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Books > Philosophy > Western philosophy > General
This revised and updated edition of a standard work provides a clear and authoritative survey of the Western tradition in metaphysics and epistemology from the Presocratics to the present day. Aimed at the beginning student, it presents the ideas of the major philosophers and their schools of thought in a readable and engaging way, highlighting the central points in each contributor's doctrines and offering a lucid discussion of the next-level details that both fills out the general themes and encourages the reader to pursue the arguments still further through a detailed guide to further reading. Whether John Shand is discussing the slow separation of philosophy and theology in Augustine, Aquinas and Ockham, the rise of rationalism, British empiricism, German idealism or the new approaches opened up by Russell, Sartre and Wittgenstein, he combines succinct but insightful exposition with crisp critical comment. This new edition will continue to provide students with a valuable work of initial reference.
Having studied philosophy at a time when its traditions were being seriously uprooted by the atrocities of World War II, Theodor Adorno had an enormous impact on thinking about aesthetics at a transitional historical moment when the philosophy of science and leftist politics were looking for new ground. Moreover, with his focus on the rise of commercial culture and its effects on identity-construction, Adorno can be said to have reinvigorated modernist concerns by introducing the prevailing terms in our contemporary versions of cultural politics and cultural studies. Understanding Adorno, Understanding Modernism traces Adorno’s social and aesthetic ideas as they appear and reappear in his corpus. As per other volumes in the series, this book is divided into three parts. The first, “Adorno’s Keywords,†is organized by the aesthetic terms around which Adorno’s philosophy circulates. The second section is devoted to “Adorno and Aesthetics.†While Adorno’s philosophical viewpoints influenced modernism’s evolution into the 21st century, the history of modernist aesthetics also shaped his philosophical approaches. The third and final part, “Adorno’s Constellations,†discusses how aesthetic form in Adorno’s thinking underlies the terms of his social analysis.
This volume addresses the history and epistemology of early modern cosmology. The authors reconstruct the development of cosmological ideas in the age of 'scientific revolution' from Copernicus to Leibniz, taking into account the growth of a unified celestial-and-terrestrial mechanics. The volume investigates how, in the rise of the new science, cosmology displayed deep and multifaceted interrelations between scientific notions (stemming from mechanics, mathematics, geometry, astronomy) and philosophical concepts. These were employed to frame a general picture of the universe, as well as to criticize and interpret scientific notions and observational data. This interdisciplinary work reconstructs a conceptual web pervaded by various intellectual attitudes and drives. It presents an historical-epistemological unified itinerary which includes Copernicus, Kepler, Galileo, Descartes, Huygens, Newton and Leibniz. For each of the scientists and philosophers, a presentation and commentary is made of their cosmological views, and where relevant, outlines of their most relevant physical concepts are given. Furthermore, the authors highlight the philosophical and epistemological implications of their scientific works. This work is helpful both as a synthetic overview of early modern cosmology, and an analytical exposition of the elements that were intertwined in early-modern cosmology. This book addresses historians, philosophers, and scientists and can also be used as a research source book by post-graduate students in epistemology, history of science and history of philosophy.
This chronological survey explores Pascal's (162362) achievement as mathematician, physicist and religious thinker; it also has a chapter on his life. His work on conic sections, the probability calculus, number theory, cycloid curves and hydrostatics is considered in detail. Analyses of the Provincial Letters and the Thoughts bring out the many distinctive features, thematicnn and technical, of each text. Pascal's lesser known works are also studied. There is a chapter on the Wager argument. A wide-ranging bibliography completes the book.
This book on Alain Badiou's philosophy begins with a central theme: the attempt to trace how Badiou has replaced the tradition of critical theory and negation with an affirmative support of his four generic procedures (art, science, love, and art) as inseparable from his revitalization of both the subject and the concept of truth. By defining four procedures as conditions of philosophy, Badiou makes the attempt to establish each as inter-related and systematically necessary to make a new proposal for thought. The fidelity to Badiou's project for the 21st century, however, requires a fundamental examination: are his four truths complicated by an inescapable dilemma? And if so, can the four truths be retained, as a whole, or does the individual reader have to make a decision that will alter Badiou's project and conclusions? By presenting the dilemmas of his thought, the scholarly reader will be in a position to then pursue the necessary study to come to their own conclusions and, by doing so, become sufficiently free to resist the many coercions of social and political life in liberal democracies today.
This book delivers philosophy’s first sustained examination of handedness: being left-handed, right-handed, etc. It engages literature from phenomenology and continental philosophy, analytic philosophy, laterality studies, cognitive science and psychology, gender studies and feminist philosophy, sociology, political science, and more to provide a systematic accounting of the nature of handedness, its basis in lived experience, its effects on bodily performance, its role in varieties of inequality, and its part in oppression and liberation. As a radical asymmetry in the body, handedness plays a key role in human flourishing. It informs both personal bodily movement and social life, from handshakes and high fives to high tech tools made for one hand or the other. Moreover, with left-handers making up just 10% of the population, handedness presents a significant inequality in lived experience. To live and live well, we must understand handedness.
In this book twelve outstanding historians of early modern philosophy undertake a study of the philosophy of Johannes Clauberg (1622-1665). Clauberg was not only among the first followers of Descartes (whose philosophy he taught from 1650 in Herborn and from 1652 until the end of his life in Duisburg) but also assured its survival as an academic philosophy by giving it a more traditional and more didactic expression. A first group of articles deals with Clauberg's early metaphysics as it found its expression in his Ontosophia of 1646 (republished with very considerable changes in 1664), the way it was influenced by Comenius (Leinsle), its relation to Malebranche (Bardout) and Wolff (A0/00cole) and the way in which it illustrates the difficulties of a Cartesian ontology in general (Carraud). A second group of articles deals with problems of knowledge: knowledge of God (Goudriaan), perceptual knowledge (Spruit) and causality (PAtzold). There are also articles on Clauberg's curious attempt to deal philosophically with the etymology of the German language (Weber), Clauberg as a teacher of Descartes' Principia (Verbeek), Clauberg's conception of corporeal substance (Mercer), and Clauberg's relation to later, more radical developments in Cartesian philosophy, especially in Lodewijk Meyer (Albrecht). The volume is completed by a biographical introduction and a short title bibliography of Clauberg's works, which allows an appreciation of Clauberg's lasting international influence. It is the first study on this scale of one of the most influential philosophers of the seventeenth century.
When the American modern dancers Isadora Duncan (1877-1928) and Martha Graham (1894-1991) read Nietzsche, they were inspired by the way in which he uses images of dance to figure an alternative to Christian values. They each came to describe their visions for dance in Nietzschean terms. This book investigates the role Nietzsche's dance images play in his project of 'revaluing all values' and does so alongside the religious rhetoric and subject matter evident in the dancing, teaching, and writing of Duncan and Graham. It concludes that these modern dancers found justification and guidance in Nietzsche's texts for developing dance as a medium of religious experience and expression.
In Rawls, Dewey and Constructivism, Eric Weber examines and critiques John Rawls' epistemology and the unresolved tension - inherited from Kant - between Representationalism and Constructivism in Rawls' work. Weber argues that, despite Rawls' claims to be a constructivist, his unexplored Kantian influences cause several problems. In particular, Weber criticises Rawls' failure to explain the origins of conceptions of justice, his understanding of "persons" and his revival of Social Contract Theory. Drawing on the work of John Dewey to resolve these problems, the book argues for a rigorously constructivist approach to the concept of justice and explores the practical implications of such an approach for Education.
Dialogos" encompasses Greek language and literature, Greek history and archaeology, Greek culture and thought, present and past: a territory of distinctive richness and unsurpassed influence. It seeks to foster critical awareness and informed debate about the ideas, events and achievements that make up this territory, by redefining their qualities, by exploring their interconnections and by reinterpreting their significance within Western culture and beyond.
In Relation to the Mysteries of Christianity
"Routledge Philosophy Guidebooks" introduce students to the classic works of philosophy. Each guidebook considers a major philosopher and a key area of their philosophy by focusing upon an important text - situating the philosopher and work in a historical context, considering the text in question and assessing the philosopher's contribution to contemporary thought.;Leibniz is a major figure in western philosophy and, with Descartes and Spinoza, one of the most influential philosophers of the Rationalist School. The "Monadology" is his most famous work and one of the most important works of modern philosophy. This text introduces and assesses: Leibniz's life and the background to the "Monadology"; the ideas and text of the "Monadology"; and Leibniz's continuing importance to philosophy.
Economic collapse, poverty, disease, natural disasters, the
constant threat of community unrest and international terrorism--a
quick look at any newspaper is enough to cause almost anyone to
feel trapped and desperate. Yet the recent election also revealed a
growing search for hope spreading through society. In the timely
Hope in the Age of Anxiety, Anthony Scioli and Henry Biller
illuminate the nature of hope and offer a multitude of techniques
designed to improve the lives of individuals, and bring more light
into the world.
This book explores an overlooked area in Hegel studies: his use of ‘individuality’ (Individualität). Hegel joined a lively conversation, from Leibniz to Romanticism and beyond, about this novel concept/phenomenon. Successive chapters track Hegel’s engagement, in such texts as the Phenomenology, Encyclopedia, and Aesthetics. Hegel’s system tends to follow a syllogistic logic (universal, particular, singular), but ‘individuality’ departs from the norm. The category enacts a certain pragmatics (as against semantics or syntactics) regarding tacit assumptions at work or implicit terms of address, which requires active participation by a thinking subject charged with discerning individuality (which bars resort to explicit rules). The category reflexively implicates the user even in presuming an objective context. ‘Individuality’ should not be confused with ‘individualism,’ wholly distinct in origin. Moreover, Hegel’s Aesthetics embraces a paradoxical anachronism. Like ‘art’ itself, ‘individuality’ emerged as an essentially modern category, though one transferred to the past and to distant cultures.
This collection gathers together comments and reviews on the works of Adam Smith. All introductions to the later editions of his works, either in English or in translation, are included as well as the editor's notes (where possible). Volume One contains contemporary comments, letters and reviews on Smith's works from his Edinburgh lectures to the posthumous "Essays on Philosophical Subjects" . The second and third volumes contain introductions, supplementary chapters and notes to the early English editions, together with early reviews. They also include some critical remarks on his moral philosophy in the early nineteenth century and two studies by representative writers of the century. The remaining three volumes focus on overseas responses to his work.
The text centres on the assumption that there are aspects of thinking common to all traditions. On the basis of this assumption, the author offers a comparative introduction to important East/West philosophical questions and positions, and explores 'philosophizing' as expressed in the presuppositions, knowledge techniques, and logic developed by specific Greco-European, Indian and Chinese philosophers in their efforts to understand the object world, human consciousness and their interconnections. The synthesis of philosophy as 'product' and philosophizing as 'process' provides the dimensions of what the author calls 'philosophical space'.
Pre-Raphaelitism was a multi-faceted movement which had a fundamental impact on the cultural, artistic, and intellectual life of Victorian Britain and the British Empire. The Pre-Raphaelites were legendary figures mythologized in their own lifetimes. This major movement has direct relevance to contemporary understanding of national heritage. The Pre-Raphaelites and their supporters produced numerous cultural statements spanning the decorative arts, literature and social politics. This four volume set demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism. It collects together original Pre-Raphaelite materials comprising fiction, prose, verse, literary criticism and illustration. A range of writings on art, design, architecture, philosophy, religion, science and politics is presented in the themed volumes: literature and literary criticism; autobiographies and diaries; philosophy; design and art criticism; social and cultural critique. Whole texts and significant extracts from the writings of key Pre-Raphaelite figures such as William Allingham, Walter Crane, William Holman Hunt, John Everett Millais, William Morris, Walter Pater, Coventry Patmore, George du Maurie
This archive of source materials from Victorian periodicals provides insight into the evolving moral and political thought of Britain in the 1800s. It should be of interest to the historian of philosophy and anyone interested in utilitarianism. The volumes are divided chronologically: 1800-1851, 1852-1869, 1869-1875 and 1876-1900. The concentration of material in the 1860s and 1870s makes it clear that this was the high water mark of the utilitarian debate.
A collection in 12 volumes of all the published works of Robert Boyle (1627-1691), who was one of the most influential scientific and theological thinkers of his time. Discoverer of Boyle's Law, which still pertains in modern science, his writings range around the greatest scientific issues of his day. Works originally in Latin are presented in their contemporary English translations. There is a general introduction with explanatory notes to the texts. A bibliography and general index permits access to all Boyle's work.
Through an examination of Christian interaction with other religions, Paul S. Chung constructs a theology of comparative religion. In the course of this construction, he employs the work of Ernst Troeltsch, Robert Bellah, and Karl Barth, while offering case studies of transformative interaction between Buddhism, Christianity, and Islam. Chung's interdisciplinary approach opens up new avenues for inter-religious understanding and melding, for instance exploring the development of a Protestant Islam. Throughout, he provides innovative conceptions of the religions involved and the realities they assert. Â
The "existential" drama at the heart of the modern world is the result of a truly cataclysmic transformation in our institutions and modes of belief. It rivals in scope and significance, if it does not surpass, the transformation occasioned by the "Scientific Revolution" of the sixteenth and seventeenth century. Few can still doubt - even if they do not yet appreciate - the comprehensive and global scope of this "Second Scientific Revolution." Our fundamental modes of thought and action, institutional structure, personal identity, economic development, and relation to nature, all require radical revision if human life on this planet (and beyond) is to survive and prosper. We are thus confronted with a world whose structures of meaning and corresponding institutional foundations are being undermined, thus presaging a revolutionary transformation. That transformation, however unclear at present, cannot fail to be radical and comprehensive. This work critically evaluates its nature, outlines the structures of an alternative world view and then develops the contours of the social and institutional order it suggests. It concludes with a discussion of practical strategies by which we may reasonably hope to meet the challenges confronting our civilization. |
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