This introduction to the early horn provides a historical account of the instrument's development during the eighteenth and nineteenth centuries as well as a practical guide to playing techniques and principles of interpretation. The book aims to help performers to play in a historically appropriate style and provides a series of case studies including major works from the horn repertoire by Bach, Haydn, Mozart, Beethoven, Schubert, Schumann and Brahms. It includes chapters on the historical background of the instrument, its design and development, and choice of instrument today.

This guide, written by one of the foremost interpreters of early clarinet music, is intended for all clarinetists with a desire to investigate music of earlier periods. It contains practical help on both the acquisition and playing of historical clarinets, while performers on modern instruments will find much advice on style, approach and techniques, which combine to make up a well-grounded, period interpretation. Most importantly, case studies that include the music of Handel, Mozart and Brahms help recreate performances as close as possible to the composer's original intention.

This guide, written by one of the foremost interpreters of early clarinet music, is intended for all clarinetists with a desire to investigate music of earlier periods. It contains practical help on both the acquisition and playing of historical clarinets, while performers on modern instruments will find much advice on style, approach and techniques, which combine to make up a well-grounded, period interpretation. Most importantly, case studies that include the music of Handel, Mozart and Brahms help recreate performances as close as possible to the composer's original intention.

15 favorites from the holidays, including: Deck the Hall * The First Noel * Good King Wenceslas * Hark! the Herald Angels Sing * It Came upon the Midnight Clear * O Christmas Tree * We Three Kings of Orient Are * and more.

The French flute player and conductor Paul Taffanel (1844-1908) was an extraordinary virtuoso and a major figure in fin de siecle Parisian musical life. Based on a treasure trove of private documents of Taffanel's previously unpublished letters and papers, Taffanel: Genius of the Flute recounts the rich story of his multi-faceted career as a player, conductor, composer, teacher, and leader of musical organizations.
As a player, Taffanel had a rare vision of the flute as a serious, expressive instrument and is credited with re-establishing it in the mainstream of music. He was also an inspiring teacher at the Paris Conservatoire, to whom many modern flutists can trace their roots. In 1879, Taffanel founded the Societe de musique de chambre pour instruments a vent (Society of Chamber Music for Wind Instruments), reviving the wind ensemble music of Mozart and Beethoven, and breaking the dominance of piano and strings in recital and chamber music. From 1890, he served as chief conductor at the Paris Opera and the Societe des Concerts du Conservatoire (Paris Conservatory Orchestra)--the first time a flutist, rather than a string player, had been appointed to such key positions.
Edward Blakeman expertly places these and many other elements of Taffanel's story in the rich political and cultural backdrop of the time, evoking Conservatoire intrigues, the Societe des concerts, and Taffanel's relationships with various musicians and major composers. Blakeman details the circumstances surrounding landmark commissions, performances, and repertoire, and weaves the details from Taffanel's correspondence with first-person interviews and flute lore. What emerges is a portrait of an all-around musician who was also a modest and genial man."

12 songs from the hit motion picture arranged for easy piano: All I Ask of You * Angel of Music * Learn to Be Lonely * The Music of the Night * The Phantom of the Opera * Think of Me * Wishing You Were Somehow Here Again * and more.

More Graded Studies for Saxophone Book Two by Paul Harris brings together saxophone study repertoire spanning the entire spectrum of technique from the 19th Century onward and provides a firm foundation for progress. Featuring core studies alongside specially composed pieces by Paul Harris, this comprehensive collection applies the Simultaneous Learning approach to instrumental technique. Book Two takes the student from Intermediate to Advanced level (approx. Grades 6-8). The studies are arranged in order of increasing difficulty according to a carefully planned technical progression, and each study comes with a list of Simultaneous Learning musical ingredients for players to explore in preparation for the music.

A continental tour of Europe doesn't go quite as planned! When Stockwell Park Orchestra goes on tour to Europe, it proves a challenge for even the most efficient German logistical planner. A teenage stowaway, brass players falling in canals and a sabotaged timpani van are all in a day's work for Ingrid Bauer of Note Perfect Tours, but even she can't solve all the problems this week throws at her. Maybe a bit of surprise Bach can calm the muddy Brexit waters. She just has to fish out the musicians first. Praise for The Stockwell Park Orchestra Series: "I was charmed... a very enjoyable read." Marian Keyes "Friendly insults between musicians, sacrosanct coffee-and-biscuit breaks, tedious committee meetings: welcome to the world of the amateur orchestra." BBC Music Magazine "...a witty and irreverent musical romp, full of characters I'd love to go for a pint with. I thoroughly enjoyed getting to know the Stockwell Park Orchestra and can't wait for the next book in the series." Claire King, author of The Night Rainbow "Sharp, witty and richly entertaining." Lev Parikian, author of Why Do Birds Suddenly Disappear? "With its retro humour bordering on farce, this novel offers an escape into the turbulent (and bonkers) world of the orchestra." Isabel Costello, author of Paris Mon Amour "...a very funny tale of musical shenanigans set in the febrile atmosphere of the Stockwell Park Orchestra" Ian Critchley

The Baroque Clarinet is a sourcebook for the historical study of the European clarinet during the first half of the eighteenth century. The book is based on a comprehensive study of the theoretical, musical, and iconographical evidence, and many conclusions are presented here for the first time.

Mozart's Clarinet Concerto is of supreme importance as his last instrumental work. Yet there are a number of special problems surrounding the piece, since the autograph is lost and the unique instrument for which it was written has not survived. This book presents a wealth of background information, an analysis of the Concerto, discussion of performance practice and details of surviving relevant instruments.

Mozart's Clarinet Concerto is of supreme importance as his last instrumental work. Yet there are a number of special problems surrounding the piece, since the autograph is lost and the unique instrument for which it was written has not survived. This book presents a wealth of background information, an analysis of the Concerto, discussion of performance practice and details of surviving relevant instruments.

(Instrumental Folio). These book/CD packs includes 13 themes from hit movies: Apollo 13 * Braveheart * Chariots of Fire * Dances with Wolves * E.T. * Jurassic Park * Mission: Impossible * Mr. Holland's Opus * Raiders of the Lost Ark * Forrest Gump * more.

(Instructional). Exercises and Etudes for the Jazz Instrumentalist is a collection of original pieces by master trombonist/composer J.J. Johnson. Designed as study material and playable by any instrument, these pieces (the harmonies of which are based on well-known standards) run the gamut of the jazz experience, featuring common and uncommon time signatures and keys, and styles from ballads to funk. They are progressively graded so that both beginners and professionals will be challenged by the demands of this wonderful music. Published in both treble and bass clef editions, this book also includes text to guide the player, as well as a biography of Johnson.

(Music Sales America). This companion to Trevor Wye's series of practice books continues the explanation of playing techniques in greater detail. Topics covered include finding a teacher, practicing, auditioning, performing, repertoire and careers.

Contents: Allegro (Mozart) * Dance * Dixie * Eastern Song * Fiesta * Hungarian Folk Song * Lift Off * Marche Militaire * Mexican Hat Dance * Minuet * Pastoral * Pavana (Byrd) * Pig's Polka * Sarabande * Scherzo * Take a Snooze Blues * Tango * Theme by Purcell * Two Gentlemen: Fat and Thin * Tyrolean Dance.

(Instrumental Solo). Nine songs from the Andrew Lloyd Webber masterpiece: All I Ask of You * Angel of Music * Masquerade * The Music of the Night * The Phantom of the Opera * The Point of No Return * Prima Donna * Think of Me * Wishing You Were Somehow Here Again.

(Music Sales America). A comprehensive study of modern jazz trumpet playing by renowned jazz musician John McNeil. Contains a personal history of jazz trumpet, articulation, valve technique, and alternate fingerings. This complete edition combines and updates the earlier works and includes a CD as a practice aid.

Humanity has blown horns and trumpets of various makes and models, lengths and diameters since prehistoric times. In Horns and Trumpets of the World, the eminent scholar Jeremy Montagu surveys the vast range in time and type of this instrument that has accompanied everything in human history from the war cry to the formal symphony, from the hunting call to the modern jazz performance. No work on this topic offers as much detail or so many illustrations-over 150, in fact-of this remarkable instrument. Montagu's examination starts with horns constructed from such unusual materials as seaweed, cane, and bamboo, and continues the journey of exploration through those of shell, wood, ivory, and metal. The chronological scope of Horns and Trumpets of the World is equally vast: it looks at instruments of the Bible and from the Bronze and Iron Ages respectively before diving headlong into those from the Medieval, Renaissance, Baroque, and Classical periods, and, following the Industrial Revolution, those that have appeared in the modern era. Drawing on the many instruments from the author's own extensive collection, Montagu offers details, including measurements, at levels rarely seen in other surveys of this world of instrumentation. Horns and Trumpet of the World should appeal to not only scholars and collectors, but professional brass players and manufacturers, as well as museums and institutions with a vested interest in our musical heritage.

(Artist Transcriptions). This publication is a transcribed score of this wonderful album. Included is a special 40-page note-for-note saxophone part. Includes exact transcriptions of 12 songs including always, havana, passages, and the moment.

This is a study of the manufacture of brass instruments, particularly the trumpet, in Nuremberg during the seventeenth and eighteenth centuries. The book begins with a brief history of the instrument and the city where it was made, and an introduction to the changes in style, shape, and ornamentation which occurred over more than two hundred years. The techniques of extraction and purification, and the chemical and physical structure of the metals are discussed, and a separate chapter deals with solders for brass and silver and their use in the workshop. The tools and workshop facilities are identified and detailed using contemporary illustrations and examples from the author's workshop. The longest chapter, which is highly illustrated, deals with the techniques of fabrication as practised today, and draws parallels between them and historical practice. The book concludes with a discussion of the philosophy, ethics, and practicality of using historical instruments or accurate facsimiles in modern performance.

This is the first study in modern times dealing exclusively with the flutes used in the Renaissance, Baroque, and Classical eras. It details the history of the transverse flute from 1500 until the early nineteenth century. Advice is given on acquiring instruments, and their care and maintenance. Additional chapters guide the reader to sources about relevant technique and style, recommend repertoire, and give general advice to the modern player. The text is enhanced by numerous photographs of important historic flutes.