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Books > Social sciences > Sociology, social studies > Social institutions > Death & dying > General
Afterlife argues that proper conduct was believed essential for
determining one's post-mortem judgment from the earliest periods in
ancient Egypt and Greece. affects one's afterlife fate. Dramatists
and demonstrates that post-mortem reward and retribution, based on
one's conduct, is already found in Homer. Pythagoreanism and
Orphism further develop the afterlife beliefs that will have such
enormous impact on Plato and later Christianity. for their
understanding of virtues and vices that have afterlife
consequences. both societies are compared. the elite: the king in
Egypt's Pyramid Texts and the heroes in Homeric Greece.
Nevertheless, we show that, from the earliest times, both societies
believed that the gods, primarily Maat in Egypt and Dike in Greece,
were responsible for the proper ordering of the cosmos and anyone's
violations of that order would reap the direst consequence--the
loss of a beneficent afterlife.
Jeffrey Trumbower examines how and why death came to be perceived as such a firm boundary of salvation. Analyzing exceptions to this principle from ancient Christianity, he finds that the principle itself was slow to develop and not universally accepted in the Christian movement's first four hundred years. In fact, only in the West was this principle definitively articulated, due in large part to the work and influence of Augustine.
In Ancient Egyptian Letters to the Dead: The Realm of the Dead
through the Voice of the Living Julia Hsieh investigates the
beliefs and practices of communicating with the dead in ancient
Egypt through close lexical semantic analysis of extant Letters.
Hsieh shows how oral indicators, toponyms, and adverbs in these
Letters signal a practice that was likely performed aloud in a tomb
or necropolis, and how the senders of these Letters demonstrate a
belief in the power and omniscience of their deceased relatives and
enjoin them to fight malevolent entities and advocate on their
behalf in the afterlife. These Letters reflect universals in
beliefs and practices and how humankind, past and present, makes
sense of existence beyond death.
Corporate coach Allison Clarke was on a plane to Atlanta when she
realized that in order to fully live, she had to first be
surrounded by death. Sounds strange, doesn't it? Not to Allison: a
fearless mother of two who built her own consulting firm from the
ground up. To Allison, it felt like a challenge, and as soon as she
got home, she met with a funeral director. Her idea was simple:
attend the funerals of exceptional strangers and learn from their
adventurous lives. It began with the newspaper. She read countless
obituaries, looking for people who interested her. It didn't matter
specifically what they had done. Her thirty funerals ranged in
scope from basketball fan to hundred-and-four-year-old Austrian
immigrant. What mattered was the effect they'd had on the lives of
their friends and families. Once the choice was made, Allison
donned her black dress and headed to the cemetery. Some people
might scoff at this behavior. However, when Allison thought back to
the funeral of her own grandmother, she realized she would have
been proud to have strangers there -- proud to tell them, "That was
my grandma, and she was amazing." In the end, Allison attended
thirty funerals over the course of sixty days. At each, she learned
a little more about living life to the fullest ... and what is life
if not lived bravely, passionately, and with heart? Allison Clarke
is the founder and president of Allison Clarke Consulting, a
company that teaches corporations, associates, and individuals how
to reach their full potential. Previously, she was a master trainer
with Dale Carnegie Training. She lives in Portland, Oregon, with
her two daughters, Jenna and Jamie. Allison is a member of the
National Speakers Association. To find out how to hire Allison to
speak for or to train your company, visit her website:
www.allisonclarkeconsulting.com.
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Cemeteries of San Diego
(Hardcover)
Seth Mallios, David M. Caterino, San Diego County Gravestone Project
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Describing a great variety of funeral ritual from major world
religions and from local traditions, this book shows how cultures
not only cope with corpses but also create an added value for
living through the encouragement of afterlife beliefs. The
explosion of interest in death in recent years reflects the key
theme of this book - the rhetoric of death - the way cultures use
the most potent weapon of words to bring new power to life. This
new edition is one third longer than the original with new material
on the death of Jesus, the most theorized death ever which offers a
useful case study for students. There is also empirical material
from contemporary/recent events such as the death of Diana and an
expanded section on theories of grief which will make the book more
attractive to death counsellors.
The evidence of death and dying has been removed from the everyday
lives of most Westerners. Yet we constantly live with the awareness
of our vulnerability as mortals. Drawing on a range of genres,
bands and artists, Mortality and Music examines the ways in which
popular music has responded to our awareness of the inevitability
of death and the anxiety it can evoke. Exploring bereavement,
depression, suicide, violence, gore, and fans' responses to the
deaths of musicians, it argues for the social and cultural
significance of popular music's treatment of mortality and the
apparent absurdity of existence.
This is the first international study of maternal care and maternal
mortality. Over the last two hundred years, different countries
developed quite different systems of maternal care. Death in
Childbirth is a meticulously researched analysis, firmly grounded
in the available statistics, of the evolution of those systems
between 1800 and 1950 in Britain, the USA, Australia and New
Zealand, and on the continent of Europe. Irvine Loudon examines the
effectiveness of various forms of maternal care by means of the
measurement of maternal mortality - the number of women who died as
a result of childbirth. His scholarly and comprehensive study sets
out to answer a number of important questions. What was the
relative risk of a home or hospital delivery, or a delivery by a
midwife as opposed to a doctor? What was the safest country in
which to have a baby, and what were the factors which accounted for
enormous international differences? Why, against all expectations,
did maternal mortality fail to decline significantly until the late
1930s? Death in Childbirth makes an invaluable contribution to
medical and social history.
This is an examination of human encounter with death in Germany
from the eve of the Reformation to the rise of Pietism. The
Protestant Reformation transformed the funeral more profoundly than
any other ritual of the traditional church. Luther's doctrine of
salvation by faith alone made the foundation of the traditional
funeral, intercession for the dead in Purgatory, obsolete. By
drawing on anthropological interpretations of death ritual, this
study explores the changing relationships between the body, the
soul, the living and the dead in the daily life of early modern
Germany.
The inevitability of death-that of others and our own-is surely
among our greatest anxieties. Mortality's Muse: The Fine Art of
Dying explores how art, mainly literary art, addresses that
troubling reality. While religion and philosophy offer important
consolations for life's end, art responds in ways that are perhaps
more complete and certainly more deeply human. Among subjects
treated: the ars moriendi or "art of dying" tradition; the contrast
between past and more recent cultural values; the religious
consolation's value but shortcoming for some people; the role of
art in offering a secular consolation; dying as a performing art;
the philosophic ideal of good death; the lively appeal of carpe
diem or living for the present moment; the elegiac sense of life;
and the two opposite parts Mortality's Muse has played in dealing
with war, the most senseless and unnecessary cause of death. The
idea of an aesthetic sense of life forms the basis of these
discussions. Human beings are makers in the largest sense of the
word, and art represents everything they make-civilization itself
with all its greatness and failings. Our civilization may
ultimately be nothing but an evanescent blip in the cosmos. Even
so, the creation of beauty, meaning, and purpose from disorder and
suffering defines us as human beings. In the words of Robinson
Jeffers, even if monuments eventually crumble and all art perish,
yet for thousands of years carved stones have stood and "pained
thoughts found the honey of peace in old poems."
The Last Choice establishes that preemptive suicide in advanced age
can be rational: that it can make good sense to evade age-related
personal diminishment even at the cost of good time left. Criteria
are provided to help determine whether soundly reasoned, cogently
motivated,and prudently timed self-destruction can be in one's
interests late in life. In our time suicide and assisted suicide
are being increasingly tolerated as ways to escape unendurable
mental or physical suffering, but it isn't widely accepted that
suicide may be a rational choice before the onset of such
suffering. This book's basic claim is that it can be rational to
choose to die sooner as oneself than to survive as a lessened
other: that judicious appropriation of one's own inevitable death
can be an identity-affirming act and a fitting end to life.
Discussion of preemptive suicide goes beyond contributing to
current widespread debate about assisted suicide. It is a matter
tightly interrelated with other right to die questions and one
bound to become a national issue. If there are good arguments for
escaping intolerable situations caused by age-related deteriorative
conditions, most of those arguments will equally support avoidance
of those conditions. If assisted suicide becomes more generally
acknowledged and accepted, preemptive suicide will almost certainly
follow. It is crucial, then, to examine whether preemptive suicide
constitutes a rational option for reflective aging individuals.
With the aspiration for a long life now achievable for many
individuals, the status of old age as a distinct social position
has become problematic. In this radical re-examination of the
nature of old age, Paul Higgs and Chris Gilleard reveal the
emergence of a 'fourth age' that embodies the most feared and
marginalised aspects of old age, conceptually linked to and yet
distinct from traditional models of old age. Inspired by the
authors' ground-breaking work on the third and fourth age and
supported by extensive sociological, medical and historical
research, Rethinking Old Age offers a unique and timely analysis of
the fourth age as a 'social imaginary' that is shaped and
maintained by the social, cultural and political discourses and
practices that divide later life. It stands as a significant
resource for students, academics and practitioners of sociology,
ageing studies, gerontology, social policy, health studies, social
work and nursing.
Are you ready to discover what lies beyond the ordinary experience
of grief?
Sacred Grief offers an intriguing exploration of the
far-reaching rippleeffect of our present-day opinions about
surviving grief's emotionalroller-coaster and the unnecessary
suffering our judgments unconsciouslypromote. You'll find comfort
in discovering that there's anotherdimension to this universal
experience--a dimension that fosters trust, kindness and
compassion, peacefully heals, and steadfastly moves youtowards your
soul's deepest desires and dreams.
Praise for Sacred Grief
"Because we will all have the experience, Sacred Grief is a
compellingguide for everyone searching for the sweetness in life's
great passages."
--Gregg Braden, author, "The Divine Matrix" and "The God
Code"
"Sacred Grief is a holy handbook for gleaning the gifts of the
journeycalled grief."
--Mary Manin Morrissey, Co-founder, Association for Global New
Thought
"Sacred Grief is a welcome departure from the conventional advice
about'surviving' grief."
--Jill Carroll, Ph.D., Executive Director, Boniuk Center for the
Study andAdvancement of Religious Tolerance, Rice University
"I highly recommend this book to anyone that has experienced any
type of loss in their livesand is willing to look at the loss
through a different set of eyes. Tessman, in Sacred Grief, willlead
the reader to a place of compassion for oneself, create a
relationship with his/her own grief, and ultimately create a place
of understanding and a healed soul."
--Irene Watson, Managing Editor, Reader Views
Learn more about this book at www.SacredGrief.com
Another great self-help book from Loving Healing press
www.LovingHealing.com
SEL010000 Self-Help: Death, Grief, Bereavement
FAM014000 Family & Relationships: Death, Grief,
Bereavement
SOC036000 Social Science: Death & Dying
Western culture has always been obsessed with death, but now death
has taken on a new, anonymous form. The twentieth century saw the
mass production of corpses through war and the triumph of
technology over the human body. The new millennium has opened with
global terrorism and the suspension of human rights in far-flung
prison camps.We live in an age of panic, when the fear of death at
any time and in any place is present. And we live in an age of
apathy towards both science and institutional politics, an age
which has sanctioned the rise of techno-medical and political
powers which can deny our control over our own bodies and lives and
the lives of others. "The Culture of Death" explores this moment to
analyze our exposure to death in modern culture.
How do doctors and nurses communicate with frightened patients
who are dying, address the needs and concerns of the patients, and
help the patients arrive at an acceptance of death? This work deals
with the relationship that the health care team has with the dying
and how well that team is prepared to address the fears of the
dying. In addition, the health care team must learn to deal with
their own emotions and ignorance concerning death. This work should
be of interest to those professions that deal closely with dying
people.
Attitudes towards death are shaped by our social worlds. This book
explores how beliefs, practices and representations of dying and
death continue to evolve and adapt in response to changing global
societies. Introducing students to debates around grief, religion
and life expectancy, this is a clear guide to a complex field for
all sociologists.
Chapter 12 of this book is open access under a CC BY license.
Well-established scholars from a variety of disciplines - including
sociology, anthropology, media and cultural studies, and political
sciences - use the social construction of death and dying to
analyse a wide variety of meaning-making practices in societal
fields such as ethics, politics, media, medicine and family.
This volume draws contributors from around the globe who represent
the full range of approaches to scholarship in nineteenth-century
French studies: historical, literary, cultural, art historical,
philosophical, and comparative. The theme of the volume - Birth and
Death - is one with particular resonance for nineteenth-century
French studies, since the nineteenth century is commonly perceived
as an age of new life and renovation. It is the epoch that
witnessed an efflorescence of industrial and artistic progress, the
birth of the individual and the birth of the novel, and the
creation of an urban population in the major demographic shift from
the rural provinces to Paris. At the same time, however, it is the
century of Decadence and degeneration theory, marked by a prominent
morbid aesthetic in the artistic sphere and a fascination with
criminality, moral decay and the pathologization of racial and
sexual minorities in the scientific discourses. It is also the
century in which reflection on processes of artistic creation
begins to problematize concepts of mimetic representation, the
function of the author and the status of the text. In the context
of the dialectical quality of nineteenth-century French culture,
caught between an obsession with the new and innovative and a
paranoid sense of its own encroaching decay, the twin themes of
birth and death open onto a variety of issues - literary, social,
historical, artistic - which are explored, interrogated and
reassessed in the essays contained in this volume.
This book offers a new approach by combining the disciplines of
history, psychology, and religion to explain the suicidal element
in both Western culture and the individual, and how to treat it.
Ancient Greek society displays in its literature and the lives of
its people an obsessive interest in suicide and death. Kaplan and
Schwartz have explored the psychodynamic roots of this problem--in
particular, the tragic confusion of the Greek heroic impulse and
its commitment to unsatisfactory choices that are destructively
rigid and harsh. The ancient Hebraic writings speak little of
suicide and approach reality and freedom in vastly different terms:
God is an involved parent, caring for his children. Therefore,
heroism, in the Greek sense, is not needed nor is the individual
compelled to choose between impossible alternatives.
In each of the first three sections, the authors discuss the
issues of suicide from a comparative framework, whether in thought
or myth, then the suicide-inducing effects of the Graeco-Roman
world, and finally, the suicide-preventing effects of the Hebrew
world. The final section draws on this material to present a
suicide prevention therapy. Historical in scope, the book offers a
new psychological model linking culture to the suicidal personality
and suggests an antidote, especially with regard to the treatment
of the suicidal individual.
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