Should patients be told they are dying? How do families react when one of their members is facing death? Who should reveal that death is imminent? How does hospital staff--doctors, nurses, and attendants--act toward the dying patient and his family?

Death, as a social ritual, is one of the great turning points in human existence, but prior to this classic work, it had been subjected to little scientific study. American perspectives on death seem strangely paradoxical--the brutal fact of death is confronted daily in our newspapers yet Americans are unwilling to talk openly about the process of dying itself. "Awareness of Dying, "using a highly original theory of awareness, examines the dying patient and those about him in social interaction, it gives us a language and tools of analysis for understanding who knows what about dying, under what circumstances, and what difference it makes.

The authors use their finely detailed observations to develop theoretical constructs that will be of use in many other interactions and situations. "Awareness of Dying "was the first study of dying in hospitals, and has proven a useful handbook for chaplains, social workers, nurses, and doctors in confronting the many ethical and personal problems that arise in the dying situation. Now available in paperback, it is destined to reach new audiences interested in this key part of all life.

This book examines research on death, dying and bereavement, and how our approaches, perceptions and expectations shapes what we can know about the end of life. The contributions include personal and professional reflections, and practical suggestions for conducting research in this field. The volume stems from the resurgence of the international and interdisciplinary study of death in the last 20 years. Within this, empirical research is often viewed as sensitive, but little has been written about the experience of conducting research in this area. There has thus been little reflection on the opportunities and challenges faced in undertaking research as the field of death studies grows, including the accommodation and recognition of cultural differences. This volume seeks to in part address this gap. The chapters in this book were originally published in the Mortality journal and the Death Studies journal.

This book offers the first account of the dead as an imagined community in the early nineteenth-century. It examines why Romantic and Victorian writers (including Wordsworth, Dickens, De Quincey, Godwin, and D'Israeli) believed that influencing the imaginative conception of the dead was a way to either advance, or resist, social and political reform. This interdisciplinary study contributes to the burgeoning field of Death Studies by drawing on the work of both canonical and lesser-known writers, reformers, and educationalists to show how both literary representation of the dead, and the burial and display of their corpses in churchyards, dissecting-rooms, and garden cemeteries, responded to developments in literary aesthetics, psychology, ethics, and political philosophy. Imagining the Dead in British Literature and Culture, 1790-1848 shows that whether they were lauded as exemplars or loathed as tyrants, rendered absent by burial, or made uncannily present through exhumation and display, the dead were central to debates about the shape and structure of British society as it underwent some of the most radical transformations in its history.

With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs, and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic, and theoretical aspects of the ways in which popular culture understands, represents, and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music, and advertising.

This book explores the cultural meanings of the criminal body in the west through historical and multidisciplinary frameworks, examining both how the criminal corpse was viewed as a repository of power and how it held significant cultural meaning as material relic. Authors situate the criminal body at different historical junctures to examine ways in which the criminal corpse was displayed and managed for social, political, magical and medicinal powers and purposes. They explain how this legacy persists in significant ways in the contemporary west, primarily through the commodification of criminal bodies in popular and public displays. The role of notorious criminal bodies in contemporary culture also reverberates in political and scientific realms in which criminal bodies often carry symbolic meanings related to ambivalence over interpretations of death. Drawing on examples from history as well as more contemporary criminal bodies, the book will be of interest to those studying death and criminology, and show how the criminal body can retain an iconic status in the collective memory of the living. This book was originally published as a special issue of Mortality.

Suicide is a puzzling phenomenon. Not only is its demarcation problematic but it also eludes simple explanation. The cultures in which suicide mortality is high do not necessarily have much else in common, and neither is a single mental illness such as depression sufficient to lead a person to suicide. In a word, despite its statistical regularity, suicide is unpredictable on the individual level. The main argument emerging from this collection is that suicide should not be understood as a separate realm of pathological behavior but as a form of human action. As such it is always dependent on the decision that the individual makes in a cultural, ethical and socio-economic context, but the context never completely determines the decision. This book also argues that cultural narratives concerning suicide have a problematic double function: in addition to enabling the community to make sense of self-inflicted death, they also constitute a blueprint depicting suicide as a solution to common human problems.

This interdisciplinary collection presents valuable discourse and reflection on the nature of a good death. Bringing together a leading judge and other legal scholars, philosophers, social scientists, practitioners and parents who present varying accounts of a good death, the chapters draw from personal experience as well as policy, practice and academic analysis. Covering themes such as patients' rights to determine their own good death, considering their best interests when communication becomes difficult and the role and responsibilities of health professionals, the book outlines how ethical healthcare might be achieved when dealing with assisted suicide by organizations and how end of life services in general might be improved. It will be of interest to students and academics working the area of medical law and ethics as well as health professionals and policy-makers.

This book recognizes and legitimizes the significance of pet and animal loss by exploring the various expressions of trauma and grief experienced by those who work with, live with, or own an animal or pet. The chapters of Pet Loss, Grief, and Therapeutic Interventions weave together cutting-edge research with best practices and practical clinical advice for working with grieving clients. Beginning with an overview of the human-animal bond, the book guides readers through the many facets of pet loss, including topics such as animal hospice and euthanasia, offering a comprehensive account of one of the field's most rapidly emerging areas. Designed to help mental health professionals support clients coping with pet loss, the collection explores personal narratives, current theories, up-to-date research, and future directions. This unique and comprehensive book will be of interest to students, clinicians, academicians, and researchers in the fields of counseling, psychology, and social work.

The Evolution of the British Funeral Industry in the 20th Century examines the shifts that have taken place in the funeral industry since 1900, focusing on the figure of the undertaker and exploring how organisational change and attempts to gain recognition as a professional service provider saw the role morph into that of 'funeral director'. As the disposal of the dead increased in complexity during the twentieth century, the role of the undertaker/funeral director has mirrored this change. Whilst the undertaker of 1900 primarily encoffined and transported the body, today's funeral director provides other services, such as taking responsibility for the body of the deceased and embalming, and has overseen changes such as the increasing preference for cremation, the impact of technology on the production of coffins and the shift to motorised transport. These factors, together with the problem of succession for some family-run funeral businesses, have led large organisations to make acquisitions and manage funerals on a centralised basis, achieving economies of scale. This book examines how the occupation has sought to reposition itself and how the 'funeral director' has become an essential functionary in funerary practices. However, despite striving for new-found status the role is hindered by two key issues: the stigma of handling the dead, and the perception of making a profit from loss.

As the first historical study of East Germany's sepulchral culture, this book explores the complex cultural responses to death since the Second World War. Topics include the interrelated areas of the organization and municipalization of the undertaking industry; the steps taken towards a socialist cemetery culture such as issues of design, spatial layout, and commemorative practices; the propagation of cremation as a means of disposal; the wide-spread introduction of anonymous communal areas for the internment of urns; and the emergence of socialist and secular funeral rituals. The author analyses the manifold changes to the system of the disposal of the dead in East Germany-a society that not only had to negotiate the upheaval of military defeat but also urbanization, secularization, a communist regime, and a planned economy. Stressing a comparative approach, the book reveals surprising similarities to the development of Western countries but also highlights the intricate local variations within the GDR and sheds more light on the East German state and its society.

WINNER OF THE SCOTTISH NON-FICTION BOOK OF THE YEAR AWARD 2021 A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR 'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel 'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian 'The pages burst with life and anecdote while also examining our relationship with remembrance.' - Financial Times (best travel books of 2020) 'Among the year's most surprising "sleeper" successes is A Tomb with a View. In a year with so much death, it may have initially seemed a hard sell, but the author's humanity has instead acted as a beacon of light in the darkness.' - The Sunday Times 'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer 'Ross has written [a] lively elegy to Britain's best burial grounds.' - Evening Standard (*Best New Books of Autumn 2020*) 'One of the non-fiction books of the year.' - The i paper (*2020 Best Books for Christmas*) 'Brilliant.' - Stylist (*Best Christmas books for Christmas 2020*) 'Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country.' - Andrew O'Hagan 'His stories are always a joy.' - Ian Rankin 'I'm a card-carrying admirer of Peter Ross.' - Robert Macfarlane 'A startling, delight-filled tour of graveyards and the people who love them, dazzlingly told.' - Denise Mina 'A phenomenal, lyrical, beautiful book.' - Frank Turner 'A walk through the graveyards of Britain guided by one of the most engaging wordsmiths willing to take you by the hand.' - The Big Issue (*Best Books 2020*) 'A celebration of life and of love. It confronts our universal fate but tends towards a comforting embrace of mortality. It is also imbued with something deeply moving.' - The Herald 'Beautifully written and strangely life affirming.' - Norman Blake, Teenage Fanclub For readers of The Salt Path, Mudlarking, Ghostland, Kathleen Jamie and Robert Macfarlane. Enter a grave new world of fascination and delight as award-winning writer Peter Ross uncovers the stories and glories of graveyards. Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths? All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath. So push open the rusting gate, push back the ivy, and take a look inside...

The terminal diagnosis is given, the knock on the door comes, and someone you love is dying or has just died. Death happens every day, yet as one hospital chaplain said, "Most of the time we just live life as if it isn't an issue until it's in our face."

It's not as if death is a secret. It's on the news and in the newspaper daily, but we don't talk about it very much, almost pretending as if it won't happen to us or our loved ones. But by not talking and not preparing, we make dying and death scarier and more difficult than it needs to be. That is one of the messages that the storytellers in What Obituaries Don't Tell You: Conversations about Life and Death want to impart. Talk and prepare is a theme repeated over and over.

In these stories and interviews you are sure to find people and narratives that are meaningful to you, helping you heal from loss, assuring you that you are not alone in your experiences, and allowing you to find your voice and speak your truth in your own conversations about life and death.

You may also be surprised. Did you know that there is a strong correlation between whether a death is deemed good or bad, easy or difficult, and the relationships in a person's life, including one's relationship to religious or spiritual beliefs?

Whether you are a person who has lost a loved one, a person thinking about your own death and wanting to prepare for it, or a student or professional preparing to or already working with issues of death in any way, you may find that the information that helps you the most is not imparted to you in obituaries but in the stories behind the scenes.

The anxiety over death persists in everyday life- though often denied or repressed- lingering as an unconscious worry or intuition that typically seems to compromise one's feelings of well-being and experience in a range of areas; coming out often as malaise, depression, and anger in much conduct. If one accepts the cliche that life is preparation for death, we must accept that the lived experience of the dying body is not highlighted merely in obvious cases of deterioration such as in the ageing or diseased body, but in everyday life as a normal phenomenon. This book proposes that sensitivity to this dimension can empower us to develop creative relationships to the vulnerability of others and to ourselves as well. Part One lays the groundwork for a study of the ways the aura and fear of death recurs as a constant premonition in life and how people try to deal with this uneasiness. Part Two then goes on to apply this focus to particular concerns and problems such as dementia, depression, aging, retirement, and a range of anxieties, frustrations and aggressions. The Dying Body as Lived Experience will be of interest to a wide interdisciplinary audience in the health sciences, in the sociology of health and illness, philosophy, bioethics and in the expanding field of medical humanities.

First published in 1981, this reissue examines mankinda (TM)s preoccupation with death and mortality by isolating various societies in different periods of time. The authors examine not only the formal rituals associated with the last rite of passage, but also the social attitudes to death and dying which these rituals evidence. The essays establish that different periods do seem to be characterized by different images of death and attitudes to it, but the authors wisely avoid trying to impose strict chronological pattern. A pioneering work in the historical study of attitudes to death, this reissue should reignite discussion on the significance of death in human history.

Christiane Sourvinou-Inwood examines attitudes to death as reflected in myth and religious thought in Ancient Greece and relates them to social and economic change. R. C. Finucane analysis the social significance of the a exemplarya (TM) deaths of kings, criminals, traitors and saints in medieval Europe. Paul Fritza (TM)s essay illustrates the importance of royal burials in early modern Britian; while Joachim Whaley examines the social and political significance of funerals in Hamburg between 1500 and 1800. John McManners discusses the work of Phililppe Aries and other prominent French scholars on the history of attitudes to death. David Irwin examines the images of death portrayed in European tombs around 1800. C.A Bayly analyses the relationship between death ritual and society in Hindu Northern India, while David Cannadine discusses the impact of war on attitudes to death in modern Britain.

In 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs. -- .

The explicit purpose of this book is to analyze dying and death in the cosmopolitan, modern setting. There is, however, an additional theme that is implicit in the analysis and observations. The portrait of dying, which is provided in the pages of the book, also tells us a great deal about life. It demonstrates that the foundation for the medicalization of death that piercingly shapes the life experience of dying persons and loved ones is a product of the ways of life in the broader culture.

Death has never been more visible to consumers. From life insurance to burial plots to estate planning, we are constantly reminded of consumer choices to be made with our mortality in mind. Religious beliefs in the afterlife (or their absence) impact everyday consumption activities. Death in a Consumer Culture presents the broadest array of research on the topic of death and consumer behaviour across disciplinary boundaries. Organised into five sections covering: The Death Industry; Death Rituals; Death and Consumption; Death and the Body; and Alternate Endings, the book explores topics from celebrity death tourism, pet and online memorialization; family history research, to alternatives to traditional corpse disposal methods and patient-assisted suicide. Work from scholars in history, religious studies, sociology, psychology, anthropology, and cultural studies sits alongside research in marketing and consumer culture. From eastern and western perspectives, spanning social groups and demographic categories, all explore the ubiquity of death as a physical, emotional, cultural, social, and cosmological inevitability. Offering a richly unique anthology on this challenging topic, this book will be of interest to researchers working at the intersections of consumer culture, marketing and mortality.

While grief is suffered in all cultures, it is expressed differently all over the world in accordance with local customs and beliefs. Music has been associated with the healing of grief for many centuries, with Homer prescribing music as an antidote to sorrow as early as the 7th Century BC. The changing role of music in expressions of grief and mourning throughout history and in different cultures reflects the changing attitudes of society towards life and death itself. This volume investigates the role of music in mourning rituals across time and culture, discussing the subject from the multiple perspectives of music history, music psychology, ethnomusicology and music therapy.

Death is an unanswerable question for humanity, the question that always remains unanswered because it lies beyond human experience. Music represents one of the most profound ways in which humanity struggles, nevertheless, to accommodate death within the scope of the living by giving a voice to death and the dead and a voice that responds. This book engages with the question of how music expresses and responds to the profound existential disturbance that death and loss present to the living. Each chapter offers readers an encounter with music as a way of speaking or responding to human mortality. Each chapter, in its own way, addresses these questions: How are death and the dead made present to us through music? How does music, as composed, performed and heard, respond to the brute fact of death for the living, the dying and the bereaved? These questions are addressed from a wide range of disciplinary perspectives: musicology, ethnomusicology, literature, history, philosophy, film studies, psychology and psychoanalysis. Singing Death also covers a wide range of musical genres from medieval love song to twenty-first-century horror film music. The collection is accompanied by a website including some of the music associated with each of its chapters.

Losses may provide a turning point where an individual faces personal and social choices. Still, one may derive significance through the experience of loss, while another may encounter bereavement with less consequence. "Complicated Grieving and Bereavement: Understanding and Treating People Experiencing Loss" examines complicated grief in special populations, including the mentally ill, POW-MIA survivors, the differentially-abled, suicide survivors, bereaved children, those experiencing death at birth, death in schools, and palliative-care death.

Intended for psychologists, clergy, and therapists and school guidance counselors specializing in treating dysfunctional families, grief counseling for the family, unresolved grief issues, etc. This book is also especially appropriate for students of psychology and death and bereavement courses.

How long have you been thirsting for tempting, tantalizing teasers, craving for challenging cryptographic conundrums? A sequel to ""Have Some Sums to Solve"", this work can satiate the desires of even the most prolific puzzle enthusiast.

"Meeting the Needs of Our Clients Creatively: The Impact of Art and Culture on Caregiving" is an important new work which integrates traditional understandings of care of the dying and bereaved with the use of arts and other forms of cultural creativity in therapy and funeralization. Twenty-one authors give us cutting-edge insights into the practical aspects of caring for the dying and bereaved as well as new understandings of creativity.