the repertory was composed, Notes for Flutists details in clear, chronological order flute repertoire from Georg Philipp Telemann, Gabriel Faure, Claude Debussy, Luciano Berio to Robert Muczynski and Aaron Copland. Kyle J. Dzapo offers rich biographical information on each composer and highlights history's impact on the creation and performance of notable works for flute. Aimed as a starting point for connecting performance studies with scholarship, Dr. Dzapo's analysis will help flutists gain a more complete picture of a given work. Its contextual and theoretical insights make it essential to musicians preparing and presenting programs, and detailed historical information about the work and composer will encourage and equip readers with the desire and insights to explore other works in a similarly analytical way. Lending insights to both solo flute and chamber pieces, Dzapo presents Notes for Flutists as an accessible music theory and analysis resource, making it indispensible for students and professionals alike.

Johnny Griffin, the Little Giant from the South Side of Chicago, has remained a top jazz saxophonist throughout his 62-year playing career. He has spent 42 years in Europe and is recognized internationally as a major jazz star with a readily identifiable style, an immense improvisational flair and an unfailing capacity to swing. As jazz writer Brian Priestley has observed: Griffin is one of the fastest and most accurate ever on his instrument. Griffin is an articulate, witty and entertaining conversationalist with an unending flow of anecdotal reminiscences about his days with Lionel Hampton, Art Blakey, Thelonious Monk, Eddie Lockjaw Davis, the Clarke Boland Big Band and the variety of small groups he has fronted over the years. The Little Giant is a light-hearted, irreverent and uninhibited look at the life of one of the most consummate musicians in jazz. Author Mike Hennessey is a jazz critic, producer, broadcaster and pianist. Other books by him include a biography of the late drummer, Kenny Clarke, Klook, and a history of Ronnie Scott's Club, Some of My Best Friends Are Blues. He has covered the international music scene for Billboard magazine for 27 years and he has written more than 500 album notes and hundreds of articles for a wide range of jazz magazines in North America and Europe."

The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history-which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.

Teach kids how to play the recorder with fun lessons and sheet music for beginners. With careful progression and performance opportunities right from the start, this highly acclaimed method is perfect for teaching beginners. This second edition of Book 1 features gorgeous new illustrations and audio downloads to support learning. Ideal for both individual and whole-class teaching, with fun activities and pieces with two parts. Suitable for both generalist and specialist teachers. Stage 1 of a full scheme comprising four books. Takes the learner from pre-reading to playing and reading notes E, G, A, B and high C. Gradually introduces music notation and theory.

An easy step-by-step method which assumes no previous knowledge of the penny whistle or of music. The book teaches you all you need to know to become an accomplished player. Illustrated throughout with clear diagrams to make learning easier, it is filled with popular tunes for you to play. It also includes an authentic finished Feadog whistle in the key of D.