In The Realistic Joneses, we meet Bob and Jennifer and their new neighbors, John and Pony, two suburban couples who have even more in common than their identical homes and their shared last names. As their relationships begin to irrevocably intertwine, the Joneses must decide between their idyllic fantasies and their imperfect realities.

This engaging and informative resource provides readers with an understanding of the social, cultural, and historical influences that shape our encounters with death, dying, and bereavement-a universal experience across humanity. Written in an engaging and accessible style by leading international scholars and practitioners from within the field of death and bereavement studies, this book will have broad appeal, providing in a single volume insights from some of the key thinkers within the interdisciplinary field of death, dying, and bereavement. Its approximately 200 entries will serve as useful starting points for those new to the topic and will be informative to those already acquainted with some of the core concepts and ideas within this burgeoning field of inquiry. This encyclopedia will serve as an essential resource for high school and undergraduate students, those engaged in independent research, and professionals whose work involves caring for the dead, dying, and bereaved. It will also be of great interest to general readers intrigued by the social, medical, and cultural dimensions to human mortality. Underscored by the inescapable biological certainties that affect us all, The A-Z of Death and Dying offers a highly relevant examination of the social and historical variation in the rituals, practices, and beliefs surrounding the end of life. Provides comprehensive yet easily accessible and concise entries that offer insight into the expanding study of death, dying, and bereavement Contains more than 200 engaging entries from key thinkers and practitioners within the interdisciplinary field of death studies Addresses a wide range of topics of both contemporary and historical interest, including memorial tattoos, Facebook grieving, and so-called "dark tourism," which reflect shifting attitudes and practices surrounding end-of-life issues

The anxiety over death persists in everyday life- though often denied or repressed- lingering as an unconscious worry or intuition that typically seems to compromise one's feelings of well-being and experience in a range of areas; coming out often as malaise, depression, and anger in much conduct. If one accepts the cliche that life is preparation for death, we must accept that the lived experience of the dying body is not highlighted merely in obvious cases of deterioration such as in the ageing or diseased body, but in everyday life as a normal phenomenon. This book proposes that sensitivity to this dimension can empower us to develop creative relationships to the vulnerability of others and to ourselves as well. Part One lays the groundwork for a study of the ways the aura and fear of death recurs as a constant premonition in life and how people try to deal with this uneasiness. Part Two then goes on to apply this focus to particular concerns and problems such as dementia, depression, aging, retirement, and a range of anxieties, frustrations and aggressions. The Dying Body as Lived Experience will be of interest to a wide interdisciplinary audience in the health sciences, in the sociology of health and illness, philosophy, bioethics and in the expanding field of medical humanities.

Should patients be told they are dying? How do families react when one of their members is facing death? Who should reveal that death is imminent? How does hospital staff--doctors, nurses, and attendants--act toward the dying patient and his family?

Death, as a social ritual, is one of the great turning points in human existence, but prior to this classic work, it had been subjected to little scientific study. American perspectives on death seem strangely paradoxical--the brutal fact of death is confronted daily in our newspapers yet Americans are unwilling to talk openly about the process of dying itself. "Awareness of Dying, "using a highly original theory of awareness, examines the dying patient and those about him in social interaction, it gives us a language and tools of analysis for understanding who knows what about dying, under what circumstances, and what difference it makes.

The authors use their finely detailed observations to develop theoretical constructs that will be of use in many other interactions and situations. "Awareness of Dying "was the first study of dying in hospitals, and has proven a useful handbook for chaplains, social workers, nurses, and doctors in confronting the many ethical and personal problems that arise in the dying situation. Now available in paperback, it is destined to reach new audiences interested in this key part of all life.

The social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives. It examines the idea and experience of death from an interdisciplinary perspective, including studies of changing burial customs throughout Europe; an account of a"dying party" in the Netherlands; examinations of the fascination with violent death in crime fiction and the phenomenon of serial killer art; analyses of death and bereavement in poetry, fiction, and autobiography; and a look at audience reactions to depictions of death on screen. By studying and considering how death is thought about in the contemporary era, we might restore the natural place it has in our lives.

This book recognizes and legitimizes the significance of pet and animal loss by exploring the various expressions of trauma and grief experienced by those who work with, live with, or own an animal or pet. The chapters of Pet Loss, Grief, and Therapeutic Interventions weave together cutting-edge research with best practices and practical clinical advice for working with grieving clients. Beginning with an overview of the human-animal bond, the book guides readers through the many facets of pet loss, including topics such as animal hospice and euthanasia, offering a comprehensive account of one of the field's most rapidly emerging areas. Designed to help mental health professionals support clients coping with pet loss, the collection explores personal narratives, current theories, up-to-date research, and future directions. This unique and comprehensive book will be of interest to students, clinicians, academicians, and researchers in the fields of counseling, psychology, and social work.

The explicit purpose of this book is to analyze dying and death in the cosmopolitan, modern setting. There is, however, an additional theme that is implicit in the analysis and observations. The portrait of dying, which is provided in the pages of the book, also tells us a great deal about life. It demonstrates that the foundation for the medicalization of death that piercingly shapes the life experience of dying persons and loved ones is a product of the ways of life in the broader culture.

Death has never been more visible to consumers. From life insurance to burial plots to estate planning, we are constantly reminded of consumer choices to be made with our mortality in mind. Religious beliefs in the afterlife (or their absence) impact everyday consumption activities. Death in a Consumer Culture presents the broadest array of research on the topic of death and consumer behaviour across disciplinary boundaries. Organised into five sections covering: The Death Industry; Death Rituals; Death and Consumption; Death and the Body; and Alternate Endings, the book explores topics from celebrity death tourism, pet and online memorialization; family history research, to alternatives to traditional corpse disposal methods and patient-assisted suicide. Work from scholars in history, religious studies, sociology, psychology, anthropology, and cultural studies sits alongside research in marketing and consumer culture. From eastern and western perspectives, spanning social groups and demographic categories, all explore the ubiquity of death as a physical, emotional, cultural, social, and cosmological inevitability. Offering a richly unique anthology on this challenging topic, this book will be of interest to researchers working at the intersections of consumer culture, marketing and mortality.

Suicide is a puzzling phenomenon. Not only is its demarcation problematic but it also eludes simple explanation. The cultures in which suicide mortality is high do not necessarily have much else in common, and neither is a single mental illness such as depression sufficient to lead a person to suicide. In a word, despite its statistical regularity, suicide is unpredictable on the individual level. The main argument emerging from this collection is that suicide should not be understood as a separate realm of pathological behavior but as a form of human action. As such it is always dependent on the decision that the individual makes in a cultural, ethical and socio-economic context, but the context never completely determines the decision. This book also argues that cultural narratives concerning suicide have a problematic double function: in addition to enabling the community to make sense of self-inflicted death, they also constitute a blueprint depicting suicide as a solution to common human problems.

"Meeting the Needs of Our Clients Creatively: The Impact of Art and Culture on Caregiving" is an important new work which integrates traditional understandings of care of the dying and bereaved with the use of arts and other forms of cultural creativity in therapy and funeralization. Twenty-one authors give us cutting-edge insights into the practical aspects of caring for the dying and bereaved as well as new understandings of creativity.

As the first historical study of East Germany's sepulchral culture, this book explores the complex cultural responses to death since the Second World War. Topics include the interrelated areas of the organization and municipalization of the undertaking industry; the steps taken towards a socialist cemetery culture such as issues of design, spatial layout, and commemorative practices; the propagation of cremation as a means of disposal; the wide-spread introduction of anonymous communal areas for the internment of urns; and the emergence of socialist and secular funeral rituals. The author analyses the manifold changes to the system of the disposal of the dead in East Germany-a society that not only had to negotiate the upheaval of military defeat but also urbanization, secularization, a communist regime, and a planned economy. Stressing a comparative approach, the book reveals surprising similarities to the development of Western countries but also highlights the intricate local variations within the GDR and sheds more light on the East German state and its society.

While grief is suffered in all cultures, it is expressed differently all over the world in accordance with local customs and beliefs. Music has been associated with the healing of grief for many centuries, with Homer prescribing music as an antidote to sorrow as early as the 7th Century BC. The changing role of music in expressions of grief and mourning throughout history and in different cultures reflects the changing attitudes of society towards life and death itself. This volume investigates the role of music in mourning rituals across time and culture, discussing the subject from the multiple perspectives of music history, music psychology, ethnomusicology and music therapy.

Do artists travel away from or towards trauma? Is trauma encrypted or inscribed in art? Or can aesthetic practices (after-images) bring about transformation of trauma, personal trauma or historical traumas? Can they do this in a way that does not imply cure or resolution of the traces (after-affects) of trauma? How do artists themselves process these traces as participants in and sensors for our life-worlds and histories, and how does the viewer, coming belatedly or from elsewhere, encounter works bearing such traces or seeking forms through which to touch and transform them? These are some of the questions posed by major feminist art historian and cultural analyst, Griselda Pollock, in her latest installation of the virtual feminist museum. In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, first- and second-generation Holocaust experience, migration, exile and the encounter with political horror and atrocity. Offering a specifically-feminist contribution to trauma studies, and a feminist psychoanalytical contribution to the study of contemporary art, this volume continues the conceptual innovations that have been the hall-mark of Pollock's dedicated exploration of feminist interventions in art's histories. -- .

Social media is full of dead people. Nobody knows precisely how many Facebook profiles belong to dead users but in 2012 the figure was estimated at 30 million. What do we do with all these digital souls? Can we simply delete them, or do they have a right to persist? Philosophers have been almost entirely silent on the topic, despite their perennial focus on death as a unique dimension of human existence. Until now. Drawing on ongoing philosophical debates, Digital Souls claims that the digital dead are objects that should be treated with loving regard and that we have a moral duty towards. Modern technology helps them to persist in various ways, while also making them vulnerable to new forms of exploitation and abuse. This provocative book explores a range of questions about the nature of death, identity, grief, the moral status of digital remains and the threat posed by AI-driven avatars of dead people. In the digital era, it seems we must all re-learn how to live with the dead.

How long have you been thirsting for tempting, tantalizing teasers, craving for challenging cryptographic conundrums? A sequel to ""Have Some Sums to Solve"", this work can satiate the desires of even the most prolific puzzle enthusiast.

The terminal diagnosis is given, the knock on the door comes, and someone you love is dying or has just died. Death happens every day, yet as one hospital chaplain said, "Most of the time we just live life as if it isn't an issue until it's in our face."

It's not as if death is a secret. It's on the news and in the newspaper daily, but we don't talk about it very much, almost pretending as if it won't happen to us or our loved ones. But by not talking and not preparing, we make dying and death scarier and more difficult than it needs to be. That is one of the messages that the storytellers in What Obituaries Don't Tell You: Conversations about Life and Death want to impart. Talk and prepare is a theme repeated over and over.

In these stories and interviews you are sure to find people and narratives that are meaningful to you, helping you heal from loss, assuring you that you are not alone in your experiences, and allowing you to find your voice and speak your truth in your own conversations about life and death.

You may also be surprised. Did you know that there is a strong correlation between whether a death is deemed good or bad, easy or difficult, and the relationships in a person's life, including one's relationship to religious or spiritual beliefs?

Whether you are a person who has lost a loved one, a person thinking about your own death and wanting to prepare for it, or a student or professional preparing to or already working with issues of death in any way, you may find that the information that helps you the most is not imparted to you in obituaries but in the stories behind the scenes.

Death is an unanswerable question for humanity, the question that always remains unanswered because it lies beyond human experience. Music represents one of the most profound ways in which humanity struggles, nevertheless, to accommodate death within the scope of the living by giving a voice to death and the dead and a voice that responds. This book engages with the question of how music expresses and responds to the profound existential disturbance that death and loss present to the living. Each chapter offers readers an encounter with music as a way of speaking or responding to human mortality. Each chapter, in its own way, addresses these questions: How are death and the dead made present to us through music? How does music, as composed, performed and heard, respond to the brute fact of death for the living, the dying and the bereaved? These questions are addressed from a wide range of disciplinary perspectives: musicology, ethnomusicology, literature, history, philosophy, film studies, psychology and psychoanalysis. Singing Death also covers a wide range of musical genres from medieval love song to twenty-first-century horror film music. The collection is accompanied by a website including some of the music associated with each of its chapters.

Losses may provide a turning point where an individual faces personal and social choices. Still, one may derive significance through the experience of loss, while another may encounter bereavement with less consequence. "Complicated Grieving and Bereavement: Understanding and Treating People Experiencing Loss" examines complicated grief in special populations, including the mentally ill, POW-MIA survivors, the differentially-abled, suicide survivors, bereaved children, those experiencing death at birth, death in schools, and palliative-care death.

Intended for psychologists, clergy, and therapists and school guidance counselors specializing in treating dysfunctional families, grief counseling for the family, unresolved grief issues, etc. This book is also especially appropriate for students of psychology and death and bereavement courses.

Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries - of taste, of bodies, of reason - are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women. This book offers an in-depth analysis of women in horror films through an exploration of 'gynaehorror': films concerned with all aspects of female reproductive horror, from reproductive and sexual organs, to virginity, pregnancy, birth, motherhood and finally to menopause. Some of the themes explored include: the intersection of horror, monstrosity and sexual difference; the relationships between normative female (hetero)sexuality and the twin figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror films about pregnancy and abortion; reproductive technologies, monstrosity and 'mad science'; the discursive construction and interrogation of monstrous motherhood; and the relationships between menopause, menstruation, hagsploitation and 'abject barren' bodies in horror. The book not only offers a feminist interrogation of gynaehorror, but also a counter-reading of the gynaehorrific, that both accounts for and opens up new spaces of productive, radical and subversive monstrosity within a mode of representation and expression that has often been accused of being misogynistic. It therefore makes a unique contribution to the study of women in horror film specifically, while also providing new insights in the broader area of popular culture, gender and film philosophy.

Drawing on literary and visual texts spanning from the twelfth century to the present, this volume of essays explores what happens when narratives try to push the boundaries of what can be said about death.

The 'death of tragedy' in the modern era has been proposed and debated in recent years, largely in terms of literature and western culture in general. Today, any catastrophe or misadventure is likely to be labeled a 'tragedy', without any inference of a larger, transcendent horizon or providential design that the word once conveyed. This book offers new perspectives on the idea of the 'death of tragedy', taking England and the Religious Society of Friends (Quakers) in particular as a case study. Chapters focus on the origins of tragedy in ancient Greece, gospel and tragedy, the beginnings of the Quaker movement in seventeenth-century England, apocalyptic versus secularized experiences of time, Edwardian Quaker triumphalism, the search for English identity in postcolonial Britain, liberal Quakerism at the end of the twentieth century, and the promise and dilemma of postmodernity. The different disciplinary perspectives of the contributing authors bring literature, history, theology and sociology into a creative and revealing conversation. A Foreword by Richard Fenn introduces the book with an original and provocative meditation on tragedy and time.

Japan's suicide phenomenon has fascinated both the media and academics, although many questions and paradoxes embedded in the debate on suicide have remained unaddressed in the existing literature, including the assumption that Japan is a "Suicide Nation". This tendency causes common misconceptions about the suicide phenomenon and its features. Aiming to redress the situation, this book explores how the idea of suicide in Japan was shaped, reinterpreted and reinvented from the 1900s to the 1980s. Providing a timely contribution to the underexplored history of suicide, it also adds to the current heated debates on the contemporary way we organize our thoughts on life and death, health and wealth, on the value of the individual, and on gender. The book explores the genealogy and development of modern suicide in Japan by examining the ways in which beliefs about the nation's character, historical views of suicide, and the cultural legitimation of voluntary death acted to influence even the scientific conceptualization of suicide in Japan. It thus unveils the way in which the language on suicide was transformed throughout the century according to the fluctuating relationship between suicide and the discourse on national identity, and pathological and cultural narratives. In doing so, it proposes a new path to understanding the norms and mechanisms of the process of the conceptualization of suicide itself. Filling in a critical gap in three particular fields of historical study: the history of suicide, the history of death, and the cultural history of twentieth century Japan, it will be of great interest to students and scholars of Japanese Studies and Japanese History.