This title includes a 2 DVD set. Christopher S Hyatt, Ph.D., Adv. M.ED. was trained in psycho-physiology and clinical psychology. As a research scientist he has published numerous peer-reviewed articles in professional journals and was a Research Fellow at the University of Toronto and the University of Southern California. He fled the world of academia and state sponsored psychology to become an explorer of the human mind ...creating such devices as the "Radical Undoing Series". He is now a world-famous author of a wide variety of books, CDs, and DVDs on post-modern psychology, sex, tantra, kundalini and mysticism ...and an advocate of brain exploration.

Die Geheimnisse der oberen und der unteren Welt (The Secrets of the Upper and the Lower World) is a substantial new collection of essays on magic in Islamic cultural history. Both comprehensive and innovative in its approach, this book offers fresh insights into an important yet still understudied area of Islamic intellectual history. The seventeen chapters deal with key aspects of Islamic magic, including its historical developments, geographical variants, and modern-day practices. The general introduction identifies and problematizes numerous sub-topics and key practitioners/theoreticians in the Arabo-Islamic context. This, along with terminological and bibliographical appendices, makes the volume an unparalleled reference work for both specialists and a broader readership. Contributors: Ursula Bsees, Johann Christoph Burgel, Susanne Enderwitz, Hans Daiber; Sebastian Gunther, Mahmoud Haggag, Maher Jarrar, Anke Joisten-Pruschke, Fabian Kas, Ulrich Marzolph, Christian Mauder, Tobias Nunlist, Khanna Omarkhali, Eva Orthmann, Bernd-Christian Otto, Dorothee Pielow, Lutz Richter-Bernburg, Johanna Schott & Johannes Thomann.

This book is an analysis of witchcraft and witch hunting as they appeared in southwestern Germany in the sixteenth and seventeenth centuries. Starting from a short analysis of some basic problems in the interpretation of European witchcraft, it proceeds to a study of the shifting denominational views regarding witches and the growth of Catholic orthodoxy. That theoretical vantage yields insight into the patterns in time, space, and confession that characterized all witch hunts in the German Southwest. There follows a narrative analysis of the largest witch hunts and the general crisis of confidence they produced. Analysis is complemented by a summary of what is known about the people accused of witchcraft, as well as an examination of the popular suspicion directed toward old women at the start of most panics and the breakdown of this stereotype as the panics progressed.

From Macbeth to The Wizard of Oz, from the hysteria of witch trials to emblems of 20th-century female empowerment, no matter how she is portrayed, the witch is an enduring source of fear and fascination. In this study, Diane Purkiss investigates the diverse interpretations and meanings attributed to the figure of the witch, encompassing a wide range of cultural norms which include Canonical literature, such as Shelley and Yeats, visual arts, fairy tales, folklore and real-life witch stories. Also considered are pornography and sado-masochism, film, from the classic Swedish Haxan to The Witches of Eastwick, and the stage, including Shakespeare and Jonson.

This volume presents students and scholars with a comprehensive overview of the fascinating world of the occult. It explores the history of Western occultism, from ancient and medieval sources via the Renaissance, right up to the nineteenth and twentieth centuries and contemporary occultism. Written by a distinguished team of contributors, the essays consider key figures, beliefs and practices as well as popular culture.

A new history that overturns the received wisdom that science displaced magic in Enlightenment Britain-named a Best Book of 2020 by the Financial Times In early modern Britain, belief in prophecies, omens, ghosts, apparitions and fairies was commonplace. Among both educated and ordinary people the absolute existence of a spiritual world was taken for granted. Yet in the eighteenth century such certainties were swept away. Credit for this great change is usually given to science - and in particular to the scientists of the Royal Society. But is this justified? Michael Hunter argues that those pioneering the change in attitude were not scientists but freethinkers. While some scientists defended the reality of supernatural phenomena, these sceptical humanists drew on ancient authors to mount a critique both of orthodox religion and, by extension, of magic and other forms of superstition. Even if the religious heterodoxy of such men tarnished their reputation and postponed the general acceptance of anti-magical views, slowly change did come about. When it did, this owed less to the testing of magic than to the growth of confidence in a stable world in which magic no longer had a place.

Examining the intersection of occult spirituality, text, and gender, this book provides a compelling analysis of the occult revival in literature from the 1880s through the course of the twentieth century. Bestselling novels such as The Da Vinci Code play with magic and the fascination of hidden knowledge, while occult and esoteric subjects have become very visible in literature during the twentieth century. This study analyses literature by women occultists such as Alice Bailey, Dion Fortune, and Starhawk, and revisits texts with occult motifs by canonical authors such as Sylvia Townsend Warner, Leonora Carrington, and Angela Carter. This material, which has never been analysed in a literary context, covers influential movements such as Theosophy, Spiritualism, Golden Dawn, Wicca, and Goddess spirituality. Wallraven engages with the question of how literature functions as the medium for creating occult worlds and powerful identities, particularly the female Lucifer, witch, priestess, and Goddess. Based on the concept of ancient wisdom, the occult in literature also incorporates topical discourses of the twentieth century, including psychoanalysis, feminism, pacifism, and ecology. Hence, as an ever-evolving discursive universe, it presents alternatives to religious truth claims that often lead to various forms of fundamentalism that we encounter today. This book offers a ground-breaking approach to interpreting the forms and functions of occult texts for scholars and students of literary and cultural studies, religious studies, sociology, and gender studies.

In this in-depth look at occult and esoteric traditions in Russia, Christopher McIntosh explores the currents of mysticism, myth, magic, and the spiritual to which the Russian soul has always been attuned. The author explains how the search for meaning in the post-Soviet era has given rise to a revival of ancient spiritual traditions and a plethora of new movements. He examines the precursors to these movements in the "Silver Age" (1880-1920) before the Revolution, when alternative forms of spirituality were finding new life as a reaction to the ongoing climate of violence, revolt, and repression. He discusses the impact of the Russian Revolution on spiritual and esoteric groups, and shows how their activities were tolerated and even in some instances encouraged--until Stalin assumed power in 1924. Discussing the spiritual reawakening after the fall of communism in 1989, the author explores the survival of Slavic deities and pagan practices in modern Russia, including the indigenous pre-Christian customs of the Mari people and the shamanic traditions of Siberia. He examines the resurgence of the Orthodox Church and the burgeoning of alternative forms of spirituality. He offers a deep look at the controversial Book of Veles, branded by some as a forgery and hailed by others as an epic chronicle of the Slavic people. He also explores the interface between spirituality and the arts and the unique qualities of the Russian language as a medium for the sacred. Revealing the implications of the modern Russian spiritual and esoteric renaissance, McIntosh shows that it still remains to be seen whether Edgar Cayce's prediction of Russia as the hope of the world will come true or if Russia will remain, as Churchill famously stated, "a riddle, wrapped in a mystery, inside an enigma."

One of the most enigmatic figures in history, Nostradamus apothecary, astrologer and soothsayer is a continual source of fascination. Indeed, his predictions are so much the stock-in-trade of the wildest merchants of imminent Doom that one could be forgiven for ignoring the fact that Michel de Nostredame, 1503-1566, was a figure firmly rooted in the society of the French Renaissance. In this bold new account of the life and work of Nostradamus, Denis Crouzet shows that any attempt to interpret his Prophecies at face value is misguided. Nostradamus was not trying to predict the future. He saw himself, rather, as 'prophesying', i.e. bringing the Word of God to humankind. In a century marked by the extreme violence of the Wars of Religion, Nostradamus' profound Christian faith placed him among the 'evangelicals' of his generation. Rejecting the confessional tensions tearing Europe apart, he sought to coax his readers towards an interiorised piety, based on the essential presence of Christ. Like Rabelais, for whom laughter was a therapy to help one cope with the misery of the times, Nostradamus saw himself as a physician of the soul as much as of the body. His unveiling of the menacing and horrendous events which await us in the future was a way of frightening his readers into the realisation that inner hatred was truly the greatest peril of all, to which the sole remedy was to live in the love and peace of Christ. This inspired interpretation penetrates the imaginative world of Nostradamus, a man whose life is as mysterious as his writings. It shows him in a completely new dimension, securing for him a significant place among the major thinkers of the Renaissance.

A complete guide to working with the Birth Odus of your Orishas Birth Chart * Offers step-by-step instructions to calculate your Birth Odus and cast your full Orisha Birth Chart * Presents detailed interpretations of each of the 16 Birth Odus, showing how their energies manifest in an individual's personality, relationships, financial status, and general approach to life * Shares self-transformation techniques to help you improve the positive qualities of your chart while embracing, integrating, and neutralizing negative energies and tendencies Much like the celestial influences revealed by a natal astrology chart or the numerology of your birth date, African spiritual traditions believe that every person has specific personal energies ruling how we relate to each other and the way we foresee and achieve life goals. Called the birth Odus, these inner energies influence your choices and decisions throughout life, defining and differentiating you from everyone else--and revealing the best ways to maximize your potential and meet the challenges you face. Offering a complete guide to discovering, interpreting, and working with your birth Odus, Diego de Oxossi details step by step how to calculate your birth Odus and cast your full Orisha birth Chart. He explains the Afro-Brazilian concept of numerology and its relationship with the 16 Odus and their related Orishas, the deities of the Afro-Brazilian spiritual tradition. He explores how to determine the influences in the major and minor houses of your Orisha birth chart, including those related to personality and identity, career and success, relationships and love, and challenges and personal evolution. Presenting case studies from his practice, the author offers detailed interpretations of each of the 16 birth Odus, showing how their energies manifest in an individual's life. He looks at the positive and negative aspects of each Odu, including how the negative aspects represent the shadow forces that one has to overcome to succeed in life. He offers self- transformation techniques to help you improve the positive qualities of your chart while embracing, integrating, and neutralizing the negative energies and tendencies. Revealing how to better know yourself and understand the spiritual dynamics behind your choices and behaviors, this guide shows you how to work with the energies of the Odus and the strength of the Orishas to improve your communication and relationship skills, overcome life's challenges, and ensure success and happiness on your life's path.

* Examines the significant figures and groups of Finland's occult world, including their esoteric practices and the secret societies to which they were connected * Investigates the relationship of nationalism and esotericism in Finland as well as the history of Finnish parapsychology and the Finnish UFO craze * Looks at the unique evolution of Freemasonry in Finland, showing how, when Finland was still part of Russia and the Masonic order was banned, adherents created a number of other secret societies Finland has long been viewed as the land of sorcerers and shamans. Exploring the rich history of Finnish occultism, Perttu Hakkinen and Vesa Iitti examine the significant figures and groups of Finland's occult world from the late 19th century to the present day. They begin with Pekka Ervast, known as the Rudolf Steiner of the North, who was a major figure in Theosophy before starting a Rosicrucian group called Ruusu-Risti, and they look at the Finnish disciples of G. I. Gurdjieff and the grim case of the cult of Tattarisuo. Investigating the relationship of nationalism and esotericism in Finland, the authors tell the stories of Sigurd Wettenhovi-Aspa, who thought that Finns were the root of all Western civilization, and of Yrjoe von Groenhagen, who became a close friend of Heinrich Himmler and Karl Maria Wiligut. They also explore the history of Finnish parapsychology, the Finnish UFO craze, and the unique evolution of Freemasonry in Finland, showing how, when the Masonic order was banned, adherents created a number of other secret societies, such as the Carpenter's Order, the Hypotenuse Order, and the Brotherhood of February 17--which later became hubs for the OTO and AMORC. Unveiling both the light and dark sides of modern esotericism in Finland, the authors show how, because of its unique position as partially European and partially Russian, Finland's occult influence extends into the very heart of left-hand and right-hand occult groups and secret societies around the world.

Offers a full introduction to and survey of runes and runology: their history, how they were used, and their interpretation. Runes, often considered magical symbols of mystery and power, are in fact an alphabetic form of writing. Derived from one or more Mediterranean prototypes, they were used by Germanic peoples to write different kinds of Germanic language, principally Anglo-Saxon and the various Scandinavian idioms, and were carved into stone, wood, bone, metal, and other hard surfaces; types of inscription range from memorials to the dead, through Christian prayers and everyday messages to crude graffiti. First reliably attested in the second century AD, runes were in due course supplanted by the roman alphabet, though in Anglo-Saxon England they continued in use until the early eleventh century, inScandinavia until the fifteenth (and later still in one or two outlying areas). This book provides an accessible, general account of runes and runic writing from their inception to their final demise. It also covers modern uses of runes, and deals with such topics as encoded texts, rune names, how runic inscriptions were made, runological method, and the history of runic research. A final chapter explains where those keen to see runic inscriptions can most easily find them. Professor MICHAEL P, BARNES is Emeritus Professor of Scandinavian Studies, University College London.

Sophia Elizabeth De Morgan (1809-1892) was the wife of the mathematician and logician Augustus De Morgan and mother of the celebrated ceramicist William De Morgan. In this book, published in 1863, De Morgan, writing as 'CD' - with a preface by her husband signed as 'AB' - acknowledges that alleged spirit manifestations have faced much criticism and scepticism, but argues that it was a little-understood phenomenon that merited further investigation. She spent a decade on this research, and focused on the role of the mediums, people who were believed to communicate with the spirit world. She was aided in this by the arrival of a medium who lived with the De Morgan family for six years. Her chapters also examine in depth the process of dying and ideas about the afterlife. A first-hand account of the nineteenth-century spiritualist world, this book provides a fascinating glimpse into Britain's changing religious landscape.

The creative nature of the "Soul": On its own plane, the soul knows no separation, and the factor of synthesis governs all soul relations. The soul is occupied not only with the form that the vision of its objective may take, but with the quality or the meaning which that vision veils or hides. The soul knows the Plan; its form, outline, methods and objective are known. Through the use of the creative imagination, the soul creates; it builds thought-forms on the mental plane and objectifies desire on the astral plane. It proceeds then to externalize its thought and its desire upon the physical plane through applied force, creatively actuated by the imagination of the etheric or vital vehicle. Yet because the soul intelligence, motivated by love, it can (within the realized synthesis which governs its activities) analyze, discriminate and divide. The soul likewise aspires to that which is greater than itself, and reaches out to the world of divine ideas, and thus itself occupies a midway position between the world of ideation and the world of forms, This is its difficulty and its opportunity. This compilation from the books of Alice Bailey seeks to increase understanding of the immortal soul, addressing it's many aspects under sixty two headings.

Universities and the Occult Rituals of the Corporate World explores the metaphorical parallels between corporatised, market-oriented universities and aspects of the occult. In the process, the book shows that the forms of mystery, mythmaking and ritual now common in restructured institutions of higher education stem from their new power structures and procedures, and the economic and sociopolitical factors that have generated them.

Wood argues that universities have acquired occult aspects, as the beliefs and practices underpinning present-day market-driven academic discourse and practice weave spells of corporate potency, invoking the bewildering magic of the market and the arcane mysteries of capitalism, thriving on equivocation and evasion. Making particular reference to South African universities, the book demonstrates the ways in which apparently rational features of contemporary Western and westernised societies have acquired occult aspects. It also includes discussion of higher education institutions in other countries where neoliberal economic agendas are influential, such as the UK, the USA, the Eurozone states and Australia.

Providing a unique and thought-provoking look at the impact of the marketisation of Higher Education, this book will be essential reading for academics, researchers and postgraduate students engaged in the study of higher education, educational policy and neoliberalism. It should also be of great interest to academics in the fields of anthropology, folklore and cultural studies, as well as business, economics and management.

Table of Contents

1. Introduction 2. The Magic of the Market 3. Setting the Scene 4. Corporate Simulacra 5. A Climate of Fear 6. Rituals, Talismans and Templates 7. Performance and Ritual 8. Kinship, Collegiality and Witchcraft 9. Secrecy, Publicity, Confusion and Power 10. The Zombies of Corporate Academia 11. Sacrifices and Suffering 12. Smoke and Mirrors and Wind Money 13. Conclusion: Breaking the Spell Bibliography

This book explores historical and contemporary ideas of witchcraft through the perspective of the Clan of Tubal Cain - a closed Initiatory group aligned to the Shadow Mysteries within the Luciferian stream. As students of art we mediate the ancestral stream, teaching through practice with the sacred tenets of Truth, Love and Beauty. The Word is thus manifest in deed and vision.

Uncovers the mindset and motives that drive far-right extremists More than half a century after the defeat of Nazism and fascism, the far right is again challenging the liberal order of Western democracies. Radical movements are feeding on anxiety about immigration, globalization and the refugee crisis, giving rise to new waves of nationalism and surges of white supremacism. A curious mixture of Aristocratic paganism, anti-Semitic demonology, Eastern philosophies and the occult is influencing populist antigovernment sentiment and helping to exploit the widespread fear that invisible elites are shaping world events. Black Sun examines this neofascist ideology, showing how hate groups, militias and conspiracy cults gain influence. Based on interviews and extensive research into underground groups, the book documents new Nazi and fascist sects that have sprung up since the 1970s and examines the mentality and motivation of these far-right extremists. The result is a detailed, grounded portrait of the mythical and devotional aspects of Hitler cults among Aryan mystics, racist skinheads and Nazi satanists, and disciples of heavy metal music and occult literature. Nicholas Goodrick-Clarke offers a unique perspective on far right neo-Nazism viewing it as a new form of Western religious heresy. He paints a frightening picture of a religion with its own relics, rituals, prophecies and an international sectarian following that could, under the proper conditions, gain political power and attempt to realize its dangerous millenarian fantasies.

Film is a kind of magic, a world of shadows and light, where anything is possible and the dead come back to life. Film can persuade us to believe in anything and special effects can work miracles. It is therefore the perfect medium for expressing occult phenomena, and since the beginnings of cinema history, film has done just that. Movie Magick explores the way in which films have been inspired by Alesiter Crowley's famous definition of "Magick" as "the Science and Art of causing Change to occur in conformity with Will." This naturally encompasses classic occult movies, such as Hammer's adaptations of Dennis Wheatley's The Devil Rides Out, but also ventures further afield into the cultural background of the modern occult revival, exploring the way in which occult movies have responded to the esthetics of fin de siecle decadence, the symbolist writings of Villiers de l'Isle Adam, Wagnerian music drama, the Faust legend, the pseudo-science of Theosophy, the occult psychedelia of the 1960s, occult conspiracy theories and some of the more arcane aspects of animation. The result is a cinematic grimoire, which will appeal to both sorcerers and apprentices of movie magick.

Extracted from Volumes 1, 8, and 18. Includes Jung's Foreword to Phenomenes Occultes (1939), "On the Psychology and Pathology of So-called Occult Phenomena," "The Psychological Foundations of Belief in Spirits," "The Soul and Death," "Psychology and Spiritualism," "On Spooks: Heresy or Truth?" and Foreword to Jaffe: Apparitions and Precognition."

The first major survey of the occult collection of artworks, letters, objects and ephemera in the Tate Archive and collection. Revealing over 150 esoteric and mystical pieces, some never before seen, this book gives a new understanding to the artists in the Tate collection and the history and practice of the occult. A lavishly illustrated magical volume acts a potent talisman connecting the two worlds of Tate - the seen public collection and the unseen secrets lurking in the archive. The pages of this book explore the hidden artworks and ephemera left behind by artists, and shed new light on our understanding of the art historical canon. It offers an in-depth exploration of the occult and its relationship to art and culture including witchcraft, alchemy, secret societies, folklore and pagan rituals, demonology, spells and magic, psychic energies, astrology and tarot. Expect to find the unexpected in the works and lives of artists such as Ithell Colquhoun, Paul Nash, Barbara Hepworth, Cecil Collins, John William Waterhouse, Alan Davie, Joe Tilson, Henry Moore, Eileen Agar, William Blake, Leonora Carrington and Pamela Colman Smith. For the first time, the clandestine, magical works of the Tate archive are revealed with archivist Victoria Jenkins exploring relationships between art and the occult, and how both can act as a form of resistance to challenging environments. This book challenges perceptions and illuminates the surprising breadth and extraordinary ways in which artists interpret not just the physical world around them but also the supernatural, to make the unseen, seen. If you think you know Tate artists, it's time to think again.