This volume offers a selection of articles from authors representing a wide array of disciplines, all of whom explore the following central theme: how can the presence of the dead take life in the hearts of the living? Although individuals die, they can indeed remain "present." But how? Authors in this volume explicate practical mourning strategies to help survivors cope with the tremendous sadness and emptiness experienced when we lose someone we love.

Afterlife argues that proper conduct was believed essential for determining one's post-mortem judgment from the earliest periods in ancient Egypt and Greece. affects one's afterlife fate. Dramatists and demonstrates that post-mortem reward and retribution, based on one's conduct, is already found in Homer. Pythagoreanism and Orphism further develop the afterlife beliefs that will have such enormous impact on Plato and later Christianity. for their understanding of virtues and vices that have afterlife consequences. both societies are compared. the elite: the king in Egypt's Pyramid Texts and the heroes in Homeric Greece. Nevertheless, we show that, from the earliest times, both societies believed that the gods, primarily Maat in Egypt and Dike in Greece, were responsible for the proper ordering of the cosmos and anyone's violations of that order would reap the direst consequence--the loss of a beneficent afterlife.

Jeffrey Trumbower examines how and why death came to be perceived as such a firm boundary of salvation. Analyzing exceptions to this principle from ancient Christianity, he finds that the principle itself was slow to develop and not universally accepted in the Christian movement's first four hundred years. In fact, only in the West was this principle definitively articulated, due in large part to the work and influence of Augustine.

In Ancient Egyptian Letters to the Dead: The Realm of the Dead through the Voice of the Living Julia Hsieh investigates the beliefs and practices of communicating with the dead in ancient Egypt through close lexical semantic analysis of extant Letters. Hsieh shows how oral indicators, toponyms, and adverbs in these Letters signal a practice that was likely performed aloud in a tomb or necropolis, and how the senders of these Letters demonstrate a belief in the power and omniscience of their deceased relatives and enjoin them to fight malevolent entities and advocate on their behalf in the afterlife. These Letters reflect universals in beliefs and practices and how humankind, past and present, makes sense of existence beyond death.

Corporate coach Allison Clarke was on a plane to Atlanta when she realized that in order to fully live, she had to first be surrounded by death. Sounds strange, doesn't it? Not to Allison: a fearless mother of two who built her own consulting firm from the ground up. To Allison, it felt like a challenge, and as soon as she got home, she met with a funeral director. Her idea was simple: attend the funerals of exceptional strangers and learn from their adventurous lives. It began with the newspaper. She read countless obituaries, looking for people who interested her. It didn't matter specifically what they had done. Her thirty funerals ranged in scope from basketball fan to hundred-and-four-year-old Austrian immigrant. What mattered was the effect they'd had on the lives of their friends and families. Once the choice was made, Allison donned her black dress and headed to the cemetery. Some people might scoff at this behavior. However, when Allison thought back to the funeral of her own grandmother, she realized she would have been proud to have strangers there -- proud to tell them, "That was my grandma, and she was amazing." In the end, Allison attended thirty funerals over the course of sixty days. At each, she learned a little more about living life to the fullest ... and what is life if not lived bravely, passionately, and with heart? Allison Clarke is the founder and president of Allison Clarke Consulting, a company that teaches corporations, associates, and individuals how to reach their full potential. Previously, she was a master trainer with Dale Carnegie Training. She lives in Portland, Oregon, with her two daughters, Jenna and Jamie. Allison is a member of the National Speakers Association. To find out how to hire Allison to speak for or to train your company, visit her website: www.allisonclarkeconsulting.com.

Describing a great variety of funeral ritual from major world religions and from local traditions, this book shows how cultures not only cope with corpses but also create an added value for living through the encouragement of afterlife beliefs. The explosion of interest in death in recent years reflects the key theme of this book - the rhetoric of death - the way cultures use the most potent weapon of words to bring new power to life. This new edition is one third longer than the original with new material on the death of Jesus, the most theorized death ever which offers a useful case study for students. There is also empirical material from contemporary/recent events such as the death of Diana and an expanded section on theories of grief which will make the book more attractive to death counsellors.

The evidence of death and dying has been removed from the everyday lives of most Westerners. Yet we constantly live with the awareness of our vulnerability as mortals. Drawing on a range of genres, bands and artists, Mortality and Music examines the ways in which popular music has responded to our awareness of the inevitability of death and the anxiety it can evoke. Exploring bereavement, depression, suicide, violence, gore, and fans' responses to the deaths of musicians, it argues for the social and cultural significance of popular music's treatment of mortality and the apparent absurdity of existence.

This is the first international study of maternal care and maternal mortality. Over the last two hundred years, different countries developed quite different systems of maternal care. Death in Childbirth is a meticulously researched analysis, firmly grounded in the available statistics, of the evolution of those systems between 1800 and 1950 in Britain, the USA, Australia and New Zealand, and on the continent of Europe. Irvine Loudon examines the effectiveness of various forms of maternal care by means of the measurement of maternal mortality - the number of women who died as a result of childbirth. His scholarly and comprehensive study sets out to answer a number of important questions. What was the relative risk of a home or hospital delivery, or a delivery by a midwife as opposed to a doctor? What was the safest country in which to have a baby, and what were the factors which accounted for enormous international differences? Why, against all expectations, did maternal mortality fail to decline significantly until the late 1930s? Death in Childbirth makes an invaluable contribution to medical and social history.

This is an examination of human encounter with death in Germany from the eve of the Reformation to the rise of Pietism. The Protestant Reformation transformed the funeral more profoundly than any other ritual of the traditional church. Luther's doctrine of salvation by faith alone made the foundation of the traditional funeral, intercession for the dead in Purgatory, obsolete. By drawing on anthropological interpretations of death ritual, this study explores the changing relationships between the body, the soul, the living and the dead in the daily life of early modern Germany.

The inevitability of death-that of others and our own-is surely among our greatest anxieties. Mortality's Muse: The Fine Art of Dying explores how art, mainly literary art, addresses that troubling reality. While religion and philosophy offer important consolations for life's end, art responds in ways that are perhaps more complete and certainly more deeply human. Among subjects treated: the ars moriendi or "art of dying" tradition; the contrast between past and more recent cultural values; the religious consolation's value but shortcoming for some people; the role of art in offering a secular consolation; dying as a performing art; the philosophic ideal of good death; the lively appeal of carpe diem or living for the present moment; the elegiac sense of life; and the two opposite parts Mortality's Muse has played in dealing with war, the most senseless and unnecessary cause of death. The idea of an aesthetic sense of life forms the basis of these discussions. Human beings are makers in the largest sense of the word, and art represents everything they make-civilization itself with all its greatness and failings. Our civilization may ultimately be nothing but an evanescent blip in the cosmos. Even so, the creation of beauty, meaning, and purpose from disorder and suffering defines us as human beings. In the words of Robinson Jeffers, even if monuments eventually crumble and all art perish, yet for thousands of years carved stones have stood and "pained thoughts found the honey of peace in old poems."

The Last Choice establishes that preemptive suicide in advanced age can be rational: that it can make good sense to evade age-related personal diminishment even at the cost of good time left. Criteria are provided to help determine whether soundly reasoned, cogently motivated,and prudently timed self-destruction can be in one's interests late in life. In our time suicide and assisted suicide are being increasingly tolerated as ways to escape unendurable mental or physical suffering, but it isn't widely accepted that suicide may be a rational choice before the onset of such suffering. This book's basic claim is that it can be rational to choose to die sooner as oneself than to survive as a lessened other: that judicious appropriation of one's own inevitable death can be an identity-affirming act and a fitting end to life. Discussion of preemptive suicide goes beyond contributing to current widespread debate about assisted suicide. It is a matter tightly interrelated with other right to die questions and one bound to become a national issue. If there are good arguments for escaping intolerable situations caused by age-related deteriorative conditions, most of those arguments will equally support avoidance of those conditions. If assisted suicide becomes more generally acknowledged and accepted, preemptive suicide will almost certainly follow. It is crucial, then, to examine whether preemptive suicide constitutes a rational option for reflective aging individuals.

With the aspiration for a long life now achievable for many individuals, the status of old age as a distinct social position has become problematic. In this radical re-examination of the nature of old age, Paul Higgs and Chris Gilleard reveal the emergence of a 'fourth age' that embodies the most feared and marginalised aspects of old age, conceptually linked to and yet distinct from traditional models of old age. Inspired by the authors' ground-breaking work on the third and fourth age and supported by extensive sociological, medical and historical research, Rethinking Old Age offers a unique and timely analysis of the fourth age as a 'social imaginary' that is shaped and maintained by the social, cultural and political discourses and practices that divide later life. It stands as a significant resource for students, academics and practitioners of sociology, ageing studies, gerontology, social policy, health studies, social work and nursing.

Are you ready to discover what lies beyond the ordinary experience of grief?

Sacred Grief offers an intriguing exploration of the far-reaching rippleeffect of our present-day opinions about surviving grief's emotionalroller-coaster and the unnecessary suffering our judgments unconsciouslypromote. You'll find comfort in discovering that there's anotherdimension to this universal experience--a dimension that fosters trust, kindness and compassion, peacefully heals, and steadfastly moves youtowards your soul's deepest desires and dreams.
Praise for Sacred Grief
"Because we will all have the experience, Sacred Grief is a compellingguide for everyone searching for the sweetness in life's great passages."
--Gregg Braden, author, "The Divine Matrix" and "The God Code"
"Sacred Grief is a holy handbook for gleaning the gifts of the journeycalled grief."
--Mary Manin Morrissey, Co-founder, Association for Global New Thought
"Sacred Grief is a welcome departure from the conventional advice about'surviving' grief."
--Jill Carroll, Ph.D., Executive Director, Boniuk Center for the Study andAdvancement of Religious Tolerance, Rice University
"I highly recommend this book to anyone that has experienced any type of loss in their livesand is willing to look at the loss through a different set of eyes. Tessman, in Sacred Grief, willlead the reader to a place of compassion for oneself, create a relationship with his/her own grief, and ultimately create a place of understanding and a healed soul."
--Irene Watson, Managing Editor, Reader Views
Learn more about this book at www.SacredGrief.com
Another great self-help book from Loving Healing press www.LovingHealing.com
SEL010000 Self-Help: Death, Grief, Bereavement
FAM014000 Family & Relationships: Death, Grief, Bereavement
SOC036000 Social Science: Death & Dying

Western culture has always been obsessed with death, but now death has taken on a new, anonymous form. The twentieth century saw the mass production of corpses through war and the triumph of technology over the human body. The new millennium has opened with global terrorism and the suspension of human rights in far-flung prison camps.We live in an age of panic, when the fear of death at any time and in any place is present. And we live in an age of apathy towards both science and institutional politics, an age which has sanctioned the rise of techno-medical and political powers which can deny our control over our own bodies and lives and the lives of others. "The Culture of Death" explores this moment to analyze our exposure to death in modern culture.

How do doctors and nurses communicate with frightened patients who are dying, address the needs and concerns of the patients, and help the patients arrive at an acceptance of death? This work deals with the relationship that the health care team has with the dying and how well that team is prepared to address the fears of the dying. In addition, the health care team must learn to deal with their own emotions and ignorance concerning death. This work should be of interest to those professions that deal closely with dying people.

Attitudes towards death are shaped by our social worlds. This book explores how beliefs, practices and representations of dying and death continue to evolve and adapt in response to changing global societies. Introducing students to debates around grief, religion and life expectancy, this is a clear guide to a complex field for all sociologists.

Chapter 12 of this book is open access under a CC BY license. Well-established scholars from a variety of disciplines - including sociology, anthropology, media and cultural studies, and political sciences - use the social construction of death and dying to analyse a wide variety of meaning-making practices in societal fields such as ethics, politics, media, medicine and family.

This volume draws contributors from around the globe who represent the full range of approaches to scholarship in nineteenth-century French studies: historical, literary, cultural, art historical, philosophical, and comparative. The theme of the volume - Birth and Death - is one with particular resonance for nineteenth-century French studies, since the nineteenth century is commonly perceived as an age of new life and renovation. It is the epoch that witnessed an efflorescence of industrial and artistic progress, the birth of the individual and the birth of the novel, and the creation of an urban population in the major demographic shift from the rural provinces to Paris. At the same time, however, it is the century of Decadence and degeneration theory, marked by a prominent morbid aesthetic in the artistic sphere and a fascination with criminality, moral decay and the pathologization of racial and sexual minorities in the scientific discourses. It is also the century in which reflection on processes of artistic creation begins to problematize concepts of mimetic representation, the function of the author and the status of the text. In the context of the dialectical quality of nineteenth-century French culture, caught between an obsession with the new and innovative and a paranoid sense of its own encroaching decay, the twin themes of birth and death open onto a variety of issues - literary, social, historical, artistic - which are explored, interrogated and reassessed in the essays contained in this volume.