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Books > Social sciences > Sociology, social studies > Social institutions > Death & dying > General
The latest volume in this multidisciplinary series on key topics in evolutionary studies, Evolutionary Perspectives on Death provides an evolutionary analysis of mortality and the consideration of death. Bringing together noted experts from a variety of fields, the books emanate from conferences held at Oakland University, and are dedicated to providing wide ranging and occasionally provocative views of human evolution. The volume on death covers topics from biology, anthropology, psychology, sociology and philosophy, with contributors addressing how evolution informs the process of comprehending, grieving, depicting, celebrating, and accepting death. Among the topics covered: Evolutionary perspectives on the loss of a twin Nonhuman primate responses to death Death in literature Witnessing and representing the death of pets The role of human decomposition facilities in shaping American perspectives on death This insightful volume showcases groundbreaking empirical and theoretical research addressing death and mortality from an evolutionary perspective, demonstrating the intellectual value of an interdisciplinary approach to understanding psychological processes and behavior. Chapter 6 of this book is available open access under a CC BY 4.0 license at link.springer.com.
WINNER OF THE SCOTTISH NON-FICTION BOOK OF THE YEAR AWARD 2021 A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR 'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel 'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian 'The pages burst with life and anecdote while also examining our relationship with remembrance.' - Financial Times (best travel books of 2020) 'Among the year's most surprising "sleeper" successes is A Tomb with a View. In a year with so much death, it may have initially seemed a hard sell, but the author's humanity has instead acted as a beacon of light in the darkness.' - The Sunday Times 'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer 'Ross has written [a] lively elegy to Britain's best burial grounds.' - Evening Standard (*Best New Books of Autumn 2020*) 'One of the non-fiction books of the year.' - The i paper (*2020 Best Books for Christmas*) 'Brilliant.' - Stylist (*Best Christmas books for Christmas 2020*) 'Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country.' - Andrew O'Hagan 'His stories are always a joy.' - Ian Rankin 'I'm a card-carrying admirer of Peter Ross.' - Robert Macfarlane 'A startling, delight-filled tour of graveyards and the people who love them, dazzlingly told.' - Denise Mina 'A phenomenal, lyrical, beautiful book.' - Frank Turner 'A walk through the graveyards of Britain guided by one of the most engaging wordsmiths willing to take you by the hand.' - The Big Issue (*Best Books 2020*) 'A celebration of life and of love. It confronts our universal fate but tends towards a comforting embrace of mortality. It is also imbued with something deeply moving.' - The Herald 'Beautifully written and strangely life affirming.' - Norman Blake, Teenage Fanclub For readers of The Salt Path, Mudlarking, Ghostland, Kathleen Jamie and Robert Macfarlane. Enter a grave new world of fascination and delight as award-winning writer Peter Ross uncovers the stories and glories of graveyards. Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths? All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath. So push open the rusting gate, push back the ivy, and take a look inside...
Although many books are written about bereavement, very few are written about the fear of one's own death and most of these focus chiefly on terminal illness. In contrast, this book looks at the ways in which the fear of death operates on a back burner throughout our lives and how it influences the choices we make and the paths that we follow in life. The author presents a moral hierarchy' of behavior used in coping with the fear of death and dying.
This book explores the moral and representational issues associated with engaging young people with popular media depictions of death and dying. Emotionally charged depictions of death play an important role in contemporary media directed toward teen and young adult audiences. Across creative works as diverse as interactive digital games, graphic novels, short form serial narratives, television and films, young people gain opportunities to engage with representations of death. In some cases, representations of death, dying, and the decision to end one's own life have been subject to public outcry and criticism related to its perceived potential impact on impressionable audiences. Death in/as entertainment can also be fleeting, commonplace and used for humour making it trivial. The chapters in this volume particularly consider the types of engagement made possible through different contemporary creative mediums and the ways in which they might distinctively capture or arouse thoughts and feelings on the end and loss of a human life. Death as Entertainment will appeal to researchers and students interested in new media and its cultural and psychological impact. The chapters in this book were originally published as a special issue of Mortality.
In the tradition of Atul Gwande's Being Mortal, this compassionate work helps individuals develop a more accepting view of dying while teaching them what to expect and how to navigate the healthcare system at end of life. The health care system has a narrow view of how to care for patients in elderhood. That view focuses on extending life with machines and procedures, not caring holistically for the patient. As such, patients will likely spend the last years of their lives in long-term care facilities and their final weeks in an ICU. Our fear of death contributes to this model for health. Dying at home, peacefully, and surrounded by family is almost impossible in our world. Fittingly, the central idea of this book is that in old age, or when facing a terminal diagnosis, it is more important to understand your life rather than to extend it. While this may seem simple, its implications are profound. A natural death means accepting that, at some point, we are old enough or sick enough to die without trying to interrupt that natural process beyond being kept comfortable. In our cynical and overly clinical age, it is difficult to reflect on the meaning of one's life, but that kind of honest introspection is exactly what we need. Accordingly, The Journey's End seeks to help people manage their healthcare, their expectations, and their decisions in the final phase of life.
This book presents a critical analysis and examination of the major theories and social issues in the social construction of aging and death. It is concerned with the impact of death and places how our experiences of death are transformed by the roles that truth and discourse about aging play in everyday life. A major element of the book is an examination of the way in which groups and individuals employ specific representations of mortality in order to construct meaning and purpose for life and death. To accentuate this, the book provides an investigation into the social construction of death practices across time and space. Special attention is given to the notion of death as a socially accomplished phenomenon grounded in a unique sociological introduction to the meaning of death throughout history to the present. The purpose of this book is to critically inform debates concerning the abstract and empirical features of death examined through the lens of sociological perspectives. This book explores the emergent biomedical dominance relating to ageing and death. An alternative is advocated which re-interprets ageing for Graduate schools. This innovative book explores the concept, history and theory of aging and its relationship to death. Traditionally, many books have focused on older people dying of 'natural causes', a biomedical explanatory framework. This book looks at alternative social theories and experiences with aging and relate to death in different countries, victims, crime, imprisonment and institutional care. Are these deaths avoidable? If so, what are the solutions the book addresses. This is one of the first books that re-interprets aging and its relationship of examples of death. It will be of essential reading for graduate students and researchers in understanding these different examples of aging and death across the globe.
The centrality of death rituals has rarely been documented in anthropologically informed studies of Buddhism. Bringing together a range of perspectives including ethnographic, textual, historical and theoretically informed accounts, this edited volume presents the diversity of the Buddhist funeral cultures of mainland Southeast Asia and China. While the contributions show that the ideas and ritual practices related to death are continuously transformed in local contexts through political and social changes, they also highlight the continuities of funeral cultures. The studies are based on long-term fieldwork and covering material from Theravada Buddhism in Burma, Laos, Thailand, Cambodia and various regions of Chinese Buddhism, both on the mainland and in the Southeast Asian diasporas. Topics such as bad death, the feeding of ghosts, pollution through death, and the ritual regeneration of life show how Buddhist cultures deal with death as a universal phenomenon of human culture.
This is a book about death, comprehensive in its discussion of strategies for coping with loss and grief in rural northern Russia. Elizabeth Warner and Svetlana Adonyeva bring forth the voices of those for whom caring for their dead is deeply personal and firmly rooted in practices of everyday life. Thoroughly researched chapters consider lamenting traditions, examine beliefs surrounding natural symbols, and parse sensitive and profound funereal rituals. ""We remember, we love, we grieve"" is a common epitaph in this part of the world. As contemporary Russia contends with the Soviet Union's legacy of dismantling older ways of life, the phrase ripples beyond individual loss - it encapsulates communities' determination to preserve their customs when faced with oppression. This volume offers insight into a core cultural practice, exploring the dynamism of tradition.
In 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs. -- .
Death will come to us all, but most of us live our lives as if death did not exist. Medicine has made dying more complicated and more removed from the experience of most people. Death is partitioned off to hospital rooms, separated from our daily lives. Most of us find ourselves at a loss when death approaches. We don't know how to die well. For centuries Christians have prepared for the "good death" with particular rituals and spiritual disciplines that direct the actions of both the living and the dying. In this well-researched and pastorally sensitive book, Rob Moll explores the Christian practice of dying well. He gives guidance for those who care for the dying as well as for those who grieve. This book is a gentle companion for all who face death, whether one's own or that of a loved one. Christians can have confidence that because death is not the end, preparing to die helps us truly live. A decade after writing this book, Rob died in a hiking accident at age forty-one. This edition includes a new afterword by his wife, Clarissa Moll, reflecting on Rob's life, death, and legacy.
The study of death has the capacity to bring together a range of policy areas. Yet death is often overlooked within policy debates in the UK and beyond, and within gerontology. Bringing together a range of scholars engaged in policy associated with death, this collection provides a holistic account of how death factors in social policy. Within this, issues covered include inheritance, palliative care, euthanasia, funeral costs, bereavement support, marginalised deaths and disposal practices. At the heart of the book, the volume recognises that the issues identified are likely to intensify and expand over the next twenty years, as death rates continue to rise.
Looking at the cultural responses to death and dying, this collection explores the emotional aspects that death provokes in humans, whether it is disgust, fear, awe, sadness, anger, or even joy. Whereas most studies of death and dying treat the subject from an objective viewpoint, the scholars in this collection recognize their inherent connection with death which allows for a new and more personal form of study. More broadly, this collection suggests a new paradigm in the study of death and dying.
The introduction of the continuing bonds model of grief near the end of the 20th century revolutionized the way researchers and practitioners understand bereavement. Continuing Bonds in Bereavement is the most comprehensive, state-of-the-art collection of developments in this field since the inception of the model. As a multi-perspectival, nuanced, and forward-looking anthology, it combines innovations in clinical practice with theoretical and empirical advancements. The text traces grief in different cultural settings, asking questions about the truth in our interactions with the dead and showing how new cultural developments like social media change the ways we relate to those who have died. Together, the book's four sections encourage practitioners and scholars in both bereavement studies and in other fields to broaden their understanding of the concept of continuing bonds.
"Ball's arguments are concise, compelling, and backed with considerable case law. This volume is highly recommended for upper-level undergraduates and above in law, philosophy, and the medical humanities interested in the 'right to die' debates. Summing up: Highly recommended." -Choice Over the past hundred years, average life expectancy in America has nearly doubled, due largely to scientific and medical advances, but also as a consequence of safer working conditions, a heightened awareness of the importance of diet and health, and other factors. Yet while longevity is celebrated as an achievement in modern civilization, the longer people live, the more likely they are to succumb to chronic, terminal illnesses. In 1900, the average life expectancy was 47 years, with a majority of American deaths attributed to influenza, tuberculosis, pneumonia, or other diseases. In 2000, the average life expectancy was nearly 80 years, and for too many people, these long lifespans included cancer, heart failure, Lou Gehrig's disease, AIDS, or other fatal illnesses, and with them, came debilitating pain and the loss of a once-full and often independent lifestyle. In this compelling and provocative book, noted legal scholar Howard Ball poses the pressing question: is it appropriate, legally and ethically, for a competent individual to have the liberty to decide how and when to die when faced with a terminal illness? At Liberty to Die charts how, the right of a competent, terminally ill person to die on his or her own terms with the help of a doctor has come deeply embroiled in debates about the relationship between religion, civil liberties, politics, and law in American life. Exploring both the legal rulings and the media frenzies that accompanied the Terry Schiavo case and others like it, Howard Ball contends that despite raging battles in all the states where right to die legislation has been proposed, the opposition to the right to die is intractable in its stance. Combining constitutional analysis, legal history, and current events, Ball surveys the constitutional arguments that have driven the right to die debate.
Death, like most experiences that we think of as 'natural', is a product of the human imagination: all animals die, but only human beings suffer Death; and what they suffer is shaped by their own time and culture. Tragedy was one of the principal instruments through which the culture of early modern England imagined the encounter with mortality. The essays in this book approach the theatrical reinvention of Death from three perspectives. Those in Part 1 explore Death as a trope of apocalypse - a moment of un-veiling or dis-covery that is figured both in the fearful nakedness of the Danse Macabre and in the shameful 'openings' enacted in the new theatres of anatomy. Separate chapters explore the apocalyptic design of two of the period's most powerful tragedies - Shakespeare's Othello, and Middleton and Rowley's The Changeling. In Part 2, Neill explores the psychological and affective consequences of tragedy's fiercely end-driven narrative in a number of plays where a longing for narrative closure is pitched against a particularly intense dread of ending. The imposition of an end is often figured as an act of writerly violence, committed by the author or his dramatic surrogate. Extensive attention is paid to Hamlet as an extreme example of the structural consequences of such anxiety. The function of revenge tragedy as a response to the radical displacement of the dead by the Protestant abolition of purgatory - one of the most painful aspects of the early modern re-imagining of death - is also illustrated with particular clarity. Finally, Part 3 focuses on the way tragedy articulates its challenge to the undifferentiating power of death through conventions and motifs borrowed from the funereal arts. It offers detailed analyses of three plays - Shakespeare's Anthony and Cleopatra, Webster's The Duchess of Malfi, and Ford's The Broken Heart. Here, funeral is rewritten as triumph, and death becomes the chosen instrument of an heroic self-fashioning designed to dress the arbitrary abruption of mortal ending in a powerful aesthetic of closure.
Named a Best Book of 2014 by The Washington Post, The New York Times Book Review, NPR, and Chicago Tribune, now in paperback with a new reading group guide. Medicine has triumphed in modern times, transforming the dangers of childbirth, injury, and disease from harrowing to manageable. But when it comes to the inescapable realities of aging and death, what medicine can do often runs counter to what it should. Through eye-opening research and gripping stories of his own patients and family, Gawande reveals the suffering this dynamic has produced. Nursing homes, devoted above all to safety, battle with residents over the food they are allowed to eat and the choices they are allowed to make. Doctors, uncomfortable discussing patients' anxieties about death, fall back on false hopes and treatments that are actually shortening lives instead of improving them. In his bestselling books, Atul Gawande, a practicing surgeon, has fearlessly revealed the struggles of his profession. Here he examines its ultimate limitations and failures―in his own practices as well as others'―as life draws to a close. Riveting, honest, and humane, Being Mortal shows how the ultimate goal is not a good death but a good life―all the way to the very end.
In Sociology of Death and the American Indian, Gerry R. Cox examines dying, death, disposal, and bereavement as well describes these practices in various American Indian tribes both historically and currently, supplemented with oral histories from select tribes. The book focuses on what can be learned from the practices of traditional cultures, showing that understanding the ways of other cultures can enhance the understanding of one's own culture by comparing traditional and modern societies. Cox addresses that the centuries of injustices committed against American Indians have led to a neglect of learning about American Indian cultures and ways and attempts to fill the gaps in knowledge of American Indian dying, death, disposal, and bereavement practices.
Loving and grieving are two sides of the same coin: we cannot have one without risking the other. Only by understanding the nature and pattern of loving can we begin to understand the problems of grieving. Conversely, the loss of a loved person can teach us much about the nature of love. Love and Loss, the result of a lifetime's work, has important implications for the study of attachment and bereavement. In this volume, Colin Murray Parkes reports his innovative research that enables us to bring together knowledge of childhood attachments and problems of bereavement, resulting in a new way of thinking about love, bereavement and other losses. Areas covered include:
The book concludes by looking at disorders of attachment and considering bereavement in terms of its implications on love, loss, and change in a wider context. Illuminating the structure and focus of thinking about love and loss, this book sheds light on a wide range of psychological issues. It will be essential reading for professionals working with bereavement, as well as graduate students of psychology, psychiatry, and sociology.
A New York Times Bestseller A Wall Street Journal Bestseller A New York Times Notable Book of 2020 A New York Times Book Review Editors' Choice Shortlisted for the Financial Times and McKinsey Business Book of the Year A New Statesman Book to Read From economist Anne Case and Nobel Prize winner Angus Deaton, a groundbreaking account of how the flaws in capitalism are fatal for America's working class Life expectancy in the United States has recently fallen for three years in a row-a reversal not seen since 1918 or in any other wealthy nation in modern times. In the past two decades, deaths of despair from suicide, drug overdose, and alcoholism have risen dramatically, and now claim hundreds of thousands of American lives each year-and they're still rising. Anne Case and Angus Deaton, known for first sounding the alarm about deaths of despair, explain the overwhelming surge in these deaths and shed light on the social and economic forces that are making life harder for the working class. They demonstrate why, for those who used to prosper in America, capitalism is no longer delivering. Deaths of Despair and the Future of Capitalism paints a troubling portrait of the American dream in decline. For the white working class, today's America has become a land of broken families and few prospects. As the college educated become healthier and wealthier, adults without a degree are literally dying from pain and despair. In this critically important book, Case and Deaton tie the crisis to the weakening position of labor, the growing power of corporations, and, above all, to a rapacious health-care sector that redistributes working-class wages into the pockets of the wealthy. Capitalism, which over two centuries lifted countless people out of poverty, is now destroying the lives of blue-collar America. This book charts a way forward, providing solutions that can rein in capitalism's excesses and make it work for everyone.
Based on a content analysis of writing assignments from a class on death and dying, this book focuses on the manner in which college students use religion to make sense of death and the dying process. Drawing on research spanning five years, the author considers the attitudes, concerns, and beliefs about death, exploring students' perspectives on the place of religion in end-of-life issues. With attention to questions related to death anxiety, suicide, mass homicide, and the death of young children, the author examines the ways in which students draw on religion to make sense of death, religion's function as both a source of comfort and empowerment and a source of distress, as well as the perceptions of those who resist religion. As such, Religion, Life, and Death will appeal to social scientists with interests in the sociology of young adults, and the sociology and psychology of religion, death, and dying.
Mortality remains a taboo topic in much of Western society, but death and violence continue to be staples of popular television. We can better understand the appeal of violence by investigating psychological theories surrounding anxiety about death and the defenses we use to manage that anxiety. This book examines five recent television series--Game of Thrones,The Punisher, Jessica Jones, Sons of Anarchy and Hannibal--and shows how fictional characters' motivations teach viewers about both the constructive and destructive ways we try to deal with our own mortality. Instead of dismissing violent television as harmless entertainment or completely condemning it as a dangerous trigger of hostile behavior, this book shows its effects on viewers in a more nuanced manner. It provides a new perspective on the enjoyment of violent television, enhancing fans' appreciation and sparking ongoing discussions about their value to both the individual and society.
- This book integrates compassionate-based approaches with current theories and practices in loss, grief, and bereavement to provide readers with new insights and understanding on supporting patients, families, and healthcare workers facing the many challenges associated with loss and grief. - This book provides a holistic overview on the theoretical foundations of compassion, with in-depth discussions on the essential components of compassion training, as well as practical examples on how compassionate-based approaches can be applied in situations of loss, grief, and bereavement. - This book consolidates and presents the most innovative and cutting-edge research, interventions, and techniques on compassionate-based approaches from international leaders in the field to offer diverse perspectives on the applications of compassion based approaches to a variety of settings relevant to loss and grief. -This book draws upon current practices in compassion that are readily applicable to both clinicians and their clients alike, helping to develop greater capacity and insight into the loss and grief that we experience in our lives.
- This book integrates compassionate-based approaches with current theories and practices in loss, grief, and bereavement to provide readers with new insights and understanding on supporting patients, families, and healthcare workers facing the many challenges associated with loss and grief. - This book provides a holistic overview on the theoretical foundations of compassion, with in-depth discussions on the essential components of compassion training, as well as practical examples on how compassionate-based approaches can be applied in situations of loss, grief, and bereavement. - This book consolidates and presents the most innovative and cutting-edge research, interventions, and techniques on compassionate-based approaches from international leaders in the field to offer diverse perspectives on the applications of compassion based approaches to a variety of settings relevant to loss and grief. -This book draws upon current practices in compassion that are readily applicable to both clinicians and their clients alike, helping to develop greater capacity and insight into the loss and grief that we experience in our lives. |
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