An excellent primer for those with little or no experience playing the flute

Always wanted to play the flute? Are you a former flautist who wants to refresh your skills? "Flute For Dummies "is the guide for you." "Following along with the book's accompanying CD, you will learn the nuances of playing the flute as an accompanying instrument or for playing a solo, in a variety of musical styles. Readers will learn how to play, step-by-step - from the correct angle for blowing into the mouthpiece and controlling pitch, to proper breathing, creating vibrato, and much moreThe book's accompany CD allows readers to play what they are learning, and listen to the accompanying track to see if they're getting it rightKaren Moratz is Principal Flutist with the Indianapolis Symphony Orchestra and Artist in Residence and Adjunct Professor of Flute at the School of Music/Jordan College of Fine Arts at Butler University

Easy-to-understand methods and instructions make learning to play this beautiful instrument as simple and straightforward as possible

Two flute parts. Contents: Sonata (Wilhelm Friedemann Bach) * Allegro and Minuet (Beethoven) * Concert (Couperin) * Air du Fat puni (Francois DeVienne) * Duo Concertant (Louis-Francois-Phillipe Drouet) * Sonatina (Kohler) * Sonatine (Kasper Kummer) * Scherzo from A Midsummer Night's Dream (Mendelssohn) * Sonata (Jean-Jacques Naudot) * Theme and Variations (Anton Reicha) * Sonata (Johann Christian Schultze) * Sonata (Telemann).

Paul Harris's brilliant series of workbooks contains finger fitness exercises, scale and arpeggio studies, key pieces, simple improvisations and composition to help you play scales and arpeggios with real confidence. An invaluable resource for students, Improve your scales! Clarinet Grades 1-3 covers all the keys and ranges required for the Associated Board syllabus, helping you pick up valuable extra marks in exams. This new edition has been devised to support the revised criteria from the ABRSM from 2018.

Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.

"For one semester/quarter courses in woodwind methods." "Teaching Woodwinds" has draws on the authors thirty-five years of experience teaching woodwinds to students. Organized by specific teach topics from the fundamentals of hand and finger position to articulation and intonation. Drawing on a classic set of 19th century teacher/student duets, the included twenty-five class lessons enable students to learn by doing and by listening as they play duets with the instructor.

Harold Meek writes from a lifetime's experience playing the horn (often first chair) in several of America's great orchestras, notably the Boston Symphony Orchestra. He shares anecdotes and insights about the joys and travails of playing under Fritz Reiner, Otto Klemperer, Serge Koussevitzky, Charles Munch, and others. Meek also brings together some important information about changes in the instrument itself, including a little-known letter from the great British horn virtuoso, Dennis Brain, about the virtues of different makes of horn. A valuable section prints interpretively challenging horn passages from over three dozen masterpieces, ranging from Beethoven symphonies to Weber's Der Freischutz, and evaluates the solutions offered in recordings by various prominent conductors, from Leopold Stokowski, Sir Adrian Boult, George Szell, and Herbert von Karajan to Carlo Maria Giulini, Neville Marriner, Kurt Masur, and Christopher Hogwood.

A collection of essays written by specialists and performers in the field of music and musicology, The Versatile Clarinet examines the evolution of the clarinet and clarinet playing throughout the instrument's history. The Versatile Clarinet is wide-ranging survey of the types of music that have been played on the instrument, key players, and issues facing clarinetists as they seek to expand the instrument's repertory and recognition. The topics covered include everything: playing early and historic clarinets; jazz clarinet technique; contemporary and avant-garde music; klezmer clarinet; and, the history of clarinet recording. The book will appeal to clarinetists, music historians, musical instrument scholars, and general readers interested in the development of this important instrument.

For professional and amateur flautists as well as students of the flute, this book offers a practical introduction to all aspects of playing the flute. Using an accessible A-Z format, Debost offers a logical and imaginative work on flute performance that places technique at the service of music on every page. In these concise essays, readers will find simple, sensible answers to all of the problems flautists regularly encounter. Debost covers the expected topics - such as breathing, articulation, and tone - and offers personal insights into such issues as "jawboning", "finger phrasing," and "the little devils". Offering concise, common-sense solutions for flautists of all levels, this book is an ideal reference guide on flute performance.

Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve your sight-reading! Flute Grades 4-5 is designed to help overcome all the stumbling blocks to successful sight-reading. Step by step you will build up a complete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by studying prepared pieces and finally `going solo' with a series of meticulously graded sight-reading pieces. This new edition of the best-selling Improve your sight-reading! contains completely new material throughout and has been brought up to date to match the latest ABRSM sight-reading criteria.

For the first time, C Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The "A New Tune A Day" books have the same logical, gentle pace, and keen attention to detail, but with a host of innovations: the inclusion of an audio CD - with actual performances and backing tracks - will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. Each book contains: advice on the equipment you need; instructions for an effective technique and a comfortable posture; explanatory section on reading music; easy-to-follow lessons on clear, uncluttered pages; audio CD with a virtuoso performance, backing tracks and audio examples; great music including duets and rounds; and tests to check progress and comprehension. All books can be used in conjunction with each other.

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 3 Clarinet syllabus from 2022. Key features: - Nine pieces in a range of styles, chosen from Lists A, B and C- Classic repertoire and newly commissioned pieces and arrangements- Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 3 Clarinet exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

First Published in 1994. In their quest for new sound materials, avant-garde musicians often produce sounds which accidentally bear a strong resemblance to traditional instruments. While conventional Western instruments have taken on a functional role, instruments such as the shakuhachi are still closely associated with their cultural, religious, and historical roots. The colorful and unique shakuhachi has become the most widely known and used Japanese instrument. This collection provides a comprehensive historical overview of the shakuhachi, its technical aspects and its relationship to the flute.

Alfred's Ultimate Movie Instrumental Solos series arranged for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, cello, and optional piano accompaniment. All wind instrument arrangements are fully compatible, and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided, featuring each song as a live performance demo track followed by a play-along track. The CD also contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software.
Contains 60 songs, including: Cantina Band * Follow the Yellow Brick Road / We're Off to See the Wizard * Gollum's Song * Hedwig's Theme * James Bond Theme * Obliviate * Pink Panther Theme * Raiders March * Superman Theme * Wonka's Welcome Song * and many more.
Due to level considerations regarding keys and instrument ranges, the wind instrument arrangements are not compatible with the string instrument arrangements in this series.

Brass Mix is an original series of graded pieces that can be played by any brass instrument. Book 2 covers Grades 4 & 5 and contains 8 new pieces for solo brass and piano, specially commissioned from some of today's most dynamic composers for brass. The pieces showcase a diverse range of styles and align with ABRSM grade levels. Many are featured on the ABRSM 2023 Brass syllabus and in addition, all are ideal choices for Performance Grade exams.Key features:-one piece at each grade and list of the ABRSM 2023 Brass syllabus, for all instruments -distinctive and engaging repertoire from which to build a programme for a Practical or Performance Grade exam - a single student book that can be used by treble- and bass-clef brass including Eb Tuba -separate Bb, Eb and F piano accompaniment books -a downloadable part for Bb Tuba. Contents: Rapscallion [Andrea Price] Sunday at the Boulevard [Christopher Augustine] Horizon [Clare Elton] Cumbianita para Ti [Shanti Paul Jayasinha] Lethe [Callum Au] By the River [Shanti Paul Jayasinha] A Postcard from Wasdale [Florence Anna Maunders] Koli [Shri Sriram]

With a huge reward on the line, the Stockwell Park Orchestra will need to play on a whole new scale to win big... After a brief and disastrous Resident Poet episode, Stockwell Park Orchestra is invited to take part in a TV competition for classical music. For a GBP50,000 prize some competitors are tempted to stretch the genre to 'crossover' and beyond. Can a full concert orchestra compete with jazz bands, horn quartets, harp ensembles, and Mrs Ford-Hughes singing in Portuguese with nine cellos? Or will the competition be derailed by the poet's return, this time sporting live Ambient Sounds? The TV producers aren't worried: they know a good fight means great ratings. What was supposed to be a quirky diversion threatens to take over the orchestra's rehearsals for their own concert, but discovering a voting scam means they must fix things in the TV studio first. What people are saying about Life, Death and Cellos: "I was charmed... a very enjoyable read." Marian Keyes "Life, Death and Cellos is a witty and irreverent musical romp, full of characters I'd love to go for a pint with. I thoroughly enjoyed getting to know the Stockwell Park Orchestra and can't wait for the next book in the series." Claire King, author of The Night Rainbow "Life, Death and Cellos is that rare thing - a funny music book. Rogers knows the world intimately, and portrays it with warmth, accuracy and a poetic turn of phrase. Sharp, witty and richly entertaining." Lev Parikian, author of Why Do Birds Suddenly Disappear? "With its retro humour bordering on farce, this novel offers an escape into the turbulent (and bonkers) world of the orchestra." Isabel Costello, author of Paris Mon Amour "Dodgy post-rehearsal curries, friendly insults between musicians, sacrosanct coffee-and-biscuit breaks, tedious committee meetings: welcome to the world of the amateur orchestra. Throw in a stolen Stradivarius, an unexpected fatality and the odd illicit affair and you have Life, Death and Cellos, the first in a new series by Isabel Rogers." Rebecca Franks, BBC Music Magazine "...a very funny tale of musical shenanigans set in the febrile atmosphere of the Stockwell Park Orchestra" Ian Critchley

(Instrumental Folio). This monstrous collection includes instrumental solos of more than 70 Disney classics: Beauty and the Beast * Can You Feel the Love Tonight * Friend like Me * It's a Small World * Mickey Mouse March * A Pirate's Life * Reflection * The Siamese Cat Song * A Spoonful of Sugar * Trashin' the Camp * Under the Sea * We're All in This Together * Written in the Stars * You've Got a Friend in Me * Zip-A-Dee-Doo-Dah * and dozens more.

More Graded Studies for Flute Book One, by Sally Adams and Paul Harris, brings together saxophone study repertoire spanning the entire spectrum of technique from the 19th Century onward, and provides a firm foundation for progress. Featuring core studies alongside specially composed pieces by Paul Harris, this comprehensive collection applies the Simultaneous Learning approach to instrumental technique. Book One begins at Elementary level and progresses to Intermediate (approx. Grades 1-5). The studies are arranged in order of increasing difficulty according to a carefully planned technical progression, and each study comes with a list of Simultaneous Learning musical ingredients for players to explore in preparation for the music. **ABRSM selected piece (Flute 2018-2021): American Pye **ABRSM selected piece (Flute 2018-2021): Study in D minor **ABRSM selected piece (Flute 2018-2021): Chromatic Polka **ABRSM selected piece (Flute 2018-2021): Tarantella **ABRSM selected piece (Flute 2018-2021): Jasmine Flower **ABRSM selected piece (Flute 2018-2021): Study in G **ABRSM selected piece (Flute 2018-2021): Under the Rainbow **ABRSM selected piece (Flute 2018-2021): Study in C or Study in G