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Books > Social sciences > Sociology, social studies > Social institutions > Death & dying > General
What is suicide? When does suicide start and when does it end? Who
is involved? Examining narratives of suicide through a discourse
analytic framework, Discursive Constructions of the Suicidal
Process demonstrates how linguistic theories and methodologies can
help answer these questions and cast light upon what suicide
involves and means, both for those who commit an act and their
loved ones. Engaging in close analysis of suicide letters written
before the act and post-hoc narratives from after the event, this
book is the first qualitative study to view suicide not as a single
event outside time, but as a time-extended process. Exploring how
suicide is experienced and narrated from two temporal perspectives,
Dariusz Galasinski and Justyna Ziolkowska introduce discourse
analysis to the field of suicidology. Arguing that studying suicide
narratives and the reality they represent can add significantly to
our understanding of the process, and in particular its experiences
and meanings, Discursive Constructions of the Suicidal Process
demonstrates the value of discourse analytic insights in informing,
enriching and contextualising our knowledge of suicide.
Winner of the 2018 Media Ecology Association's Erving Goffman Award
for Outstanding Scholarship in the Ecology of Social Interaction
Winner of the Eastern Communication Association's Everett Lee Hunt
Award A behind-the-scenes account of how death is presented in the
media Death is considered one of the most newsworthy events, but
words do not tell the whole story. Pictures are also at the
epicenter of journalism, and when photographers and editors
illustrate fatalities, it often raises questions about how they
distinguish between a "fit" and "unfit" image of death. Death Makes
the News is the story of this controversial news practice:
picturing the dead. Jessica Fishman uncovers the surprising
editorial and political forces that structure how the news and
media cover death. The patterns are striking, overturning long-held
assumptions about which deaths are newsworthy and raising
fundamental questions about the role that news images play in our
society. In a look behind the curtain of newsrooms, Fishman
observes editors and photojournalists from different types of
organizations as they deliberate over which images of death make
the cut, and why. She also investigates over 30 years of
photojournalism in the tabloid and patrician press to establish
when the dead are shown and whose dead body is most newsworthy,
illustrating her findings with high-profile news events, including
recent plane crashes, earthquakes, hurricanes, homicides, political
unrest, and war-time attacks. Death Makes the News reveals that
much of what we think we know about the news is wrong: while the
patrician press claims that they do not show dead bodies, they are
actually more likely than the tabloid press to show them-even
though the tabloids actually claim to have no qualms showing these
bodies. Dead foreigners are more likely to be shown than American
bodies. At the same time, there are other unexpected but vivid
patterns that offer insight into persistent editorial forces that
routinely structure news coverage of death. An original view on the
depiction of dead bodies in the media, Death Makes the News opens
up new ways of thinking about how death is portrayed.
Deaths by suicide are high: every 40 seconds, someone in the world
chooses to end their life. Despite acknowledgement that suicide
notes are social texts, there has been no book which analyzes
suicide notes as discursive texts and no attempt at a qualitative
discourse analysis of them. Discourses of Men's Suicide Notes
redresses this gap in the literature. Focussing on men and
masculinity and anchored in qualitative discourse analysis, Dariusz
Galasinski responds to the need for a more thorough understanding
of suicidal behaviour. Culturally, men have been posited to be
'masters of the universe' and yet some choose to end their lives.
This book takes a qualitative approach to data gathered from the
Polish Corpus of Suicide Notes, a unique repository of over 600
suicide notes, to explore discourse from and about men at the most
traumatic juncture of their lives. Discussing how men construct
suicide notes and the ways in which they position their
relationships and identities within them, Discourses of Men's
Suicide Notes seeks to understand what these notes mean and what
significance and power they are invested with.
This book offers a new approach by combining the disciplines of
history, psychology, and religion to explain the suicidal element
in both Western culture and the individual, and how to treat it.
Ancient Greek society displays in its literature and the lives of
its people an obsessive interest in suicide and death. Kaplan and
Schwartz have explored the psychodynamic roots of this problem--in
particular, the tragic confusion of the Greek heroic impulse and
its commitment to unsatisfactory choices that are destructively
rigid and harsh. The ancient Hebraic writings speak little of
suicide and approach reality and freedom in vastly different terms:
God is an involved parent, caring for his children. Therefore,
heroism, in the Greek sense, is not needed nor is the individual
compelled to choose between impossible alternatives.
In each of the first three sections, the authors discuss the
issues of suicide from a comparative framework, whether in thought
or myth, then the suicide-inducing effects of the Graeco-Roman
world, and finally, the suicide-preventing effects of the Hebrew
world. The final section draws on this material to present a
suicide prevention therapy. Historical in scope, the book offers a
new psychological model linking culture to the suicidal personality
and suggests an antidote, especially with regard to the treatment
of the suicidal individual.
Death has long been a pre-occupation of philosophers, and this is
especially so today. The Oxford Handbook of Philosophy of Death
collects 21 newly commissioned essays that cover current
philosophical thinking of death-related topics across the entire
range of the discipline. These include metaphysical topics-such as
the nature of death, the possibility of an afterlife, the nature of
persons, and how our thinking about time affects what we think
about death-as well as axiological topics, such as whether death is
bad for its victim, what makes it bad to die, what attitude it is
fitting to take towards death, the possibility of posthumous harm,
and the desirability of immortality. The contributors also explore
the views of ancient philosophers such as Aristotle, Plato and
Epicurus on topics related to the philosophy of death, and
questions in normative ethics, such as what makes killing wrong
when it is wrong, and whether it is wrong to kill fetuses,
non-human animals, combatants in war, and convicted murderers. With
chapters written by a wide range of experts in metaphysics, ethics,
and conceptual analysis, and designed to give the reader a
comprehensive view of recent developments in the philosophical
study of death, this Handbook will appeal to a broad audience in
philosophy, particularly in ethics and metaphysics.
Suicide among African Americans occurs at about half the rate with
which it occurs among white Americans. Why is the black rate of
suicide so much lower, particularly when one considers the effects
of racism and other socio-economic factors on African Americans?
One answer that has been offered is that churches within the
African-American community have a greater influence than among
white Americans and that they provide amelioration of social forces
that would otherwise lead to suicide. To date no other book has
provided an in-depth ethnographic study of the buffering effect of
the black church against suicide. Findings from Early's study
indicate that there is a consensus within the black community in
terms of its attitudes and beliefs toward suicide. Early concludes
that suicide is alien to underlying African-American belief systems
and a complete denial of what it means to be black. This important
study will be invaluable to sociologists and others studying
contemporary race relations and social problems.
We live in a world in which courts crucially shape public policy
through constitutional adjudication. This is a book written for
that world. It brings together a group of distinguished scholars
from many disciplines to examine the Supreme Court's recent
decision that statutes prohibiting doctors from helping their
patients commit suicide may be constitutional. It offers a guide to
that decision and to the larger issues it raises for citizens and
scholars alike. It asks everyone's first question: What does the
decision mean for today and tomorrow? It asks the lawyer's
question: Is the Supreme Court's reasoning clear and convincing? It
asks the doctor's question: How will the decision affect the
decisions physicians make with their patients? It asks the
ethicist's question: Will the decision conduce to wise and just
decisions at the end of life? It asks the historian's question: How
are we to understand the Court's work in light of our disturbing
national experience with euthanasia? Ultimately, it asks the
questions citizens need to ask in our new world: Is constitutional
adjudication a good way to make public policy? Are courts well
equipped--with experience, with doctrine, with wisdom--to make good
policy? What role should courts have in making policy in a
democracy? Has the Supreme Court made good public policy? What is
the right policy for law at the end of life?
Carl Schneider is Professor of Law, University of Michigan Law
School.
Death is a hard topic to talk about, but exploring it openly can
lead to a new understanding about how to live. In this series of
eighteen essays, college students examine death in new ways. Their
essays provide remarkable ideas about how death can transform
people and societies.
Alfred G. Killilea, a professor of political science at the
University of Rhode Island, teams up with former student Dylan D.
Lynch and various contributors to share insights about a multitude
of issues tied to death, including terrorists, child soldiers,
Nazism, fascism, suicide, capital punishment and the Black
Death.
Other essays explore death themes in classic and contemporary
literature, such as in Dante, Peter Pan, Kurt Vonnegut, and
Christopher Hitchens. Still others explore death in modern context,
considering the work of Jane Goodall, the threat of death on Mount
Everest, the origins of the "Grim Reaper," and how violent street
gangs deal with death.
At a time when American politics suffers from deep ideological
divisions that could make our nation ungovernable, our mutual
mortality may be the most potent force for unifying us and helping
us to find common ground.
There are no atheists in foxholes; or so we hear. The thought that
the fear of death motivates religious belief has been around since
the earliest speculations about the origins of religion. There are
hints of this idea in the ancient world, but the theory achieves
prominence in the works of Enlightenment critics and Victorian
theorists of religion, and has been further developed by
contemporary cognitive scientists. Why do people believe in gods?
Because they fear death. Yet despite the abiding appeal of this
simple hypothesis, there has not been a systematic attempt to
evaluate its central claims and the assumptions underlying them. Do
human beings fear death? If so, who fears death more, religious or
nonreligious people? Do reminders of our mortality really motivate
religious belief? Do religious beliefs actually provide comfort
against the inevitability of death? In Death Anxiety and Religious
Belief, Jonathan Jong and Jamin Halberstadt begin to answer these
questions, drawing on the extensive literature on the psychology of
death anxiety and religious belief, from childhood to the point of
death, as well as their own experimental research on conscious and
unconscious fear and faith. In the course of their investigations,
they consider the history of ideas about religion's origins,
challenges of psychological measurement, and the very nature of
emotion and belief.
* PRE-ORDER YOUR COPY TODAY * The compelling and moving memoir of
forensic psychiatrist Dr Duncan Harding
On a blustery night, detectives from the Massachusetts State Police
knocked on Amy Gleason's door. Gleason, along with fellow nurse Kim
Hoy, had helped a patient deal with pain and suffering at the end
of her life. Now the patient was dead, and the two nurses were
being investigated for murder. Both believed they had done the
right thing, but they had no idea what it would cost them. In this
captivating and powerful true story, Dr. Lewis M. Cohen uses the
experiences of Gleason, Hoy, and the nursing assistant who accused
them of murder to explore what happens when decisions about
end-of-life care shift from the hospital to the courtroom and the
church. Tracing this issue from the uproar over Terri Schiavo's
feeding tube to the controversial figure of Jack Kevorkian, and to
the legitimate threat of serial killer medical professionals, Cohen
goes behind the scenes on both sides of this debate. He examines
how advances in modern medicine have given us tremendous tools for
prolonging life but have also forced us to address how we treat
patients who are dying and suffering.
Organ Donation in Japan: A Medical Anthropological Study by
Maria-Keiko Yasuoka reveals insight into Japan as the country with
the most severe organ shortages and the lowest numbers of organ
donations among medically advanced countries. The history of organ
transplantation in Japan is a unique and troubled one. Many
academic hypotheses such as cultural barriers, the Japanese concept
of the dead body, traditional beliefs, and so on have been advanced
to explain the situation. However, little research has yet revealed
the truth behind the world of Japanese organ transplantation.
Yasuoka conducts direct interview research with Japanese "concerned
parties" in regards to organ transplantation (including transplant
surgeons, recipients, and donor families). In this book, she
analyzes their narrative responses, considering their distinctive
ideas, interpretations, and dilemmas, and sheds light on the real
reasons behind the issues. Organ Donation in Japan is the first
book to delve into the challenging and taboo Japanese concepts of
life and death surrounding organ transplantation by thoroughly
presenting and investigating the narratives of concerned parties.
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