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Books > Religion & Spirituality > Alternative belief systems > Occult studies > General
London, more than any other city, has a secret history concealed from view. Behind the official facade promoted by the heritage industry, lies a city of esoteric traditions, obscure institutions, and forgotten locations. Occult London rediscovers this history, unearthing the hidden city that lies beneath our own. From the Elizabethan magic of Dr Dee and Simon Forman, to the occult designs of Wren and Hawksmoor; from the Victorian London of Spring-Heeled Jack, to the fin de siecle heyday of Madame Blavatsky and Aleister Crowley. This book describes these practitioners of the occult and their unorthodox beliefs, alongside the myths and legends through which the city has always been perceived. The role of the occult within London's literary history is also outlined, while a gazetteer maps the sites of London's most resonant occult locations. Today we are experiencing a renewal of interest in the occult tradition, and Merlin Coverley examines the roots of this revival, exploring the rise of New Age philosophies and the emergence of psychogeography in shaping a new vision of the city.
Now in hardcover with a fresh new look. The vast store of magical lore within the Three Books of Occult Philosophy has been an essential resource for occultists since its original publication in 1531. Donald Tyson presents these writings in their complete form, supplemented by notes and explanations to contextualise the material for the modern reader.
This is the first book-length study of the uncanny, an important topic for contemporary thinking on literature, film, philosophy, psychoanalysis, feminism and queer history. Much of this importance can be traced back to Freud's extraordinary essay of 1919, 'The Uncanny' (Das Unheimliche). As a ghostly feeling and concept, however, the uncanny has a complex history going back to at least the Enlightenment. Royle offers a detailed account of the emergence of the uncanny, together with a series of close readings of different aspects of the topic. Following a major introductory historical and critical overview, there are chapters on literature, teaching, psychoanalysis, deconstruction, film, the death drive, deja vu, silence, solitude and darkness, the fear of being buried alive, the double, ghosts, cannibalism, telepathy, madness and religion. -- .
Film is a kind of magic, a world of shadows and light, where anything is possible and the dead come back to life. Film can persuade us to believe in anything and special effects can work miracles. It is therefore the perfect medium for expressing occult phenomena, and since the beginnings of cinema history, film has done just that. Movie Magick explores the way in which films have been inspired by Alesiter Crowley's famous definition of "Magick" as "the Science and Art of causing Change to occur in conformity with Will." This naturally encompasses classic occult movies, such as Hammer's adaptations of Dennis Wheatley's The Devil Rides Out, but also ventures further afield into the cultural background of the modern occult revival, exploring the way in which occult movies have responded to the esthetics of fin de siecle decadence, the symbolist writings of Villiers de l'Isle Adam, Wagnerian music drama, the Faust legend, the pseudo-science of Theosophy, the occult psychedelia of the 1960s, occult conspiracy theories and some of the more arcane aspects of animation. The result is a cinematic grimoire, which will appeal to both sorcerers and apprentices of movie magick.
Extracted from Volumes 1, 8, and 18. Includes Jung's Foreword to Phenomenes Occultes (1939), "On the Psychology and Pathology of So-called Occult Phenomena," "The Psychological Foundations of Belief in Spirits," "The Soul and Death," "Psychology and Spiritualism," "On Spooks: Heresy or Truth?" and Foreword to Jaffe: Apparitions and Precognition."
2013 Reprint of 1937 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. The first chapter of this essay provides a soundly skeptical, mythicist take on Christian origins, while simultaneously asserting Lemurian and Atlantean sources for esoteric traditions. The next three chapters are organized according to the book's pattern: brain/spirit, heart/emotions, and generative organs/physical sensation. In the chapter on "The Spinal Column" corresponding to the heart, there is also a discussion of clairvoyance and mediumship, and in the chapter on "The Infernal Worlds" Hall additionally provides an exposition of color symbolism. The final chapter of Occult Anatomy is on "embryology," which offers readings of religious texts as perinatal allegories. It then continues with a thumbnail description of the seven-year cyclical climacteric pattern of individual human development.
Industry of Magic & Light is a love letter to the counterculture of the 1960s and a requiem for its passing. The much-anticipated prequel to Keenan's cult classic debut, This is Memorial Device, Industry of Magic & Light is set in the same mythical Airdrie in the 1960s and early 70s and centres on a group of hippies running their own psychedelic light show. Told in two halves - the first in the form of an inventory of the contents of a caravan abandoned by one of the hippies, the second in the form of a tarot card reading - it is not so much a book about the 1960s as a direct channelling of the decade's energies, bringing to life how even the smallest and dreariest of working class towns felt so full of possibility in the wake of the psychedelic moment. Via artefacts from the time - everything from poetry chapbooks, record reviews and musical instruments through bubblegum wrappers, bicycle repair kits and mysterious cassette recordings - the book opens out into adventures along the hippy trail in Afghanistan and behind the Iron Curtain that leads a cast of new and returning characters - as well as the authorities - to believe that they are literally making magic. Simultaneously a forensics of the 1960s, a detective novel, an occult thriller, a vision quest, and the hallucinatory exposition of a moment where it felt like anything was possible, Industry of Magic & Life brings to life the streets of small working class towns as transformational sites of utopian joy.
"Avery Gordon's stunningly original and provocatively imaginative
book explores the connections linking horror, history, and
haunting." --George Lipsitz
'A major work ... an extraordinary tour de force, [this book] will materially help to bring both sides (science and paranormal studies) together in a way which could lead to real and important advances in our view of the universe' - New Scientist First published in 1978, Mysteries is the powerful and enlightening sequel to The Occult, continuing Colin Wilson's investigations into the paranormal, the occult and the supernatural. The experience of his own panic attacks gave Wilson his insight into the concept of the ladder or hierarchy of selves with which we are all associated. In this book he fully explores this idea of multiple selves, explaining how our lower, childish selves are linked to depression and anxiety. The book offers an optimistic message to counteract our contemporary tendency towards pessimism and nihilism: purposeful activity will always allow us to call on our higher selves and bring concentration, control and a sense of meaning into life. Wilson uses the concept of the multi-personality to explain a wide range of paranormal phenomenon, from dowsing and demonic possession to precognition and spoon-bending, and he analyses the work of all the big names in 20th-century supra-rational research (from T C Lethbridge to Margaret Murray to Carl Jung) from this perspective. The story ranges widely, from the stone circles to 1960s LSD adventures, and Wilson's analysis is woven with hundreds of entertaining paranormal anecdotes and case studies taken from throughout history, including his own experiences of dowsing at the Merry Maidens stone circle and of visions and lucid dreaming.
In this in-depth look at occult and esoteric traditions in Russia, Christopher McIntosh explores the currents of mysticism, myth, magic, and the spiritual to which the Russian soul has always been attuned. The author explains how the search for meaning in the post-Soviet era has given rise to a revival of ancient spiritual traditions and a plethora of new movements. He examines the precursors to these movements in the "Silver Age" (1880-1920) before the Revolution, when alternative forms of spirituality were finding new life as a reaction to the ongoing climate of violence, revolt, and repression. He discusses the impact of the Russian Revolution on spiritual and esoteric groups, and shows how their activities were tolerated and even in some instances encouraged--until Stalin assumed power in 1924. Discussing the spiritual reawakening after the fall of communism in 1989, the author explores the survival of Slavic deities and pagan practices in modern Russia, including the indigenous pre-Christian customs of the Mari people and the shamanic traditions of Siberia. He examines the resurgence of the Orthodox Church and the burgeoning of alternative forms of spirituality. He offers a deep look at the controversial Book of Veles, branded by some as a forgery and hailed by others as an epic chronicle of the Slavic people. He also explores the interface between spirituality and the arts and the unique qualities of the Russian language as a medium for the sacred. Revealing the implications of the modern Russian spiritual and esoteric renaissance, McIntosh shows that it still remains to be seen whether Edgar Cayce's prediction of Russia as the hope of the world will come true or if Russia will remain, as Churchill famously stated, "a riddle, wrapped in a mystery, inside an enigma."
The growing presence in Western society of non-mainstream faiths and spiritual practices poses a dilemma for the law. Building on a thorough history of the legal regulation of fortune-telling laws in four countries, Faith or Fraud examines the impact of people who identify as "spiritual but not religious" (SBNR) on the future legal understanding of religious freedom. Unlike SBNR belief systems that can encompass multiple religions, philosophies, and folklore, traditional legal interpretations of "freedom of religion" are based on organized religion and are ultimately shown to have failed to evolve along with ideas about religion itself.
Some years ago, for no obvious reason, Paul Whiteman felt compelled to analyse the mystical number 666, also known as the number of The Beast. His little mathematical revelation was followed almost immediately by a violent thunderstorm, and by a severe attack of asthma requiring urgent hospital admission. The concurrence of these scary events with his dabbling in the occult was probably coincidental. But the episode prompted Paul to further investigate numbers and the beliefs associated with them, the culmination of this research being 666 and All That. The initial chapters provide a pertinent review of the history and nature of numbers, number systems and the numbers of time. Relevant interpretations of the Revelation of St John are presented, taking into account both exoteric and esoteric views. Particular attention is given to the prevalence of sixes and sevens. This all provides the background to his interpretation of the code, 666. The obsession with numbers and supernatural apocalypses may say more about the nature of the human mind than some association with the spirit world. So far, the attempts of seers to prospectively predict a doomsday have been unimpressive. But the most likely causes of apocalyptic events in the 21st Century are, surely, rather obvious. Unchecked, they may be associated with a major evolutionary divergence - without the help of supernatural intervention. Paul discusses these issues, and the nature of the spirit that drives modern human evolution in this complex and fascinating read.
Suppose you could ask God the most puzzling questions about existence--questions about love and faith, life and death, good and evil.
Investigation of literary and archaeological evidence in search of pagan sources for the Arthurian legend. `Darrah makes the valid point that episodes in the Arthurian romances read like motifs from the ancient mythologies...[he] reconstructs a lost British paganism, grounded in the rivers, hills and woods, and especially those grey monoliths...reminders of a cosmology vanished from this island. NIKOLAI TOLSTOY, DAILY TELEGRAPH `Contends, with a good deal of evidence, that the impact of pre-Christian Welsh, Irish, Scottish, Cornish and Breton religion is greater than has been previously thought... Extensively researched and well written.' CHOICE The origins of Arthurian romance will always be a hotly disputed subject. The great moments of the legends belong partly to dimly-remembered history, partly to the poets' imagination down the ages, yet there is another strand to the stories which goes back deeper and further: the traces of ancient pagan religion, found both in Arthurian heroes who have inherited the attributes of gods, and in episodes which reflect ancient religious rituals. Darrah's careful study of the thematic relationships of, particularly, the more obscure episodes of the romances and his identification of the relative geography of Arthurian Britain as portrayed in the romances will be valuable even to those who differ with his conclusions. His most original contribution to an unravelling of a pagan Arthurian past lies in his appropriation of the fascinating evidence of standing stones and pagan cultic sites. This is dark and difficult territory, but building on elusive clues, and tracing a range of sites, especially in south-west Britain, John Darrah hasadded a significant new dimension to the search for the sources of the legends of Arthur and his court. JOHN DARRAH has also written The Real Camelot.
This amazing book is an essential reference and permanent resource for every aspirant. It is illustrated with original ary by Oberon and friends, as well as hundred of woodcuts from medieval manuscripts and alchemical texts--plus, charts, tables and diagrams.
New collection of essays promising to re-energize the debate on Nazism's occult roots and legacies and thus our understanding of German cultural and intellectual history over the past century. Scholars have debated the role of the occult in Nazism since it first appeared on the German political landscape in the 1920s. After 1945, a consensus held that occultism - an ostensibly anti-modern, irrational blend of pseudo-religious and -scientific practices and ideas - had directly facilitated Nazism's rise. More recently, scholarly debate has denied the occult a role in shaping the Third Reich, emphasizing the Nazis' hostility to esoteric religion and alternative forms of knowledge. Bringing together cutting-edge scholarship on the topic, this volume calls for a fundamental reappraisal of these positions. The book is divided into three chronological sections. The first,on the period 1890 to 1933, looks at the esoteric philosophies and occult movements that influenced both the leaders of the Nazi movement and ordinary Germans who became its adherents. The second, on the Third Reich in power, explores how the occult and alternative religious belief informed Nazism as an ideological, political, and cultural system. The third looks at Nazism's occult legacies. In emphasizing both continuities and disjunctures, this book promises to re-open and re-energize debate on the occult roots and legacies of Nazism, and with it our understanding of German cultural and intellectual history over the past century. Contributors: Monica Black; Jeff Hayton; Oded Heilbronner; Eric Kurlander; Fabian Link and J. Laurence Hare; Anna Lux; Perry Myers; John Ondrovcik; Michael E. O'Sullivan; Jared Poley; Uwe Schellinger, Andreas Anton, and Michael T. Schetsche; Peter Staudenmaier. Monica Black is Associate Professor and Associate Head of the Department of History at the University of Tennessee, Knoxville. Eric Kurlander is J. Ollie Edmunds Chair and Professor of Modern European History at Stetson University.
Salem Story engages the story of the Salem witch trials through an analysis of the surviving primary documentation and juxtaposes that against the way in which our culture has mythologized the events of 1692. Salem Story examines a variety of individual motives that converged to precipitate the witch hunt. The book also examines subsequent mythologies that emerged from the events of 1692. Of the many assumptions about the Salem Witch Trials, the most persistent one remains that they were precipitated by a circle of hysterical girls. Through an analysis of what actually happened, through reading the primary material, the emerging story shows a different picture, one where "hysteria" inappropriately describes the events and where accusing males as well as females participated in strategies of accusation and confession that followed a logical, rational pattern.
After identifying its anthropological origins in ancient rituals performed by a shaman or wizard, this text traces the development of the Magus through pre-Christian religious and mystic philosophers, medieval sorcerers and alchemists and the 18th and 19th century occult revival.
The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West. |
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