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Books > Sport & Leisure > Sports & outdoor recreation > Equestrian & animal sports > Horse racing > General
HUNTING REMINISCENCES. By Alfred E. Pease, M.P. Originally
published in 1898, this rare early work on fox, hare and drag
hunting is both expensive and hard to find in its first edition.
READ COUNTRY BOOKS have republished it in an affordable, high
quality, modern edition, using the original text and artwork. The
author was a well known hunting man of his day, who also wrote
several other well received hunting titles, and contributed many
articles to the sporting press of that era. "Hunting Reminiscences"
has two hundred and eighty eight pages containing nine entertaining
chapters: - Reminiscences of the Cambridge Drag and the House of
Commons Steeple Chases. - The Life of a Hunter. - Hounds. - Hare
Hunting. - Fox Hunting. (two chapters) - Cub Hunting. - The
Greatest Run I ever saw. - Badger Hunting with Hound and Terrier.
(The author believed the badger's continued existence could only be
assured by hunting him) The book was written in the Golden Age of
Hunting and will remain a lasting tribute to this popular sport.
"Hunting is the sport of kings, the image of war without its guilt,
with only five-and-twenty per cent. of the danger..."..John
Jorrocks. Many of the earliest sporting books, particularly those
dating back to the 1800s, are now extremely scarce and very
expensive. READ COUNTRY BOOKS are republishing these classic works
in affordable, high quality, modern editions, using the original
text and artwork.
Memoirs Of The Life Of The Late John Mytton, Esq. With Notices Of
His Hunting, Shooting, Driving, Racing, Eccentric And Extravagant
Exploits. By Nimrod. Originally published in 1837. A cracking
sporting memoir. Contents include: Pedigree of Mr. Mytton - With
Whom Compared - The breaking up of his establishment at Halston -
The author's allusion to a second edition of Mr. Mytton's life.
Many of the earliest books, particularly those dating back to the
1900s and before, are now extremely scarce and increasingly
expensive. READ COUNTRY BOOKS are republishing these classic works
in affordable, high quality, modern editions, using the original
text and artwork.
"Sullivan has found the transcendent in the horse."--"Sports
Illustrated"
Winner of a 2004 Whiting Writers' Award
One evening late in his life, veteran sportswriter Mike Sullivan
was asked by his son what he remembered best from his three decades
in the press box. The answer came as a surprise. "I was at
Secretariat's Derby, in '73. That was ... just beauty, you know?"
John Jeremiah Sullivan didn't know, not really-but he spent two
years finding out, journeying from prehistoric caves to the
Kentucky Derby in pursuit of what Edwin Muir called "our long-lost
archaic companionship" with the horse. The result-winner of a"
National Magazine" Award and named a Book of the Year by "The
Economist" magazine-is an unprecedented look at Equus caballus,
incorporating elements of memoir, reportage, and the picture
gallery.
In the words of the "New York Review of Books," "Blood Horses"
"reads like Moby-Dick as edited by F. Scott Fitzgerald . . .
Sullivan is an original and greatly gifted writer."
"Wisdom that is both personal and universal . . .
Brilliant"--"Chicago Tribune"
"A splendid account of [the] Triple Crown . . . In horses' beauty
and power, and with their hint of danger even when schooled,
Sullivan senses a restoration of what has been lost to us."--"The
New York Times"
"As unconventionally lovely a book as you are likely to read for
some time."--"The Arkansas Democrat Gazette"
"A clear picture of a highly specialized world . . . A gem of
curiosity."--"The Associated Press"
"Sullivan subtly extends the theme of bloodlines to make this book
as much about family as it is about horses . . . Its appeal isn't
limited to the equine crowd."--"0Outside"
JohnJeremiah Sullivan is a writer-at-large for "GQ" and a
contributing editor at "Harper's Magazine."
They had no business being there. They were up against
million-dollar horses owned by patricians, oilmen, Arab sheiks, and
Hollywood producers. They were ten regular guys, and all they
wanted was to win a race. Instead, they won the hearts of
America.
In 2003, a three-year-old with the unlikely name of Funny Cide
became "the people's horse," the unheralded New York-bred gelding
who-in a time of war and economic jitters-inspired a nation by
knocking off the champions and their millionaire owners and
sweeping to the brink of the Triple Crown.
Trained by a journeyman who'd spent over 30 years looking for "the
one," ridden by a jockey fighting to come back after years of
injuries and hard knocks, and owned by a band of high school
buddies from Sackets Harbor, N.Y., Funny Cide became a hero and
media sensation.
Now, Sally Jenkins, award-winning co-author of Lance Armstrong's
#1 bestseller "It's Not About the Bike," tells the inside story of
the Funny Cide team's ups and downs against overwhelming odds,
illness, and even scandal, to capture the imagination of millions.
It's a new American classic for the underdog in all of us.
" On the first Saturday in May every year in Louisville,
Kentucky, shortly after 5:30 PM, a new horse attains racing
immortality. The Kentucky Derby is like no other race, and its
winners are the finest horses in the world. Covered in rich red
roses, surrounded by flashing cameras and admiring crowds, these
instant celebrities bear names like Citation, Secretariat,
Spectacular Bid, and Seattle Slew. They're worth hundreds of
thousands of dollars. But in 1992, a funny thing happened on the
way to the roses. The rattling roar of 130,000 voices tailed off
into a high, hollow shriek as the horses crossed the finish line.
Lil E. Tee? ABC broadcasters knew nothing about him, but they
weren't alone. Who knew about Lil E. Tee? A blacksmith in Ocala,
Florida, a veterinary surgeon in Ringoes, New Jersey, a trainer a
Calder Race Course, and a few other people used to dealing with
average horses knew this horse -- and realized what a long shot Lil
E. Tee really was. On a Pennsylvania farm that raised mostly
trotting horses, a colt with a dime-store pedigree was born in
1989. His odd gait and tendency to bellow for his mother earned him
the nickname "E.T." Suffering from an immune deficiency and a bad
case of colic, he survived surgery that usually ends a horse's
racing career. Bloodstock agents dismissed him because of his
mediocre breeding, and once he was sold for only $3,000. He'd live
in five barns in seven states by the time he turned two. Somehow,
this horse became one of the biggest underdogs to appear on the
American sporting landscape. Lil E. Tee overcame his bleak
beginnings to reach the respected hands of trainer Lynn Whiting,
jockey Pat Day, and owner Cal Partee. After winning the Jim Beam
stakes and finishing second in the Arkansas Derby, Lil E. Tee
arrived at Churchill Downs to face a field of seventeen horses,
including the highly acclaimed favorite, Arazi, a horse many people
forecast to become the next Secretariat. A 17-to-1 longshot, Lil E.
Tee won the Derby with a classic rally down the home stretch, and
finally Pat Day had jockeyed a horse to Derby victory. John
Eisenberg draws on more than fifteen years of sports writing
experience and a hundred interviews throughout Pennsylvania,
Kentucky, Florida, and Arkansas to tell the story almost nobody
knew in 1992. Eisenberg is a sports columnist for the Baltimore Sun
and has won more than twenty awards for his sports writing,
including several Associated Press sports editors' first
places."
It's been a half century since Edmund Hillary and Sherpa Tenzing
made the first ascent of Everest. Their success capped a
thirty-year struggle that cost more than a dozen lives--and touched
off a new era in the history of the mountain. The past fifty years
have seen Everest become an even greater magnet for
adventurers--both foolish and heroic. Some of the world's best
climbers have carved out incredibly dangerous new routes on the
peak, and many have died trying. Meanwhile, hundreds of nonclimbers
have taken on Everest, with mixed results. This history has created
an entire literature in itself--a story of triumph and tragedy of
epic proportions. Whether it's Peter Boardman on being forced to
leave a friend to die near the summit, Stephen Venables on spending
a night out near the summit--an experience only a handful of men
have survived--or Chris Bonington on the death of Boardman and Joe
Tasker on the Northeast Ridge, almost every great climbing writer
has tackled some aspect of the mountain, and Epics on Everest
includes their best work.
Built in 1864 as the nation's first horse racing facility, Saratoga
(New York) racecourse is one of the sport's hallowed sites. This
text details the development and social history of Saratoga the
resort, historically a magnet for the wealthy and famous.
A day at the races, with its colorful variety and fast-paced
action, appeals to people from all walks of life. Not surprisingly,
the idea of going home with a few more dollars than when one
arrived is part of horseracing's charm. In this entertaining but
substantive volume, two distinguished economists, who happen to be
horseracing buffs, outline a tested strategy for placing bets that
will increase the reader's chances of a happy outcome at the
track.
The authors are the first to point out that getting rich at the
racetrack is unlikely. They do maintain, however, that with
attention to their systematic approach, the racing fan can achieve
the best possible chance at winning. In the process, the reader
learns some of the most important measurement techniques in the
social sciences, as well as the basic methods of market
analysis.
The rise and fall of one of America’s first Black sports
celebrities  Isaac Murphy, born enslaved in 1861, still
reigns as one of the greatest jockeys in American history. Black
jockeys like Murphy were at the top of the most popular sport in
America at the end of the nineteenth century. They were
internationally famous, the first African American superstar
athletes—and with wins in three Kentucky Derbies and countless
other prestigious races, Murphy was the greatest of them all.
 At the same time, he lived through the seismic events of
Emancipation and Reconstruction and formative conflicts over
freedom and equality in the United States. And inevitably he was
drawn into those conflicts, with devastating consequences. Â
Katherine C. Mooney uncovers the history of Murphy’s troubled
life, his death in 1896 at age thirty-five, and his afterlife. In
recounting Murphy’s personal story, she also tells two of the
great stories of change in nineteenth-century America: the debates
over what a multiracial democracy might look like and the battles
over who was to hold power in an economy that increasingly
resembled the corporate, wealth-polarized world we know today.
'Poignant and compelling, an equine Bridget Jones.' Racing Post
Being a stable lass is probably one of the hardest jobs in the
country, and yet for Gemma Hogg it is the most rewarding. She works
in the beautiful Yorkshire market town of Middleham and if her
colleagues are occasionally challenging, then the horses are
downright astonishing. Now, in Stable Lass, she takes us into the
closed world of a top racing yard, from the elation of having
several winners in one day to the almost indescribable grief of
losing a horse. Like most stable lads and lasses, Gemma arrived in
her yard as a teenager fresh out of racing college and had to cope
with living away from home for the first time, as well as adapting
to the brutal long hours, backbreaking work and often treacherous
weather. She describes falling in love with Polo Venture, the first
racehorse in her care, the pure exhilaration of riding him on
Middleham Gallops for the first time and what happens when a horse
takes against you, from the growling gelding Valiant Warrior to the
potentially lethal Broadway Boy. She brings to life the characters
around the yard, from straight-talking boss Micky Hammond to the
jockeys starving themselves to make weight, the wealthy owners and
the other stable lads and lasses who come from a range of different
places and backgrounds. Stable Lass by Gemma Hogg is a unique look
into the world of horse racing filled with heart-warming stories
and amazing thoroughbreds - some loveable, some cantankerous, all
impressive.
Calumet, Claiborne, King Ranch - these iconic names are among the
owners and breeders revered by Thoroughbred industry professionals
and racing fans around the world. As campaigners of many of the
20th century's top racehorses, their prestige has been confirmed by
decades of competition in the Triple Crown, the most esteemed
series in American Thoroughbred racing. Even with these substantial
legacies, their success is measured against the benchmark set by
one of racing's earliest dynasties, the historic Belair Stud. The
story of this legendary operation began with William Woodward's
childhood memories of grand days at the racetrack, inspiring dreams
of breeding a champion or two of his own. During a year working for
the American Ambassador to the United Kingdom, Woodward frequented
English racetracks, rekindling that childhood dream of breeding and
owning champion Thoroughbreds. Woodward turned those dreams into
reality, building Belair Stud on his family's Maryland estate,
launching what would become the preeminent Thoroughbred breeding
and racing empire in America and chasing racing's biggest prizes in
both the United States and England. The defining moment for Belair
came when Woodward bred the imported stallion Sir Gallahad III to
his mare Marguerite. Their colt, Gallant Fox, became only the
second horse in history to win the Preakness Stakes, the Kentucky
Derby, and the Belmont Stakes in the same year. In 1935, the farm
cemented the Triple Crown as the gold standard for three-year-olds
when Gallant Fox's son, Omaha, duplicated his sire's trio of
victories, a sweep that sealed the farm's legacy and carved its
name in the annals of racing history. In The Foxes of Belair:
Gallant Fox, Omaha, and the Quest for the Triple Crown, Jennifer
Kelly examines the racing legacies of Gallant Fox and Omaha and how
William Woodward's service to racing during the 20th century
forever changed the landscape of the American Thoroughbred
industry.
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